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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E4837 it is the complementary color #A1B7C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E4837. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E4837 shade: #634832, #745A45, #856C58, #967E6B and #A7907E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E4837. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E4837 shade: #5E4837, #4D3624, #3C2411, #2B1200 and #1A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E4837 shade: #5D4737, #5D3D37 and #5D3737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E4837 shade: #5D4737, #5D5237, #5D5C37, #545D37 and #495D37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E4837 shade matches the following richer shades: #5D4737, #69462B, #75441F, #814313 and #8D4107

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E4837 shade: #5D4737, #514943, #454B4F, #394C5B and #2D4E67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E4837 shade: #5D373B, #5D3D37, #5D4737, #5D5237 and #5D5C37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E4837 shade: #292018, #433427, #5D4737, #775B46 and #916F55

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E4837 shade: #5E4837, #455D37 and #38375D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E4837 shade: #5E4837, #375D47 and #47375D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E4837 shade: #5E4837, #455D37, #374D5D and #4F375D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E4837 shade: #5E4837, #395D37, #374D5D and #5B375D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 41 / 63

HEX #5E4837

RGB 94 72 55

HSL 26.15, 0.26%, 0.29%

LAB 32.46, 6.75, 13.79

 

Complementary color

CMYK 20 / 9 / 0 / 22

HEX #A1B7C8

RGB 161 183 200

HSL 206.15, 0.26%, 0.71%

LAB 73.29, -3.88, -11.13

 

CMYK 0 / 27 / 49 / 61

HEX #634832

RGB 99 72 50

HSL 26.94, 0.33%, 0.29%

LAB 32.96, 8.45, 17.68

 

CMYK 0 / 22 / 41 / 55

HEX #745A45

RGB 116 90 69

HSL 26.81, 0.25%, 0.36%

LAB 40.34, 7.53, 16.21

 

CMYK 0 / 19 / 34 / 48

HEX #856C58

RGB 133 108 88

HSL 26.67, 0.2%, 0.43%

LAB 47.52, 6.81, 14.93

 

CMYK 0 / 16 / 29 / 41

HEX #967E6B

RGB 150 126 107

HSL 26.51, 0.17%, 0.5%

LAB 54.52, 6.22, 13.78

 

CMYK 0 / 14 / 25 / 35

HEX #A7907E

RGB 167 144 126

HSL 26.34, 0.19%, 0.57%

LAB 61.37, 5.72, 12.74

 

CMYK 0 / 23 / 41 / 63

HEX #5E4837

RGB 94 72 55

HSL 26.15, 0.26%, 0.29%

LAB 32.46, 6.75, 13.79

 

CMYK 0 / 30 / 53 / 70

HEX #4D3624

RGB 77 54 36

HSL 26.34, 0.36%, 0.22%

LAB 24.78, 7.74, 15.34

 

CMYK 0 / 40 / 72 / 76

HEX #3C2411

RGB 60 36 17

HSL 26.51, 0.56%, 0.15%

LAB 16.81, 9.14, 17.11

 

CMYK 0 / 58 / 100 / 83

HEX #2B1200

RGB 43 18 0

HSL 25.12, 1%, 0.08%

LAB 8.54, 11.08, 13.02

 

CMYK 0 / 100 / 100 / 90

HEX #1A0000

RGB 26 0 0

HSL 0, 1%, 0.05%

LAB 1.98, 8.9, 3.14

 

CMYK 0 / 24 / 41 / 64

HEX #5D4737

RGB 93 71 55

HSL 25.26, 0.26%, 0.29%

LAB 32.05, 6.92, 13.23

 

CMYK 0 / 34 / 41 / 64

HEX #5D3D37

RGB 93 61 55

HSL 9.47, 0.26%, 0.29%

LAB 29.26, 13.21, 9.41

 

CMYK 0 / 41 / 41 / 64

HEX #5D3737

RGB 93 55 55

HSL 0, 0.26%, 0.29%

LAB 27.67, 16.97, 7.19

 

