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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E4316 it is the complementary color #A1BCE9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E4316. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E4316 shade: #634311, #745524, #856737, #96794A and #A78B5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E4316. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E4316 shade: #5E4316, #4D3103, #3C1F00, #2B0D00 and #1A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E4316 shade: #5F4316, #5F3016, #5F1C16 and #5F1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E4316 shade: #5F4316, #5F5716, #535F16, #3F5F16 and #2B5F16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E4316 shade matches the following richer shades: #5F4316, #68460C and #714803

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E4316 shade: #5F4316, #55411F, #4C3E29, #423C32 and #393A3C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E4316 shade: #5F1C16, #5F2F16, #5F4316, #5F5616 and #545F16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E4316 shade: #1C1406, #3D2B0E, #5F4316, #805B1E and #A17325

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E4316 shade: #5E4316, #235F16 and #26165F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E4316 shade: #5E4316, #165F43 and #43165F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E4316 shade: #5E4316, #235F16, #16325F and #51165F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E4316 shade: #5E4316, #165F1E, #16325F and #5F1656

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 77 / 63

HEX #5E4316

RGB 94 67 22

HSL 37.5, 0.62%, 0.23%

LAB 30.53, 6.7, 30.75

 

Complementary color

CMYK 31 / 19 / 0 / 9

HEX #A1BCE9

RGB 161 188 233

HSL 217.5, 0.62%, 0.77%

LAB 75.72, 1.15, -25.4

 

CMYK 0 / 32 / 83 / 61

HEX #634311

RGB 99 67 17

HSL 36.59, 0.71%, 0.23%

LAB 31.13, 8.93, 33.94

 

CMYK 0 / 27 / 69 / 55

HEX #745524

RGB 116 85 36

HSL 36.75, 0.53%, 0.3%

LAB 38.44, 7.29, 32.82

 

CMYK 0 / 23 / 59 / 48

HEX #856737

RGB 133 103 55

HSL 36.92, 0.41%, 0.37%

LAB 45.58, 6.03, 31.36

 

CMYK 0 / 19 / 51 / 41

HEX #96794A

RGB 150 121 74

HSL 37.11, 0.34%, 0.44%

LAB 52.57, 5.04, 29.9

 

CMYK 0 / 17 / 44 / 35

HEX #A78B5D

RGB 167 139 93

HSL 37.3, 0.3%, 0.51%

LAB 59.41, 4.24, 28.52

 

CMYK 0 / 29 / 77 / 63

HEX #5E4316

RGB 94 67 22

HSL 37.5, 0.62%, 0.23%

LAB 30.53, 6.7, 30.75

 

CMYK 0 / 36 / 96 / 70

HEX #4D3103

RGB 77 49 3

HSL 37.3, 0.93%, 0.16%

LAB 22.93, 8.6, 31.02

 

CMYK 0 / 48 / 100 / 76

HEX #3C1F00

RGB 60 31 0

HSL 31, 1%, 0.12%

LAB 15.17, 11.37, 22.58

 

CMYK 0 / 70 / 100 / 83

HEX #2B0D00

RGB 43 13 0

HSL 18.14, 1%, 0.08%

LAB 7.24, 14.29, 11.13

 

CMYK 0 / 100 / 100 / 90

HEX #1A0000

RGB 26 0 0

HSL 0, 1%, 0.05%

LAB 1.98, 8.9, 3.14

 

CMYK 0 / 29 / 77 / 63

HEX #5F4316

RGB 95 67 22

HSL 36.99, 0.62%, 0.23%

LAB 30.65, 7.2, 30.92

 

CMYK 0 / 49 / 77 / 63

HEX #5F3016

RGB 95 48 22

HSL 21.37, 0.62%, 0.23%

LAB 25.58, 19, 25.56

 

CMYK 0 / 71 / 77 / 63

HEX #5F1C16

RGB 95 28 22

HSL 4.93, 0.62%, 0.23%

LAB 21.29, 30.05, 20.77

 

CMYK 0 / 77 / 77 / 63

HEX #5F1616

RGB 95 22 22

HSL 0, 0.62%, 0.23%

LAB 20.3, 32.75, 19.63

 

CMYK 0 / 29 / 77 / 63

HEX #5F4316

RGB 95 67 22

HSL 36.99, 0.62%, 0.23%

LAB 30.65, 7.2, 30.92

 

CMYK 0 / 8 / 77 / 63

HEX #5F5716

RGB 95 87 22

HSL 53.42, 0.62%, 0.23%

LAB 36.57, -5.01, 36.84

 

CMYK 13 / 0 / 77 / 63

HEX #535F16

RGB 83 95 22

HSL 69.86, 0.62%, 0.23%

LAB 37.99, -15.39, 37.85

 

CMYK 34 / 0 / 77 / 63

HEX #3F5F16

RGB 63 95 22

HSL 86.3, 0.62%, 0.23%

LAB 36.55, -24.32, 35.95

 

CMYK 55 / 0 / 77 / 63

HEX #2B5F16

RGB 43 95 22

HSL 102.74, 0.62%, 0.23%

LAB 35.51, -31.81, 34.56

 

CMYK 0 / 29 / 77 / 63

HEX #5F4316

RGB 95 67 22

HSL 36.99, 0.62%, 0.23%

LAB 30.65, 7.2, 30.92

 

CMYK 0 / 33 / 88 / 59

HEX #68460C

RGB 104 70 12

HSL 37.83, 0.79%, 0.23%

LAB 32.59, 9.36, 37.52

 

CMYK 0 / 36 / 97 / 56

HEX #714803

RGB 113 72 3

HSL 37.64, 0.95%, 0.23%

LAB 34.3, 12.3, 42.49

 

