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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E3FA9 it is the complementary color #A1C056. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E3FA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E3FA9 shade: #633FA4, #7451B7, #8563CA, #9675DD and #A787F0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E3FA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E3FA9 shade: #5E3FA9, #4D2D96, #3C1B83, #2B0970 and #1A005D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E3FA9 shade: #5D3EA8, #793EA8, #963EA8, #A83E9D and #A83E80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E3FA9 shade: #5D3EA8, #403EA8 and #3E3EA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E3FA9 shade matches the following richer shades: #5D3EA8, #552BBA, #4D19CD and #4606DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E3FA9 shade: #5D3EA8, #655195, #6C6382, #747670 and #7C885D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E3FA9 shade: #3E58A8, #403EA8, #5C3EA8, #783EA8 and #943EA8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E3FA9 shade: #3B286B, #4C3389, #5D3EA8, #7150BE and #896ECA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E3FA9 shade: #5E3FA9, #A83E75 and #4AA83E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E3FA9 shade: #5E3FA9, #A85C3E and #3EA85C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E3FA9 shade: #5E3FA9, #A83E75, #8AA83E and #3EA871

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E3FA9 shade: #5E3FA9, #A83E55, #8AA83E and #3EA891

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 63 / 0 / 34

HEX #5E3FA9

RGB 94 63 169

HSL 257.55, 0.46%, 0.45%

LAB 35.59, 38.84, -52.49

 

Complementary color

CMYK 16 / 0 / 55 / 25

HEX #A1C056

RGB 161 192 86

HSL 77.55, 0.46%, 0.55%

LAB 73.51, -26.67, 49.2

 

CMYK 40 / 62 / 0 / 36

HEX #633FA4

RGB 99 63 164

HSL 261.39, 0.44%, 0.45%

LAB 35.77, 38.54, -49.19

 

CMYK 37 / 56 / 0 / 28

HEX #7451B7

RGB 116 81 183

HSL 260.59, 0.41%, 0.52%

LAB 42.79, 37.37, -49.07

 

CMYK 34 / 51 / 0 / 21

HEX #8563CA

RGB 133 99 202

HSL 259.81, 0.49%, 0.59%

LAB 49.71, 36.26, -48.91

 

CMYK 32 / 47 / 0 / 13

HEX #9675DD

RGB 150 117 221

HSL 259.04, 0.6%, 0.66%

LAB 56.51, 35.24, -48.76

 

CMYK 30 / 44 / 0 / 6

HEX #A787F0

RGB 167 135 240

HSL 258.29, 0.78%, 0.74%

LAB 63.21, 34.31, -48.64

 

CMYK 44 / 63 / 0 / 34

HEX #5E3FA9

RGB 94 63 169

HSL 257.55, 0.46%, 0.45%

LAB 35.59, 38.84, -52.49

 

CMYK 49 / 70 / 0 / 41

HEX #4D2D96

RGB 77 45 150

HSL 258.29, 0.54%, 0.38%

LAB 28.53, 40.14, -52.56

 

CMYK 54 / 79 / 0 / 49

HEX #3C1B83

RGB 60 27 131

HSL 259.04, 0.66%, 0.31%

LAB 21.52, 41.19, -52.3

 

CMYK 62 / 92 / 0 / 56

HEX #2B0970

RGB 43 9 112

HSL 259.81, 0.85%, 0.24%

LAB 14.84, 41.26, -51.22

 

CMYK 72 / 100 / 0 / 64

HEX #1A005D

RGB 26 0 93

HSL 256.77, 1%, 0.18%

LAB 9.07, 38.65, -48.26

 

CMYK 45 / 63 / 0 / 34

HEX #5D3EA8

RGB 93 62 168

HSL 257.55, 0.46%, 0.45%

LAB 35.2, 38.92, -52.54

 

CMYK 28 / 63 / 0 / 34

HEX #793EA8

RGB 121 62 168

HSL 273.4, 0.46%, 0.45%

LAB 38.44, 45.25, -47.15

 

