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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E433A it is the complementary color #A1BCC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E433A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E433A shade: #634335, #745548, #85675B, #96796E and #A78B81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E433A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E433A shade: #5E433A, #4D3127, #3C1F14, #2B0D01 and #1A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E433A shade: #5F433A and #5F3A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E433A shade: #5F433A, #5F4D3A, #5F573A, #5D5F3A and #535F3A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E433A shade matches the following richer shades: #5F433A, #6B3D2E, #783721, #843115 and #902B09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E433A shade: #5F433A, #524A47, #465053, #3A565F and #2D5C6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E433A shade: #5F3A45, #5F3A3B, #5F433A, #5F4D3A and #5F573A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E433A shade: #2C1F1B, #45312A, #5F433A, #78554A and #926859

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E433A shade: #5E433A, #4E5F3A and #3A405F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E433A shade: #5E433A, #3A5F43 and #433A5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E433A shade: #5E433A, #4E5F3A, #3A565F and #4B3A5F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E433A shade: #5E433A, #435F3A, #3A565F and #563A5F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 38 / 63

HEX #5E433A

RGB 94 67 58

HSL 15, 0.24%, 0.3%

LAB 31.11, 10.3, 10.06

 

Complementary color

CMYK 18 / 5 / 0 / 23

HEX #A1BCC5

RGB 161 188 197

HSL 195, 0.24%, 0.7%

LAB 74.56, -7.21, -7.61

 

CMYK 0 / 32 / 46 / 61

HEX #634335

RGB 99 67 53

HSL 18.26, 0.3%, 0.3%

LAB 31.63, 11.92, 14.05

 

CMYK 0 / 27 / 38 / 55

HEX #745548

RGB 116 85 72

HSL 17.73, 0.23%, 0.37%

LAB 39.03, 10.95, 12.61

 

CMYK 0 / 23 / 32 / 48

HEX #85675B

RGB 133 103 91

HSL 17.14, 0.19%, 0.44%

LAB 46.23, 10.17, 11.38

 

CMYK 0 / 19 / 27 / 41

HEX #96796E

RGB 150 121 110

HSL 16.5, 0.16%, 0.51%

LAB 53.26, 9.53, 10.28

 

CMYK 0 / 17 / 23 / 35

HEX #A78B81

RGB 167 139 129

HSL 15.79, 0.18%, 0.58%

LAB 60.13, 8.98, 9.3

 

CMYK 0 / 29 / 38 / 63

HEX #5E433A

RGB 94 67 58

HSL 15, 0.24%, 0.3%

LAB 31.11, 10.3, 10.06

 

CMYK 0 / 36 / 49 / 70

HEX #4D3127

RGB 77 49 39

HSL 15.79, 0.33%, 0.23%

LAB 23.41, 11.35, 11.58

 

CMYK 0 / 48 / 67 / 76

HEX #3C1F14

RGB 60 31 20

HSL 16.5, 0.5%, 0.16%

LAB 15.44, 12.77, 13.53

 

CMYK 0 / 70 / 98 / 83

HEX #2B0D01

RGB 43 13 1

HSL 17.14, 0.95%, 0.09%

LAB 7.26, 14.39, 10.75

 

CMYK 0 / 100 / 100 / 90

HEX #1A0000

RGB 26 0 0

HSL 0, 1%, 0.05%

LAB 1.98, 8.9, 3.14

 

CMYK 0 / 29 / 39 / 63

HEX #5F433A

RGB 95 67 58

HSL 14.59, 0.24%, 0.3%

LAB 31.24, 10.76, 10.25

 

CMYK 0 / 39 / 39 / 63

HEX #5F3A3A

RGB 95 58 58

HSL 0, 0.24%, 0.3%

LAB 28.81, 16.4, 6.87

 

CMYK 0 / 29 / 39 / 63

HEX #5F433A

RGB 95 67 58

HSL 14.59, 0.24%, 0.3%

LAB 31.24, 10.76, 10.25

 