CMYK 0 / 24 / 41 / 64

HEX #5D4737

RGB 93 71 55

HSL 25.26, 0.26%, 0.29%

LAB 32.05, 6.92, 13.23

 

CMYK 0 / 12 / 41 / 64

HEX #5D5237

RGB 93 82 55

HSL 42.63, 0.26%, 0.29%

LAB 35.28, 0.1, 17.52

 

CMYK 0 / 1 / 41 / 64

HEX #5D5C37

RGB 93 92 55

HSL 58.42, 0.26%, 0.29%

LAB 38.3, -5.9, 21.44

 

CMYK 10 / 0 / 41 / 64

HEX #545D37

RGB 84 93 55

HSL 74.21, 0.26%, 0.29%

LAB 37.82, -10.53, 20.67

 

CMYK 22 / 0 / 41 / 64

HEX #495D37

RGB 73 93 55

HSL 91.58, 0.26%, 0.29%

LAB 36.97, -15.28, 19.4

 

CMYK 0 / 24 / 41 / 64

HEX #5D4737

RGB 93 71 55

HSL 25.26, 0.26%, 0.29%

LAB 32.05, 6.92, 13.23

 

CMYK 0 / 33 / 59 / 59

HEX #69462B

RGB 105 70 43

HSL 26.13, 0.42%, 0.29%

LAB 33.04, 11.77, 22.21

 

CMYK 0 / 42 / 74 / 54

HEX #75441F

RGB 117 68 31

HSL 25.81, 0.58%, 0.29%

LAB 34.01, 17.68, 30.67

 

CMYK 0 / 48 / 85 / 49

HEX #814313

RGB 129 67 19

HSL 26.18, 0.74%, 0.29%

LAB 35.46, 23.18, 38.62

 

CMYK 0 / 54 / 95 / 45

HEX #8D4107

RGB 141 65 7

HSL 25.97, 0.91%, 0.29%

LAB 36.85, 29.23, 44.88

 

CMYK 0 / 24 / 41 / 64

HEX #5D4737

RGB 93 71 55

HSL 25.26, 0.26%, 0.29%

LAB 32.05, 6.92, 13.23

 

CMYK 0 / 10 / 17 / 68

HEX #514943

RGB 81 73 67

HSL 25.71, 0.09%, 0.29%

LAB 31.62, 2.18, 4.8

 

CMYK 13 / 5 / 0 / 69

HEX #454B4F

RGB 69 75 79

HSL 204, 0.07%, 0.29%

LAB 31.49, -1.48, -3.21

 

CMYK 37 / 16 / 0 / 64

HEX #394C5B

RGB 57 76 91

HSL 206.47, 0.23%, 0.29%

LAB 31.33, -3.18, -11.21

 

CMYK 56 / 24 / 0 / 60

HEX #2D4E67

RGB 45 78 103

HSL 205.86, 0.39%, 0.29%

LAB 31.77, -4.06, -18.21

 

CMYK 0 / 41 / 37 / 64

HEX #5D373B

RGB 93 55 59

HSL 353.68, 0.26%, 0.29%

LAB 27.78, 17.54, 4.71

 

CMYK 0 / 34 / 41 / 64

HEX #5D3D37

RGB 93 61 55

HSL 9.47, 0.26%, 0.29%

LAB 29.26, 13.21, 9.41

 

CMYK 0 / 24 / 41 / 64

HEX #5D4737

RGB 93 71 55

HSL 25.26, 0.26%, 0.29%

LAB 32.05, 6.92, 13.23

 

CMYK 0 / 12 / 41 / 64

HEX #5D5237

RGB 93 82 55

HSL 42.63, 0.26%, 0.29%

LAB 35.28, 0.1, 17.52

 

CMYK 0 / 1 / 41 / 64

HEX #5D5C37

RGB 93 92 55

HSL 58.42, 0.26%, 0.29%

LAB 38.3, -5.9, 21.44

 

