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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E3FC5 it is the complementary color #A1C03A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E3FC5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E3FC5 shade: #633FC0, #7451D3, #8563E6, #9675F9 and #A787FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E3FC5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E3FC5 shade: #5E3FC5, #4D2DB2, #3C1B9F, #2B098C and #1A0079

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E3FC5 shade: #5E3FC6, #823FC6, #A73FC6, #C63FC0 and #C63F9C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E3FC5 shade: #5E3FC6 and #3F3FC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E3FC5 shade matches the following richer shades: #5E3FC6, #532ADA and #4816EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E3FC5 shade: #5E3FC6, #6953B1, #74679D, #7E7B89 and #898F75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E3FC5 shade: #3F69C6, #3F45C6, #5C3FC6, #803FC6 and #A43FC6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E3FC5 shade: #3F2989, #4E32A9, #5E3FC6, #785ECF and #937ED9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E3FC5 shade: #5E3FC5, #C63F8D and #57C63F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E3FC5 shade: #5E3FC5, #C65C3F and #3FC65C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E3FC5 shade: #5E3FC5, #C63F8D, #A8C63F and #3FC677

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E3FC5 shade: #5E3FC5, #C63F65, #A8C63F and #3FC69F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 68 / 0 / 23

HEX #5E3FC5

RGB 94 63 197

HSL 253.88, 0.54%, 0.51%

LAB 37.78, 46.95, -65.47

 

Complementary color

CMYK 16 / 0 / 70 / 25

HEX #A1C03A

RGB 161 192 58

HSL 73.88, 0.54%, 0.49%

LAB 73.27, -28.78, 60.79

 

CMYK 48 / 67 / 0 / 25

HEX #633FC0

RGB 99 63 192

HSL 256.74, 0.51%, 0.5%

LAB 37.87, 46.39, -62.38

 

CMYK 45 / 62 / 0 / 17

HEX #7451D3

RGB 116 81 211

HSL 256.15, 0.6%, 0.57%

LAB 44.66, 45.07, -62.27

 

CMYK 42 / 57 / 0 / 10

HEX #8563E6

RGB 133 99 230

HSL 255.57, 0.72%, 0.65%

LAB 51.41, 43.78, -62.08

 

CMYK 40 / 53 / 0 / 2

HEX #9675F9

RGB 150 117 249

HSL 255, 0.92%, 0.72%

LAB 58.08, 42.58, -61.86

 

CMYK 35 / 47 / 0 / 0

HEX #A787FF

RGB 167 135 255

HSL 256, 1%, 0.76%

LAB 63.97, 38.1, -55.67

 

CMYK 52 / 68 / 0 / 23

HEX #5E3FC5

RGB 94 63 197

HSL 253.88, 0.54%, 0.51%

LAB 37.78, 46.95, -65.47

 

CMYK 57 / 75 / 0 / 30

HEX #4D2DB2

RGB 77 45 178

HSL 254.44, 0.6%, 0.44%

LAB 31.04, 48.31, -65.37

 

CMYK 62 / 83 / 0 / 38

HEX #3C1B9F

RGB 60 27 159

HSL 255, 0.71%, 0.36%

LAB 24.47, 49.26, -64.79

 

CMYK 69 / 94 / 0 / 45

HEX #2B098C

RGB 43 9 140

HSL 255.57, 0.88%, 0.29%

LAB 18.38, 48.99, -63.21

 

CMYK 79 / 100 / 0 / 53

HEX #1A0079

RGB 26 0 121

HSL 252.89, 1%, 0.24%

LAB 13.23, 46.12, -59.76

 

CMYK 53 / 68 / 0 / 22

HEX #5E3FC6

RGB 94 63 198

HSL 253.78, 0.54%, 0.51%

LAB 37.86, 47.24, -65.91

 

CMYK 34 / 68 / 0 / 22

HEX #823FC6

RGB 130 63 198

HSL 269.78, 0.54%, 0.51%

LAB 41.81, 53.93, -59.32

 

CMYK 16 / 68 / 0 / 22

HEX #A73FC6

RGB 167 63 198

HSL 286.22, 0.54%, 0.51%

LAB 46.77, 61.75, -51.06

 

CMYK 0 / 68 / 3 / 22

HEX #C63FC0

RGB 198 63 192

HSL 302.67, 0.54%, 0.51%

LAB 51.11, 67.66, -40.4

 

CMYK 0 / 68 / 21 / 22

HEX #C63F9C

RGB 198 63 156

HSL 318.67, 0.54%, 0.51%

LAB 49.45, 62.31, -21.88

 

CMYK 53 / 68 / 0 / 22

HEX #5E3FC6

RGB 94 63 198

HSL 253.78, 0.54%, 0.51%

LAB 37.86, 47.24, -65.91

 

CMYK 68 / 68 / 0 / 22

HEX #3F3FC6

RGB 63 63 198

HSL 240, 0.54%, 0.51%

LAB 35.38, 42.73, -70.08

 

CMYK 53 / 68 / 0 / 22

HEX #5E3FC6

RGB 94 63 198

HSL 253.78, 0.54%, 0.51%

LAB 37.86, 47.24, -65.91

 

CMYK 62 / 81 / 0 / 15

HEX #532ADA

RGB 83 42 218

HSL 253.98, 0.7%, 0.51%

LAB 35.12, 61.66, -82.05

 

CMYK 70 / 91 / 0 / 7

HEX #4816EE

RGB 72 22 238

HSL 253.89, 0.86%, 0.51%

LAB 34.24, 72.65, -94.96

 

CMYK 53 / 68 / 0 / 22

HEX #5E3FC6

RGB 94 63 198

HSL 253.78, 0.54%, 0.51%

LAB 37.86, 47.24, -65.91

 

