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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E4D37 it is the complementary color #A1B2C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E4D37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E4D37 shade: #634D32, #745F45, #857158, #96836B and #A7957E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E4D37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E4D37 shade: #5E4D37, #4D3B24, #3C2911, #2B1700 and #1A0500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E4D37 shade: #5D4C37, #5D4237, #5D3837 and #5D3737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E4D37 shade: #5D4C37, #5D5737, #595D37, #4F5D37 and #445D37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E4D37 shade matches the following richer shades: #5D4C37, #694E2B, #754F1F, #815113 and #8D5307

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E4D37 shade: #5D4C37, #514B43, #45494F, #39485B and #2D4667

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E4D37 shade: #5D3737, #5D4237, #5D4C37, #5D5637 and #5A5D37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E4D37 shade: #292218, #433727, #5D4C37, #776246 and #917755

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E4D37 shade: #5E4D37, #405D37 and #3C375D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E4D37 shade: #5E4D37, #375D4C and #4C375D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E4D37 shade: #5E4D37, #405D37, #37485D and #54375D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E4D37 shade: #5E4D37, #375D39, #37485D and #5D375B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 41 / 63

HEX #5E4D37

RGB 94 77 55

HSL 33.85, 0.26%, 0.29%

LAB 33.91, 3.64, 15.73

 

Complementary color

CMYK 20 / 11 / 0 / 22

HEX #A1B2C8

RGB 161 178 200

HSL 213.85, 0.26%, 0.71%

LAB 71.95, -1.18, -13.14

 

CMYK 0 / 22 / 49 / 61

HEX #634D32

RGB 99 77 50

HSL 33.06, 0.33%, 0.29%

LAB 34.38, 5.35, 19.51

 

CMYK 0 / 18 / 41 / 55

HEX #745F45

RGB 116 95 69

HSL 33.19, 0.25%, 0.36%

LAB 41.73, 4.53, 18.07

 

CMYK 0 / 15 / 34 / 48

HEX #857158

RGB 133 113 88

HSL 33.33, 0.2%, 0.43%

LAB 48.89, 3.9, 16.8

 

CMYK 0 / 13 / 29 / 41

HEX #96836B

RGB 150 131 107

HSL 33.49, 0.17%, 0.5%

LAB 55.87, 3.38, 15.65

 

CMYK 0 / 11 / 25 / 35

HEX #A7957E

RGB 167 149 126

HSL 33.66, 0.19%, 0.57%

LAB 62.69, 2.94, 14.59

 

CMYK 0 / 18 / 41 / 63

HEX #5E4D37

RGB 94 77 55

HSL 33.85, 0.26%, 0.29%

LAB 33.91, 3.64, 15.73

 

CMYK 0 / 23 / 53 / 70

HEX #4D3B24

RGB 77 59 36

HSL 33.66, 0.36%, 0.22%

LAB 26.25, 4.5, 17.24

 

CMYK 0 / 32 / 72 / 76

HEX #3C2911

RGB 60 41 17

HSL 33.49, 0.56%, 0.15%

LAB 18.31, 5.76, 18.92

 

CMYK 0 / 47 / 100 / 83

HEX #2B1700

RGB 43 23 0

HSL 32.09, 1%, 0.08%

LAB 10, 7.57, 15.12

 

CMYK 0 / 81 / 100 / 90

HEX #1A0500

RGB 26 5 0

HSL 11.54, 1%, 0.05%

LAB 2.96, 6.9, 4.57

 

CMYK 0 / 18 / 41 / 64

HEX #5D4C37

RGB 93 76 55

HSL 33.16, 0.26%, 0.29%

LAB 33.5, 3.8, 15.17

 

CMYK 0 / 29 / 41 / 64

HEX #5D4237

RGB 93 66 55

HSL 17.37, 0.26%, 0.29%

LAB 30.64, 10.06, 11.3

 

CMYK 0 / 40 / 41 / 64

HEX #5D3837

RGB 93 56 55

HSL 1.58, 0.26%, 0.29%

LAB 27.93, 16.35, 7.56

 