CMYK 0 / 29 / 77 / 63

HEX #5F4316

RGB 95 67 22

HSL 36.99, 0.62%, 0.23%

LAB 30.65, 7.2, 30.92

 

CMYK 0 / 24 / 64 / 67

HEX #55411F

RGB 85 65 31

HSL 37.78, 0.47%, 0.23%

LAB 28.93, 4.13, 23.76

 

CMYK 0 / 18 / 46 / 70

HEX #4C3E29

RGB 76 62 41

HSL 36, 0.3%, 0.23%

LAB 27.14, 2.7, 15.19

 

CMYK 0 / 9 / 24 / 74

HEX #423C32

RGB 66 60 50

HSL 37.5, 0.14%, 0.23%

LAB 25.62, 0.64, 7.13

 

CMYK 5 / 3 / 0 / 76

HEX #393A3C

RGB 57 58 60

HSL 220, 0.03%, 0.23%

LAB 24.39, 0.04, -1.39

 

CMYK 0 / 71 / 77 / 63

HEX #5F1C16

RGB 95 28 22

HSL 4.93, 0.62%, 0.23%

LAB 21.29, 30.05, 20.77

 

CMYK 0 / 51 / 77 / 63

HEX #5F2F16

RGB 95 47 22

HSL 20.55, 0.62%, 0.23%

LAB 25.33, 19.6, 25.29

 

CMYK 0 / 29 / 77 / 63

HEX #5F4316

RGB 95 67 22

HSL 36.99, 0.62%, 0.23%

LAB 30.65, 7.2, 30.92

 

CMYK 0 / 9 / 77 / 63

HEX #5F5616

RGB 95 86 22

HSL 52.6, 0.62%, 0.23%

LAB 36.26, -4.42, 36.54

 

CMYK 12 / 0 / 77 / 63

HEX #545F16

RGB 84 95 22

HSL 69.04, 0.62%, 0.23%

LAB 38.07, -14.92, 37.95

 

CMYK 0 / 29 / 79 / 89

HEX #1C1406

RGB 28 20 6

HSL 38.18, 0.65%, 0.07%

LAB 6.87, 1.61, 7.85

 

CMYK 0 / 30 / 77 / 76

HEX #3D2B0E

RGB 61 43 14

HSL 37.02, 0.63%, 0.15%

LAB 19.02, 4.71, 21.42

 

CMYK 0 / 29 / 77 / 63

HEX #5F4316

RGB 95 67 22

HSL 36.99, 0.62%, 0.23%

LAB 30.65, 7.2, 30.92

 

CMYK 0 / 29 / 77 / 50

HEX #805B1E

RGB 128 91 30

HSL 37.35, 0.62%, 0.31%

LAB 41.48, 9.06, 39.39

 

CMYK 0 / 29 / 77 / 37

HEX #A17325

RGB 161 115 37

HSL 37.74, 0.63%, 0.39%

LAB 51.81, 10.78, 47.81

 

CMYK 0 / 29 / 77 / 63

HEX #5E4316

RGB 94 67 22

HSL 37.5, 0.62%, 0.23%

LAB 30.53, 6.7, 30.75

 

CMYK 63 / 0 / 77 / 63

HEX #235F16

RGB 35 95 22

HSL 109.32, 0.62%, 0.23%

LAB 35.2, -34.23, 34.15

 

CMYK 60 / 77 / 0 / 63

HEX #26165F

RGB 38 22 95

HSL 253.15, 0.62%, 0.23%

LAB 14.47, 29.31, -40.64

 

CMYK 0 / 29 / 77 / 63

HEX #5E4316

RGB 94 67 22

HSL 37.5, 0.62%, 0.23%

LAB 30.53, 6.7, 30.75

 

CMYK 77 / 0 / 29 / 63

HEX #165F43

RGB 22 95 67

HSL 156.99, 0.62%, 0.23%

LAB 35.52, -29.42, 9.81

 

CMYK 29 / 77 / 0 / 63

HEX #43165F

RGB 67 22 95

HSL 276.99, 0.62%, 0.23%

LAB 18.34, 35.1, -34.18

 

CMYK 0 / 29 / 77 / 63

HEX #5E4316

RGB 94 67 22

HSL 37.5, 0.62%, 0.23%

LAB 30.53, 6.7, 30.75

 

CMYK 63 / 0 / 77 / 63

HEX #235F16

RGB 35 95 22

HSL 109.32, 0.62%, 0.23%

LAB 35.2, -34.23, 34.15

 

CMYK 77 / 47 / 0 / 63

HEX #16325F

RGB 22 50 95

HSL 216.99, 0.62%, 0.23%

LAB 21.12, 6.91, -29.9

 

CMYK 15 / 77 / 0 / 63

HEX #51165F

RGB 81 22 95

HSL 288.49, 0.62%, 0.23%

LAB 20.63, 38.34, -30.36

 

CMYK 0 / 29 / 77 / 63

HEX #5E4316

RGB 94 67 22

HSL 37.5, 0.62%, 0.23%

LAB 30.53, 6.7, 30.75

 

CMYK 77 / 0 / 68 / 63

HEX #165F1E

RGB 22 95 30

HSL 126.58, 0.62%, 0.23%

LAB 34.9, -36.43, 30.07

 

CMYK 77 / 47 / 0 / 63

HEX #16325F

RGB 22 50 95

HSL 216.99, 0.62%, 0.23%

LAB 21.12, 6.91, -29.9

 

CMYK 0 / 77 / 9 / 63

HEX #5F1656

RGB 95 22 86

HSL 307.4, 0.62%, 0.23%

LAB 22.58, 40.11, -21.12

 

Description

Color code: HEX #5E4316 | qconv.com Color code: HEX #5E4316 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 67 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 67 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 77 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 77% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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