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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E4225 it is the complementary color #A1BDDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E4225. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E4225 shade: #634220, #745433, #856646, #967859 and #A78A6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E4225. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E4225 shade: #5E4225, #4D3012, #3C1E00, #2B0C00 and #1A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E4225 shade: #5F4225, #5F3325 and #5F2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E4225 shade: #5F4225, #5F5225, #5C5F25, #4C5F25 and #3D5F25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E4225 shade matches the following richer shades: #5F4225, #6A431A, #74430F and #7F4304

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E4225 shade: #5F4225, #54422F, #4A423A, #3F4245 and #344250

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E4225 shade: #5F2527, #5F3225, #5F4225, #5F5125 and #5D5F25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E4225 shade: #24190E, #412E19, #5F4225, #7D5730 and #9A6C3C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E4225 shade: #5E4225, #365F25 and #2A255F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E4225 shade: #5E4225, #255F42 and #42255F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E4225 shade: #5E4225, #365F25, #25425F and #4D255F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E4225 shade: #5E4225, #255F25, #25425F and #5F255F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 61 / 63

HEX #5E4225

RGB 94 66 37

HSL 30.53, 0.44%, 0.26%

LAB 30.42, 8.46, 22.27

 

Complementary color

CMYK 26 / 13 / 0 / 15

HEX #A1BDDA

RGB 161 189 218

HSL 210.53, 0.44%, 0.74%

LAB 75.47, -3, -17.65

 

CMYK 0 / 33 / 68 / 61

HEX #634220

RGB 99 66 32

HSL 30.45, 0.51%, 0.26%

LAB 31, 10.46, 26.05

 

CMYK 0 / 28 / 56 / 55

HEX #745433

RGB 116 84 51

HSL 30.46, 0.39%, 0.33%

LAB 38.36, 9.12, 24.37

 

CMYK 0 / 23 / 47 / 48

HEX #856646

RGB 133 102 70

HSL 30.48, 0.31%, 0.4%

LAB 45.54, 8.09, 22.84

 

CMYK 0 / 20 / 41 / 41

HEX #967859

RGB 150 120 89

HSL 30.49, 0.26%, 0.47%

LAB 52.55, 7.26, 21.45

 

CMYK 0 / 17 / 35 / 35

HEX #A78A6C

RGB 167 138 108

HSL 30.51, 0.25%, 0.54%

LAB 59.41, 6.58, 20.2

 

CMYK 0 / 30 / 61 / 63

HEX #5E4225

RGB 94 66 37

HSL 30.53, 0.44%, 0.26%

LAB 30.42, 8.46, 22.27

 

CMYK 0 / 38 / 77 / 70

HEX #4D3012

RGB 77 48 18

HSL 30.51, 0.62%, 0.19%

LAB 22.78, 10, 24.01

 

CMYK 0 / 50 / 100 / 76

HEX #3C1E00

RGB 60 30 0

HSL 30, 1%, 0.12%

LAB 14.89, 12.03, 22.22

 

CMYK 0 / 72 / 100 / 83

HEX #2B0C00

RGB 43 12 0

HSL 16.74, 1%, 0.08%

LAB 7.01, 14.84, 10.8

 

CMYK 0 / 100 / 100 / 90

HEX #1A0000

RGB 26 0 0

HSL 0, 1%, 0.05%

LAB 1.98, 8.9, 3.14

 

CMYK 0 / 31 / 61 / 63

HEX #5F4225

RGB 95 66 37

HSL 30, 0.44%, 0.26%

LAB 30.55, 8.94, 22.46

 

CMYK 0 / 46 / 61 / 63

HEX #5F3325

RGB 95 51 37

HSL 14.48, 0.44%, 0.26%

LAB 26.55, 18.29, 17.48

 

CMYK 0 / 61 / 61 / 63

HEX #5F2525

RGB 95 37 37

HSL 0, 0.44%, 0.26%

LAB 23.3, 26.47, 13.29

 

CMYK 0 / 31 / 61 / 63

HEX #5F4225

RGB 95 66 37

HSL 30, 0.44%, 0.26%

LAB 30.55, 8.94, 22.46

 

CMYK 0 / 14 / 61 / 63

HEX #5F5225

RGB 95 82 37

HSL 46.55, 0.44%, 0.26%

LAB 35.2, -0.94, 27.98

 

CMYK 3 / 0 / 61 / 63

HEX #5C5F25

RGB 92 95 37

HSL 63.1, 0.44%, 0.26%

LAB 38.89, -10.05, 32.09

 

CMYK 20 / 0 / 61 / 63

HEX #4C5F25

RGB 76 95 37

HSL 79.66, 0.44%, 0.26%

LAB 37.58, -17.38, 30.26

 

CMYK 36 / 0 / 61 / 63

HEX #3D5F25

RGB 61 95 37

HSL 95.17, 0.44%, 0.26%

LAB 36.57, -23.72, 28.84

 

CMYK 0 / 31 / 61 / 63

HEX #5F4225

RGB 95 66 37

HSL 30, 0.44%, 0.26%

LAB 30.55, 8.94, 22.46

 

CMYK 0 / 37 / 75 / 58

HEX #6A431A

RGB 106 67 26

HSL 30.75, 0.61%, 0.26%

LAB 32.15, 12.82, 30.88

 

CMYK 0 / 42 / 87 / 55

HEX #74430F

RGB 116 67 15

HSL 30.89, 0.77%, 0.26%

LAB 33.48, 17.08, 37.8

 

CMYK 0 / 47 / 97 / 50

HEX #7F4304

RGB 127 67 4

HSL 30.73, 0.94%, 0.26%

LAB 35.07, 21.89, 43.62

 

