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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E462F it is the complementary color #A1B9D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E462F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E462F shade: #63462A, #74583D, #856A50, #967C63 and #A78E76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E462F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E462F shade: #5E462F, #4D341C, #3C2209, #2B1000 and #1A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E462F shade: #5E462F, #5E3A2F and #5E2F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E462F shade: #5E462F, #5E532F, #5D5E2F, #505E2F and #445E2F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E462F shade matches the following richer shades: #5E462F, #6A4624, #764618, #81460D and #8D4501

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E462F shade: #5E462F, #53473B, #474746, #3C4752 and #30475E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E462F shade: #5E2F32, #5E3A2F, #5E462F, #5E532F and #5E5E2F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E462F shade: #281D14, #433222, #5E462F, #7A5B3D and #956F4B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E462F shade: #5E462F, #3E5E2F and #332F5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E462F shade: #5E462F, #2F5E46 and #462F5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E462F shade: #5E462F, #3E5E2F, #2F485E and #502F5E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E462F shade: #5E462F, #305E2F, #2F485E and #5E2F5E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 50 / 63

HEX #5E462F

RGB 94 70 47

HSL 29.36, 0.33%, 0.28%

LAB 31.73, 7, 17.81

 

Complementary color

CMYK 23 / 11 / 0 / 18

HEX #A1B9D0

RGB 161 185 208

HSL 209.36, 0.33%, 0.72%

LAB 74.08, -3.16, -14.31

 

CMYK 0 / 29 / 58 / 61

HEX #63462A

RGB 99 70 42

HSL 29.47, 0.4%, 0.28%

LAB 32.26, 8.84, 21.67

 

CMYK 0 / 24 / 47 / 55

HEX #74583D

RGB 116 88 61

HSL 29.45, 0.31%, 0.35%

LAB 39.63, 7.76, 20.08

 

CMYK 0 / 20 / 40 / 48

HEX #856A50

RGB 133 106 80

HSL 29.43, 0.25%, 0.42%

LAB 46.81, 6.92, 18.67

 

CMYK 0 / 17 / 34 / 41

HEX #967C63

RGB 150 124 99

HSL 29.41, 0.2%, 0.49%

LAB 53.81, 6.25, 17.42

 

CMYK 0 / 15 / 29 / 35

HEX #A78E76

RGB 167 142 118

HSL 29.39, 0.22%, 0.56%

LAB 60.67, 5.68, 16.28

 

CMYK 0 / 26 / 50 / 63

HEX #5E462F

RGB 94 70 47

HSL 29.36, 0.33%, 0.28%

LAB 31.73, 7, 17.81

 

CMYK 0 / 32 / 64 / 70

HEX #4D341C

RGB 77 52 28

HSL 29.39, 0.47%, 0.21%

LAB 24.06, 8.2, 19.51

 

CMYK 0 / 43 / 85 / 76

HEX #3C2209

RGB 60 34 9

HSL 29.41, 0.74%, 0.14%

LAB 16.13, 9.92, 20.12

 

CMYK 0 / 63 / 100 / 83

HEX #2B1000

RGB 43 16 0

HSL 22.33, 1%, 0.08%

LAB 7.99, 12.44, 12.22

 

CMYK 0 / 100 / 100 / 90

HEX #1A0000

RGB 26 0 0

HSL 0, 1%, 0.05%

LAB 1.98, 8.9, 3.14

 

CMYK 0 / 26 / 50 / 63

HEX #5E462F

RGB 94 70 47

HSL 29.36, 0.33%, 0.28%

LAB 31.73, 7, 17.81

 

CMYK 0 / 38 / 50 / 63

HEX #5E3A2F

RGB 94 58 47

HSL 14.04, 0.33%, 0.28%

LAB 28.41, 14.53, 13.45

 

CMYK 0 / 50 / 50 / 63

HEX #5E2F2F

RGB 94 47 47

HSL 0, 0.33%, 0.28%

LAB 25.62, 21.3, 9.67

 

