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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E472E it is the complementary color #A1B8D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E472E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E472E shade: #634729, #74593C, #856B4F, #967D62 and #A78F75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E472E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E472E shade: #5E472E, #4D351B, #3C2308, #2B1100 and #1A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E472E shade: #5C452D, #5C392D and #5C2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E472E shade: #5C452D, #5C522D, #595C2D, #4C5C2D and #405C2D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E472E shade matches the following richer shades: #5C452D, #674622, #724617, #7D470C and #884700

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E472E shade: #5C452D, #514538, #454443, #3A444E and #2F435A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E472E shade: #5C2D2E, #5C392D, #5C452D, #5C522D and #595C2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E472E shade: #241B12, #40301F, #5C452D, #775A3B and #936F48

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E472E shade: #5E472E, #3A5C2D and #322D5C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E472E shade: #5E472E, #2D5C45 and #452D5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E472E shade: #5E472E, #3A5C2D, #2D445C and #4E2D5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E472E shade: #5E472E, #2D5C2E, #2D445C and #5C2D5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 51 / 63

HEX #5E472E

RGB 94 71 46

HSL 31.25, 0.34%, 0.27%

LAB 32, 6.26, 18.78

 

Complementary color

CMYK 23 / 12 / 0 / 18

HEX #A1B8D1

RGB 161 184 209

HSL 211.25, 0.34%, 0.73%

LAB 73.84, -2.39, -15.21

 

CMYK 0 / 28 / 59 / 61

HEX #634729

RGB 99 71 41

HSL 31.03, 0.41%, 0.27%

LAB 32.52, 8.12, 22.59

 

CMYK 0 / 23 / 48 / 55

HEX #74593C

RGB 116 89 60

HSL 31.07, 0.32%, 0.35%

LAB 39.89, 7.05, 21.01

 

CMYK 0 / 20 / 41 / 48

HEX #856B4F

RGB 133 107 79

HSL 31.11, 0.25%, 0.42%

LAB 47.06, 6.21, 19.6

 

CMYK 0 / 17 / 35 / 41

HEX #967D62

RGB 150 125 98

HSL 31.15, 0.21%, 0.49%

LAB 54.06, 5.54, 18.33

 

CMYK 0 / 14 / 30 / 35

HEX #A78F75

RGB 167 143 117

HSL 31.2, 0.22%, 0.56%

LAB 60.91, 4.98, 17.18

 

CMYK 0 / 24 / 51 / 63

HEX #5E472E

RGB 94 71 46

HSL 31.25, 0.34%, 0.27%

LAB 32, 6.26, 18.78

 

CMYK 0 / 31 / 65 / 70

HEX #4D351B

RGB 77 53 27

HSL 31.2, 0.48%, 0.2%

LAB 24.33, 7.46, 20.46

 

CMYK 0 / 42 / 87 / 76

HEX #3C2308

RGB 60 35 8

HSL 31.15, 0.76%, 0.13%

LAB 16.41, 9.18, 20.87

 

CMYK 0 / 60 / 100 / 83

HEX #2B1100

RGB 43 17 0

HSL 23.72, 1%, 0.08%

LAB 8.26, 11.76, 12.61

 

CMYK 0 / 100 / 100 / 90

HEX #1A0000

RGB 26 0 0

HSL 0, 1%, 0.05%

LAB 1.98, 8.9, 3.14

 

CMYK 0 / 25 / 51 / 64

HEX #5C452D

RGB 92 69 45

HSL 30.64, 0.34%, 0.27%

LAB 31.16, 6.45, 18.27

 

CMYK 0 / 38 / 51 / 64

HEX #5C392D

RGB 92 57 45

HSL 15.32, 0.34%, 0.27%

LAB 27.82, 14.01, 13.91

 

CMYK 0 / 51 / 51 / 64

HEX #5C2D2D

RGB 92 45 45

HSL 0, 0.34%, 0.27%

LAB 24.77, 21.41, 9.8

 

