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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E4857 it is the complementary color #A1B7A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E4857. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E4857 shade: #634852, #745A65, #856C78, #967E8B and #A7909E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E4857. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E4857 shade: #5E4857, #4D3644, #3C2431, #2B121E and #1A000B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E4857 shade: #5F4958, #5F4952, #5F494C and #5F4949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E4857 shade: #5F4958, #5F495E, #5A495F, #54495F and #4E495F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E4857 shade matches the following richer shades: #5F4958, #6D3C5D, #7A2E62, #882067 and #96136C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E4857 shade: #5F4958, #515753, #44644E, #367249 and #298044

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E4857 shade: #5A495F, #5F495E, #5F4958, #5F4952 and #5F494C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E4857 shade: #30252D, #483743, #5F4958, #765B6E and #8E6D83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E4857 shade: #5E4857, #5F5549 and #495F5D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E4857 shade: #5E4857, #585F49 and #49585F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E4857 shade: #5E4857, #5F5549, #495F50 and #49545F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E4857 shade: #5E4857, #5F5B49, #495F50 and #494D5F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 7 / 63

HEX #5E4857

RGB 94 72 87

HSL 319.09, 0.13%, 0.33%

LAB 33.36, 12.2, -5.28

 

Complementary color

CMYK 12 / 0 / 8 / 28

HEX #A1B7A8

RGB 161 183 168

HSL 139.09, 0.13%, 0.67%

LAB 72.41, -10.49, 5.07

 

CMYK 0 / 27 / 17 / 61

HEX #634852

RGB 99 72 82

HSL 337.78, 0.16%, 0.34%

LAB 33.77, 13.27, -1.42

 

CMYK 0 / 22 / 13 / 55

HEX #745A65

RGB 116 90 101

HSL 334.62, 0.13%, 0.4%

LAB 41.16, 12.6, -2.21

 

CMYK 0 / 19 / 10 / 48

HEX #856C78

RGB 133 108 120

HSL 331.2, 0.1%, 0.47%

LAB 48.35, 12.03, -2.92

 

CMYK 0 / 16 / 7 / 41

HEX #967E8B

RGB 150 126 139

HSL 327.5, 0.1%, 0.54%

LAB 55.35, 11.53, -3.58

 

CMYK 0 / 14 / 5 / 35

HEX #A7909E

RGB 167 144 158

HSL 323.48, 0.12%, 0.61%

LAB 62.19, 11.08, -4.2

 

CMYK 0 / 23 / 7 / 63

HEX #5E4857

RGB 94 72 87

HSL 319.09, 0.13%, 0.33%

LAB 33.36, 12.2, -5.28

 

CMYK 0 / 30 / 12 / 70

HEX #4D3644

RGB 77 54 68

HSL 323.48, 0.18%, 0.26%

LAB 25.66, 12.9, -4.6

 

CMYK 0 / 40 / 18 / 76

HEX #3C2431

RGB 60 36 49

HSL 327.5, 0.25%, 0.19%

LAB 17.66, 13.76, -3.79

 

CMYK 0 / 58 / 30 / 83

HEX #2B121E

RGB 43 18 30

HSL 331.2, 0.41%, 0.12%

LAB 9.32, 14.78, -2.67

 

CMYK 0 / 100 / 58 / 90

HEX #1A000B

RGB 26 0 11

HSL 334.62, 1%, 0.05%

LAB 2.2, 10.43, -1.04

 

CMYK 0 / 23 / 7 / 63

HEX #5F4958

RGB 95 73 88

HSL 319.09, 0.13%, 0.33%

LAB 33.78, 12.17, -5.28

 

CMYK 0 / 23 / 14 / 63

HEX #5F4952

RGB 95 73 82

HSL 335.45, 0.13%, 0.33%

LAB 33.58, 10.99, -1.75

 

CMYK 0 / 23 / 20 / 63

HEX #5F494C

RGB 95 73 76

HSL 351.82, 0.13%, 0.33%

LAB 33.39, 9.87, 1.8

 

