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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E3FA0 it is the complementary color #A1C05F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E3FA0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E3FA0 shade: #633F9B, #7451AE, #8563C1, #9675D4 and #A787E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E3FA0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E3FA0 shade: #5E3FA0, #4D2D8D, #3C1B7A, #2B0967 and #1A0054

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E3FA0 shade: #5E3FA0, #783FA0, #923FA0, #A03F94 and #A03F7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E3FA0 shade: #5E3FA0, #443FA0 and #3F3FA0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E3FA0 shade matches the following richer shades: #5E3FA0, #582DB2, #511BC4 and #4B09D6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E3FA0 shade: #5E3FA0, #65528E, #6B647C, #727669 and #788857

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E3FA0 shade: #3F54A0, #443FA0, #5E3FA0, #783FA0 and #913FA0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E3FA0 shade: #3B2865, #4D3482, #5E3FA0, #7150B9 and #896DC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E3FA0 shade: #5E3FA0, #A03F6E and #47A03F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E3FA0 shade: #5E3FA0, #A05E3F and #3FA05E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E3FA0 shade: #5E3FA0, #A03F6E, #81A03F and #3FA071

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E3FA0 shade: #5E3FA0, #A03F51, #81A03F and #3FA08E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 61 / 0 / 37

HEX #5E3FA0

RGB 94 63 160

HSL 259.18, 0.43%, 0.44%

LAB 34.95, 36.27, -48.14

 

Complementary color

CMYK 16 / 0 / 51 / 25

HEX #A1C05F

RGB 161 192 95

HSL 79.18, 0.43%, 0.56%

LAB 73.61, -25.8, 45.05

 

CMYK 36 / 59 / 0 / 39

HEX #633F9B

RGB 99 63 155

HSL 263.48, 0.42%, 0.43%

LAB 35.15, 36.07, -44.76

 

CMYK 33 / 53 / 0 / 32

HEX #7451AE

RGB 116 81 174

HSL 262.58, 0.36%, 0.5%

LAB 42.24, 34.96, -44.66

 

CMYK 31 / 49 / 0 / 24

HEX #8563C1

RGB 133 99 193

HSL 261.7, 0.43%, 0.57%

LAB 49.2, 33.92, -44.54

 

CMYK 29 / 45 / 0 / 17

HEX #9675D4

RGB 150 117 212

HSL 260.84, 0.52%, 0.65%

LAB 56.05, 32.97, -44.43

 

CMYK 28 / 42 / 0 / 9

HEX #A787E7

RGB 167 135 231

HSL 260, 0.67%, 0.72%

LAB 62.77, 32.09, -44.35

 

CMYK 41 / 61 / 0 / 37

HEX #5E3FA0

RGB 94 63 160

HSL 259.18, 0.43%, 0.44%

LAB 34.95, 36.27, -48.14

 

CMYK 45 / 68 / 0 / 45

HEX #4D2D8D

RGB 77 45 141

HSL 260, 0.52%, 0.36%

LAB 27.78, 37.53, -48.23

 

CMYK 51 / 78 / 0 / 52

HEX #3C1B7A

RGB 60 27 122

HSL 260.84, 0.64%, 0.29%

LAB 20.63, 38.59, -48.04

 

CMYK 58 / 91 / 0 / 60

HEX #2B0967

RGB 43 9 103

HSL 261.7, 0.84%, 0.22%

LAB 13.76, 38.74, -47.1

 

CMYK 69 / 100 / 0 / 67

HEX #1A0054

RGB 26 0 84

HSL 258.57, 1%, 0.16%

LAB 7.77, 36.2, -44.32

 

CMYK 41 / 61 / 0 / 37

HEX #5E3FA0

RGB 94 63 160

HSL 259.18, 0.43%, 0.44%

LAB 34.95, 36.27, -48.14

 

CMYK 25 / 61 / 0 / 37

HEX #783FA0

RGB 120 63 160

HSL 275.26, 0.43%, 0.44%

LAB 38, 42.57, -43.08

 