CMYK 0 / 25 / 51 / 64

HEX #5C452D

RGB 92 69 45

HSL 30.64, 0.34%, 0.27%

LAB 31.16, 6.45, 18.27

 

CMYK 0 / 11 / 51 / 64

HEX #5C522D

RGB 92 82 45

HSL 47.23, 0.34%, 0.27%

LAB 35, -1.59, 23.12

 

CMYK 3 / 0 / 51 / 64

HEX #595C2D

RGB 89 92 45

HSL 63.83, 0.34%, 0.27%

LAB 37.78, -8.93, 26.45

 

CMYK 17 / 0 / 51 / 64

HEX #4C5C2D

RGB 76 92 45

HSL 80.43, 0.34%, 0.27%

LAB 36.71, -14.83, 24.89

 

CMYK 30 / 0 / 51 / 64

HEX #405C2D

RGB 64 92 45

HSL 95.74, 0.34%, 0.27%

LAB 35.86, -19.94, 23.66

 

CMYK 0 / 25 / 51 / 64

HEX #5C452D

RGB 92 69 45

HSL 30.64, 0.34%, 0.27%

LAB 31.16, 6.45, 18.27

 

CMYK 0 / 32 / 67 / 60

HEX #674622

RGB 103 70 34

HSL 31.3, 0.5%, 0.27%

LAB 32.66, 10.06, 26.95

 

CMYK 0 / 39 / 80 / 55

HEX #724617

RGB 114 70 23

HSL 30.99, 0.66%, 0.27%

LAB 34.02, 14.65, 34.65

 

CMYK 0 / 43 / 90 / 51

HEX #7D470C

RGB 125 71 12

HSL 31.33, 0.82%, 0.27%

LAB 35.78, 18.83, 41.37

 

CMYK 0 / 48 / 100 / 47

HEX #884700

RGB 136 71 0

HSL 31.32, 1%, 0.27%

LAB 37.37, 23.58, 47.19

 

CMYK 0 / 25 / 51 / 64

HEX #5C452D

RGB 92 69 45

HSL 30.64, 0.34%, 0.27%

LAB 31.16, 6.45, 18.27

 

CMYK 0 / 15 / 31 / 68

HEX #514538

RGB 81 69 56

HSL 31.2, 0.18%, 0.27%

LAB 30.14, 2.8, 9.75

 

CMYK 0 / 1 / 3 / 73

HEX #454443

RGB 69 68 67

HSL 30, 0.01%, 0.27%

LAB 28.91, 0.2, 0.75

 

CMYK 26 / 13 / 0 / 69

HEX #3A444E

RGB 58 68 78

HSL 210, 0.15%, 0.27%

LAB 28.34, -1.45, -7.37

 

CMYK 48 / 26 / 0 / 65

HEX #2F435A

RGB 47 67 90

HSL 212.09, 0.31%, 0.27%

LAB 27.73, -0.83, -16.15

 

CMYK 0 / 51 / 50 / 64

HEX #5C2D2E

RGB 92 45 46

HSL 358.72, 0.34%, 0.27%

LAB 24.79, 21.52, 9.16

 

CMYK 0 / 38 / 51 / 64

HEX #5C392D

RGB 92 57 45

HSL 15.32, 0.34%, 0.27%

LAB 27.82, 14.01, 13.91

 

CMYK 0 / 25 / 51 / 64

HEX #5C452D

RGB 92 69 45

HSL 30.64, 0.34%, 0.27%

LAB 31.16, 6.45, 18.27

 

CMYK 0 / 11 / 51 / 64

HEX #5C522D

RGB 92 82 45

HSL 47.23, 0.34%, 0.27%

LAB 35, -1.59, 23.12

 

CMYK 3 / 0 / 51 / 64

HEX #595C2D

RGB 89 92 45

HSL 63.83, 0.34%, 0.27%

LAB 37.78, -8.93, 26.45

 

