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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E49E5 it is the complementary color #A1B61A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E49E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E49E5 shade: #6349E0, #745BF3, #856DFF, #967FFF and #A791FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E49E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E49E5 shade: #5E49E5, #4D37D2, #3C25BF, #2B13AC and #1A0199

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E49E5 shade: #5D48E5, #8748E5, #B248E5, #DC48E5 and #E548C3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E49E5 shade: #5D48E5 and #4848E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E49E5 shade matches the following richer shades: #5D48E5 and #5137F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E49E5 shade: #5D48E5, #6A59D4, #766AC3, #827BB2 and #8F8CA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E49E5 shade: #4887E5, #485DE5, #5D48E5, #8748E5 and #B148E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E49E5 shade: #311BBF, #3D24E0, #5D48E5, #7D6CEA and #9D90EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E49E5 shade: #5E49E5, #E548B1 and #72E548

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E49E5 shade: #5E49E5, #E55D48 and #48E55D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E49E5 shade: #5E49E5, #E548B1, #D0E548 and #48E57C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E49E5 shade: #5E49E5, #E54882, #D0E548 and #48E5AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 68 / 0 / 10

HEX #5E49E5

RGB 94 73 229

HSL 248.08, 0.75%, 0.59%

LAB 42.46, 50.95, -76.21

 

Complementary color

CMYK 12 / 0 / 86 / 29

HEX #A1B61A

RGB 161 182 26

HSL 68.08, 0.75%, 0.41%

LAB 70.25, -25.35, 67.66

 

CMYK 56 / 67 / 0 / 12

HEX #6349E0

RGB 99 73 224

HSL 250.33, 0.71%, 0.58%

LAB 42.46, 50.21, -73.36

 

CMYK 52 / 63 / 0 / 5

HEX #745BF3

RGB 116 91 243

HSL 249.87, 0.86%, 0.65%

LAB 49.09, 48.62, -73.21

 

CMYK 48 / 57 / 0 / 0

HEX #856DFF

RGB 133 109 255

HSL 249.86, 1%, 0.71%

LAB 55.22, 45.12, -69.86

 

CMYK 41 / 50 / 0 / 0

HEX #967FFF

RGB 150 127 255

HSL 250.78, 1%, 0.75%

LAB 60.68, 38.53, -61.01

 

CMYK 35 / 43 / 0 / 0

HEX #A791FF

RGB 167 145 255

HSL 252, 1%, 0.78%

LAB 66.28, 32.46, -52.01

 

CMYK 59 / 68 / 0 / 10

HEX #5E49E5

RGB 94 73 229

HSL 248.08, 0.75%, 0.59%

LAB 42.46, 50.95, -76.21

 

CMYK 63 / 74 / 0 / 18

HEX #4D37D2

RGB 77 55 210

HSL 248.52, 0.63%, 0.52%

LAB 35.91, 52.65, -76.14

 

CMYK 69 / 81 / 0 / 25

HEX #3C25BF

RGB 60 37 191

HSL 248.96, 0.68%, 0.45%

LAB 29.53, 54.1, -75.63

 

CMYK 75 / 89 / 0 / 33

HEX #2B13AC

RGB 43 19 172

HSL 249.41, 0.8%, 0.37%

LAB 23.53, 54.73, -74.28

 

CMYK 83 / 99 / 0 / 40

HEX #1A0199

RGB 26 1 153

HSL 249.87, 0.99%, 0.3%

LAB 18.1, 54.13, -71.78

 

CMYK 59 / 69 / 0 / 10

HEX #5D48E5

RGB 93 72 229

HSL 248.03, 0.75%, 0.59%

LAB 42.18, 51.36, -76.67

 

CMYK 41 / 69 / 0 / 10

HEX #8748E5

RGB 135 72 229

HSL 264.08, 0.75%, 0.59%

LAB 46.23, 58.19, -69.89

 

CMYK 22 / 69 / 0 / 10

HEX #B248E5

RGB 178 72 229

HSL 280.51, 0.75%, 0.59%

LAB 51.56, 66.56, -61.01

 

CMYK 4 / 69 / 0 / 10

HEX #DC48E5

RGB 220 72 229

HSL 296.56, 0.75%, 0.59%

LAB 57.57, 75.4, -51.06

 

CMYK 0 / 69 / 15 / 10

HEX #E548C3

RGB 229 72 195

HSL 312.99, 0.75%, 0.59%

LAB 57.3, 72.24, -32.08

 

CMYK 59 / 69 / 0 / 10

HEX #5D48E5

RGB 93 72 229

HSL 248.03, 0.75%, 0.59%

LAB 42.18, 51.36, -76.67

 

CMYK 69 / 69 / 0 / 10

HEX #4848E5

RGB 72 72 229

HSL 240, 0.75%, 0.59%

LAB 40.69, 48.7, -79.19

 

CMYK 59 / 69 / 0 / 10

HEX #5D48E5

RGB 93 72 229

HSL 248.03, 0.75%, 0.59%

LAB 42.18, 51.36, -76.67

 

CMYK 67 / 78 / 0 / 4

HEX #5137F6

RGB 81 55 246

HSL 248.17, 0.91%, 0.59%

LAB 39.81, 63.6, -90.22

 

CMYK 59 / 69 / 0 / 10

HEX #5D48E5

RGB 93 72 229

HSL 248.03, 0.75%, 0.59%

LAB 42.18, 51.36, -76.67

 

CMYK 50 / 58 / 0 / 17

HEX #6A59D4

RGB 106 89 212

HSL 248.29, 0.59%, 0.59%

LAB 45.58, 38.74, -61.4

 