CMYK 0 / 22 / 41 / 84

HEX #292018

RGB 41 32 24

HSL 28.24, 0.26%, 0.13%

LAB 13.05, 2.82, 7.07

 

CMYK 0 / 22 / 42 / 74

HEX #433427

RGB 67 52 39

HSL 27.86, 0.26%, 0.21%

LAB 22.98, 4.55, 10.78

 

CMYK 0 / 24 / 41 / 64

HEX #5D4737

RGB 93 71 55

HSL 25.26, 0.26%, 0.29%

LAB 32.05, 6.92, 13.23

 

CMYK 0 / 24 / 41 / 53

HEX #775B46

RGB 119 91 70

HSL 25.71, 0.26%, 0.37%

LAB 40.97, 8.4, 16.52

 

CMYK 0 / 23 / 41 / 43

HEX #916F55

RGB 145 111 85

HSL 26, 0.26%, 0.45%

LAB 49.55, 9.82, 19.66

 

CMYK 0 / 23 / 41 / 63

HEX #5E4837

RGB 94 72 55

HSL 26.15, 0.26%, 0.29%

LAB 32.46, 6.75, 13.79

 

CMYK 26 / 0 / 41 / 64

HEX #455D37

RGB 69 93 55

HSL 97.89, 0.26%, 0.29%

LAB 36.69, -16.94, 18.98

 

CMYK 40 / 41 / 0 / 64

HEX #38375D

RGB 56 55 93

HSL 241.58, 0.26%, 0.29%

LAB 24.84, 10.98, -22.56

 

CMYK 0 / 23 / 41 / 63

HEX #5E4837

RGB 94 72 55

HSL 26.15, 0.26%, 0.29%

LAB 32.46, 6.75, 13.79

 

CMYK 41 / 0 / 24 / 64

HEX #375D47

RGB 55 93 71

HSL 145.26, 0.26%, 0.29%

LAB 36.17, -19.07, 8.45

 

CMYK 24 / 41 / 0 / 64

HEX #47375D

RGB 71 55 93

HSL 265.26, 0.26%, 0.29%

LAB 26.34, 15.93, -20.1

 

CMYK 0 / 23 / 41 / 63

HEX #5E4837

RGB 94 72 55

HSL 26.15, 0.26%, 0.29%

LAB 32.46, 6.75, 13.79

 

CMYK 26 / 0 / 41 / 64

HEX #455D37

RGB 69 93 55

HSL 97.89, 0.26%, 0.29%

LAB 36.69, -16.94, 18.98

 

CMYK 41 / 17 / 0 / 64

HEX #374D5D

RGB 55 77 93

HSL 205.26, 0.26%, 0.29%

LAB 31.6, -3.85, -12.09

 

CMYK 15 / 41 / 0 / 64

HEX #4F375D

RGB 79 55 93

HSL 277.89, 0.26%, 0.29%

LAB 27.26, 18.72, -18.6

 

CMYK 0 / 23 / 41 / 63

HEX #5E4837

RGB 94 72 55

HSL 26.15, 0.26%, 0.29%

LAB 32.46, 6.75, 13.79

 

CMYK 39 / 0 / 41 / 64

HEX #395D37

RGB 57 93 55

HSL 116.84, 0.26%, 0.29%

LAB 35.93, -21.6, 17.85

 

CMYK 41 / 17 / 0 / 64

HEX #374D5D

RGB 55 77 93

HSL 205.26, 0.26%, 0.29%

LAB 31.6, -3.85, -12.09

 

CMYK 2 / 41 / 0 / 64

HEX #5B375D

RGB 91 55 93

HSL 296.84, 0.26%, 0.29%

LAB 28.76, 22.99, -16.14

 

Description

Color code: HEX #5E4837 | qconv.com Color code: HEX #5E4837 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 72 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 72 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 41 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 41% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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