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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E472C it is the complementary color #A1B8D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E472C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E472C shade: #634727, #74593A, #856B4D, #967D60 and #A78F73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E472C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E472C shade: #5E472C, #4D3519, #3C2306, #2B1100 and #1A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E472C shade: #5D462C, #5D392C, #5D2C2C and #5D2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E472C shade: #5D462C, #5D542C, #595D2C, #4C5D2C and #3E5D2C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E472C shade matches the following richer shades: #5D462C, #684720, #734815 and #7F490A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E472C shade: #5D462C, #524537, #474542, #3C444D and #314358

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E472C shade: #5D2C2C, #5D392C, #5D462C, #5D532C and #5A5D2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E472C shade: #251C11, #41311E, #5D462C, #795C39 and #957146

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E472C shade: #5E472C, #395D2C and #322C5D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E472C shade: #5E472C, #2C5D46 and #462C5D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E472C shade: #5E472C, #395D2C, #2C435D and #502C5D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E472C shade: #5E472C, #2C5D2D, #2C435D and #5D2C5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 53 / 63

HEX #5E472C

RGB 94 71 44

HSL 32.4, 0.36%, 0.27%

LAB 31.96, 6.04, 19.95

 

Complementary color

CMYK 24 / 13 / 0 / 17

HEX #A1B8D3

RGB 161 184 211

HSL 212.4, 0.36%, 0.73%

LAB 73.91, -1.93, -16.21

 

CMYK 0 / 28 / 61 / 61

HEX #634727

RGB 99 71 39

HSL 32, 0.43%, 0.27%

LAB 32.49, 7.94, 23.74

 

CMYK 0 / 23 / 50 / 55

HEX #74593A

RGB 116 89 58

HSL 32.07, 0.33%, 0.34%

LAB 39.85, 6.83, 22.15

 

CMYK 0 / 20 / 42 / 48

HEX #856B4D

RGB 133 107 77

HSL 32.14, 0.27%, 0.41%

LAB 47.02, 5.97, 20.71

 

CMYK 0 / 17 / 36 / 41

HEX #967D60

RGB 150 125 96

HSL 32.22, 0.22%, 0.48%

LAB 54.02, 5.28, 19.42

 

CMYK 0 / 14 / 31 / 35

HEX #A78F73

RGB 167 143 115

HSL 32.31, 0.23%, 0.55%

LAB 60.87, 4.71, 18.25

 

CMYK 0 / 24 / 53 / 63

HEX #5E472C

RGB 94 71 44

HSL 32.4, 0.36%, 0.27%

LAB 31.96, 6.04, 19.95

 

CMYK 0 / 31 / 68 / 70

HEX #4D3519

RGB 77 53 25

HSL 32.31, 0.51%, 0.2%

LAB 24.3, 7.28, 21.63

 

CMYK 0 / 42 / 90 / 76

HEX #3C2306

RGB 60 35 6

HSL 32.22, 0.82%, 0.13%

LAB 16.38, 9.06, 21.66

 

CMYK 0 / 60 / 100 / 83

HEX #2B1100

RGB 43 17 0

HSL 23.72, 1%, 0.08%

LAB 8.26, 11.76, 12.61

 

CMYK 0 / 100 / 100 / 90

HEX #1A0000

RGB 26 0 0

HSL 0, 1%, 0.05%

LAB 1.98, 8.9, 3.14

 

CMYK 0 / 25 / 53 / 64

HEX #5D462C

RGB 93 70 44

HSL 31.84, 0.36%, 0.27%

LAB 31.55, 6.19, 19.41

 

CMYK 0 / 39 / 53 / 64

HEX #5D392C

RGB 93 57 44

HSL 15.92, 0.36%, 0.27%

LAB 27.94, 14.35, 14.74

 

CMYK 0 / 53 / 53 / 64

HEX #5D2C2C

RGB 93 44 44

HSL 0, 0.36%, 0.27%

LAB 24.67, 22.32, 10.36

 