CMYK 39 / 46 / 0 / 24

HEX #766AC3

RGB 118 106 195

HSL 248.09, 0.43%, 0.59%

LAB 49.62, 26.36, -45.12

 

CMYK 27 / 31 / 0 / 30

HEX #827BB2

RGB 130 123 178

HSL 247.64, 0.26%, 0.59%

LAB 54.16, 15.03, -28.13

 

CMYK 11 / 13 / 0 / 37

HEX #8F8CA1

RGB 143 140 161

HSL 248.57, 0.1%, 0.59%

LAB 59.13, 5.41, -10.7

 

CMYK 69 / 41 / 0 / 10

HEX #4887E5

RGB 72 135 229

HSL 215.92, 0.75%, 0.59%

LAB 56.45, 10.11, -53.65

 

CMYK 69 / 59 / 0 / 10

HEX #485DE5

RGB 72 93 229

HSL 231.97, 0.75%, 0.59%

LAB 45.45, 36.11, -71.39

 

CMYK 59 / 69 / 0 / 10

HEX #5D48E5

RGB 93 72 229

HSL 248.03, 0.75%, 0.59%

LAB 42.18, 51.36, -76.67

 

CMYK 41 / 69 / 0 / 10

HEX #8748E5

RGB 135 72 229

HSL 264.08, 0.75%, 0.59%

LAB 46.23, 58.19, -69.89

 

CMYK 23 / 69 / 0 / 10

HEX #B148E5

RGB 177 72 229

HSL 280.13, 0.75%, 0.59%

LAB 51.43, 66.35, -61.23

 

CMYK 74 / 86 / 0 / 25

HEX #311BBF

RGB 49 27 191

HSL 248.05, 0.75%, 0.43%

LAB 27.29, 57.52, -79.36

 

CMYK 73 / 84 / 0 / 12

HEX #3D24E0

RGB 61 36 224

HSL 247.98, 0.75%, 0.51%

LAB 33.21, 64.01, -88.71

 

CMYK 59 / 69 / 0 / 10

HEX #5D48E5

RGB 93 72 229

HSL 248.03, 0.75%, 0.59%

LAB 42.18, 51.36, -76.67

 

CMYK 47 / 54 / 0 / 8

HEX #7D6CEA

RGB 125 108 234

HSL 248.1, 0.75%, 0.67%

LAB 52.98, 38.01, -61.84

 

CMYK 34 / 40 / 0 / 6

HEX #9D90EF

RGB 157 144 239

HSL 248.21, 0.75%, 0.75%

LAB 64.44, 26.27, -46.2

 

CMYK 59 / 68 / 0 / 10

HEX #5E49E5

RGB 94 73 229

HSL 248.08, 0.75%, 0.59%

LAB 42.46, 50.95, -76.21

 

CMYK 0 / 69 / 23 / 10

HEX #E548B1

RGB 229 72 177

HSL 319.87, 0.75%, 0.59%

LAB 56.55, 69.82, -22.86

 

CMYK 50 / 0 / 69 / 10

HEX #72E548

RGB 114 229 72

HSL 103.95, 0.75%, 0.59%

LAB 81.88, -59.72, 63.61

 

CMYK 59 / 68 / 0 / 10

HEX #5E49E5

RGB 94 73 229

HSL 248.08, 0.75%, 0.59%

LAB 42.46, 50.95, -76.21

 

CMYK 0 / 59 / 69 / 10

HEX #E55D48

RGB 229 93 72

HSL 8.03, 0.75%, 0.59%

LAB 57.03, 51.59, 38.87

 

CMYK 69 / 0 / 59 / 10

HEX #48E55D

RGB 72 229 93

HSL 128.03, 0.75%, 0.59%

LAB 80.85, -67.23, 53.55

 

CMYK 59 / 68 / 0 / 10

HEX #5E49E5

RGB 94 73 229

HSL 248.08, 0.75%, 0.59%

LAB 42.46, 50.95, -76.21

 

CMYK 0 / 69 / 23 / 10

HEX #E548B1

RGB 229 72 177

HSL 319.87, 0.75%, 0.59%

LAB 56.55, 69.82, -22.86

 

CMYK 9 / 0 / 69 / 10

HEX #D0E548

RGB 208 229 72

HSL 68.03, 0.75%, 0.59%

LAB 86.96, -26.61, 70.42

 

CMYK 69 / 0 / 46 / 10

HEX #48E57C

RGB 72 229 124

HSL 139.87, 0.75%, 0.59%

LAB 81.22, -62.98, 39.5

 

CMYK 59 / 68 / 0 / 10

HEX #5E49E5

RGB 94 73 229

HSL 248.08, 0.75%, 0.59%

LAB 42.46, 50.95, -76.21

 

CMYK 0 / 69 / 43 / 10

HEX #E54882

RGB 229 72 130

HSL 337.83, 0.75%, 0.59%

LAB 54.97, 64.54, 2.4

 

CMYK 9 / 0 / 69 / 10

HEX #D0E548

RGB 208 229 72

HSL 68.03, 0.75%, 0.59%

LAB 86.96, -26.61, 70.42

 

CMYK 69 / 0 / 25 / 10

HEX #48E5AB

RGB 72 229 171

HSL 157.83, 0.75%, 0.59%

LAB 82.03, -54.07, 16.62

 

Description

Color code: HEX #5E49E5 | qconv.com Color code: HEX #5E49E5 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 73 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 73 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 68 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 68% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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