CMYK 9 / 61 / 0 / 37

HEX #923FA0

RGB 146 63 160

HSL 291.34, 0.43%, 0.44%

LAB 41.54, 49.27, -37.22

 

CMYK 0 / 61 / 7 / 37

HEX #A03F94

RGB 160 63 148

HSL 307.42, 0.43%, 0.44%

LAB 43.01, 50.85, -27.55

 

CMYK 0 / 61 / 24 / 37

HEX #A03F7A

RGB 160 63 122

HSL 323.51, 0.43%, 0.44%

LAB 41.9, 46.78, -13.43

 

CMYK 41 / 61 / 0 / 37

HEX #5E3FA0

RGB 94 63 160

HSL 259.18, 0.43%, 0.44%

LAB 34.95, 36.27, -48.14

 

CMYK 58 / 61 / 0 / 37

HEX #443FA0

RGB 68 63 160

HSL 243.09, 0.43%, 0.44%

LAB 32.53, 30.79, -52.17

 

CMYK 61 / 61 / 0 / 37

HEX #3F3FA0

RGB 63 63 160

HSL 240, 0.43%, 0.44%

LAB 32.15, 29.87, -52.81

 

CMYK 41 / 61 / 0 / 37

HEX #5E3FA0

RGB 94 63 160

HSL 259.18, 0.43%, 0.44%

LAB 34.95, 36.27, -48.14

 

CMYK 51 / 75 / 0 / 30

HEX #582DB2

RGB 88 45 178

HSL 259.4, 0.6%, 0.44%

LAB 32.18, 49.93, -63.46

 

CMYK 59 / 86 / 0 / 23

HEX #511BC4

RGB 81 27 196

HSL 259.17, 0.76%, 0.44%

LAB 30.69, 61.24, -76.6

 

CMYK 65 / 96 / 0 / 16

HEX #4B09D6

RGB 75 9 214

HSL 259.32, 0.92%, 0.44%

LAB 30.75, 69.51, -87

 

CMYK 41 / 61 / 0 / 37

HEX #5E3FA0

RGB 94 63 160

HSL 259.18, 0.43%, 0.44%

LAB 34.95, 36.27, -48.14

 

CMYK 29 / 42 / 0 / 44

HEX #65528E

RGB 101 82 142

HSL 259, 0.27%, 0.44%

LAB 39.16, 21.59, -30.49

 

CMYK 14 / 19 / 0 / 51

HEX #6B647C

RGB 107 100 124

HSL 257.5, 0.11%, 0.44%

LAB 43.79, 7.95, -12.39

 

CMYK 3 / 0 / 11 / 54

HEX #727669

RGB 114 118 105

HSL 78.46, 0.06%, 0.44%

LAB 48.95, -4.07, 6.64

 

CMYK 12 / 0 / 36 / 47

HEX #788857

RGB 120 136 87

HSL 79.59, 0.22%, 0.44%

LAB 54.33, -14.6, 24.43

 

CMYK 61 / 48 / 0 / 37

HEX #3F54A0

RGB 63 84 160

HSL 227.01, 0.43%, 0.44%

LAB 37.73, 16.19, -43.8

 

CMYK 58 / 61 / 0 / 37

HEX #443FA0

RGB 68 63 160

HSL 243.09, 0.43%, 0.44%

LAB 32.53, 30.79, -52.17

 

CMYK 41 / 61 / 0 / 37

HEX #5E3FA0

RGB 94 63 160

HSL 259.18, 0.43%, 0.44%

LAB 34.95, 36.27, -48.14

 

CMYK 25 / 61 / 0 / 37

HEX #783FA0

RGB 120 63 160

HSL 275.26, 0.43%, 0.44%

LAB 38, 42.57, -43.08

 

CMYK 9 / 61 / 0 / 37

HEX #913FA0

RGB 145 63 160

HSL 290.72, 0.43%, 0.44%

LAB 41.39, 49.01, -37.46

 

