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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E43CD it is the complementary color #A1BC32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E43CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E43CD shade: #6343C8, #7455DB, #8567EE, #9679FF and #A78BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E43CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E43CD shade: #5E43CD, #4D31BA, #3C1FA7, #2B0D94 and #1A0081

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E43CD shade: #5C41CC, #8241CC, #A741CC, #CC41CC and #CC41A6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E43CD shade: #5C41CC and #4141CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E43CD shade matches the following richer shades: #5C41CC, #512EE0 and #451AF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E43CD shade: #5C41CC, #6855B9, #7468A5, #807B92 and #8C8F7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E43CD shade: #4172CC, #414DCC, #5B41CC, #8041CC and #A541CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E43CD shade: #3C2794, #4A30B4, #5C41CC, #7862D5 and #9482DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E43CD shade: #5E43CD, #CC4197 and #5FCC41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E43CD shade: #5E43CD, #CC5B41 and #41CC5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E43CD shade: #5E43CD, #CC4197, #B3CC41 and #41CC76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E43CD shade: #5E43CD, #CC416D, #B3CC41 and #41CCA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 67 / 0 / 20

HEX #5E43CD

RGB 94 67 205

HSL 251.74, 0.58%, 0.53%

LAB 39.24, 47.1, -67.72

 

Complementary color

CMYK 14 / 0 / 73 / 26

HEX #A1BC32

RGB 161 188 50

HSL 71.74, 0.58%, 0.47%

LAB 72.08, -27.31, 62.49

 

CMYK 51 / 67 / 0 / 22

HEX #6343C8

RGB 99 67 200

HSL 254.44, 0.55%, 0.52%

LAB 39.3, 46.49, -64.71

 

CMYK 47 / 61 / 0 / 14

HEX #7455DB

RGB 116 85 219

HSL 253.88, 0.65%, 0.6%

LAB 46.08, 45.08, -64.55

 

CMYK 44 / 57 / 0 / 7

HEX #8567EE

RGB 133 103 238

HSL 253.33, 0.8%, 0.67%

LAB 52.8, 43.73, -64.33

 

CMYK 41 / 53 / 0 / 0

HEX #9679FF

RGB 150 121 255

HSL 252.99, 1%, 0.74%

LAB 59.32, 41.94, -63.18

 

CMYK 35 / 45 / 0 / 0

HEX #A78BFF

RGB 167 139 255

HSL 254.48, 1%, 0.77%

LAB 64.88, 35.85, -54.22

 

CMYK 54 / 67 / 0 / 20

HEX #5E43CD

RGB 94 67 205

HSL 251.74, 0.58%, 0.53%

LAB 39.24, 47.1, -67.72

 

CMYK 59 / 74 / 0 / 27

HEX #4D31BA

RGB 77 49 186

HSL 252.26, 0.58%, 0.46%

LAB 32.52, 48.61, -67.68

 

CMYK 64 / 81 / 0 / 35

HEX #3C1FA7

RGB 60 31 167

HSL 252.79, 0.69%, 0.39%

LAB 25.95, 49.8, -67.21

 

CMYK 71 / 91 / 0 / 42

HEX #2B0D94

RGB 43 13 148

HSL 253.33, 0.84%, 0.32%

LAB 19.8, 50.01, -65.82

 

CMYK 80 / 100 / 0 / 49

HEX #1A0081

RGB 26 0 129

HSL 252.09, 1%, 0.25%

LAB 14.43, 48.23, -62.88

 

CMYK 55 / 68 / 0 / 20

HEX #5C41CC

RGB 92 65 204

HSL 251.65, 0.58%, 0.53%

LAB 38.58, 47.58, -68.24

 

CMYK 36 / 68 / 0 / 20

HEX #8241CC

RGB 130 65 204

HSL 268.06, 0.58%, 0.53%

LAB 42.59, 54.43, -61.53

 

CMYK 18 / 68 / 0 / 20

HEX #A741CC

RGB 167 65 204

HSL 284.03, 0.58%, 0.53%

LAB 47.44, 62.1, -53.46

 

CMYK 0 / 68 / 0 / 20

HEX #CC41CC

RGB 204 65 204

HSL 300, 0.58%, 0.53%

LAB 52.92, 70.25, -44.39

 

CMYK 0 / 68 / 19 / 20

HEX #CC41A6

RGB 204 65 166

HSL 316.4, 0.58%, 0.53%

LAB 51.12, 64.5, -25.14

 

CMYK 55 / 68 / 0 / 20

HEX #5C41CC

RGB 92 65 204

HSL 251.65, 0.58%, 0.53%

LAB 38.58, 47.58, -68.24

 

CMYK 68 / 68 / 0 / 20

HEX #4141CC

RGB 65 65 204

HSL 240, 0.58%, 0.53%

LAB 36.49, 43.78, -71.75

 

CMYK 55 / 68 / 0 / 20

HEX #5C41CC

RGB 92 65 204

HSL 251.65, 0.58%, 0.53%

LAB 38.58, 47.58, -68.24

 

CMYK 64 / 79 / 0 / 12

HEX #512EE0

RGB 81 46 224

HSL 251.8, 0.74%, 0.53%

LAB 36.15, 61.42, -83.79

 

CMYK 72 / 89 / 0 / 5

HEX #451AF3

RGB 69 26 243

HSL 251.89, 0.9%, 0.53%

LAB 34.95, 72.73, -96.61

 

CMYK 55 / 68 / 0 / 20

HEX #5C41CC

RGB 92 65 204

HSL 251.65, 0.58%, 0.53%

LAB 38.58, 47.58, -68.24

 

