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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E463C it is the complementary color #A1B9C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E463C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E463C shade: #634637, #74584A, #856A5D, #967C70 and #A78E83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E463C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E463C shade: #5E463C, #4D3429, #3C2216, #2B1003 and #1A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E463C shade: #5D463C and #5D3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E463C shade: #5D463C, #5D4F3C, #5D583C, #5A5D3C and #515D3C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E463C shade matches the following richer shades: #5D463C, #6A402F, #763B23, #823617 and #8F310A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E463C shade: #5D463C, #514B48, #455054, #385561 and #2C5A6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E463C shade: #5D3C44, #5D3C3C, #5D453C, #5D4E3C and #5D573C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E463C shade: #2B201B, #44332C, #5D463C, #76584C and #906B5C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E463C shade: #5E463C, #4D5D3C and #3C405D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E463C shade: #5E463C, #3C5D45 and #453C5D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E463C shade: #5E463C, #4D5D3C, #3C545D and #4C3C5D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E463C shade: #5E463C, #435D3C, #3C545D and #563C5D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 36 / 63

HEX #5E463C

RGB 94 70 60

HSL 17.65, 0.22%, 0.3%

LAB 32, 8.71, 10.01

 

Complementary color

CMYK 17 / 5 / 0 / 24

HEX #A1B9C3

RGB 161 185 195

HSL 197.65, 0.22%, 0.7%

LAB 73.68, -6.05, -7.81

 

CMYK 0 / 29 / 44 / 61

HEX #634637

RGB 99 70 55

HSL 20.45, 0.29%, 0.3%

LAB 32.5, 10.3, 13.95

 

CMYK 0 / 24 / 36 / 55

HEX #74584A

RGB 116 88 74

HSL 20, 0.22%, 0.37%

LAB 39.89, 9.41, 12.57

 

CMYK 0 / 20 / 30 / 48

HEX #856A5D

RGB 133 106 93

HSL 19.5, 0.18%, 0.44%

LAB 47.09, 8.7, 11.37

 

CMYK 0 / 17 / 25 / 41

HEX #967C70

RGB 150 124 112

HSL 18.95, 0.15%, 0.51%

LAB 54.1, 8.11, 10.31

 

CMYK 0 / 15 / 22 / 35

HEX #A78E83

RGB 167 142 131

HSL 18.33, 0.17%, 0.58%

LAB 60.96, 7.6, 9.34

 

CMYK 0 / 26 / 36 / 63

HEX #5E463C

RGB 94 70 60

HSL 17.65, 0.22%, 0.3%

LAB 32, 8.71, 10.01

 

CMYK 0 / 32 / 47 / 70

HEX #4D3429

RGB 77 52 41

HSL 18.33, 0.31%, 0.23%

LAB 24.3, 9.66, 11.45

 

CMYK 0 / 43 / 63 / 76

HEX #3C2216

RGB 60 34 22

HSL 18.95, 0.46%, 0.16%

LAB 16.32, 10.97, 13.28

 

CMYK 0 / 63 / 93 / 83

HEX #2B1003

RGB 43 16 3

HSL 19.5, 0.87%, 0.09%

LAB 8.05, 12.71, 11.08

 

CMYK 0 / 100 / 100 / 90

HEX #1A0000

RGB 26 0 0

HSL 0, 1%, 0.05%

LAB 1.98, 8.9, 3.14

 

CMYK 0 / 25 / 35 / 64

HEX #5D463C

RGB 93 70 60

HSL 18.18, 0.22%, 0.3%

LAB 31.88, 8.25, 9.83

 

CMYK 0 / 35 / 35 / 64

HEX #5D3C3C

RGB 93 60 60

HSL 0, 0.22%, 0.3%

LAB 29.12, 14.55, 5.96

 

CMYK 0 / 25 / 35 / 64

HEX #5D463C

RGB 93 70 60

HSL 18.18, 0.22%, 0.3%

LAB 31.88, 8.25, 9.83

 

CMYK 0 / 15 / 35 / 64

HEX #5D4F3C

RGB 93 79 60

HSL 34.55, 0.22%, 0.3%

LAB 34.49, 2.64, 13.4

 

CMYK 0 / 5 / 35 / 64

HEX #5D583C

RGB 93 88 60

HSL 50.91, 0.22%, 0.3%

LAB 37.18, -2.84, 17

 

CMYK 3 / 0 / 35 / 64

HEX #5A5D3C

RGB 90 93 60

HSL 65.45, 0.22%, 0.3%

LAB 38.43, -7.15, 18.6

 

CMYK 13 / 0 / 35 / 64

HEX #515D3C

RGB 81 93 60

HSL 81.82, 0.22%, 0.3%

LAB 37.67, -11.09, 17.46

 

CMYK 0 / 25 / 35 / 64

HEX #5D463C

RGB 93 70 60

HSL 18.18, 0.22%, 0.3%

LAB 31.88, 8.25, 9.83

 

CMYK 0 / 40 / 56 / 58

HEX #6A402F

RGB 106 64 47

HSL 17.29, 0.39%, 0.3%

LAB 31.66, 16.31, 18.04

 

CMYK 0 / 50 / 70 / 54

HEX #763B23

RGB 118 59 35

HSL 17.35, 0.54%, 0.3%

LAB 32.04, 23.67, 26.21

 

CMYK 0 / 58 / 82 / 49

HEX #823617

RGB 130 54 23

HSL 17.38, 0.7%, 0.3%

LAB 32.8, 30.92, 34.3

 

CMYK 0 / 66 / 93 / 44

HEX #8F310A

RGB 143 49 10

HSL 17.59, 0.87%, 0.3%

LAB 34.1, 38.17, 42.07

 