CMYK 0 / 26 / 50 / 63

HEX #5E462F

RGB 94 70 47

HSL 29.36, 0.33%, 0.28%

LAB 31.73, 7, 17.81

 

CMYK 0 / 12 / 50 / 63

HEX #5E532F

RGB 94 83 47

HSL 45.96, 0.33%, 0.28%

LAB 35.54, -1.02, 22.66

 

CMYK 1 / 0 / 50 / 63

HEX #5D5E2F

RGB 93 94 47

HSL 61.28, 0.33%, 0.28%

LAB 38.79, -8.02, 26.64

 

CMYK 15 / 0 / 50 / 63

HEX #505E2F

RGB 80 94 47

HSL 77.87, 0.33%, 0.28%

LAB 37.69, -13.92, 25.04

 

CMYK 28 / 0 / 50 / 63

HEX #445E2F

RGB 68 94 47

HSL 93.19, 0.33%, 0.28%

LAB 36.82, -19.08, 23.77

 

CMYK 0 / 26 / 50 / 63

HEX #5E462F

RGB 94 70 47

HSL 29.36, 0.33%, 0.28%

LAB 31.73, 7, 17.81

 

CMYK 0 / 34 / 66 / 58

HEX #6A4624

RGB 106 70 36

HSL 29.14, 0.49%, 0.28%

LAB 33.07, 11.65, 26.4

 

CMYK 0 / 41 / 80 / 54

HEX #764618

RGB 118 70 24

HSL 29.36, 0.66%, 0.28%

LAB 34.6, 16.58, 34.93

 

CMYK 0 / 46 / 90 / 49

HEX #81460D

RGB 129 70 13

HSL 29.48, 0.82%, 0.28%

LAB 36.13, 21.27, 41.55

 

CMYK 0 / 51 / 99 / 45

HEX #8D4501

RGB 141 69 1

HSL 29.14, 0.99%, 0.28%

LAB 37.7, 26.93, 47.44

 

CMYK 0 / 26 / 50 / 63

HEX #5E462F

RGB 94 70 47

HSL 29.36, 0.33%, 0.28%

LAB 31.73, 7, 17.81

 

CMYK 0 / 14 / 29 / 67

HEX #53473B

RGB 83 71 59

HSL 30, 0.17%, 0.28%

LAB 31.02, 2.93, 9.1

 

CMYK 0 / 0 / 1 / 72

HEX #474746

RGB 71 71 70

HSL 60, 0.01%, 0.28%

LAB 30.13, -0.22, 0.6

 

CMYK 27 / 13 / 0 / 68

HEX #3C4752

RGB 60 71 82

HSL 210, 0.15%, 0.28%

LAB 29.6, -1.55, -8.03

 

CMYK 49 / 24 / 0 / 63

HEX #30475E

RGB 48 71 94

HSL 210, 0.32%, 0.28%

LAB 29.27, -1.81, -16.35

 

CMYK 0 / 50 / 47 / 63

HEX #5E2F32

RGB 94 47 50

HSL 356.17, 0.33%, 0.28%

LAB 25.69, 21.66, 7.77

 

CMYK 0 / 38 / 50 / 63

HEX #5E3A2F

RGB 94 58 47

HSL 14.04, 0.33%, 0.28%

LAB 28.41, 14.53, 13.45

 

CMYK 0 / 26 / 50 / 63

HEX #5E462F

RGB 94 70 47

HSL 29.36, 0.33%, 0.28%

LAB 31.73, 7, 17.81

 

CMYK 0 / 12 / 50 / 63

HEX #5E532F

RGB 94 83 47

HSL 45.96, 0.33%, 0.28%

LAB 35.54, -1.02, 22.66

 

CMYK 0 / 0 / 50 / 63

HEX #5E5E2F

RGB 94 94 47

HSL 60, 0.33%, 0.28%

LAB 38.88, -7.55, 26.77

 

