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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E469B it is the complementary color #A1B964. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E469B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E469B shade: #634696, #7458A9, #856ABC, #967CCF and #A78EE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E469B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E469B shade: #5E469B, #4D3488, #3C2275, #2B1062 and #1A004F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E469B shade: #5E469B, #75469B, #8C469B, #9B4693 and #9B467C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E469B shade: #5E469B, #47469B and #46469B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E469B shade matches the following richer shades: #5E469B, #5633AD, #4E21BF and #460FD1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E469B shade: #5E469B, #665889, #6D6A77, #757C64 and #7D8E52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E469B shade: #465C9B, #46469B, #5C469B, #73469B and #8A469B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E469B shade: #3B2C62, #4C397E, #5E469B, #7156B3 and #8973C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E469B shade: #5E469B, #9B4673 and #519B46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E469B shade: #5E469B, #9B5C46 and #469B5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E469B shade: #5E469B, #9B4673, #849B46 and #469B6D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E469B shade: #5E469B, #9B4659, #849B46 and #469B87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 55 / 0 / 39

HEX #5E469B

RGB 94 70 155

HSL 256.94, 0.38%, 0.44%

LAB 36.23, 30.65, -43.07

 

Complementary color

CMYK 13 / 0 / 46 / 27

HEX #A1B964

RGB 161 185 100

HSL 76.94, 0.38%, 0.56%

LAB 71.69, -21.82, 40.24

 

CMYK 34 / 53 / 0 / 41

HEX #634696

RGB 99 70 150

HSL 261.75, 0.36%, 0.43%

LAB 36.43, 30.56, -39.68

 

CMYK 31 / 48 / 0 / 34

HEX #7458A9

RGB 116 88 169

HSL 260.74, 0.32%, 0.5%

LAB 43.59, 29.49, -39.55

 

CMYK 29 / 44 / 0 / 26

HEX #856ABC

RGB 133 106 188

HSL 259.76, 0.38%, 0.58%

LAB 50.6, 28.54, -39.44

 

CMYK 28 / 40 / 0 / 19

HEX #967CCF

RGB 150 124 207

HSL 258.8, 0.46%, 0.65%

LAB 57.47, 27.68, -39.37

 

CMYK 26 / 37 / 0 / 11

HEX #A78EE2

RGB 167 142 226

HSL 257.86, 0.59%, 0.72%

LAB 64.2, 26.91, -39.33

 

CMYK 39 / 55 / 0 / 39

HEX #5E469B

RGB 94 70 155

HSL 256.94, 0.38%, 0.44%

LAB 36.23, 30.65, -43.07

 

CMYK 43 / 62 / 0 / 47

HEX #4D3488

RGB 77 52 136

HSL 257.86, 0.45%, 0.37%

LAB 28.93, 31.95, -43.27

 

CMYK 49 / 71 / 0 / 54

HEX #3C2275

RGB 60 34 117

HSL 258.8, 0.55%, 0.3%

LAB 21.54, 33.29, -43.36

 

CMYK 56 / 84 / 0 / 62

HEX #2B1062

RGB 43 16 98

HSL 259.76, 0.72%, 0.22%

LAB 14.21, 34.32, -43.05

 

CMYK 67 / 100 / 0 / 69

HEX #1A004F

RGB 26 0 79

HSL 259.75, 1%, 0.15%

LAB 7.08, 34.69, -42.01

 

CMYK 39 / 55 / 0 / 39

HEX #5E469B

RGB 94 70 155

HSL 256.94, 0.38%, 0.44%

LAB 36.23, 30.65, -43.07

 

CMYK 25 / 55 / 0 / 39

HEX #75469B

RGB 117 70 155

HSL 273.18, 0.38%, 0.44%

LAB 38.78, 36.73, -38.85

 

CMYK 10 / 55 / 0 / 39

HEX #8C469B

RGB 140 70 155

HSL 289.41, 0.38%, 0.44%

LAB 41.72, 43.14, -33.99

 

CMYK 0 / 55 / 5 / 39

HEX #9B4693

RGB 155 70 147

HSL 305.65, 0.38%, 0.44%

LAB 43.44, 45.93, -26.33

 

CMYK 0 / 55 / 20 / 39

HEX #9B467C

RGB 155 70 124

HSL 321.88, 0.38%, 0.44%

LAB 42.47, 42.11, -13.86

 

CMYK 39 / 55 / 0 / 39

HEX #5E469B

RGB 94 70 155

HSL 256.94, 0.38%, 0.44%

LAB 36.23, 30.65, -43.07

 

CMYK 54 / 55 / 0 / 39

HEX #47469B

RGB 71 70 155

HSL 240.71, 0.38%, 0.44%

LAB 34.16, 25.25, -46.49

 

CMYK 55 / 55 / 0 / 39

HEX #46469B

RGB 70 70 155

HSL 240, 0.38%, 0.44%

LAB 34.08, 25.03, -46.62

 

CMYK 39 / 55 / 0 / 39

HEX #5E469B

RGB 94 70 155

HSL 256.94, 0.38%, 0.44%

LAB 36.23, 30.65, -43.07

 

CMYK 50 / 71 / 0 / 32

HEX #5633AD

RGB 86 51 173

HSL 257.21, 0.54%, 0.44%

LAB 32.62, 45.14, -59.76

 

CMYK 59 / 83 / 0 / 25

HEX #4E21BF

RGB 78 33 191

HSL 257.09, 0.71%, 0.44%

LAB 30.57, 57.49, -73.86

 

CMYK 67 / 93 / 0 / 18

HEX #460FD1

RGB 70 15 209

HSL 257.01, 0.87%, 0.44%

LAB 30.03, 66.95, -85.32

 