CMYK 0 / 25 / 35 / 64

HEX #5D463C

RGB 93 70 60

HSL 18.18, 0.22%, 0.3%

LAB 31.88, 8.25, 9.83

 

CMYK 0 / 7 / 11 / 68

HEX #514B48

RGB 81 75 72

HSL 20, 0.06%, 0.3%

LAB 32.37, 1.89, 2.68

 

CMYK 18 / 5 / 0 / 67

HEX #455054

RGB 69 80 84

HSL 196, 0.1%, 0.3%

LAB 33.23, -3.37, -3.82

 

CMYK 42 / 12 / 0 / 62

HEX #385561

RGB 56 85 97

HSL 197.56, 0.27%, 0.3%

LAB 34.4, -7.28, -10.37

 

CMYK 60 / 17 / 0 / 57

HEX #2C5A6D

RGB 44 90 109

HSL 197.54, 0.42%, 0.3%

LAB 35.89, -9.64, -15.64

 

CMYK 0 / 35 / 27 / 64

HEX #5D3C44

RGB 93 60 68

HSL 345.45, 0.22%, 0.3%

LAB 29.35, 15.82, 1.07

 

CMYK 0 / 35 / 35 / 64

HEX #5D3C3C

RGB 93 60 60

HSL 0, 0.22%, 0.3%

LAB 29.12, 14.55, 5.96

 

CMYK 0 / 26 / 35 / 64

HEX #5D453C

RGB 93 69 60

HSL 16.36, 0.22%, 0.3%

LAB 31.6, 8.88, 9.43

 

CMYK 0 / 16 / 35 / 64

HEX #5D4E3C

RGB 93 78 60

HSL 32.73, 0.22%, 0.3%

LAB 34.19, 3.26, 13

 

CMYK 0 / 6 / 35 / 64

HEX #5D573C

RGB 93 87 60

HSL 49.09, 0.22%, 0.3%

LAB 36.87, -2.24, 16.6

 

CMYK 0 / 26 / 37 / 83

HEX #2B201B

RGB 43 32 27

HSL 18.75, 0.23%, 0.14%

LAB 13.39, 4.37, 5.42

 

CMYK 0 / 25 / 35 / 73

HEX #44332C

RGB 68 51 44

HSL 17.5, 0.21%, 0.22%

LAB 22.93, 6.46, 7.38

 

CMYK 0 / 25 / 35 / 64

HEX #5D463C

RGB 93 70 60

HSL 18.18, 0.22%, 0.3%

LAB 31.88, 8.25, 9.83

 

CMYK 0 / 25 / 36 / 54

HEX #76584C

RGB 118 88 76

HSL 17.14, 0.22%, 0.38%

LAB 40.17, 10.56, 11.76

 

CMYK 0 / 26 / 36 / 44

HEX #906B5C

RGB 144 107 92

HSL 17.31, 0.22%, 0.46%

LAB 48.53, 12.6, 14.16

 

CMYK 0 / 26 / 36 / 63

HEX #5E463C

RGB 94 70 60

HSL 17.65, 0.22%, 0.3%

LAB 32, 8.71, 10.01

 

CMYK 17 / 0 / 35 / 64

HEX #4D5D3C

RGB 77 93 60

HSL 89.09, 0.22%, 0.3%

LAB 37.36, -12.8, 16.99

 

CMYK 35 / 31 / 0 / 64

HEX #3C405D

RGB 60 64 93

HSL 232.73, 0.22%, 0.3%

LAB 27.89, 6.2, -17.76

 

CMYK 0 / 26 / 36 / 63

HEX #5E463C

RGB 94 70 60

HSL 17.65, 0.22%, 0.3%

LAB 32, 8.71, 10.01

 

CMYK 35 / 0 / 26 / 64

HEX #3C5D45

RGB 60 93 69

HSL 136.36, 0.22%, 0.3%

LAB 36.4, -17.78, 10.04

 

CMYK 26 / 35 / 0 / 64

HEX #453C5D

RGB 69 60 93

HSL 256.36, 0.22%, 0.3%

LAB 27.54, 11.93, -18.25

 

CMYK 0 / 26 / 36 / 63

HEX #5E463C

RGB 94 70 60

HSL 17.65, 0.22%, 0.3%

LAB 32, 8.71, 10.01

 

CMYK 17 / 0 / 35 / 64

HEX #4D5D3C

RGB 77 93 60

HSL 89.09, 0.22%, 0.3%

LAB 37.36, -12.8, 16.99

 

CMYK 35 / 10 / 0 / 64

HEX #3C545D

RGB 60 84 93

HSL 196.36, 0.22%, 0.3%

LAB 34.17, -6.58, -8.17

 

CMYK 18 / 35 / 0 / 64

HEX #4C3C5D

RGB 76 60 93

HSL 269.09, 0.22%, 0.3%

LAB 28.27, 14.4, -17.05

 

CMYK 0 / 26 / 36 / 63

HEX #5E463C

RGB 94 70 60

HSL 17.65, 0.22%, 0.3%

LAB 32, 8.71, 10.01

 

CMYK 28 / 0 / 35 / 64

HEX #435D3C

RGB 67 93 60

HSL 107.27, 0.22%, 0.3%

LAB 36.65, -16.9, 15.92

 

CMYK 35 / 10 / 0 / 64

HEX #3C545D

RGB 60 84 93

HSL 196.36, 0.22%, 0.3%

LAB 34.17, -6.58, -8.17

 

CMYK 8 / 35 / 0 / 64

HEX #563C5D

RGB 86 60 93

HSL 287.27, 0.22%, 0.3%

LAB 29.41, 18.04, -15.19

 

Description

Color code: HEX #5E463C | qconv.com Color code: HEX #5E463C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 70 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 70 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 36 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 36% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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