CMYK 11 / 63 / 0 / 34

HEX #963EA8

RGB 150 62 168

HSL 289.81, 0.46%, 0.45%

LAB 42.39, 52.33, -40.6

 

CMYK 0 / 63 / 7 / 34

HEX #A83E9D

RGB 168 62 157

HSL 306.23, 0.46%, 0.45%

LAB 44.52, 54.96, -30.5

 

CMYK 0 / 63 / 24 / 34

HEX #A83E80

RGB 168 62 128

HSL 322.64, 0.46%, 0.45%

LAB 43.25, 50.5, -14.92

 

CMYK 45 / 63 / 0 / 34

HEX #5D3EA8

RGB 93 62 168

HSL 257.55, 0.46%, 0.45%

LAB 35.2, 38.92, -52.54

 

CMYK 62 / 63 / 0 / 34

HEX #403EA8

RGB 64 62 168

HSL 241.13, 0.46%, 0.45%

LAB 32.62, 33.4, -56.85

 

CMYK 63 / 63 / 0 / 34

HEX #3E3EA8

RGB 62 62 168

HSL 240, 0.46%, 0.45%

LAB 32.47, 33.07, -57.1

 

CMYK 45 / 63 / 0 / 34

HEX #5D3EA8

RGB 93 62 168

HSL 257.55, 0.46%, 0.45%

LAB 35.2, 38.92, -52.54

 

CMYK 54 / 77 / 0 / 27

HEX #552BBA

RGB 85 43 186

HSL 257.62, 0.62%, 0.45%

LAB 32.27, 52.65, -68.08

 

CMYK 62 / 88 / 0 / 20

HEX #4D19CD

RGB 77 25 205

HSL 257.33, 0.78%, 0.45%

LAB 31.07, 63.84, -81.24

 

CMYK 69 / 97 / 0 / 13

HEX #4606DF

RGB 70 6 223

HSL 257.7, 0.95%, 0.45%

LAB 31.25, 71.88, -91.37

 

CMYK 45 / 63 / 0 / 34

HEX #5D3EA8

RGB 93 62 168

HSL 257.55, 0.46%, 0.45%

LAB 35.2, 38.92, -52.54

 

CMYK 32 / 46 / 0 / 42

HEX #655195

RGB 101 81 149

HSL 257.65, 0.3%, 0.45%

LAB 39.28, 24.11, -34.54

 

CMYK 17 / 24 / 0 / 49

HEX #6C6382

RGB 108 99 130

HSL 257.42, 0.14%, 0.45%

LAB 43.83, 10.33, -15.94

 

CMYK 2 / 0 / 5 / 54

HEX #747670

RGB 116 118 112

HSL 80, 0.03%, 0.45%

LAB 49.3, -1.95, 3.03

 

CMYK 9 / 0 / 32 / 47

HEX #7C885D

RGB 124 136 93

HSL 76.74, 0.19%, 0.45%

LAB 54.75, -12.11, 21.69

 

CMYK 63 / 48 / 0 / 34

HEX #3E58A8

RGB 62 88 168

HSL 225.28, 0.46%, 0.45%

LAB 39.29, 16.23, -46.06

 

CMYK 62 / 63 / 0 / 34

HEX #403EA8

RGB 64 62 168

HSL 241.13, 0.46%, 0.45%

LAB 32.62, 33.4, -56.85

 

CMYK 45 / 63 / 0 / 34

HEX #5C3EA8

RGB 92 62 168

HSL 256.98, 0.46%, 0.45%

LAB 35.1, 38.7, -52.71

 

CMYK 29 / 63 / 0 / 34

HEX #783EA8

RGB 120 62 168

HSL 272.83, 0.46%, 0.45%

LAB 38.31, 45.01, -47.36

 

CMYK 12 / 63 / 0 / 34

HEX #943EA8

RGB 148 62 168

HSL 288.68, 0.46%, 0.45%

LAB 42.11, 51.83, -41.08

 

