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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E4A33 it is the complementary color #A1B5CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E4A33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E4A33 shade: #634A2E, #745C41, #856E54, #968067 and #A7927A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E4A33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E4A33 shade: #5E4A33, #4D3820, #3C260D, #2B1400 and #1A0200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E4A33 shade: #5C4831, #5C3D31 and #5C3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E4A33 shade: #5C4831, #5C5431, #595C31, #4E5C31 and #425C31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E4A33 shade matches the following richer shades: #5C4831, #684926, #734A1A, #7F4B0F and #8B4C03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E4A33 shade: #5C4831, #51483D, #454749, #3A4654 and #2E4560

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E4A33 shade: #5C3131, #5C3D31, #5C4831, #5C5431 and #595C31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E4A33 shade: #271E15, #423323, #5C4831, #775D40 and #92734E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E4A33 shade: #5E4A33, #3D5C31 and #37315C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E4A33 shade: #5E4A33, #315C48 and #48315C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E4A33 shade: #5E4A33, #3D5C31, #31455C and #51315C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E4A33 shade: #5E4A33, #315C33, #31455C and #5C315B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 46 / 63

HEX #5E4A33

RGB 94 74 51

HSL 32.09, 0.3%, 0.28%

LAB 32.95, 4.99, 16.94

 

Complementary color

CMYK 21 / 11 / 0 / 20

HEX #A1B5CC

RGB 161 181 204

HSL 212.09, 0.3%, 0.72%

LAB 72.88, -1.91, -13.93

 

CMYK 0 / 25 / 54 / 61

HEX #634A2E

RGB 99 74 46

HSL 31.7, 0.37%, 0.28%

LAB 33.45, 6.77, 20.75

 

CMYK 0 / 21 / 44 / 55

HEX #745C41

RGB 116 92 65

HSL 31.76, 0.28%, 0.35%

LAB 40.81, 5.83, 19.24

 

CMYK 0 / 17 / 37 / 48

HEX #856E54

RGB 133 110 84

HSL 31.84, 0.23%, 0.43%

LAB 47.98, 5.1, 17.91

 

CMYK 0 / 15 / 31 / 41

HEX #968067

RGB 150 128 103

HSL 31.91, 0.19%, 0.5%

LAB 54.97, 4.51, 16.71

 

CMYK 0 / 13 / 27 / 35

HEX #A7927A

RGB 167 146 122

HSL 32, 0.2%, 0.57%

LAB 61.81, 4.02, 15.61

 

CMYK 0 / 21 / 46 / 63

HEX #5E4A33

RGB 94 74 51

HSL 32.09, 0.3%, 0.28%

LAB 32.95, 4.99, 16.94

 

CMYK 0 / 27 / 58 / 70

HEX #4D3820

RGB 77 56 32

HSL 32, 0.41%, 0.21%

LAB 25.29, 6, 18.53

 

CMYK 0 / 37 / 78 / 76

HEX #3C260D

RGB 60 38 13

HSL 31.91, 0.64%, 0.14%

LAB 17.35, 7.48, 19.89

 

CMYK 0 / 53 / 100 / 83

HEX #2B1400

RGB 43 20 0

HSL 27.91, 1%, 0.08%

LAB 9.11, 9.69, 13.84

 

CMYK 0 / 92 / 100 / 90

HEX #1A0200

RGB 26 2 0

HSL 4.62, 1%, 0.05%

LAB 2.38, 8.1, 3.71

 

CMYK 0 / 22 / 47 / 64

HEX #5C4831

RGB 92 72 49

HSL 32.09, 0.3%, 0.28%

LAB 32.11, 5.04, 17.02

 

CMYK 0 / 34 / 47 / 64

HEX #5C3D31

RGB 92 61 49

HSL 16.74, 0.3%, 0.28%

LAB 28.99, 11.97, 12.9

HEX #5C3D31

CMYK 0 / 47 / 47 / 64

HEX #5C3131

RGB 92 49 49

HSL 0, 0.3%, 0.28%

LAB 25.84, 19.46, 8.6

HEX #5C3131

CMYK 0 / 22 / 47 / 64

HEX #5C4831

RGB 92 72 49

HSL 32.09, 0.3%, 0.28%

LAB 32.11, 5.04, 17.02

 