CMYK 41 / 53 / 0 / 31

HEX #6953B1

RGB 105 83 177

HSL 254.04, 0.38%, 0.51%

LAB 41.79, 31.82, -47.2

 

CMYK 26 / 34 / 0 / 38

HEX #74679D

RGB 116 103 157

HSL 254.44, 0.22%, 0.51%

LAB 46.77, 17.29, -27.46

 

CMYK 8 / 10 / 0 / 46

HEX #7E7B89

RGB 126 123 137

HSL 252.86, 0.06%, 0.51%

LAB 52.3, 4.02, -7.18

 

CMYK 4 / 0 / 18 / 44

HEX #898F75

RGB 137 143 117

HSL 73.85, 0.1%, 0.51%

LAB 58.27, -6.99, 13.12

 

CMYK 68 / 47 / 0 / 22

HEX #3F69C6

RGB 63 105 198

HSL 221.33, 0.54%, 0.51%

LAB 45.96, 16.27, -52.9

 

CMYK 68 / 65 / 0 / 22

HEX #3F45C6

RGB 63 69 198

HSL 237.33, 0.54%, 0.51%

LAB 36.73, 39.11, -67.87

 

CMYK 54 / 68 / 0 / 22

HEX #5C3FC6

RGB 92 63 198

HSL 252.89, 0.54%, 0.51%

LAB 37.68, 46.91, -66.23

 

CMYK 35 / 68 / 0 / 22

HEX #803FC6

RGB 128 63 198

HSL 268.89, 0.54%, 0.51%

LAB 41.57, 53.53, -59.72

 

CMYK 17 / 68 / 0 / 22

HEX #A43FC6

RGB 164 63 198

HSL 284.89, 0.54%, 0.51%

LAB 46.34, 61.09, -51.78

 

CMYK 54 / 70 / 0 / 46

HEX #3F2989

RGB 63 41 137

HSL 253.75, 0.54%, 0.35%

LAB 25.1, 35.93, -50.18

 

CMYK 54 / 70 / 0 / 34

HEX #4E32A9

RGB 78 50 169

HSL 254.12, 0.54%, 0.43%

LAB 31.27, 43.16, -59.61

 

CMYK 53 / 68 / 0 / 22

HEX #5E3FC6

RGB 94 63 198

HSL 253.78, 0.54%, 0.51%

LAB 37.86, 47.24, -65.91

 

CMYK 42 / 55 / 0 / 19

HEX #785ECF

RGB 120 94 207

HSL 253.81, 0.54%, 0.59%

LAB 47.63, 37.37, -55.17

 

CMYK 32 / 42 / 0 / 15

HEX #937ED9

RGB 147 126 217

HSL 253.85, 0.54%, 0.67%

LAB 58.16, 28.23, -43.92

 

CMYK 52 / 68 / 0 / 23

HEX #5E3FC5

RGB 94 63 197

HSL 253.88, 0.54%, 0.51%

LAB 37.78, 46.95, -65.47

 

CMYK 0 / 68 / 29 / 22

HEX #C63F8D

RGB 198 63 141

HSL 325.33, 0.54%, 0.51%

LAB 48.86, 60.37, -13.82

 

CMYK 56 / 0 / 68 / 22

HEX #57C63F

RGB 87 198 63

HSL 109.33, 0.54%, 0.51%

LAB 71.4, -56.28, 55.77

 

CMYK 52 / 68 / 0 / 23

HEX #5E3FC5

RGB 94 63 197

HSL 253.88, 0.54%, 0.51%

LAB 37.78, 46.95, -65.47

 

CMYK 0 / 54 / 68 / 22

HEX #C65C3F

RGB 198 92 63

HSL 12.89, 0.54%, 0.51%

LAB 51.86, 40.25, 36.53

 

CMYK 68 / 0 / 54 / 22

HEX #3FC65C

RGB 63 198 92

HSL 132.89, 0.54%, 0.51%

LAB 71.02, -58.29, 42.34

 

CMYK 52 / 68 / 0 / 23

HEX #5E3FC5

RGB 94 63 197

HSL 253.88, 0.54%, 0.51%

LAB 37.78, 46.95, -65.47

 

CMYK 0 / 68 / 29 / 22

HEX #C63F8D

RGB 198 63 141

HSL 325.33, 0.54%, 0.51%

LAB 48.86, 60.37, -13.82

 

CMYK 15 / 0 / 68 / 22

HEX #A8C63F

RGB 168 198 63

HSL 73.33, 0.54%, 0.51%

LAB 75.5, -28.51, 61.3

 

CMYK 68 / 0 / 40 / 22

HEX #3FC677

RGB 63 198 119

HSL 144.89, 0.54%, 0.51%

LAB 71.4, -53.95, 29.28

 

CMYK 52 / 68 / 0 / 23

HEX #5E3FC5

RGB 94 63 197

HSL 253.88, 0.54%, 0.51%

LAB 37.78, 46.95, -65.47

 

CMYK 0 / 68 / 49 / 22

HEX #C63F65

RGB 198 63 101

HSL 343.11, 0.54%, 0.51%

LAB 47.62, 56.12, 8.63

 

CMYK 15 / 0 / 68 / 22

HEX #A8C63F

RGB 168 198 63

HSL 73.33, 0.54%, 0.51%

LAB 75.5, -28.51, 61.3

 

CMYK 68 / 0 / 20 / 22

HEX #3FC69F

RGB 63 198 159

HSL 162.67, 0.54%, 0.51%

LAB 72.19, -45.48, 9.08

 

Description

Color code: HEX #5E3FC5 | qconv.com Color code: HEX #5E3FC5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 63 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 63 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 68 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 68% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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