CMYK 0 / 41 / 41 / 64

HEX #5D3737

RGB 93 55 55

HSL 0, 0.26%, 0.29%

LAB 27.67, 16.97, 7.19

 

CMYK 0 / 18 / 41 / 64

HEX #5D4C37

RGB 93 76 55

HSL 33.16, 0.26%, 0.29%

LAB 33.5, 3.8, 15.17

 

CMYK 0 / 6 / 41 / 64

HEX #5D5737

RGB 93 87 55

HSL 50.53, 0.26%, 0.29%

LAB 36.78, -2.92, 19.48

 

CMYK 4 / 0 / 41 / 64

HEX #595D37

RGB 89 93 55

HSL 66.32, 0.26%, 0.29%

LAB 38.25, -8.29, 21.3

 

CMYK 15 / 0 / 41 / 64

HEX #4F5D37

RGB 79 93 55

HSL 82.11, 0.26%, 0.29%

LAB 37.42, -12.72, 20.07

 

CMYK 27 / 0 / 41 / 64

HEX #445D37

RGB 68 93 55

HSL 99.47, 0.26%, 0.29%

LAB 36.62, -17.34, 18.87

 

CMYK 0 / 18 / 41 / 64

HEX #5D4C37

RGB 93 76 55

HSL 33.16, 0.26%, 0.29%

LAB 33.5, 3.8, 15.17

 

CMYK 0 / 26 / 59 / 59

HEX #694E2B

RGB 105 78 43

HSL 33.87, 0.42%, 0.29%

LAB 35.25, 6.85, 24.92

 

CMYK 0 / 32 / 74 / 54

HEX #754F1F

RGB 117 79 31

HSL 33.49, 0.58%, 0.29%

LAB 36.88, 11.06, 33.74

 

CMYK 0 / 37 / 85 / 49

HEX #815113

RGB 129 81 19

HSL 33.82, 0.74%, 0.29%

LAB 38.9, 15, 41.67

 

CMYK 0 / 41 / 95 / 45

HEX #8D5307

RGB 141 83 7

HSL 34.03, 0.91%, 0.29%

LAB 41, 19.1, 47.83

 

CMYK 0 / 18 / 41 / 64

HEX #5D4C37

RGB 93 76 55

HSL 33.16, 0.26%, 0.29%

LAB 33.5, 3.8, 15.17

 

CMYK 0 / 7 / 17 / 68

HEX #514B43

RGB 81 75 67

HSL 34.29, 0.09%, 0.29%

LAB 32.23, 0.93, 5.66

 

CMYK 13 / 8 / 0 / 69

HEX #45494F

RGB 69 73 79

HSL 216, 0.07%, 0.29%

LAB 30.87, -0.22, -4.14

 

CMYK 37 / 21 / 0 / 64

HEX #39485B

RGB 57 72 91

HSL 213.53, 0.23%, 0.29%

LAB 30.06, -0.63, -13.15

 

CMYK 56 / 32 / 0 / 60

HEX #2D4667

RGB 45 70 103

HSL 214.14, 0.39%, 0.29%

LAB 29.2, 1.1, -22.22

 

CMYK 0 / 41 / 41 / 64

HEX #5D3737

RGB 93 55 55

HSL 0, 0.26%, 0.29%

LAB 27.67, 16.97, 7.19

 

CMYK 0 / 29 / 41 / 64

HEX #5D4237

RGB 93 66 55

HSL 17.37, 0.26%, 0.29%

LAB 30.64, 10.06, 11.3

 

CMYK 0 / 18 / 41 / 64

HEX #5D4C37

RGB 93 76 55

HSL 33.16, 0.26%, 0.29%

LAB 33.5, 3.8, 15.17

 

CMYK 0 / 8 / 41 / 64

HEX #5D5637

RGB 93 86 55

HSL 48.95, 0.26%, 0.29%

LAB 36.48, -2.32, 19.09

 