CMYK 45 / 63 / 0 / 58

HEX #3B286B

RGB 59 40 107

HSL 257.01, 0.46%, 0.29%

LAB 21.98, 26.32, -36.21

 

CMYK 45 / 63 / 0 / 46

HEX #4C3389

RGB 76 51 137

HSL 257.44, 0.46%, 0.37%

LAB 28.67, 32.62, -44.32

 

CMYK 45 / 63 / 0 / 34

HEX #5D3EA8

RGB 93 62 168

HSL 257.55, 0.46%, 0.45%

LAB 35.2, 38.92, -52.54

 

CMYK 41 / 58 / 0 / 25

HEX #7150BE

RGB 113 80 190

HSL 258, 0.46%, 0.53%

LAB 42.71, 39.15, -53.3

 

CMYK 32 / 46 / 0 / 21

HEX #896ECA

RGB 137 110 202

HSL 257.61, 0.46%, 0.61%

LAB 52.66, 30.92, -44.2

 

CMYK 44 / 63 / 0 / 34

HEX #5E3FA9

RGB 94 63 169

HSL 257.55, 0.46%, 0.45%

LAB 35.59, 38.84, -52.49

 

CMYK 0 / 63 / 30 / 34

HEX #A83E75

RGB 168 62 117

HSL 328.87, 0.46%, 0.45%

LAB 42.85, 49.02, -8.79

 

CMYK 56 / 0 / 63 / 34

HEX #4AA83E

RGB 74 168 62

HSL 113.21, 0.46%, 0.45%

LAB 61.49, -48.5, 45.28

 

CMYK 44 / 63 / 0 / 34

HEX #5E3FA9

RGB 94 63 169

HSL 257.55, 0.46%, 0.45%

LAB 35.59, 38.84, -52.49

 

CMYK 0 / 45 / 63 / 34

HEX #A85C3E

RGB 168 92 62

HSL 16.98, 0.46%, 0.45%

LAB 47.4, 28.25, 30.71

 

CMYK 63 / 0 / 45 / 34

HEX #3EA85C

RGB 62 168 92

HSL 136.98, 0.46%, 0.45%

LAB 61.48, -47.27, 30.45

 

CMYK 44 / 63 / 0 / 34

HEX #5E3FA9

RGB 94 63 169

HSL 257.55, 0.46%, 0.45%

LAB 35.59, 38.84, -52.49

 

CMYK 0 / 63 / 30 / 34

HEX #A83E75

RGB 168 62 117

HSL 328.87, 0.46%, 0.45%

LAB 42.85, 49.02, -8.79

 

CMYK 18 / 0 / 63 / 34

HEX #8AA83E

RGB 138 168 62

HSL 76.98, 0.46%, 0.45%

LAB 64.77, -26.28, 49.82

 

CMYK 63 / 0 / 33 / 34

HEX #3EA871

RGB 62 168 113

HSL 148.87, 0.46%, 0.45%

LAB 61.84, -43.34, 19.67

 

CMYK 44 / 63 / 0 / 34

HEX #5E3FA9

RGB 94 63 169

HSL 257.55, 0.46%, 0.45%

LAB 35.59, 38.84, -52.49

 

CMYK 0 / 63 / 49 / 34

HEX #A83E55

RGB 168 62 85

HSL 346.98, 0.46%, 0.45%

LAB 41.89, 45.44, 9.67

 

CMYK 18 / 0 / 63 / 34

HEX #8AA83E

RGB 138 168 62

HSL 76.98, 0.46%, 0.45%

LAB 64.77, -26.28, 49.82

 

CMYK 63 / 0 / 14 / 34

HEX #3EA891

RGB 62 168 145

HSL 166.98, 0.46%, 0.45%

LAB 62.57, -35.91, 2.95

 

Description

Color code: HEX #5E3FA9 | qconv.com Color code: HEX #5E3FA9 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 63 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 63 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 63 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 63% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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