CMYK 0 / 28 / 50 / 84

HEX #281D14

RGB 40 29 20

HSL 27, 0.33%, 0.12%

LAB 11.83, 3.8, 8.2

 

CMYK 0 / 25 / 49 / 74

HEX #433222

RGB 67 50 34

HSL 29.09, 0.33%, 0.2%

LAB 22.27, 5.18, 13.13

 

CMYK 0 / 26 / 50 / 63

HEX #5E462F

RGB 94 70 47

HSL 29.36, 0.33%, 0.28%

LAB 31.73, 7, 17.81

 

CMYK 0 / 25 / 50 / 52

HEX #7A5B3D

RGB 122 91 61

HSL 29.51, 0.33%, 0.36%

LAB 41.15, 8.69, 22.18

 

CMYK 0 / 26 / 50 / 42

HEX #956F4B

RGB 149 111 75

HSL 29.19, 0.33%, 0.44%

LAB 49.82, 10.44, 25.84

 

CMYK 0 / 26 / 50 / 63

HEX #5E462F

RGB 94 70 47

HSL 29.36, 0.33%, 0.28%

LAB 31.73, 7, 17.81

 

CMYK 34 / 0 / 50 / 63

HEX #3E5E2F

RGB 62 94 47

HSL 100.85, 0.33%, 0.28%

LAB 36.43, -21.51, 23.21

 

CMYK 46 / 50 / 0 / 63

HEX #332F5E

RGB 51 47 94

HSL 245.11, 0.33%, 0.28%

LAB 22.11, 15.31, -27.57

 

CMYK 0 / 26 / 50 / 63

HEX #5E462F

RGB 94 70 47

HSL 29.36, 0.33%, 0.28%

LAB 31.73, 7, 17.81

 

CMYK 50 / 0 / 26 / 63

HEX #2F5E46

RGB 47 94 70

HSL 149.36, 0.33%, 0.28%

LAB 36.08, -22.36, 8.88

 

CMYK 26 / 50 / 0 / 63

HEX #462F5E

RGB 70 47 94

HSL 269.36, 0.33%, 0.28%

LAB 24.14, 21.11, -24.21

 

CMYK 0 / 26 / 50 / 63

HEX #5E462F

RGB 94 70 47

HSL 29.36, 0.33%, 0.28%

LAB 31.73, 7, 17.81

 

CMYK 34 / 0 / 50 / 63

HEX #3E5E2F

RGB 62 94 47

HSL 100.85, 0.33%, 0.28%

LAB 36.43, -21.51, 23.21

 

CMYK 50 / 23 / 0 / 63

HEX #2F485E

RGB 47 72 94

HSL 208.09, 0.33%, 0.28%

LAB 29.53, -2.74, -15.94

 

CMYK 15 / 50 / 0 / 63

HEX #502F5E

RGB 80 47 94

HSL 282.13, 0.33%, 0.28%

LAB 25.4, 24.38, -22.14

 

CMYK 0 / 26 / 50 / 63

HEX #5E462F

RGB 94 70 47

HSL 29.36, 0.33%, 0.28%

LAB 31.73, 7, 17.81

 

CMYK 49 / 0 / 50 / 63

HEX #305E2F

RGB 48 94 47

HSL 118.72, 0.33%, 0.28%

LAB 35.67, -26.62, 22.09

 

CMYK 50 / 23 / 0 / 63

HEX #2F485E

RGB 47 72 94

HSL 208.09, 0.33%, 0.28%

LAB 29.53, -2.74, -15.94

 

CMYK 0 / 50 / 0 / 63

HEX #5E2F5E

RGB 94 47 94

HSL 300, 0.33%, 0.28%

LAB 27.35, 29.03, -18.94

 

Description

Color code: HEX #5E462F | qconv.com Color code: HEX #5E462F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 70 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 70 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 50 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 50% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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