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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E4876 it is the complementary color #A1B789. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E4876. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E4876 shade: #634871, #745A84, #856C97, #967EAA and #A790BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E4876. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E4876 shade: #5E4876, #4D3663, #3C2450, #2B123D and #1A002A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E4876 shade: #5D4875, #6A4875, #754874, #754868 and #75485C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E4876 shade: #5D4875, #514875 and #484875

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E4876 shade matches the following richer shades: #5D4875, #5D3884, #5C2994, #5B1AA3 and #5B0BB2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E4876 shade: #5D4875, #5E5766, #5F6656, #5F7647 and #608538

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E4876 shade: #484B75, #514875, #5D4875, #694875 and #754875

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E4876 shade: #352842, #49385B, #5D4875, #72578F and #866BA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E4876 shade: #5E4876, #754857 and #48754B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E4876 shade: #5E4876, #755D48 and #48755D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E4876 shade: #5E4876, #754857, #607548 and #487566

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E4876 shade: #5E4876, #754849, #607548 and #487573

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 39 / 0 / 54

HEX #5E4876

RGB 94 72 118

HSL 268.7, 0.24%, 0.37%

LAB 34.65, 19.33, -22.87

 

Complementary color

CMYK 12 / 0 / 25 / 28

HEX #A1B789

RGB 161 183 137

HSL 88.7, 0.24%, 0.63%

LAB 71.72, -15.87, 20.95

 

CMYK 12 / 36 / 0 / 56

HEX #634871

RGB 99 72 113

HSL 279.51, 0.22%, 0.36%

LAB 34.96, 19.82, -19.21

 

CMYK 12 / 32 / 0 / 48

HEX #745A84

RGB 116 90 132

HSL 277.14, 0.19%, 0.44%

LAB 42.29, 19.07, -19.44

 

CMYK 12 / 28 / 0 / 41

HEX #856C97

RGB 133 108 151

HSL 274.88, 0.17%, 0.51%

LAB 49.43, 18.42, -19.68

 

CMYK 12 / 26 / 0 / 33

HEX #967EAA

RGB 150 126 170

HSL 272.73, 0.21%, 0.58%

LAB 56.39, 17.83, -19.94

 

CMYK 12 / 24 / 0 / 26

HEX #A790BD

RGB 167 144 189

HSL 270.67, 0.25%, 0.65%

LAB 63.21, 17.3, -20.21

 

CMYK 20 / 39 / 0 / 54

HEX #5E4876

RGB 94 72 118

HSL 268.7, 0.24%, 0.37%

LAB 34.65, 19.33, -22.87

 

CMYK 22 / 45 / 0 / 61

HEX #4D3663

RGB 77 54 99

HSL 270.67, 0.29%, 0.3%

LAB 27.07, 20.22, -22.8

 

CMYK 25 / 55 / 0 / 69

HEX #3C2450

RGB 60 36 80

HSL 272.73, 0.38%, 0.23%

LAB 19.23, 21.22, -22.75

 

CMYK 30 / 70 / 0 / 76

HEX #2B123D

RGB 43 18 61

HSL 274.88, 0.54%, 0.15%

LAB 11.16, 22.23, -22.6

 

CMYK 38 / 100 / 0 / 84

HEX #1A002A

RGB 26 0 42

HSL 277.14, 1%, 0.08%

LAB 3.49, 19.51, -21.03

 

CMYK 21 / 38 / 0 / 54

HEX #5D4875

RGB 93 72 117

HSL 268, 0.24%, 0.37%

LAB 34.49, 18.74, -22.49

 

CMYK 9 / 38 / 0 / 54

HEX #6A4875

RGB 106 72 117

HSL 285.33, 0.24%, 0.37%

LAB 35.95, 23.17, -20.11

 

CMYK 0 / 38 / 1 / 54

HEX #754874

RGB 117 72 116

HSL 301.33, 0.24%, 0.37%

LAB 37.26, 26.77, -17.36

 

CMYK 0 / 38 / 11 / 54

HEX #754868

RGB 117 72 104

HSL 317.33, 0.24%, 0.37%

LAB 36.77, 24.42, -10.61

 

CMYK 0 / 38 / 21 / 54

HEX #75485C

RGB 117 72 92

HSL 333.33, 0.24%, 0.37%

LAB 36.35, 22.28, -3.7

 

CMYK 21 / 38 / 0 / 54

HEX #5D4875

RGB 93 72 117

HSL 268, 0.24%, 0.37%

LAB 34.49, 18.74, -22.49

 

CMYK 31 / 38 / 0 / 54

HEX #514875

RGB 81 72 117

HSL 252, 0.24%, 0.37%

LAB 33.28, 14.81, -24.47

 

CMYK 38 / 38 / 0 / 54

HEX #484875

RGB 72 72 117

HSL 240, 0.24%, 0.37%

LAB 32.47, 12, -25.8

 

CMYK 21 / 38 / 0 / 54

HEX #5D4875

RGB 93 72 117

HSL 268, 0.24%, 0.37%

LAB 34.49, 18.74, -22.49

 

CMYK 30 / 58 / 0 / 48

HEX #5D3884

RGB 93 56 132

HSL 269.21, 0.4%, 0.37%

LAB 31.4, 32.48, -36.72

 

CMYK 38 / 72 / 0 / 42

HEX #5C2994

RGB 92 41 148

HSL 268.6, 0.57%, 0.37%

LAB 29.41, 44.57, -49.82

 

CMYK 44 / 84 / 0 / 36

HEX #5B1AA3

RGB 91 26 163

HSL 268.47, 0.72%, 0.37%

LAB 28.4, 54.44, -60.63

 

