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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E3DEA it is the complementary color #A1C215. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E3DEA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E3DEA shade: #633DE5, #744FF8, #8561FF, #9673FF and #A785FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E3DEA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E3DEA shade: #5E3DEA, #4D2BD7, #3C19C4, #2B07B1 and #1A009E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E3DEA shade: #5E3EE9, #8D3EE9, #BB3EE9, #E93EE9 and #E93EBB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E3DEA shade: #5E3EE9 and #3E3EE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E3DEA shade matches the following richer shades: #5E3EE9 and #542CFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E3DEA shade: #5E3EE9, #694FD8, #7460C6, #7F72B5 and #8983A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E3DEA shade: #3E7AE9, #3E4CE9, #5D3EE9, #8B3EE9 and #B93EE9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E3DEA shade: #3515BF, #4019E5, #5E3EE9, #7D63ED and #9C88F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E3DEA shade: #5E3DEA, #E93EA7 and #63E93E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E3DEA shade: #5E3DEA, #E95D3E and #3EE95D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E3DEA shade: #5E3DEA, #E93EA7, #CAE93E and #3EE97F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E3DEA shade: #5E3DEA, #E93E74, #CAE93E and #3EE9B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 74 / 0 / 8

HEX #5E3DEA

RGB 94 61 234

HSL 251.45, 0.8%, 0.58%

LAB 40.67, 58.67, -82

 

Complementary color

CMYK 17 / 0 / 89 / 24

HEX #A1C215

RGB 161 194 21

HSL 71.45, 0.8%, 0.42%

LAB 73.68, -31.2, 71.45

 

CMYK 57 / 73 / 0 / 10

HEX #633DE5

RGB 99 61 229

HSL 253.57, 0.76%, 0.57%

LAB 40.65, 57.89, -79.17

 

CMYK 53 / 68 / 0 / 3

HEX #744FF8

RGB 116 79 248

HSL 253.14, 0.92%, 0.64%

LAB 47.08, 56.54, -79.28

 

CMYK 48 / 62 / 0 / 0

HEX #8561FF

RGB 133 97 255

HSL 253.67, 1%, 0.69%

LAB 52.68, 51.79, -73.98

 

CMYK 41 / 55 / 0 / 0

HEX #9673FF

RGB 150 115 255

HSL 255, 1%, 0.73%

LAB 58, 45.3, -65.3

 

CMYK 35 / 48 / 0 / 0

HEX #A785FF

RGB 167 133 255

HSL 256.72, 1%, 0.76%

LAB 63.52, 39.22, -56.39

 

CMYK 60 / 74 / 0 / 8

HEX #5E3DEA

RGB 94 61 234

HSL 251.45, 0.8%, 0.58%

LAB 40.67, 58.67, -82

 

CMYK 64 / 80 / 0 / 16

HEX #4D2BD7

RGB 77 43 215

HSL 251.86, 0.68%, 0.51%

LAB 34.42, 59.84, -81.49

 

CMYK 69 / 87 / 0 / 23

HEX #3C19C4

RGB 60 25 196

HSL 252.28, 0.77%, 0.43%

LAB 28.49, 60.28, -80.3

 

CMYK 76 / 96 / 0 / 31

HEX #2B07B1

RGB 43 7 177

HSL 252.71, 0.92%, 0.36%

LAB 23.13, 59.28, -77.95

 

CMYK 84 / 100 / 0 / 38

HEX #1A009E

RGB 26 0 158

HSL 249.87, 1%, 0.31%

LAB 18.75, 55.71, -73.77

 

CMYK 60 / 73 / 0 / 9

HEX #5E3EE9

RGB 94 62 233

HSL 251.23, 0.8%, 0.58%

LAB 40.75, 57.89, -81.3

 

CMYK 39 / 73 / 0 / 9

HEX #8D3EE9

RGB 141 62 233

HSL 267.72, 0.8%, 0.58%

LAB 45.62, 64.75, -73.12

 

CMYK 20 / 73 / 0 / 9

HEX #BB3EE9

RGB 187 62 233

HSL 283.86, 0.8%, 0.58%

LAB 51.72, 72.95, -62.95

 

CMYK 0 / 73 / 0 / 9

HEX #E93EE9

RGB 233 62 233

HSL 300, 0.8%, 0.58%

LAB 58.65, 81.95, -51.46

 

CMYK 0 / 73 / 20 / 9

HEX #E93EBB

RGB 233 62 187

HSL 316.14, 0.8%, 0.58%

LAB 56.44, 75.4, -28.76

 

CMYK 60 / 73 / 0 / 9

HEX #5E3EE9

RGB 94 62 233

HSL 251.23, 0.8%, 0.58%

LAB 40.75, 57.89, -81.3

 

CMYK 73 / 73 / 0 / 9

HEX #3E3EE9

RGB 62 62 233

HSL 240, 0.8%, 0.58%

LAB 38.47, 54.56, -85.13

 

CMYK 60 / 73 / 0 / 9

HEX #5E3EE9

RGB 94 62 233

HSL 251.23, 0.8%, 0.58%

LAB 40.75, 57.89, -81.3

 

CMYK 66 / 82 / 0 / 2

HEX #542CFA

RGB 84 44 250

HSL 251.65, 0.95%, 0.58%

LAB 38.88, 69.57, -94

 

CMYK 60 / 73 / 0 / 9

HEX #5E3EE9

RGB 94 62 233

HSL 251.23, 0.8%, 0.58%

LAB 40.75, 57.89, -81.3

 