CMYK 0 / 23 / 23 / 63

HEX #5F4949

RGB 95 73 73

HSL 0, 0.13%, 0.33%

LAB 33.31, 9.35, 3.58

 

CMYK 0 / 23 / 7 / 63

HEX #5F4958

RGB 95 73 88

HSL 319.09, 0.13%, 0.33%

LAB 33.78, 12.17, -5.28

 

CMYK 0 / 23 / 1 / 63

HEX #5F495E

RGB 95 73 94

HSL 302.73, 0.13%, 0.33%

LAB 34, 13.43, -8.76

 

CMYK 5 / 23 / 0 / 63

HEX #5A495F

RGB 90 73 95

HSL 286.36, 0.13%, 0.33%

LAB 33.49, 11.72, -10.21

 

CMYK 12 / 23 / 0 / 63

HEX #54495F

RGB 84 73 95

HSL 270, 0.13%, 0.33%

LAB 32.87, 9.44, -11.21

 

CMYK 18 / 23 / 0 / 63

HEX #4E495F

RGB 78 73 95

HSL 253.64, 0.13%, 0.33%

LAB 32.28, 7.2, -12.16

 

CMYK 0 / 23 / 7 / 63

HEX #5F4958

RGB 95 73 88

HSL 319.09, 0.13%, 0.33%

LAB 33.78, 12.17, -5.28

 

CMYK 0 / 45 / 15 / 57

HEX #6D3C5D

RGB 109 60 93

HSL 319.59, 0.29%, 0.33%

LAB 32.42, 26.53, -10.33

 

CMYK 0 / 62 / 20 / 52

HEX #7A2E62

RGB 122 46 98

HSL 318.95, 0.45%, 0.33%

LAB 31.75, 39.38, -14.39

 

CMYK 0 / 76 / 24 / 47

HEX #882067

RGB 136 32 103

HSL 319.04, 0.62%, 0.33%

LAB 32.36, 49.94, -16.44

 

CMYK 0 / 87 / 28 / 41

HEX #96136C

RGB 150 19 108

HSL 319.24, 0.78%, 0.33%

LAB 34.05, 57.54, -16.82

 

CMYK 0 / 23 / 7 / 63

HEX #5F4958

RGB 95 73 88

HSL 319.09, 0.13%, 0.33%

LAB 33.78, 12.17, -5.28

 

CMYK 7 / 0 / 5 / 66

HEX #515753

RGB 81 87 83

HSL 140, 0.04%, 0.33%

LAB 36.35, -3.25, 1.5

 

CMYK 32 / 0 / 22 / 61

HEX #44644E

RGB 68 100 78

HSL 138.75, 0.19%, 0.33%

LAB 39.4, -16.82, 8.81

 

CMYK 53 / 0 / 36 / 55

HEX #367249

RGB 54 114 73

HSL 139, 0.36%, 0.33%

LAB 43.21, -29.53, 16.92

 

CMYK 68 / 0 / 47 / 50

HEX #298044

RGB 41 128 68

HSL 138.62, 0.51%, 0.33%

LAB 47.4, -39.81, 25.16

 

CMYK 5 / 23 / 0 / 63

HEX #5A495F

RGB 90 73 95

HSL 286.36, 0.13%, 0.33%

LAB 33.49, 11.72, -10.21

 

CMYK 0 / 23 / 1 / 63

HEX #5F495E

RGB 95 73 94

HSL 302.73, 0.13%, 0.33%

LAB 34, 13.43, -8.76

 

CMYK 0 / 23 / 7 / 63

HEX #5F4958

RGB 95 73 88

HSL 319.09, 0.13%, 0.33%

LAB 33.78, 12.17, -5.28

 

CMYK 0 / 23 / 14 / 63

HEX #5F4952

RGB 95 73 82

HSL 335.45, 0.13%, 0.33%

LAB 33.58, 10.99, -1.75

 