CMYK 49 / 94 / 0 / 30

HEX #5B0BB2

RGB 91 11 178

HSL 268.74, 0.88%, 0.37%

LAB 28.58, 61.89, -69.36

 

CMYK 21 / 38 / 0 / 54

HEX #5D4875

RGB 93 72 117

HSL 268, 0.24%, 0.37%

LAB 34.49, 18.74, -22.49

 

CMYK 8 / 15 / 0 / 60

HEX #5E5766

RGB 94 87 102

HSL 268, 0.08%, 0.37%

LAB 38.12, 6.05, -7.59

 

CMYK 7 / 0 / 16 / 60

HEX #5F6656

RGB 95 102 86

HSL 86.25, 0.09%, 0.37%

LAB 42.17, -5.95, 8.14

 

CMYK 19 / 0 / 40 / 54

HEX #5F7647

RGB 95 118 71

HSL 89.36, 0.25%, 0.37%

LAB 46.77, -17.41, 23.19

 

CMYK 28 / 0 / 58 / 48

HEX #608538

RGB 96 133 56

HSL 88.83, 0.41%, 0.37%

LAB 51.32, -26.59, 36.8

 

CMYK 38 / 36 / 0 / 54

HEX #484B75

RGB 72 75 117

HSL 236, 0.24%, 0.37%

LAB 33.34, 10.05, -24.44

 

CMYK 31 / 38 / 0 / 54

HEX #514875

RGB 81 72 117

HSL 252, 0.24%, 0.37%

LAB 33.28, 14.81, -24.47

 

CMYK 21 / 38 / 0 / 54

HEX #5D4875

RGB 93 72 117

HSL 268, 0.24%, 0.37%

LAB 34.49, 18.74, -22.49

 

CMYK 10 / 38 / 0 / 54

HEX #694875

RGB 105 72 117

HSL 284, 0.24%, 0.37%

LAB 35.83, 22.82, -20.3

 

CMYK 0 / 38 / 0 / 54

HEX #754875

RGB 117 72 117

HSL 300, 0.24%, 0.37%

LAB 37.3, 26.97, -17.92

 

CMYK 20 / 39 / 0 / 74

HEX #352842

RGB 53 40 66

HSL 270, 0.25%, 0.21%

LAB 18.66, 12.22, -14.17

 

CMYK 20 / 38 / 0 / 64

HEX #49385B

RGB 73 56 91

HSL 269.14, 0.24%, 0.29%

LAB 26.74, 15.44, -18.16

 

CMYK 21 / 38 / 0 / 54

HEX #5D4875

RGB 93 72 117

HSL 268, 0.24%, 0.37%

LAB 34.49, 18.74, -22.49

 

CMYK 20 / 39 / 0 / 44

HEX #72578F

RGB 114 87 143

HSL 268.93, 0.24%, 0.45%

LAB 41.81, 22.85, -26.86

 

CMYK 18 / 35 / 0 / 36

HEX #866BA4

RGB 134 107 164

HSL 268.42, 0.24%, 0.53%

LAB 49.81, 22.33, -26.72

 

CMYK 20 / 39 / 0 / 54

HEX #5E4876

RGB 94 72 118

HSL 268.7, 0.24%, 0.37%

LAB 34.65, 19.33, -22.87

 

CMYK 0 / 38 / 26 / 54

HEX #754857

RGB 117 72 87

HSL 340, 0.24%, 0.37%

LAB 36.19, 21.46, -0.78

 

CMYK 38 / 0 / 36 / 54

HEX #48754B

RGB 72 117 75

HSL 124, 0.24%, 0.37%

LAB 45.09, -24.92, 18.43

 

CMYK 20 / 39 / 0 / 54

HEX #5E4876

RGB 94 72 118

HSL 268.7, 0.24%, 0.37%

LAB 34.65, 19.33, -22.87

 

CMYK 0 / 21 / 38 / 54

HEX #755D48

RGB 117 93 72

HSL 28, 0.24%, 0.37%

LAB 41.34, 6.57, 15.77

 

CMYK 38 / 0 / 21 / 54

HEX #48755D

RGB 72 117 93

HSL 148, 0.24%, 0.37%

LAB 45.48, -21.28, 8.42

 

CMYK 20 / 39 / 0 / 54

HEX #5E4876

RGB 94 72 118

HSL 268.7, 0.24%, 0.37%

LAB 34.65, 19.33, -22.87

 

CMYK 0 / 38 / 26 / 54

HEX #754857

RGB 117 72 87

HSL 340, 0.24%, 0.37%

LAB 36.19, 21.46, -0.78

 

CMYK 18 / 0 / 38 / 54

HEX #607548

RGB 96 117 72

HSL 88, 0.24%, 0.37%

LAB 46.55, -16.32, 22.35

 

CMYK 38 / 0 / 13 / 54

HEX #487566

RGB 72 117 102

HSL 160, 0.24%, 0.37%

LAB 45.72, -19.2, 3.4

 

CMYK 20 / 39 / 0 / 54

HEX #5E4876

RGB 94 72 118

HSL 268.7, 0.24%, 0.37%

LAB 34.65, 19.33, -22.87

 

CMYK 0 / 38 / 38 / 54

HEX #754849

RGB 117 72 73

HSL 358.67, 0.24%, 0.37%

LAB 35.79, 19.38, 7.49

 

CMYK 18 / 0 / 38 / 54

HEX #607548

RGB 96 117 72

HSL 88, 0.24%, 0.37%

LAB 46.55, -16.32, 22.35

 

CMYK 38 / 0 / 2 / 54

HEX #487573

RGB 72 117 115

HSL 177.33, 0.24%, 0.37%

LAB 46.09, -15.92, -3.8

 

Description

Color code: HEX #5E4876 | qconv.com Color code: HEX #5E4876 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 72 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 72 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 39 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 39% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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