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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E4D0B it is the complementary color #A1B2F4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E4D0B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E4D0B shade: #634D06, #745F19, #85712C, #96833F and #A79552

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E4D0B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E4D0B shade: #5E4D0B, #4D3B00, #3C2900, #2B1700 and #1A0500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E4D0B shade: #604F0B, #60380B, #60210B and #600B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E4D0B shade: #604F0B, #5A600B, #44600B, #2D600B and #16600B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E4D0B shade matches the following richer shades: #604F0B and #695403

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E4D0B shade: #604F0B, #574914, #4F441D, #463F25 and #3D3A2E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E4D0B shade: #60200B, #60370B, #604E0B, #5C600B and #45600B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E4D0B shade: #161203, #3B3007, #604F0B, #856D10 and #AA8B14

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E4D0B shade: #5E4D0B, #0D600B and #2C0B60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E4D0B shade: #5E4D0B, #0B604E and #4E0B60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E4D0B shade: #5E4D0B, #0D600B, #0B1E60 and #5E0B60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E4D0B shade: #5E4D0B, #0B6023, #0B1E60 and #600B48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 88 / 63

HEX #5E4D0B

RGB 94 77 11

HSL 47.71, 0.79%, 0.21%

LAB 33.37, 0.01, 38.07

 

Complementary color

CMYK 34 / 27 / 0 / 4

HEX #A1B2F4

RGB 161 178 244

HSL 227.71, 0.79%, 0.79%

LAB 73.51, 9.41, -34.73

 

CMYK 0 / 22 / 94 / 61

HEX #634D06

RGB 99 77 6

HSL 45.81, 0.89%, 0.21%

LAB 33.93, 2.38, 40.39

 

CMYK 0 / 18 / 78 / 55

HEX #745F19

RGB 116 95 25

HSL 46.15, 0.65%, 0.28%

LAB 41.16, 0.69, 40.78

 

CMYK 0 / 15 / 67 / 48

HEX #85712C

RGB 133 113 44

HSL 46.52, 0.5%, 0.35%

LAB 48.23, -0.6, 40.02

 

CMYK 0 / 13 / 58 / 41

HEX #96833F

RGB 150 131 63

HSL 46.9, 0.41%, 0.42%

LAB 55.15, -1.6, 38.84

 

CMYK 0 / 11 / 51 / 35

HEX #A79552

RGB 167 149 82

HSL 47.29, 0.34%, 0.49%

LAB 61.93, -2.39, 37.55

 

CMYK 0 / 18 / 88 / 63

HEX #5E4D0B

RGB 94 77 11

HSL 47.71, 0.79%, 0.21%

LAB 33.37, 0.01, 38.07

 

CMYK 0 / 23 / 100 / 70

HEX #4D3B00

RGB 77 59 0

HSL 45.97, 1%, 0.15%

LAB 25.88, 2.02, 35.11

 

CMYK 0 / 32 / 100 / 76

HEX #3C2900

RGB 60 41 0

HSL 41, 1%, 0.12%

LAB 18.13, 4.63, 26.23

 

CMYK 0 / 47 / 100 / 83

HEX #2B1700

RGB 43 23 0

HSL 32.09, 1%, 0.08%

LAB 10, 7.57, 15.12

 

CMYK 0 / 81 / 100 / 90

HEX #1A0500

RGB 26 5 0

HSL 11.54, 1%, 0.05%

LAB 2.96, 6.9, 4.57

 

CMYK 0 / 18 / 89 / 62

HEX #604F0B

RGB 96 79 11

HSL 48, 0.79%, 0.21%

LAB 34.2, -0.2, 38.86

 

CMYK 0 / 42 / 89 / 62

HEX #60380B

RGB 96 56 11

HSL 31.76, 0.79%, 0.21%

LAB 27.68, 14.06, 33.22

 

CMYK 0 / 66 / 89 / 62

HEX #60210B

RGB 96 33 11

HSL 15.53, 0.79%, 0.21%

LAB 22.3, 27.47, 28.07

 

CMYK 0 / 89 / 89 / 62

HEX #600B0B

RGB 96 11 11

HSL 0, 0.79%, 0.21%

LAB 19.01, 36.47, 24.43

 

CMYK 0 / 18 / 89 / 62

HEX #604F0B

RGB 96 79 11

HSL 48, 0.79%, 0.21%

LAB 34.2, -0.2, 38.86

 

CMYK 6 / 0 / 89 / 62

HEX #5A600B

RGB 90 96 11

HSL 64.24, 0.79%, 0.21%

LAB 38.84, -13.12, 42.58

 

CMYK 29 / 0 / 89 / 62

HEX #44600B

RGB 68 96 11

HSL 79.76, 0.79%, 0.21%

LAB 37.15, -23.3, 40.46

 

CMYK 53 / 0 / 89 / 62

HEX #2D600B

RGB 45 96 11

HSL 96, 0.79%, 0.21%

LAB 35.88, -32.31, 38.86

 

CMYK 77 / 0 / 89 / 62

HEX #16600B

RGB 22 96 11

HSL 112.24, 0.79%, 0.21%

LAB 35.12, -38.49, 37.89

 

CMYK 0 / 18 / 89 / 62

HEX #604F0B

RGB 96 79 11

HSL 48, 0.79%, 0.21%

LAB 34.2, -0.2, 38.86

 

CMYK 0 / 20 / 97 / 59

HEX #695403

RGB 105 84 3

HSL 47.65, 0.94%, 0.21%

LAB 36.65, 1.06, 43.74

 

CMYK 0 / 18 / 89 / 62

HEX #604F0B

RGB 96 79 11

HSL 48, 0.79%, 0.21%

LAB 34.2, -0.2, 38.86

 