CMYK 0 / 23 / 20 / 63

HEX #5F494C

RGB 95 73 76

HSL 351.82, 0.13%, 0.33%

LAB 33.39, 9.87, 1.8

 

CMYK 0 / 23 / 6 / 81

HEX #30252D

RGB 48 37 45

HSL 316.36, 0.13%, 0.17%

LAB 16.21, 6.91, -3.3

 

CMYK 0 / 24 / 7 / 72

HEX #483743

RGB 72 55 67

HSL 317.65, 0.13%, 0.25%

LAB 25.31, 9.95, -4.53

 

CMYK 0 / 23 / 7 / 63

HEX #5F4958

RGB 95 73 88

HSL 319.09, 0.13%, 0.33%

LAB 33.78, 12.17, -5.28

 

CMYK 0 / 23 / 7 / 54

HEX #765B6E

RGB 118 91 110

HSL 317.78, 0.13%, 0.41%

LAB 41.94, 14.5, -6.56

 

CMYK 0 / 23 / 8 / 44

HEX #8E6D83

RGB 142 109 131

HSL 320, 0.13%, 0.49%

LAB 49.89, 16.92, -7.07

 

CMYK 0 / 23 / 7 / 63

HEX #5E4857

RGB 94 72 87

HSL 319.09, 0.13%, 0.33%

LAB 33.36, 12.2, -5.28

 

CMYK 0 / 11 / 23 / 63

HEX #5F5549

RGB 95 85 73

HSL 32.73, 0.13%, 0.33%

LAB 36.76, 1.9, 8.49

 

CMYK 23 / 0 / 2 / 63

HEX #495F5D

RGB 73 95 93

HSL 174.55, 0.13%, 0.33%

LAB 38.54, -8.74, -1.59

 

CMYK 0 / 23 / 7 / 63

HEX #5E4857

RGB 94 72 87

HSL 319.09, 0.13%, 0.33%

LAB 33.36, 12.2, -5.28

 

CMYK 7 / 0 / 23 / 63

HEX #585F49

RGB 88 95 73

HSL 79.09, 0.13%, 0.33%

LAB 39.14, -7.11, 11.7

 

CMYK 23 / 7 / 0 / 63

HEX #49585F

RGB 73 88 95

HSL 199.09, 0.13%, 0.33%

LAB 36.41, -4.04, -5.98

 

CMYK 0 / 23 / 7 / 63

HEX #5E4857

RGB 94 72 87

HSL 319.09, 0.13%, 0.33%

LAB 33.36, 12.2, -5.28

 

CMYK 0 / 11 / 23 / 63

HEX #5F5549

RGB 95 85 73

HSL 32.73, 0.13%, 0.33%

LAB 36.76, 1.9, 8.49

 

CMYK 23 / 0 / 16 / 63

HEX #495F50

RGB 73 95 80

HSL 139.09, 0.13%, 0.33%

LAB 38.16, -11.74, 5.89

 

CMYK 23 / 12 / 0 / 63

HEX #49545F

RGB 73 84 95

HSL 210, 0.13%, 0.33%

LAB 35.17, -1.59, -7.83

 

CMYK 0 / 23 / 7 / 63

HEX #5E4857

RGB 94 72 87

HSL 319.09, 0.13%, 0.33%

LAB 33.36, 12.2, -5.28

 

CMYK 0 / 4 / 23 / 63

HEX #5F5B49

RGB 95 91 73

HSL 49.09, 0.13%, 0.33%

LAB 38.54, -1.74, 10.98

 

CMYK 23 / 0 / 16 / 63

HEX #495F50

RGB 73 95 80

HSL 139.09, 0.13%, 0.33%

LAB 38.16, -11.74, 5.89

 

CMYK 23 / 19 / 0 / 63

HEX #494D5F

RGB 73 77 95

HSL 229.09, 0.13%, 0.33%

LAB 33.03, 2.82, -11.06

 

Description

Color code: HEX #5E4857 | qconv.com Color code: HEX #5E4857 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 72 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 72 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 7 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 7% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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