CMYK 3 / 0 / 41 / 64

HEX #5A5D37

RGB 90 93 55

HSL 64.74, 0.26%, 0.29%

LAB 38.34, -7.84, 21.43

 

CMYK 0 / 17 / 41 / 84

HEX #292218

RGB 41 34 24

HSL 35.29, 0.26%, 0.13%

LAB 13.72, 1.41, 7.98

 

CMYK 0 / 18 / 42 / 74

HEX #433727

RGB 67 55 39

HSL 34.29, 0.26%, 0.21%

LAB 23.91, 2.58, 12.02

 

CMYK 0 / 18 / 41 / 64

HEX #5D4C37

RGB 93 76 55

HSL 33.16, 0.26%, 0.29%

LAB 33.5, 3.8, 15.17

 

CMYK 0 / 18 / 41 / 53

HEX #776246

RGB 119 98 70

HSL 34.29, 0.26%, 0.37%

LAB 42.91, 4.21, 19.11

 

CMYK 0 / 18 / 41 / 43

HEX #917755

RGB 145 119 85

HSL 34, 0.26%, 0.45%

LAB 51.69, 5.2, 22.5

 

CMYK 0 / 18 / 41 / 63

HEX #5E4D37

RGB 94 77 55

HSL 33.85, 0.26%, 0.29%

LAB 33.91, 3.64, 15.73

 

CMYK 31 / 0 / 41 / 64

HEX #405D37

RGB 64 93 55

HSL 105.79, 0.26%, 0.29%

LAB 36.36, -18.94, 18.48

 

CMYK 35 / 41 / 0 / 64

HEX #3C375D

RGB 60 55 93

HSL 247.89, 0.26%, 0.29%

LAB 25.21, 12.25, -21.95

 

CMYK 0 / 18 / 41 / 63

HEX #5E4D37

RGB 94 77 55

HSL 33.85, 0.26%, 0.29%

LAB 33.91, 3.64, 15.73

 

CMYK 41 / 0 / 18 / 64

HEX #375D4C

RGB 55 93 76

HSL 153.16, 0.26%, 0.29%

LAB 36.3, -17.9, 5.54

 

CMYK 18 / 41 / 0 / 64

HEX #4C375D

RGB 76 55 93

HSL 273.16, 0.26%, 0.29%

LAB 26.9, 17.67, -19.18

 

CMYK 0 / 18 / 41 / 63

HEX #5E4D37

RGB 94 77 55

HSL 33.85, 0.26%, 0.29%

LAB 33.91, 3.64, 15.73

 

CMYK 31 / 0 / 41 / 64

HEX #405D37

RGB 64 93 55

HSL 105.79, 0.26%, 0.29%

LAB 36.36, -18.94, 18.48

 

CMYK 41 / 23 / 0 / 64

HEX #37485D

RGB 55 72 93

HSL 213.16, 0.26%, 0.29%

LAB 30, -0.67, -14.53

 

CMYK 10 / 41 / 0 / 64

HEX #54375D

RGB 84 55 93

HSL 285.79, 0.26%, 0.29%

LAB 27.87, 20.49, -17.6

 

CMYK 0 / 18 / 41 / 63

HEX #5E4D37

RGB 94 77 55

HSL 33.85, 0.26%, 0.29%

LAB 33.91, 3.64, 15.73

 

CMYK 41 / 0 / 39 / 64

HEX #375D39

RGB 55 93 57

HSL 123.16, 0.26%, 0.29%

LAB 35.86, -21.96, 16.54

 

CMYK 41 / 23 / 0 / 64

HEX #37485D

RGB 55 72 93

HSL 213.16, 0.26%, 0.29%

LAB 30, -0.67, -14.53

 

CMYK 0 / 41 / 2 / 64

HEX #5D375B

RGB 93 55 91

HSL 303.16, 0.26%, 0.29%

LAB 28.94, 23.28, -14.55

 

Description

Color code: HEX #5E4D37 | qconv.com Color code: HEX #5E4D37 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 77 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 77 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 41 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 41% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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