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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E3C20 it is the complementary color #A1C3DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E3C20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E3C20 shade: #633C1B, #744E2E, #856041, #967254 and #A78467

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E3C20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E3C20 shade: #5E3C20, #4D2A0D, #3C1800, #2B0600 and #1A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E3C20 shade: #5F3D21, #5F2C21 and #5F2121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E3C20 shade: #5F3D21, #5F4E21, #5F5E21, #4F5F21 and #3E5F21

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E3C20 shade matches the following richer shades: #5F3D21, #693C16, #743B0C and #7E3A02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E3C20 shade: #5F3D21, #553E2B, #4A3F35, #40403F and #36414A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E3C20 shade: #5F2126, #5F2C21, #5F3D21, #5F4D21 and #5F5E21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E3C20 shade: #22150B, #402916, #5F3D21, #7E502B and #9C6436

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E3C20 shade: #5E3C20, #365F21 and #24215F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E3C20 shade: #5E3C20, #215F3D and #3D215F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E3C20 shade: #5E3C20, #365F21, #21435F and #49215F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E3C20 shade: #5E3C20, #245F21, #21435F and #5C215F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 66 / 63

HEX #5E3C20

RGB 94 60 32

HSL 27.1, 0.49%, 0.25%

LAB 28.68, 11.79, 23.17

 

Complementary color

CMYK 28 / 13 / 0 / 13

HEX #A1C3DF

RGB 161 195 223

HSL 207.1, 0.49%, 0.75%

LAB 77.24, -5.03, -17.68

 

CMYK 0 / 39 / 73 / 61

HEX #633C1B

RGB 99 60 27

HSL 27.5, 0.57%, 0.25%

LAB 29.32, 13.83, 26.99

 

CMYK 0 / 33 / 60 / 55

HEX #744E2E

RGB 116 78 46

HSL 27.43, 0.43%, 0.32%

LAB 36.67, 12.29, 25.21

 

CMYK 0 / 28 / 51 / 48

HEX #856041

RGB 133 96 65

HSL 27.35, 0.34%, 0.39%

LAB 43.85, 11.09, 23.56

 

CMYK 0 / 24 / 44 / 41

HEX #967254

RGB 150 114 84

HSL 27.27, 0.28%, 0.46%

LAB 50.87, 10.12, 22.09

 

CMYK 0 / 21 / 38 / 35

HEX #A78467

RGB 167 132 103

HSL 27.19, 0.27%, 0.53%

LAB 57.75, 9.32, 20.77

 

CMYK 0 / 36 / 66 / 63

HEX #5E3C20

RGB 94 60 32

HSL 27.1, 0.49%, 0.25%

LAB 28.68, 11.79, 23.17

 

CMYK 0 / 45 / 83 / 70

HEX #4D2A0D

RGB 77 42 13

HSL 27.19, 0.71%, 0.18%

LAB 21.07, 13.58, 24.85

 

CMYK 0 / 60 / 100 / 76

HEX #3C1800

RGB 60 24 0

HSL 24, 1%, 0.12%

LAB 13.31, 15.92, 20.15

 

CMYK 0 / 86 / 100 / 83

HEX #2B0600

RGB 43 6 0

HSL 8.37, 1%, 0.08%

LAB 5.82, 17.73, 9.05

 

CMYK 0 / 100 / 100 / 90

HEX #1A0000

RGB 26 0 0

HSL 0, 1%, 0.05%

LAB 1.98, 8.9, 3.14

 

CMYK 0 / 36 / 65 / 63

HEX #5F3D21

RGB 95 61 33

HSL 27.1, 0.48%, 0.25%

LAB 29.11, 11.73, 23.11

 

CMYK 0 / 54 / 65 / 63

HEX #5F2C21

RGB 95 44 33

HSL 10.65, 0.48%, 0.25%

LAB 24.78, 22.15, 17.83

 