CMYK 0 / 53 / 53 / 64

HEX #5D2C2C

RGB 93 44 44

HSL 0, 0.36%, 0.27%

LAB 24.67, 22.32, 10.36

 

CMYK 0 / 25 / 53 / 64

HEX #5D462C

RGB 93 70 44

HSL 31.84, 0.36%, 0.27%

LAB 31.55, 6.19, 19.41

 

CMYK 0 / 10 / 53 / 64

HEX #5D542C

RGB 93 84 44

HSL 48.98, 0.36%, 0.27%

LAB 35.69, -2.43, 24.57

 

CMYK 4 / 0 / 53 / 64

HEX #595D2C

RGB 89 93 44

HSL 64.9, 0.36%, 0.27%

LAB 38.08, -9.62, 27.37

 

CMYK 18 / 0 / 53 / 64

HEX #4C5D2C

RGB 76 93 44

HSL 80.82, 0.36%, 0.27%

LAB 37.02, -15.51, 25.83

 

CMYK 33 / 0 / 53 / 64

HEX #3E5D2C

RGB 62 93 44

HSL 97.96, 0.36%, 0.27%

LAB 36.05, -21.41, 24.43

 

CMYK 0 / 25 / 53 / 64

HEX #5D462C

RGB 93 70 44

HSL 31.84, 0.36%, 0.27%

LAB 31.55, 6.19, 19.41

 

CMYK 0 / 32 / 69 / 59

HEX #684720

RGB 104 71 32

HSL 32.5, 0.53%, 0.27%

LAB 33.04, 9.78, 28.54

 

CMYK 0 / 37 / 82 / 55

HEX #734815

RGB 115 72 21

HSL 32.55, 0.69%, 0.27%

LAB 34.67, 13.83, 36.26

 

CMYK 0 / 43 / 92 / 50

HEX #7F490A

RGB 127 73 10

HSL 32.31, 0.85%, 0.27%

LAB 36.55, 18.53, 42.75

 

CMYK 0 / 25 / 53 / 64

HEX #5D462C

RGB 93 70 44

HSL 31.84, 0.36%, 0.27%

LAB 31.55, 6.19, 19.41

 

CMYK 0 / 16 / 33 / 68

HEX #524537

RGB 82 69 55

HSL 31.11, 0.2%, 0.27%

LAB 30.22, 3.1, 10.52

 

CMYK 0 / 3 / 7 / 72

HEX #474542

RGB 71 69 66

HSL 36, 0.04%, 0.27%

LAB 29.39, 0.2, 2.1

 

CMYK 22 / 12 / 0 / 70

HEX #3C444D

RGB 60 68 77

HSL 211.76, 0.12%, 0.27%

LAB 28.46, -0.98, -6.51

 

CMYK 44 / 24 / 0 / 65

HEX #314358

RGB 49 67 88

HSL 212.31, 0.28%, 0.27%

LAB 27.77, -0.87, -14.78

 

CMYK 0 / 53 / 53 / 64

HEX #5D2C2C

RGB 93 44 44

HSL 0, 0.36%, 0.27%

LAB 24.67, 22.32, 10.36

 

CMYK 0 / 39 / 53 / 64

HEX #5D392C

RGB 93 57 44

HSL 15.92, 0.36%, 0.27%

LAB 27.94, 14.35, 14.74

 

CMYK 0 / 25 / 53 / 64

HEX #5D462C

RGB 93 70 44

HSL 31.84, 0.36%, 0.27%

LAB 31.55, 6.19, 19.41

 

CMYK 0 / 11 / 53 / 64

HEX #5D532C

RGB 93 83 44

HSL 47.76, 0.36%, 0.27%

LAB 35.39, -1.83, 24.2

 

CMYK 3 / 0 / 53 / 64

HEX #5A5D2C

RGB 90 93 44

HSL 63.67, 0.36%, 0.27%

LAB 38.17, -9.15, 27.49

 