CMYK 0 / 31 / 61 / 63

HEX #5F4225

RGB 95 66 37

HSL 30, 0.44%, 0.26%

LAB 30.55, 8.94, 22.46

 

CMYK 0 / 21 / 44 / 67

HEX #54422F

RGB 84 66 47

HSL 30.81, 0.28%, 0.26%

LAB 29.38, 4.78, 14.51

 

CMYK 0 / 11 / 22 / 71

HEX #4A423A

RGB 74 66 58

HSL 30, 0.12%, 0.26%

LAB 28.53, 1.87, 6.11

 

CMYK 9 / 4 / 0 / 73

HEX #3F4245

RGB 63 66 69

HSL 210, 0.05%, 0.26%

LAB 27.8, -0.54, -2.25

 

CMYK 35 / 18 / 0 / 69

HEX #344250

RGB 52 66 80

HSL 210, 0.21%, 0.26%

LAB 27.31, -1.72, -10.26

 

CMYK 0 / 61 / 59 / 63

HEX #5F2527

RGB 95 37 39

HSL 357.93, 0.44%, 0.26%

LAB 23.35, 26.65, 12

 

CMYK 0 / 47 / 61 / 63

HEX #5F3225

RGB 95 50 37

HSL 13.45, 0.44%, 0.26%

LAB 26.3, 18.9, 17.17

 

CMYK 0 / 31 / 61 / 63

HEX #5F4225

RGB 95 66 37

HSL 30, 0.44%, 0.26%

LAB 30.55, 8.94, 22.46

 

CMYK 0 / 15 / 61 / 63

HEX #5F5125

RGB 95 81 37

HSL 45.52, 0.44%, 0.26%

LAB 34.91, -0.34, 27.63

 

CMYK 2 / 0 / 61 / 63

HEX #5D5F25

RGB 93 95 37

HSL 62.07, 0.44%, 0.26%

LAB 38.98, -9.57, 32.22

 

CMYK 0 / 31 / 61 / 86

HEX #24190E

RGB 36 25 14

HSL 30, 0.44%, 0.1%

LAB 9.81, 3.67, 8.81

 

CMYK 0 / 29 / 62 / 75

HEX #412E19

RGB 65 46 25

HSL 31.5, 0.44%, 0.18%

LAB 20.63, 5.77, 16.84

 

CMYK 0 / 31 / 61 / 63

HEX #5F4225

RGB 95 66 37

HSL 30, 0.44%, 0.26%

LAB 30.55, 8.94, 22.46

 

CMYK 0 / 30 / 62 / 51

HEX #7D5730

RGB 125 87 48

HSL 30.39, 0.45%, 0.34%

LAB 40.23, 11.22, 28.62

 

CMYK 0 / 30 / 61 / 40

HEX #9A6C3C

RGB 154 108 60

HSL 30.64, 0.44%, 0.42%

LAB 49.4, 13.02, 33.78

 

CMYK 0 / 30 / 61 / 63

HEX #5E4225

RGB 94 66 37

HSL 30.53, 0.44%, 0.26%

LAB 30.42, 8.46, 22.27

 

CMYK 43 / 0 / 61 / 63

HEX #365F25

RGB 54 95 37

HSL 102.41, 0.44%, 0.26%

LAB 36.18, -26.41, 28.29

 

CMYK 56 / 61 / 0 / 63

HEX #2A255F

RGB 42 37 95

HSL 245.17, 0.44%, 0.26%

LAB 18.55, 20.27, -33.98

 

CMYK 0 / 30 / 61 / 63

HEX #5E4225

RGB 94 66 37

HSL 30.53, 0.44%, 0.26%

LAB 30.42, 8.46, 22.27

 

CMYK 61 / 0 / 31 / 63

HEX #255F42

RGB 37 95 66

HSL 150, 0.44%, 0.26%

LAB 35.93, -26.55, 11.05

 

CMYK 31 / 61 / 0 / 63

HEX #42255F

RGB 66 37 95

HSL 270, 0.44%, 0.26%

LAB 21.24, 26.52, -29.52

 

CMYK 0 / 30 / 61 / 63

HEX #5E4225

RGB 94 66 37

HSL 30.53, 0.44%, 0.26%

LAB 30.42, 8.46, 22.27

 

CMYK 43 / 0 / 61 / 63

HEX #365F25

RGB 54 95 37

HSL 102.41, 0.44%, 0.26%

LAB 36.18, -26.41, 28.29

 

CMYK 61 / 31 / 0 / 63

HEX #25425F

RGB 37 66 95

HSL 210, 0.44%, 0.26%

LAB 27.06, -1.1, -20.46

 

CMYK 19 / 61 / 0 / 63

HEX #4D255F

RGB 77 37 95

HSL 281.38, 0.44%, 0.26%

LAB 22.75, 29.69, -27.02

 

CMYK 0 / 30 / 61 / 63

HEX #5E4225

RGB 94 66 37

HSL 30.53, 0.44%, 0.26%

LAB 30.42, 8.46, 22.27

 

CMYK 61 / 0 / 61 / 63

HEX #255F25

RGB 37 95 37

HSL 120, 0.44%, 0.26%

LAB 35.42, -31.97, 27.21

 

CMYK 61 / 31 / 0 / 63

HEX #25425F

RGB 37 66 95

HSL 210, 0.44%, 0.26%

LAB 27.06, -1.1, -20.46

 

CMYK 0 / 61 / 0 / 63

HEX #5F255F

RGB 95 37 95

HSL 300, 0.44%, 0.26%

LAB 25.51, 35.03, -22.47

 

Description

Color code: HEX #5E4225 | qconv.com Color code: HEX #5E4225 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 66 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 66 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 61 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 61% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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