CMYK 0 / 65 / 65 / 63

HEX #5F2121

RGB 95 33 33

HSL 0, 0.48%, 0.25%

LAB 22.41, 28.28, 14.83

 

CMYK 0 / 36 / 65 / 63

HEX #5F3D21

RGB 95 61 33

HSL 27.1, 0.48%, 0.25%

LAB 29.11, 11.73, 23.11

 

CMYK 0 / 18 / 65 / 63

HEX #5F4E21

RGB 95 78 33

HSL 43.55, 0.48%, 0.25%

LAB 33.97, 1.15, 28.74

 

CMYK 0 / 1 / 65 / 63

HEX #5F5E21

RGB 95 94 33

HSL 59.03, 0.48%, 0.25%

LAB 38.81, -8.38, 34.09

 

CMYK 17 / 0 / 65 / 63

HEX #4F5F21

RGB 79 95 33

HSL 75.48, 0.48%, 0.25%

LAB 37.76, -16.42, 32.56

 

CMYK 35 / 0 / 65 / 63

HEX #3E5F21

RGB 62 95 33

HSL 91.94, 0.48%, 0.25%

LAB 36.59, -23.76, 30.93

 

CMYK 0 / 36 / 65 / 63

HEX #5F3D21

RGB 95 61 33

HSL 27.1, 0.48%, 0.25%

LAB 29.11, 11.73, 23.11

 

CMYK 0 / 43 / 79 / 59

HEX #693C16

RGB 105 60 22

HSL 27.47, 0.65%, 0.25%

LAB 30.14, 16.4, 30.83

 

CMYK 0 / 49 / 90 / 55

HEX #743B0C

RGB 116 59 12

HSL 27.12, 0.81%, 0.25%

LAB 31.5, 21.72, 37.3

 

CMYK 0 / 54 / 98 / 51

HEX #7E3A02

RGB 126 58 2

HSL 27.1, 0.97%, 0.25%

LAB 32.85, 26.51, 42.83

 

CMYK 0 / 36 / 65 / 63

HEX #5F3D21

RGB 95 61 33

HSL 27.1, 0.48%, 0.25%

LAB 29.11, 11.73, 23.11

 

CMYK 0 / 27 / 49 / 67

HEX #553E2B

RGB 85 62 43

HSL 27.14, 0.33%, 0.25%

LAB 28.25, 7.3, 15.58

 

CMYK 0 / 15 / 28 / 71

HEX #4A3F35

RGB 74 63 53

HSL 28.57, 0.17%, 0.25%

LAB 27.48, 2.91, 7.89

 

CMYK 0 / 0 / 2 / 75

HEX #40403F

RGB 64 64 63

HSL 60, 0.01%, 0.25%

LAB 27.06, -0.22, 0.61

 

CMYK 27 / 12 / 0 / 71

HEX #36414A

RGB 54 65 74

HSL 207, 0.16%, 0.25%

LAB 26.9, -2.09, -6.94

 

CMYK 0 / 65 / 60 / 63

HEX #5F2126

RGB 95 33 38

HSL 355.16, 0.48%, 0.25%

LAB 22.52, 28.69, 11.57

 

CMYK 0 / 54 / 65 / 63

HEX #5F2C21

RGB 95 44 33

HSL 10.65, 0.48%, 0.25%

LAB 24.78, 22.15, 17.83

 

CMYK 0 / 36 / 65 / 63

HEX #5F3D21

RGB 95 61 33

HSL 27.1, 0.48%, 0.25%

LAB 29.11, 11.73, 23.11

 

CMYK 0 / 19 / 65 / 63

HEX #5F4D21

RGB 95 77 33

HSL 42.58, 0.48%, 0.25%

LAB 33.67, 1.77, 28.41

 

CMYK 0 / 1 / 65 / 63

HEX #5F5E21

RGB 95 94 33

HSL 59.03, 0.48%, 0.25%

LAB 38.81, -8.38, 34.09

 