CMYK 42 / 60 / 0 / 60

HEX #3B2865

RGB 59 40 101

HSL 258.69, 0.43%, 0.28%

LAB 21.53, 24.46, -33.03

 

CMYK 41 / 60 / 0 / 49

HEX #4D3482

RGB 77 52 130

HSL 259.23, 0.43%, 0.36%

LAB 28.5, 30.18, -40.23

 

CMYK 41 / 61 / 0 / 37

HEX #5E3FA0

RGB 94 63 160

HSL 259.18, 0.43%, 0.44%

LAB 34.95, 36.27, -48.14

 

CMYK 39 / 57 / 0 / 27

HEX #7150B9

RGB 113 80 185

HSL 258.86, 0.43%, 0.52%

LAB 42.39, 37.77, -50.9

 

CMYK 30 / 45 / 0 / 23

HEX #896DC5

RGB 137 109 197

HSL 259.09, 0.43%, 0.6%

LAB 52.16, 30.21, -42.13

 

CMYK 41 / 61 / 0 / 37

HEX #5E3FA0

RGB 94 63 160

HSL 259.18, 0.43%, 0.44%

LAB 34.95, 36.27, -48.14

 

CMYK 0 / 61 / 31 / 37

HEX #A03F6E

RGB 160 63 110

HSL 330.93, 0.43%, 0.44%

LAB 41.46, 45.14, -6.67

 

CMYK 56 / 0 / 61 / 37

HEX #47A03F

RGB 71 160 63

HSL 115.05, 0.43%, 0.44%

LAB 58.83, -46.07, 41.77

 

CMYK 41 / 61 / 0 / 37

HEX #5E3FA0

RGB 94 63 160

HSL 259.18, 0.43%, 0.44%

LAB 34.95, 36.27, -48.14

 

CMYK 0 / 41 / 61 / 37

HEX #A05E3F

RGB 160 94 63

HSL 19.18, 0.43%, 0.44%

LAB 46.76, 23.85, 29.1

 

CMYK 61 / 0 / 41 / 37

HEX #3FA05E

RGB 63 160 94

HSL 139.18, 0.43%, 0.44%

LAB 58.98, -43.47, 26.15

 

CMYK 41 / 61 / 0 / 37

HEX #5E3FA0

RGB 94 63 160

HSL 259.18, 0.43%, 0.44%

LAB 34.95, 36.27, -48.14

 

CMYK 0 / 61 / 31 / 37

HEX #A03F6E

RGB 160 63 110

HSL 330.93, 0.43%, 0.44%

LAB 41.46, 45.14, -6.67

 

CMYK 19 / 0 / 61 / 37

HEX #81A03F

RGB 129 160 63

HSL 79.18, 0.43%, 0.44%

LAB 61.8, -25.94, 45.94

 

CMYK 61 / 0 / 29 / 37

HEX #3FA071

RGB 63 160 113

HSL 150.93, 0.43%, 0.44%

LAB 59.33, -39.72, 16.23

 

CMYK 41 / 61 / 0 / 37

HEX #5E3FA0

RGB 94 63 160

HSL 259.18, 0.43%, 0.44%

LAB 34.95, 36.27, -48.14

 

CMYK 0 / 61 / 49 / 37

HEX #A03F51

RGB 160 63 81

HSL 348.87, 0.43%, 0.44%

LAB 40.61, 41.84, 10.19

 

CMYK 19 / 0 / 61 / 37

HEX #81A03F

RGB 129 160 63

HSL 79.18, 0.43%, 0.44%

LAB 61.8, -25.94, 45.94

 

CMYK 61 / 0 / 11 / 37

HEX #3FA08E

RGB 63 160 142

HSL 168.87, 0.43%, 0.44%

LAB 60.03, -32.78, 0.94

 

Description

Color code: HEX #5E3FA0 | qconv.com Color code: HEX #5E3FA0 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 63 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 63 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 61 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 61% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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