CMYK 0 / 25 / 50 / 86

HEX #241B12

RGB 36 27 18

HSL 30, 0.33%, 0.11%

LAB 10.58, 2.79, 7.66

 

CMYK 0 / 25 / 52 / 75

HEX #40301F

RGB 64 48 31

HSL 30.91, 0.35%, 0.19%

LAB 21.22, 4.62, 13.66

 

CMYK 0 / 25 / 51 / 64

HEX #5C452D

RGB 92 69 45

HSL 30.64, 0.34%, 0.27%

LAB 31.16, 6.45, 18.27

 

CMYK 0 / 24 / 50 / 53

HEX #775A3B

RGB 119 90 59

HSL 31, 0.34%, 0.35%

LAB 40.49, 7.7, 22.44

 

CMYK 0 / 24 / 51 / 42

HEX #936F48

RGB 147 111 72

HSL 31.2, 0.34%, 0.43%

LAB 49.54, 9.25, 27.14

 

CMYK 0 / 24 / 51 / 63

HEX #5E472E

RGB 94 71 46

HSL 31.25, 0.34%, 0.27%

LAB 32, 6.26, 18.78

 

CMYK 37 / 0 / 51 / 64

HEX #3A5C2D

RGB 58 92 45

HSL 103.4, 0.34%, 0.27%

LAB 35.49, -22.33, 23.11

 

CMYK 46 / 51 / 0 / 64

HEX #322D5C

RGB 50 45 92

HSL 246.38, 0.34%, 0.27%

LAB 21.31, 15.74, -27.52

 

CMYK 0 / 24 / 51 / 63

HEX #5E472E

RGB 94 71 46

HSL 31.25, 0.34%, 0.27%

LAB 32, 6.26, 18.78

 

CMYK 51 / 0 / 25 / 64

HEX #2D5C45

RGB 45 92 69

HSL 150.64, 0.34%, 0.27%

LAB 35.29, -22.15, 8.37

 

CMYK 25 / 51 / 0 / 64

HEX #452D5C

RGB 69 45 92

HSL 270.64, 0.34%, 0.27%

LAB 23.39, 21.54, -24.1

 

CMYK 0 / 24 / 51 / 63

HEX #5E472E

RGB 94 71 46

HSL 31.25, 0.34%, 0.27%

LAB 32, 6.26, 18.78

 

CMYK 37 / 0 / 51 / 64

HEX #3A5C2D

RGB 58 92 45

HSL 103.4, 0.34%, 0.27%

LAB 35.49, -22.33, 23.11

 

CMYK 51 / 26 / 0 / 64

HEX #2D445C

RGB 45 68 92

HSL 210.64, 0.34%, 0.27%

LAB 28.02, -1.39, -17

 

CMYK 15 / 51 / 0 / 64

HEX #4E2D5C

RGB 78 45 92

HSL 282.13, 0.34%, 0.27%

LAB 24.54, 24.47, -22.2

 

CMYK 0 / 24 / 51 / 63

HEX #5E472E

RGB 94 71 46

HSL 31.25, 0.34%, 0.27%

LAB 32, 6.26, 18.78

 

CMYK 51 / 0 / 50 / 64

HEX #2D5C2E

RGB 45 92 46

HSL 121.28, 0.34%, 0.27%

LAB 34.82, -26.81, 21.57

 

CMYK 51 / 26 / 0 / 64

HEX #2D445C

RGB 45 68 92

HSL 210.64, 0.34%, 0.27%

LAB 28.02, -1.39, -17

 

CMYK 0 / 51 / 1 / 64

HEX #5C2D5B

RGB 92 45 91

HSL 301.28, 0.34%, 0.27%

LAB 26.47, 28.9, -18.38

 

Description

Color code: HEX #5E472E | qconv.com Color code: HEX #5E472E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 71 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 71 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 51 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 51% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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