CMYK 0 / 24 / 54 / 85

HEX #251C11

RGB 37 28 17

HSL 33, 0.37%, 0.11%

LAB 11.02, 2.46, 8.89

 

CMYK 0 / 25 / 54 / 75

HEX #41311E

RGB 65 49 30

HSL 32.57, 0.37%, 0.19%

LAB 21.63, 4.34, 14.87

 

CMYK 0 / 25 / 53 / 64

HEX #5D462C

RGB 93 70 44

HSL 31.84, 0.36%, 0.27%

LAB 31.55, 6.19, 19.41

 

CMYK 0 / 24 / 53 / 53

HEX #795C39

RGB 121 92 57

HSL 32.81, 0.36%, 0.35%

LAB 41.24, 7.21, 24.61

 

CMYK 0 / 24 / 53 / 42

HEX #957146

RGB 149 113 70

HSL 32.66, 0.36%, 0.43%

LAB 50.27, 8.79, 29.21

 

CMYK 0 / 24 / 53 / 63

HEX #5E472C

RGB 94 71 44

HSL 32.4, 0.36%, 0.27%

LAB 31.96, 6.04, 19.95

 

CMYK 39 / 0 / 53 / 64

HEX #395D2C

RGB 57 93 44

HSL 104.08, 0.36%, 0.27%

LAB 35.75, -23.37, 24

 

CMYK 46 / 53 / 0 / 64

HEX #322C5D

RGB 50 44 93

HSL 247.35, 0.36%, 0.27%

LAB 21.09, 16.77, -28.53

 

CMYK 0 / 24 / 53 / 63

HEX #5E472C

RGB 94 71 44

HSL 32.4, 0.36%, 0.27%

LAB 31.96, 6.04, 19.95

 

CMYK 53 / 0 / 25 / 64

HEX #2C5D46

RGB 44 93 70

HSL 151.84, 0.36%, 0.27%

LAB 35.61, -22.72, 8.2

 

CMYK 25 / 53 / 0 / 64

HEX #462C5D

RGB 70 44 93

HSL 271.84, 0.36%, 0.27%

LAB 23.32, 22.77, -24.86

 

CMYK 0 / 24 / 53 / 63

HEX #5E472C

RGB 94 71 44

HSL 32.4, 0.36%, 0.27%

LAB 31.96, 6.04, 19.95

 

CMYK 39 / 0 / 53 / 64

HEX #395D2C

RGB 57 93 44

HSL 104.08, 0.36%, 0.27%

LAB 35.75, -23.37, 24

 

CMYK 53 / 28 / 0 / 64

HEX #2C435D

RGB 44 67 93

HSL 211.84, 0.36%, 0.27%

LAB 27.68, -0.67, -18.18

 

CMYK 14 / 53 / 0 / 64

HEX #502C5D

RGB 80 44 93

HSL 284.08, 0.36%, 0.27%

LAB 24.63, 25.98, -22.7

 

CMYK 0 / 24 / 53 / 63

HEX #5E472C

RGB 94 71 44

HSL 32.4, 0.36%, 0.27%

LAB 31.96, 6.04, 19.95

 

CMYK 53 / 0 / 52 / 64

HEX #2C5D2D

RGB 44 93 45

HSL 121.22, 0.36%, 0.27%

LAB 35.11, -27.77, 22.49

 

CMYK 53 / 28 / 0 / 64

HEX #2C435D

RGB 44 67 93

HSL 211.84, 0.36%, 0.27%

LAB 27.68, -0.67, -18.18

 

CMYK 0 / 53 / 2 / 64

HEX #5D2C5B

RGB 93 44 91

HSL 302.45, 0.36%, 0.27%

LAB 26.4, 29.8, -18.48

 

Description

Color code: HEX #5E472C | qconv.com Color code: HEX #5E472C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 71 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 71 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 53 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 53% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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