CMYK 44 / 54 / 0 / 27

HEX #6855B9

RGB 104 85 185

HSL 251.4, 0.42%, 0.53%

LAB 42.68, 32.69, -50.48

 

CMYK 30 / 37 / 0 / 35

HEX #7468A5

RGB 116 104 165

HSL 251.8, 0.25%, 0.53%

LAB 47.4, 18.77, -31.18

 

CMYK 12 / 16 / 0 / 43

HEX #807B92

RGB 128 123 146

HSL 253.04, 0.1%, 0.53%

LAB 52.76, 6.71, -11.73

 

CMYK 2 / 0 / 11 / 44

HEX #8C8F7F

RGB 140 143 127

HSL 71.25, 0.07%, 0.53%

LAB 58.74, -4.1, 8.14

 

CMYK 68 / 44 / 0 / 20

HEX #4172CC

RGB 65 114 204

HSL 218.85, 0.58%, 0.53%

LAB 48.91, 13.08, -51.61

 

CMYK 68 / 62 / 0 / 20

HEX #414DCC

RGB 65 77 204

HSL 234.82, 0.58%, 0.53%

LAB 39.23, 36.49, -67.26

 

CMYK 55 / 68 / 0 / 20

HEX #5B41CC

RGB 91 65 204

HSL 251.22, 0.58%, 0.53%

LAB 38.49, 47.42, -68.39

 

CMYK 37 / 68 / 0 / 20

HEX #8041CC

RGB 128 65 204

HSL 267.19, 0.58%, 0.53%

LAB 42.35, 54.03, -61.93

 

CMYK 19 / 68 / 0 / 20

HEX #A541CC

RGB 165 65 204

HSL 283.17, 0.58%, 0.53%

LAB 47.16, 61.67, -53.93

 

CMYK 59 / 74 / 0 / 42

HEX #3C2794

RGB 60 39 148

HSL 251.56, 0.58%, 0.37%

LAB 25.41, 40.02, -56.5

 

CMYK 59 / 73 / 0 / 29

HEX #4A30B4

RGB 74 48 180

HSL 251.82, 0.58%, 0.45%

LAB 31.5, 46.93, -65.82

 

CMYK 55 / 68 / 0 / 20

HEX #5C41CC

RGB 92 65 204

HSL 251.65, 0.58%, 0.53%

LAB 38.58, 47.58, -68.24

 

CMYK 44 / 54 / 0 / 16

HEX #7862D5

RGB 120 98 213

HSL 251.48, 0.58%, 0.61%

LAB 48.92, 36.73, -56.52

 

CMYK 33 / 41 / 0 / 13

HEX #9482DD

RGB 148 130 221

HSL 251.87, 0.57%, 0.69%

LAB 59.42, 27.22, -44.18

 

CMYK 54 / 67 / 0 / 20

HEX #5E43CD

RGB 94 67 205

HSL 251.74, 0.58%, 0.53%

LAB 39.24, 47.1, -67.72

 

CMYK 0 / 68 / 26 / 20

HEX #CC4197

RGB 204 65 151

HSL 322.88, 0.58%, 0.53%

LAB 50.51, 62.5, -17.19

 

CMYK 53 / 0 / 68 / 20

HEX #5FCC41

RGB 95 204 65

HSL 107.05, 0.58%, 0.53%

LAB 73.55, -56.21, 57.33

 

CMYK 54 / 67 / 0 / 20

HEX #5E43CD

RGB 94 67 205

HSL 251.74, 0.58%, 0.53%

LAB 39.24, 47.1, -67.72

 

CMYK 0 / 55 / 68 / 20

HEX #CC5B41

RGB 204 91 65

HSL 11.22, 0.58%, 0.53%

LAB 52.62, 43.12, 36.56

 

CMYK 68 / 0 / 55 / 20

HEX #41CC5B

RGB 65 204 91

HSL 131.22, 0.58%, 0.53%

LAB 72.93, -60.18, 45.13

 

CMYK 54 / 67 / 0 / 20

HEX #5E43CD

RGB 94 67 205

HSL 251.74, 0.58%, 0.53%

LAB 39.24, 47.1, -67.72

 

CMYK 0 / 68 / 26 / 20

HEX #CC4197

RGB 204 65 151

HSL 322.88, 0.58%, 0.53%

LAB 50.51, 62.5, -17.19

 

CMYK 12 / 0 / 68 / 20

HEX #B3CC41

RGB 179 204 65

HSL 70.79, 0.58%, 0.53%

LAB 77.96, -26.81, 63.29

 

CMYK 68 / 0 / 42 / 20

HEX #41CC76

RGB 65 204 118

HSL 142.88, 0.58%, 0.53%

LAB 73.3, -56.04, 32.28

 

CMYK 54 / 67 / 0 / 20

HEX #5E43CD

RGB 94 67 205

HSL 251.74, 0.58%, 0.53%

LAB 39.24, 47.1, -67.72

 

CMYK 0 / 68 / 47 / 20

HEX #CC416D

RGB 204 65 109

HSL 341.01, 0.58%, 0.53%

LAB 49.16, 57.88, 6.08

 

CMYK 12 / 0 / 68 / 20

HEX #B3CC41

RGB 179 204 65

HSL 70.79, 0.58%, 0.53%

LAB 77.96, -26.81, 63.29

 

CMYK 68 / 0 / 22 / 20

HEX #41CCA0

RGB 65 204 160

HSL 161.01, 0.58%, 0.53%

LAB 74.09, -47.45, 11.25

 

Description

Color code: HEX #5E43CD | qconv.com Color code: HEX #5E43CD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 67 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 67 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 67 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 67% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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