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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E3BC8 it is the complementary color #A1C437. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E3BC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E3BC8 shade: #633BC3, #744DD6, #855FE9, #9671FC and #A783FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E3BC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E3BC8 shade: #5E3BC8, #4D29B5, #3C17A2, #2B058F and #1A007C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E3BC8 shade: #5E3CC8, #843CC8, #AA3CC8, #C83CC0 and #C83C9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E3BC8 shade: #5E3CC8 and #3C3CC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E3BC8 shade matches the following richer shades: #5E3CC8, #5427DC and #4A13F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E3BC8 shade: #5E3CC8, #6850B3, #73649F, #7D788B and #878C77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E3BC8 shade: #3C66C8, #3C40C8, #5C3CC8, #823CC8 and #A73CC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E3BC8 shade: #3F278A, #4E30AA, #5E3CC8, #795CD1 and #937CDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E3BC8 shade: #5E3BC8, #C83C8B and #53C83C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E3BC8 shade: #5E3BC8, #C85C3C and #3CC85C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E3BC8 shade: #5E3BC8, #C83C8B, #A7C83C and #3CC878

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E3BC8 shade: #5E3BC8, #C83C61, #A7C83C and #3CC8A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 71 / 0 / 22

HEX #5E3BC8

RGB 94 59 200

HSL 254.89, 0.56%, 0.51%

LAB 37.26, 49.96, -68.07

 

Complementary color

CMYK 18 / 0 / 72 / 23

HEX #A1C437

RGB 161 196 55

HSL 74.89, 0.56%, 0.49%

LAB 74.4, -30.85, 63

 

CMYK 49 / 70 / 0 / 24

HEX #633BC3

RGB 99 59 195

HSL 257.65, 0.54%, 0.5%

LAB 37.34, 49.36, -65

 

CMYK 46 / 64 / 0 / 16

HEX #744DD6

RGB 116 77 214

HSL 257.08, 0.63%, 0.57%

LAB 44.05, 48.11, -64.98

 

CMYK 43 / 59 / 0 / 9

HEX #855FE9

RGB 133 95 233

HSL 256.52, 0.76%, 0.64%

LAB 50.75, 46.84, -64.83

 

CMYK 40 / 55 / 0 / 1

HEX #9671FC

RGB 150 113 252

HSL 255.97, 0.96%, 0.72%

LAB 57.39, 45.61, -64.63

 

CMYK 35 / 49 / 0 / 0

HEX #A783FF

RGB 167 131 255

HSL 257.42, 1%, 0.76%

LAB 63.07, 40.34, -57.11

 

CMYK 53 / 71 / 0 / 22

HEX #5E3BC8

RGB 94 59 200

HSL 254.89, 0.56%, 0.51%

LAB 37.26, 49.96, -68.07

 

CMYK 57 / 77 / 0 / 29

HEX #4D29B5

RGB 77 41 181

HSL 255.43, 0.63%, 0.44%

LAB 30.64, 51.14, -67.82

 

CMYK 63 / 86 / 0 / 36

HEX #3C17A2

RGB 60 23 162

HSL 255.97, 0.75%, 0.36%

LAB 24.26, 51.71, -66.97

 

CMYK 70 / 97 / 0 / 44

HEX #2B058F

RGB 43 5 143

HSL 256.52, 0.93%, 0.29%

LAB 18.39, 50.95, -65.06

 

CMYK 79 / 100 / 0 / 51

HEX #1A007C

RGB 26 0 124

HSL 252.58, 1%, 0.24%

LAB 13.68, 46.91, -60.94

 

CMYK 53 / 70 / 0 / 22

HEX #5E3CC8

RGB 94 60 200

HSL 254.57, 0.56%, 0.51%

LAB 37.45, 49.43, -67.76

 

CMYK 34 / 70 / 0 / 22

HEX #843CC8

RGB 132 60 200

HSL 270.86, 0.56%, 0.51%

LAB 41.7, 56.21, -60.65

 

CMYK 15 / 70 / 0 / 22

HEX #AA3CC8

RGB 170 60 200

HSL 287.14, 0.56%, 0.51%

LAB 46.91, 63.98, -51.99

 

CMYK 0 / 70 / 4 / 22

HEX #C83CC0

RGB 200 60 192

HSL 303.43, 0.56%, 0.51%

LAB 51.06, 69.18, -40.47

 

CMYK 0 / 70 / 23 / 22

HEX #C83C9A

RGB 200 60 154

HSL 319.71, 0.56%, 0.51%

LAB 49.31, 63.67, -20.88

 

CMYK 53 / 70 / 0 / 22

HEX #5E3CC8

RGB 94 60 200

HSL 254.57, 0.56%, 0.51%

LAB 37.45, 49.43, -67.76

 

CMYK 70 / 70 / 0 / 22

HEX #3C3CC8

RGB 60 60 200

HSL 240, 0.56%, 0.51%

LAB 34.73, 44.81, -72.33

 

CMYK 53 / 70 / 0 / 22

HEX #5E3CC8

RGB 94 60 200

HSL 254.57, 0.56%, 0.51%

LAB 37.45, 49.43, -67.76

 

CMYK 62 / 82 / 0 / 14

HEX #5427DC

RGB 84 39 220

HSL 254.92, 0.72%, 0.51%

LAB 35.01, 63.49, -83.37

 

CMYK 69 / 92 / 0 / 6

HEX #4A13F0

RGB 74 19 240

HSL 254.93, 0.88%, 0.51%

LAB 34.42, 73.91, -95.79

 

CMYK 53 / 70 / 0 / 22

HEX #5E3CC8

RGB 94 60 200

HSL 254.57, 0.56%, 0.51%

LAB 37.45, 49.43, -67.76

 