CMYK 0 / 19 / 39 / 63

HEX #5F4D3A

RGB 95 77 58

HSL 30.81, 0.24%, 0.3%

LAB 34.08, 4.51, 14.12

 

CMYK 0 / 8 / 39 / 63

HEX #5F573A

RGB 95 87 58

HSL 47.03, 0.24%, 0.3%

LAB 37.03, -1.61, 18.05

 

CMYK 2 / 0 / 39 / 63

HEX #5D5F3A

RGB 93 95 58

HSL 63.24, 0.24%, 0.3%

LAB 39.27, -7.26, 20.93

 

CMYK 13 / 0 / 39 / 63

HEX #535F3A

RGB 83 95 58

HSL 79.46, 0.24%, 0.3%

LAB 38.43, -11.68, 19.67

 

CMYK 0 / 29 / 39 / 63

HEX #5F433A

RGB 95 67 58

HSL 14.59, 0.24%, 0.3%

LAB 31.24, 10.76, 10.25

 

CMYK 0 / 43 / 57 / 58

HEX #6B3D2E

RGB 107 61 46

HSL 14.75, 0.4%, 0.3%

LAB 31.02, 18.48, 17.86

HEX #6B3D2E

CMYK 0 / 54 / 73 / 53

HEX #783721

RGB 120 55 33

HSL 15.17, 0.57%, 0.3%

LAB 31.43, 26.68, 26.78

HEX #783721

CMYK 0 / 63 / 84 / 48

HEX #843115

RGB 132 49 21

HSL 15.14, 0.73%, 0.3%

LAB 32.16, 34.21, 34.83

HEX #843115

CMYK 0 / 70 / 94 / 44

HEX #902B09

RGB 144 43 9

HSL 15.11, 0.88%, 0.3%

LAB 33.3, 41.19, 41.95

HEX #902B09

CMYK 0 / 29 / 39 / 63

HEX #5F433A

RGB 95 67 58

HSL 14.59, 0.24%, 0.3%

LAB 31.24, 10.76, 10.25

 

CMYK 0 / 10 / 13 / 68

HEX #524A47

RGB 82 74 71

HSL 16.36, 0.07%, 0.3%

LAB 32.14, 2.75, 3

 

CMYK 16 / 4 / 0 / 67

HEX #465053

RGB 70 80 83

HSL 193.85, 0.08%, 0.3%

LAB 33.27, -3.24, -3.11

 

CMYK 39 / 9 / 0 / 63

HEX #3A565F

RGB 58 86 95

HSL 194.59, 0.24%, 0.3%

LAB 34.76, -7.86, -8.54

 

CMYK 58 / 15 / 0 / 58

HEX #2D5C6C

RGB 45 92 108

HSL 195.24, 0.41%, 0.3%

LAB 36.55, -10.93, -14.01

 

CMYK 0 / 39 / 27 / 63

HEX #5F3A45

RGB 95 58 69

HSL 342.16, 0.24%, 0.3%

LAB 29.13, 18.07, 0.12

 

CMYK 0 / 39 / 38 / 63

HEX #5F3A3B

RGB 95 58 59

HSL 358.38, 0.24%, 0.3%

LAB 28.84, 16.54, 6.25

 

CMYK 0 / 29 / 39 / 63

HEX #5F433A

RGB 95 67 58

HSL 14.59, 0.24%, 0.3%

LAB 31.24, 10.76, 10.25

 

CMYK 0 / 19 / 39 / 63

HEX #5F4D3A

RGB 95 77 58

HSL 30.81, 0.24%, 0.3%

LAB 34.08, 4.51, 14.12

 

CMYK 0 / 8 / 39 / 63

HEX #5F573A

RGB 95 87 58

HSL 47.03, 0.24%, 0.3%

LAB 37.03, -1.61, 18.05

 