CMYK 39 / 55 / 0 / 39

HEX #5E469B

RGB 94 70 155

HSL 256.94, 0.38%, 0.44%

LAB 36.23, 30.65, -43.07

 

CMYK 26 / 36 / 0 / 46

HEX #665889

RGB 102 88 137

HSL 257.14, 0.22%, 0.44%

LAB 40.59, 16.85, -25.22

 

CMYK 8 / 11 / 0 / 53

HEX #6D6A77

RGB 109 106 119

HSL 253.85, 0.06%, 0.44%

LAB 45.48, 3.92, -6.82

 

CMYK 6 / 0 / 19 / 51

HEX #757C64

RGB 117 124 100

HSL 77.5, 0.11%, 0.44%

LAB 50.82, -7.19, 12.25

 

CMYK 12 / 0 / 42 / 44

HEX #7D8E52

RGB 125 142 82

HSL 77, 0.27%, 0.44%

LAB 56.4, -16.41, 29.91

 

CMYK 55 / 41 / 0 / 39

HEX #465C9B

RGB 70 92 155

HSL 224.47, 0.38%, 0.44%

LAB 40.12, 10.8, -36.97

 

CMYK 55 / 55 / 0 / 39

HEX #46469B

RGB 70 70 155

HSL 240, 0.38%, 0.44%

LAB 34.08, 25.03, -46.62

 

CMYK 41 / 55 / 0 / 39

HEX #5C469B

RGB 92 70 155

HSL 255.53, 0.38%, 0.44%

LAB 36.03, 30.15, -43.4

 

CMYK 26 / 55 / 0 / 39

HEX #73469B

RGB 115 70 155

HSL 271.76, 0.38%, 0.44%

LAB 38.54, 36.19, -39.24

 

CMYK 11 / 55 / 0 / 39

HEX #8A469B

RGB 138 70 155

HSL 288, 0.38%, 0.44%

LAB 41.45, 42.58, -34.43

 

CMYK 40 / 55 / 0 / 62

HEX #3B2C62

RGB 59 44 98

HSL 256.67, 0.38%, 0.28%

LAB 22.35, 20.91, -29.76

 

CMYK 40 / 55 / 0 / 51

HEX #4C397E

RGB 76 57 126

HSL 256.52, 0.38%, 0.36%

LAB 29.33, 25.61, -36.39

 

CMYK 39 / 55 / 0 / 39

HEX #5E469B

RGB 94 70 155

HSL 256.94, 0.38%, 0.44%

LAB 36.23, 30.65, -43.07

 

CMYK 37 / 52 / 0 / 30

HEX #7156B3

RGB 113 86 179

HSL 257.42, 0.38%, 0.52%

LAB 43.39, 32.59, -45.77

 

CMYK 29 / 40 / 0 / 25

HEX #8973C0

RGB 137 115 192

HSL 257.14, 0.38%, 0.6%

LAB 53.37, 25.41, -37.36

 

CMYK 39 / 55 / 0 / 39

HEX #5E469B

RGB 94 70 155

HSL 256.94, 0.38%, 0.44%

LAB 36.23, 30.65, -43.07

 

CMYK 0 / 55 / 26 / 39

HEX #9B4673

RGB 155 70 115

HSL 328.24, 0.38%, 0.44%

LAB 42.13, 40.76, -8.84

 

CMYK 48 / 0 / 55 / 39

HEX #519B46

RGB 81 155 70

HSL 112.24, 0.38%, 0.44%

LAB 57.69, -40.28, 37.15

 

CMYK 39 / 55 / 0 / 39

HEX #5E469B

RGB 94 70 155

HSL 256.94, 0.38%, 0.44%

LAB 36.23, 30.65, -43.07

 

CMYK 0 / 41 / 55 / 39

HEX #9B5C46

RGB 155 92 70

HSL 15.53, 0.38%, 0.44%

LAB 45.72, 23.46, 23.61

 

CMYK 55 / 0 / 41 / 39

HEX #469B5C

RGB 70 155 92

HSL 135.53, 0.38%, 0.44%

LAB 57.58, -40.04, 25.44

 

CMYK 39 / 55 / 0 / 39

HEX #5E469B

RGB 94 70 155

HSL 256.94, 0.38%, 0.44%

LAB 36.23, 30.65, -43.07

 

CMYK 0 / 55 / 26 / 39

HEX #9B4673

RGB 155 70 115

HSL 328.24, 0.38%, 0.44%

LAB 42.13, 40.76, -8.84

 

CMYK 15 / 0 / 55 / 39

HEX #849B46

RGB 132 155 70

HSL 76.24, 0.38%, 0.44%

LAB 60.6, -21.58, 41.31

 

CMYK 55 / 0 / 30 / 39

HEX #469B6D

RGB 70 155 109

HSL 147.53, 0.38%, 0.44%

LAB 57.89, -36.75, 16.51

 

CMYK 39 / 55 / 0 / 39

HEX #5E469B

RGB 94 70 155

HSL 256.94, 0.38%, 0.44%

LAB 36.23, 30.65, -43.07

 

CMYK 0 / 55 / 43 / 39

HEX #9B4659

RGB 155 70 89

HSL 346.59, 0.38%, 0.44%

LAB 41.33, 37.41, 6.09

 

CMYK 15 / 0 / 55 / 39

HEX #849B46

RGB 132 155 70

HSL 76.24, 0.38%, 0.44%

LAB 60.6, -21.58, 41.31

 

CMYK 55 / 0 / 13 / 39

HEX #469B87

RGB 70 155 135

HSL 165.88, 0.38%, 0.44%

LAB 58.5, -30.74, 2.72

 

Description

Color code: HEX #5E469B | qconv.com Color code: HEX #5E469B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 70 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 70 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 55 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 55% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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