CMYK 42 / 55 / 0 / 30

HEX #6850B3

RGB 104 80 179

HSL 254.55, 0.39%, 0.51%

LAB 41.11, 33.95, -49.47

 

CMYK 28 / 37 / 0 / 38

HEX #73649F

RGB 115 100 159

HSL 255.25, 0.24%, 0.51%

LAB 45.99, 19.32, -29.87

 

CMYK 10 / 14 / 0 / 45

HEX #7D788B

RGB 125 120 139

HSL 255.79, 0.08%, 0.51%

LAB 51.45, 5.85, -9.63

 

CMYK 4 / 0 / 15 / 45

HEX #878C77

RGB 135 140 119

HSL 74.29, 0.08%, 0.51%

LAB 57.31, -5.77, 10.6

 

CMYK 70 / 49 / 0 / 22

HEX #3C66C8

RGB 60 102 200

HSL 222, 0.56%, 0.51%

LAB 45.13, 18.45, -55.39

 

CMYK 70 / 68 / 0 / 22

HEX #3C40C8

RGB 60 64 200

HSL 238.29, 0.56%, 0.51%

LAB 35.59, 42.45, -70.9

 

CMYK 54 / 70 / 0 / 22

HEX #5C3CC8

RGB 92 60 200

HSL 253.71, 0.56%, 0.51%

LAB 37.26, 49.11, -68.08

 

CMYK 35 / 70 / 0 / 22

HEX #823CC8

RGB 130 60 200

HSL 270, 0.56%, 0.51%

LAB 41.45, 55.82, -61.06

 

CMYK 17 / 70 / 0 / 22

HEX #A73CC8

RGB 167 60 200

HSL 285.86, 0.56%, 0.51%

LAB 46.47, 63.34, -52.71

 

CMYK 54 / 72 / 0 / 46

HEX #3F278A

RGB 63 39 138

HSL 254.55, 0.56%, 0.35%

LAB 24.77, 37.39, -51.34

 

CMYK 54 / 72 / 0 / 33

HEX #4E30AA

RGB 78 48 170

HSL 254.75, 0.56%, 0.43%

LAB 30.96, 44.55, -60.71

 

CMYK 53 / 70 / 0 / 22

HEX #5E3CC8

RGB 94 60 200

HSL 254.57, 0.56%, 0.51%

LAB 37.45, 49.43, -67.76

 

CMYK 42 / 56 / 0 / 18

HEX #795CD1

RGB 121 92 209

HSL 254.87, 0.56%, 0.59%

LAB 47.4, 39.32, -56.69

 

CMYK 33 / 43 / 0 / 15

HEX #937CDA

RGB 147 124 218

HSL 254.68, 0.56%, 0.67%

LAB 57.73, 29.64, -45.16

 

CMYK 53 / 71 / 0 / 22

HEX #5E3BC8

RGB 94 59 200

HSL 254.89, 0.56%, 0.51%

LAB 37.26, 49.96, -68.07

 

CMYK 0 / 70 / 31 / 22

HEX #C83C8B

RGB 200 60 139

HSL 326.14, 0.56%, 0.51%

LAB 48.73, 61.79, -12.78

 

CMYK 59 / 0 / 70 / 22

HEX #53C83C

RGB 83 200 60

HSL 110.14, 0.56%, 0.51%

LAB 71.88, -58.26, 57.39

 

CMYK 53 / 71 / 0 / 22

HEX #5E3BC8

RGB 94 59 200

HSL 254.89, 0.56%, 0.51%

LAB 37.26, 49.96, -68.07

 

CMYK 0 / 54 / 70 / 22

HEX #C85C3C

RGB 200 92 60

HSL 13.71, 0.56%, 0.51%

LAB 52.13, 40.85, 38.56

 

CMYK 70 / 0 / 54 / 22

HEX #3CC85C

RGB 60 200 92

HSL 133.71, 0.56%, 0.51%

LAB 71.58, -59.52, 43.01

 

CMYK 53 / 71 / 0 / 22

HEX #5E3BC8

RGB 94 59 200

HSL 254.89, 0.56%, 0.51%

LAB 37.26, 49.96, -68.07

 

CMYK 0 / 70 / 31 / 22

HEX #C83C8B

RGB 200 60 139

HSL 326.14, 0.56%, 0.51%

LAB 48.73, 61.79, -12.78

 

CMYK 17 / 0 / 70 / 22

HEX #A7C83C

RGB 167 200 60

HSL 74.14, 0.56%, 0.51%

LAB 75.98, -30.04, 62.89

 

CMYK 70 / 0 / 40 / 22

HEX #3CC878

RGB 60 200 120

HSL 145.71, 0.56%, 0.51%

LAB 71.98, -55.02, 29.5

 

CMYK 53 / 71 / 0 / 22

HEX #5E3BC8

RGB 94 59 200

HSL 254.89, 0.56%, 0.51%

LAB 37.26, 49.96, -68.07

 

CMYK 0 / 70 / 52 / 22

HEX #C83C61

RGB 200 60 97

HSL 344.14, 0.56%, 0.51%

LAB 47.46, 57.53, 10.9

 

CMYK 17 / 0 / 70 / 22

HEX #A7C83C

RGB 167 200 60

HSL 74.14, 0.56%, 0.51%

LAB 75.98, -30.04, 62.89

 

CMYK 70 / 0 / 19 / 22

HEX #3CC8A2

RGB 60 200 162

HSL 163.71, 0.56%, 0.51%

LAB 72.81, -46.05, 8.33

 

Description

Color code: HEX #5E3BC8 | qconv.com Color code: HEX #5E3BC8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 59 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 59 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 71 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 71% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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