CMYK 0 / 9 / 47 / 64

HEX #5C5431

RGB 92 84 49

HSL 48.84, 0.3%, 0.28%

LAB 35.67, -2.34, 21.6

 

CMYK 3 / 0 / 47 / 64

HEX #595C31

RGB 89 92 49

HSL 64.19, 0.3%, 0.28%

LAB 37.84, -8.47, 24.26

 

CMYK 15 / 0 / 47 / 64

HEX #4E5C31

RGB 78 92 49

HSL 79.53, 0.3%, 0.28%

LAB 36.92, -13.43, 22.91

 

CMYK 28 / 0 / 47 / 64

HEX #425C31

RGB 66 92 49

HSL 96.28, 0.3%, 0.28%

LAB 36.05, -18.55, 21.63

 

CMYK 0 / 22 / 47 / 64

HEX #5C4831

RGB 92 72 49

HSL 32.09, 0.3%, 0.28%

LAB 32.11, 5.04, 17.02

 

CMYK 0 / 30 / 63 / 59

HEX #684926

RGB 104 73 38

HSL 31.82, 0.46%, 0.28%

LAB 33.66, 9.01, 25.88

 

CMYK 0 / 36 / 77 / 55

HEX #734A1A

RGB 115 74 26

HSL 32.36, 0.63%, 0.28%

LAB 35.24, 12.86, 34.46

 

CMYK 0 / 41 / 88 / 50

HEX #7F4B0F

RGB 127 75 15

HSL 32.14, 0.79%, 0.28%

LAB 37.08, 17.48, 41.5

 

CMYK 0 / 45 / 98 / 45

HEX #8B4C03

RGB 139 76 3

HSL 32.21, 0.96%, 0.28%

LAB 39.01, 22.14, 47.48

 

CMYK 0 / 22 / 47 / 64

HEX #5C4831

RGB 92 72 49

HSL 32.09, 0.3%, 0.28%

LAB 32.11, 5.04, 17.02

 

CMYK 0 / 11 / 25 / 68

HEX #51483D

RGB 81 72 61

HSL 33, 0.14%, 0.28%

LAB 31.16, 1.73, 7.99

 

CMYK 5 / 3 / 0 / 71

HEX #454749

RGB 69 71 73

HSL 210, 0.03%, 0.28%

LAB 30.04, -0.37, -1.49

 

CMYK 31 / 17 / 0 / 67

HEX #3A4654

RGB 58 70 84

HSL 212.31, 0.18%, 0.28%

LAB 29.21, -1.06, -9.94

 

CMYK 52 / 28 / 0 / 62

HEX #2E4560

RGB 46 69 96

HSL 212.4, 0.35%, 0.28%

LAB 28.59, -0.4, -18.68

 

CMYK 0 / 47 / 47 / 64

HEX #5C3131

RGB 92 49 49

HSL 0, 0.3%, 0.28%

LAB 25.84, 19.46, 8.6

 

CMYK 0 / 34 / 47 / 64

HEX #5C3D31

RGB 92 61 49

HSL 16.74, 0.3%, 0.28%

LAB 28.99, 11.97, 12.9

HEX #5C3D31

CMYK 0 / 22 / 47 / 64

HEX #5C4831

RGB 92 72 49

HSL 32.09, 0.3%, 0.28%

LAB 32.11, 5.04, 17.02

HEX #5C4831

CMYK 0 / 9 / 47 / 64

HEX #5C5431

RGB 92 84 49

HSL 48.84, 0.3%, 0.28%

LAB 35.67, -2.34, 21.6

HEX #5C5431

CMYK 3 / 0 / 47 / 64

HEX #595C31

RGB 89 92 49

HSL 64.19, 0.3%, 0.28%

LAB 37.84, -8.47, 24.26

HEX #595C31

CMYK 0 / 23 / 46 / 85

HEX #271E15

RGB 39 30 21

HSL 30, 0.3%, 0.12%

LAB 12.05, 2.71, 7.81

 