CMYK 0 / 38 / 68 / 87

HEX #22150B

RGB 34 21 11

HSL 26.09, 0.51%, 0.09%

LAB 8.13, 5.1, 7.75

 

CMYK 0 / 36 / 66 / 75

HEX #402916

RGB 64 41 22

HSL 27.14, 0.49%, 0.17%

LAB 18.94, 8.3, 16.68

 

CMYK 0 / 36 / 65 / 63

HEX #5F3D21

RGB 95 61 33

HSL 27.1, 0.48%, 0.25%

LAB 29.11, 11.73, 23.11

 

CMYK 0 / 37 / 66 / 51

HEX #7E502B

RGB 126 80 43

HSL 26.75, 0.49%, 0.33%

LAB 38.46, 15.46, 29.38

 

CMYK 0 / 36 / 65 / 39

HEX #9C6436

RGB 156 100 54

HSL 27.06, 0.49%, 0.41%

LAB 47.56, 18.06, 34.91

 

CMYK 0 / 36 / 66 / 63

HEX #5E3C20

RGB 94 60 32

HSL 27.1, 0.49%, 0.25%

LAB 28.68, 11.79, 23.17

 

CMYK 43 / 0 / 65 / 63

HEX #365F21

RGB 54 95 33

HSL 99.68, 0.48%, 0.25%

LAB 36.13, -26.88, 30.29

 

CMYK 62 / 65 / 0 / 63

HEX #24215F

RGB 36 33 95

HSL 242.9, 0.48%, 0.25%

LAB 16.94, 21.76, -36.62

 

CMYK 0 / 36 / 66 / 63

HEX #5E3C20

RGB 94 60 32

HSL 27.1, 0.49%, 0.25%

LAB 28.68, 11.79, 23.17

 

CMYK 65 / 0 / 36 / 63

HEX #215F3D

RGB 33 95 61

HSL 147.1, 0.48%, 0.25%

LAB 35.68, -28.66, 13.73

 

CMYK 36 / 65 / 0 / 63

HEX #3D215F

RGB 61 33 95

HSL 267.1, 0.48%, 0.25%

LAB 19.66, 27.61, -32.08

 

CMYK 0 / 36 / 66 / 63

HEX #5E3C20

RGB 94 60 32

HSL 27.1, 0.49%, 0.25%

LAB 28.68, 11.79, 23.17

 

CMYK 43 / 0 / 65 / 63

HEX #365F21

RGB 54 95 33

HSL 99.68, 0.48%, 0.25%

LAB 36.13, -26.88, 30.29

 

CMYK 65 / 29 / 0 / 63

HEX #21435F

RGB 33 67 95

HSL 207.1, 0.48%, 0.25%

LAB 27.2, -2.67, -20.27

 

CMYK 23 / 65 / 0 / 63

HEX #49215F

RGB 73 33 95

HSL 278.71, 0.48%, 0.25%

LAB 21.32, 30.84, -29.33

 

CMYK 0 / 36 / 66 / 63

HEX #5E3C20

RGB 94 60 32

HSL 27.1, 0.49%, 0.25%

LAB 28.68, 11.79, 23.17

 

CMYK 62 / 0 / 65 / 63

HEX #245F21

RGB 36 95 33

HSL 117.1, 0.48%, 0.25%

LAB 35.34, -32.77, 29.18

 

CMYK 65 / 29 / 0 / 63

HEX #21435F

RGB 33 67 95

HSL 207.1, 0.48%, 0.25%

LAB 27.2, -2.67, -20.27

 

CMYK 3 / 65 / 0 / 63

HEX #5C215F

RGB 92 33 95

HSL 297.1, 0.48%, 0.25%

LAB 24.29, 36.16, -24.43

 

Description

Color code: HEX #5E3C20 | qconv.com Color code: HEX #5E3C20 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 60 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 60 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 66 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 66% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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