CMYK 51 / 63 / 0 / 15

HEX #694FD8

RGB 105 79 216

HSL 251.39, 0.64%, 0.58%

LAB 43.59, 45.52, -66.93

 

CMYK 41 / 52 / 0 / 22

HEX #7460C6

RGB 116 96 198

HSL 251.76, 0.47%, 0.58%

LAB 47.18, 32.7, -50.74

 

CMYK 30 / 37 / 0 / 29

HEX #7F72B5

RGB 127 114 181

HSL 251.64, 0.31%, 0.58%

LAB 51.7, 20.24, -33.7

 

CMYK 16 / 20 / 0 / 36

HEX #8983A4

RGB 137 131 164

HSL 250.91, 0.15%, 0.58%

LAB 56.32, 9.21, -16.71

 

CMYK 73 / 48 / 0 / 9

HEX #3E7AE9

RGB 62 122 233

HSL 218.95, 0.8%, 0.58%

LAB 52.76, 18.13, -61.82

 

CMYK 73 / 67 / 0 / 9

HEX #3E4CE9

RGB 62 76 233

HSL 235.09, 0.8%, 0.58%

LAB 41.34, 46.64, -80.41

 

CMYK 60 / 73 / 0 / 9

HEX #5D3EE9

RGB 93 62 233

HSL 250.88, 0.8%, 0.58%

LAB 40.66, 57.77, -81.44

 

CMYK 40 / 73 / 0 / 9

HEX #8B3EE9

RGB 139 62 233

HSL 267.02, 0.8%, 0.58%

LAB 45.38, 64.42, -73.52

 

CMYK 21 / 73 / 0 / 9

HEX #B93EE9

RGB 185 62 233

HSL 283.16, 0.8%, 0.58%

LAB 51.43, 72.58, -63.43

 

CMYK 72 / 89 / 0 / 25

HEX #3515BF

RGB 53 21 191

HSL 251.29, 0.8%, 0.42%

LAB 26.89, 59.82, -80.02

 

CMYK 72 / 89 / 0 / 10

HEX #4019E5

RGB 64 25 229

HSL 251.47, 0.8%, 0.5%

LAB 32.79, 69.2, -92.26

 

CMYK 60 / 73 / 0 / 9

HEX #5E3EE9

RGB 94 62 233

HSL 251.23, 0.8%, 0.58%

LAB 40.75, 57.89, -81.3

 

CMYK 47 / 58 / 0 / 7

HEX #7D63ED

RGB 125 99 237

HSL 251.3, 0.79%, 0.66%

LAB 51.15, 44.07, -66.47

 

CMYK 35 / 44 / 0 / 5

HEX #9C88F1

RGB 156 136 241

HSL 251.43, 0.79%, 0.74%

LAB 62.53, 31.11, -50.32

 

CMYK 60 / 74 / 0 / 8

HEX #5E3DEA

RGB 94 61 234

HSL 251.45, 0.8%, 0.58%

LAB 40.67, 58.67, -82

 

CMYK 0 / 73 / 28 / 9

HEX #E93EA7

RGB 233 62 167

HSL 323.16, 0.8%, 0.58%

LAB 55.64, 72.94, -18.36

 

CMYK 58 / 0 / 73 / 9

HEX #63E93E

RGB 99 233 62

HSL 107.02, 0.8%, 0.58%

LAB 82.53, -65.78, 67.67

 

CMYK 60 / 74 / 0 / 8

HEX #5E3DEA

RGB 94 61 234

HSL 251.45, 0.8%, 0.58%

LAB 40.67, 58.67, -82

 

CMYK 0 / 60 / 73 / 9

HEX #E95D3E

RGB 233 93 62

HSL 10.88, 0.8%, 0.58%

LAB 57.56, 52.53, 45

 

CMYK 73 / 0 / 60 / 9

HEX #3EE95D

RGB 62 233 93

HSL 130.88, 0.8%, 0.58%

LAB 81.89, -70.15, 54.69

 

CMYK 60 / 74 / 0 / 8

HEX #5E3DEA

RGB 94 61 234

HSL 251.45, 0.8%, 0.58%

LAB 40.67, 58.67, -82

 

CMYK 0 / 73 / 28 / 9

HEX #E93EA7

RGB 233 62 167

HSL 323.16, 0.8%, 0.58%

LAB 55.64, 72.94, -18.36

 

CMYK 13 / 0 / 73 / 9

HEX #CAE93E

RGB 202 233 62

HSL 70.88, 0.8%, 0.58%

LAB 87.57, -31.39, 74.3

 

CMYK 73 / 0 / 45 / 9

HEX #3EE97F

RGB 62 233 127

HSL 142.81, 0.8%, 0.58%

LAB 82.29, -65.43, 39.35

 

CMYK 60 / 74 / 0 / 8

HEX #5E3DEA

RGB 94 61 234

HSL 251.45, 0.8%, 0.58%

LAB 40.67, 58.67, -82

 

CMYK 0 / 73 / 50 / 9

HEX #E93E74

RGB 233 62 116

HSL 341.05, 0.8%, 0.58%

LAB 54.06, 67.91, 9.53

 

CMYK 13 / 0 / 73 / 9

HEX #CAE93E

RGB 202 233 62

HSL 70.88, 0.8%, 0.58%

LAB 87.57, -31.39, 74.3

 

CMYK 73 / 0 / 23 / 9

HEX #3EE9B3

RGB 62 233 179

HSL 161.05, 0.8%, 0.58%

LAB 83.21, -55.25, 14.07

 

Description

Color code: HEX #5E3DEA | qconv.com Color code: HEX #5E3DEA | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 61 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 61 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 74 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 74% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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