CMYK 0 / 30 / 39 / 83

HEX #2C1F1B

RGB 44 31 27

HSL 14.12, 0.24%, 0.14%

LAB 13.2, 5.59, 5.18

 

CMYK 0 / 29 / 39 / 73

HEX #45312A

RGB 69 49 42

HSL 15.56, 0.24%, 0.22%

LAB 22.4, 7.95, 8.03

 

CMYK 0 / 29 / 39 / 63

HEX #5F433A

RGB 95 67 58

HSL 14.59, 0.24%, 0.3%

LAB 31.24, 10.76, 10.25

 

CMYK 0 / 29 / 38 / 53

HEX #78554A

RGB 120 85 74

HSL 14.35, 0.24%, 0.38%

LAB 39.55, 12.97, 12.18

 

CMYK 0 / 29 / 39 / 43

HEX #926859

RGB 146 104 89

HSL 15.79, 0.24%, 0.46%

LAB 47.92, 14.8, 15.13

 

CMYK 0 / 29 / 38 / 63

HEX #5E433A

RGB 94 67 58

HSL 15, 0.24%, 0.3%

LAB 31.11, 10.3, 10.06

 

CMYK 18 / 0 / 39 / 63

HEX #4E5F3A

RGB 78 95 58

HSL 87.57, 0.24%, 0.3%

LAB 38.04, -13.82, 19.09

 

CMYK 39 / 33 / 0 / 63

HEX #3A405F

RGB 58 64 95

HSL 230.27, 0.24%, 0.3%

LAB 27.83, 6.17, -19.17

 

CMYK 0 / 29 / 38 / 63

HEX #5E433A

RGB 94 67 58

HSL 15, 0.24%, 0.3%

LAB 31.11, 10.3, 10.06

 

CMYK 39 / 0 / 29 / 63

HEX #3A5F43

RGB 58 95 67

HSL 134.59, 0.24%, 0.3%

LAB 36.91, -19.98, 11.95

 

CMYK 29 / 39 / 0 / 63

HEX #433A5F

RGB 67 58 95

HSL 254.59, 0.24%, 0.3%

LAB 26.86, 13.14, -20.61

 

CMYK 0 / 29 / 38 / 63

HEX #5E433A

RGB 94 67 58

HSL 15, 0.24%, 0.3%

LAB 31.11, 10.3, 10.06

 

CMYK 18 / 0 / 39 / 63

HEX #4E5F3A

RGB 78 95 58

HSL 87.57, 0.24%, 0.3%

LAB 38.04, -13.82, 19.09

 

CMYK 39 / 9 / 0 / 63

HEX #3A565F

RGB 58 86 95

HSL 194.59, 0.24%, 0.3%

LAB 34.76, -7.86, -8.54

 

CMYK 21 / 39 / 0 / 63

HEX #4B3A5F

RGB 75 58 95

HSL 267.57, 0.24%, 0.3%

LAB 27.7, 15.88, -19.23

 

CMYK 0 / 29 / 38 / 63

HEX #5E433A

RGB 94 67 58

HSL 15, 0.24%, 0.3%

LAB 31.11, 10.3, 10.06

 

CMYK 29 / 0 / 39 / 63

HEX #435F3A

RGB 67 95 58

HSL 105.41, 0.24%, 0.3%

LAB 37.27, -18.33, 17.94

 

CMYK 39 / 9 / 0 / 63

HEX #3A565F

RGB 58 86 95

HSL 194.59, 0.24%, 0.3%

LAB 34.76, -7.86, -8.54

 

CMYK 9 / 39 / 0 / 63

HEX #563A5F

RGB 86 58 95

HSL 285.41, 0.24%, 0.3%

LAB 28.98, 19.77, -17.15

 

Description

Color code: HEX #5E433A | qconv.com Color code: HEX #5E433A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 67 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 67 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 38 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 38% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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