CMYK 0 / 16 / 77 / 66

HEX #574914

RGB 87 73 20

HSL 47.46, 0.63%, 0.21%

LAB 31.44, -0.67, 32.38

 

CMYK 0 / 14 / 63 / 69

HEX #4F441D

RGB 79 68 29

HSL 46.8, 0.46%, 0.21%

LAB 29.12, -0.94, 24.96

 

CMYK 0 / 10 / 47 / 73

HEX #463F25

RGB 70 63 37

HSL 47.27, 0.31%, 0.21%

LAB 26.71, -1.39, 17.02

 

CMYK 0 / 5 / 25 / 76

HEX #3D3A2E

RGB 61 58 46

HSL 48, 0.14%, 0.21%

LAB 24.37, -1.11, 7.94

 

CMYK 0 / 67 / 89 / 62

HEX #60200B

RGB 96 32 11

HSL 14.82, 0.79%, 0.21%

LAB 22.1, 27.99, 27.87

 

CMYK 0 / 43 / 89 / 62

HEX #60370B

RGB 96 55 11

HSL 31.06, 0.79%, 0.21%

LAB 27.42, 14.68, 32.98

 

CMYK 0 / 19 / 89 / 62

HEX #604E0B

RGB 96 78 11

HSL 47.29, 0.79%, 0.21%

LAB 33.9, 0.41, 38.61

 

CMYK 4 / 0 / 89 / 62

HEX #5C600B

RGB 92 96 11

HSL 62.82, 0.79%, 0.21%

LAB 39.01, -12.15, 42.8

 

CMYK 28 / 0 / 89 / 62

HEX #45600B

RGB 69 96 11

HSL 79.06, 0.79%, 0.21%

LAB 37.22, -22.86, 40.55

 

CMYK 0 / 18 / 86 / 91

HEX #161203

RGB 22 18 3

HSL 47.37, 0.76%, 0.05%

LAB 5.51, -0.65, 7.01

 

CMYK 0 / 19 / 88 / 77

HEX #3B3007

RGB 59 48 7

HSL 47.31, 0.79%, 0.13%

LAB 20.28, -0.15, 25.83

 

CMYK 0 / 18 / 89 / 62

HEX #604F0B

RGB 96 79 11

HSL 48, 0.79%, 0.21%

LAB 34.2, -0.2, 38.86

 

CMYK 0 / 18 / 88 / 48

HEX #856D10

RGB 133 109 16

HSL 47.69, 0.79%, 0.29%

LAB 46.92, 0.38, 49.68

 

CMYK 0 / 18 / 88 / 33

HEX #AA8B14

RGB 170 139 20

HSL 47.6, 0.79%, 0.37%

LAB 59.03, 0.9, 60.12

 

CMYK 0 / 18 / 88 / 63

HEX #5E4D0B

RGB 94 77 11

HSL 47.71, 0.79%, 0.21%

LAB 33.37, 0.01, 38.07

 

CMYK 86 / 0 / 89 / 62

HEX #0D600B

RGB 13 96 11

HSL 118.59, 0.79%, 0.21%

LAB 34.95, -39.97, 37.67

 

CMYK 54 / 89 / 0 / 62

HEX #2C0B60

RGB 44 11 96

HSL 263.29, 0.79%, 0.21%

LAB 13.35, 36.12, -43.13

 

CMYK 0 / 18 / 88 / 63

HEX #5E4D0B

RGB 94 77 11

HSL 47.71, 0.79%, 0.21%

LAB 33.37, 0.01, 38.07

 

CMYK 89 / 0 / 19 / 62

HEX #0B604E

RGB 11 96 78

HSL 167.29, 0.79%, 0.21%

LAB 35.96, -28.3, 3.63

 

CMYK 19 / 89 / 0 / 62

HEX #4E0B60

RGB 78 11 96

HSL 287.29, 0.79%, 0.21%

LAB 18.82, 41.83, -33.97

 

CMYK 0 / 18 / 88 / 63

HEX #5E4D0B

RGB 94 77 11

HSL 47.71, 0.79%, 0.21%

LAB 33.37, 0.01, 38.07

 

CMYK 86 / 0 / 89 / 62

HEX #0D600B

RGB 13 96 11

HSL 118.59, 0.79%, 0.21%

LAB 34.95, -39.97, 37.67

 

CMYK 89 / 69 / 0 / 62

HEX #0B1E60

RGB 11 30 96

HSL 226.59, 0.79%, 0.21%

LAB 14.65, 20.72, -41.09

 

CMYK 2 / 89 / 0 / 62

HEX #5E0B60

RGB 94 11 96

HSL 298.59, 0.79%, 0.21%

LAB 21.81, 45.06, -29

 

CMYK 0 / 18 / 88 / 63

HEX #5E4D0B

RGB 94 77 11

HSL 47.71, 0.79%, 0.21%

LAB 33.37, 0.01, 38.07

 

CMYK 89 / 0 / 64 / 62

HEX #0B6023

RGB 11 96 35

HSL 136.94, 0.79%, 0.21%

LAB 35.12, -37.81, 27.74

 

CMYK 89 / 69 / 0 / 62

HEX #0B1E60

RGB 11 30 96

HSL 226.59, 0.79%, 0.21%

LAB 14.65, 20.72, -41.09

 

CMYK 0 / 89 / 25 / 62

HEX #600B48

RGB 96 11 72

HSL 316.94, 0.79%, 0.21%

LAB 20.8, 41.69, -14.41

 

Description

Color code: HEX #5E4D0B | qconv.com Color code: HEX #5E4D0B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 77 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 77 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 88 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 88% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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