CMYK 0 / 23 / 47 / 74

HEX #423323

RGB 66 51 35

HSL 30.97, 0.31%, 0.2%

LAB 22.47, 4.16, 12.71

 

CMYK 0 / 22 / 47 / 64

HEX #5C4831

RGB 92 72 49

HSL 32.09, 0.3%, 0.28%

LAB 32.11, 5.04, 17.02

 

CMYK 0 / 22 / 46 / 53

HEX #775D40

RGB 119 93 64

HSL 31.64, 0.3%, 0.36%

LAB 41.41, 6.47, 20.68

 

CMYK 0 / 21 / 47 / 43

HEX #92734E

RGB 146 115 78

HSL 32.65, 0.3%, 0.44%

LAB 50.6, 7.13, 25.07

 

CMYK 0 / 21 / 46 / 63

HEX #5E4A33

RGB 94 74 51

HSL 32.09, 0.3%, 0.28%

LAB 32.95, 4.99, 16.94

 

CMYK 34 / 0 / 47 / 64

HEX #3D5C31

RGB 61 92 49

HSL 103.26, 0.3%, 0.28%

LAB 35.73, -20.56, 21.16

 

CMYK 40 / 47 / 0 / 64

HEX #37315C

RGB 55 49 92

HSL 248.37, 0.3%, 0.28%

LAB 22.94, 14.46, -24.91

 

CMYK 0 / 21 / 46 / 63

HEX #5E4A33

RGB 94 74 51

HSL 32.09, 0.3%, 0.28%

LAB 32.95, 4.99, 16.94

 

CMYK 47 / 0 / 22 / 64

HEX #315C48

RGB 49 92 72

HSL 152.09, 0.3%, 0.28%

LAB 35.55, -20.23, 6.91

 

CMYK 22 / 47 / 0 / 64

HEX #48315C

RGB 72 49 92

HSL 272.09, 0.3%, 0.28%

LAB 24.79, 19.93, -21.87

 

CMYK 0 / 21 / 46 / 63

HEX #5E4A33

RGB 94 74 51

HSL 32.09, 0.3%, 0.28%

LAB 32.95, 4.99, 16.94

 

CMYK 34 / 0 / 47 / 64

HEX #3D5C31

RGB 61 92 49

HSL 103.26, 0.3%, 0.28%

LAB 35.73, -20.56, 21.16

 

CMYK 47 / 25 / 0 / 64

HEX #31455C

RGB 49 69 92

HSL 212.09, 0.3%, 0.28%

LAB 28.6, -0.88, -16.09

 

CMYK 12 / 47 / 0 / 64

HEX #51315C

RGB 81 49 92

HSL 284.65, 0.3%, 0.28%

LAB 25.92, 22.98, -20.01

 

CMYK 0 / 21 / 46 / 63

HEX #5E4A33

RGB 94 74 51

HSL 32.09, 0.3%, 0.28%

LAB 32.95, 4.99, 16.94

 

CMYK 47 / 0 / 45 / 64

HEX #315C33

RGB 49 92 51

HSL 122.79, 0.3%, 0.28%

LAB 35.1, -24.63, 19.04

 

CMYK 47 / 25 / 0 / 64

HEX #31455C

RGB 49 69 92

HSL 212.09, 0.3%, 0.28%

LAB 28.6, -0.88, -16.09

 

CMYK 0 / 47 / 1 / 64

HEX #5C315B

RGB 92 49 91

HSL 301.4, 0.3%, 0.28%

LAB 27.37, 26.55, -16.98

 

Description

Color code: HEX #5E4A33 | qconv.com Color code: HEX #5E4A33 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 74 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 74 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 46 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 46% 63% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

80% - raporty społeczne &#...
Link: http://www.kp.pl

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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