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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E38D7 it is the complementary color #A1C728. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E38D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E38D7 shade: #6338D2, #744AE5, #855CF8, #966EFF and #A780FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E38D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E38D7 shade: #5E38D7, #4D26C4, #3C14B1, #2B029E and #1A008B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E38D7 shade: #5D37D7, #8937D7, #B437D7, #D737D0 and #D737A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E38D7 shade: #5D37D7 and #3737D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E38D7 shade matches the following richer shades: #5D37D7, #5323EB and #4910FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E38D7 shade: #5D37D7, #674AC4, #715EB1, #7C719D and #86848A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E38D7 shade: #3767D7, #373CD7, #5C37D7, #8737D7 and #B237D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E38D7 shade: #3D1F9D, #4A26BF, #5D37D7, #7959DE and #957CE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E38D7 shade: #5E38D7, #D73792 and #52D737

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E38D7 shade: #5E38D7, #D75C37 and #37D75C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E38D7 shade: #5E38D7, #D73792, #B2D737 and #37D77C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E38D7 shade: #5E38D7, #D73762, #B2D737 and #37D7AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 74 / 0 / 16

HEX #5E38D7

RGB 94 56 215

HSL 254.34, 0.67%, 0.53%

LAB 38.05, 55.74, -75.46

 

Complementary color

CMYK 19 / 0 / 80 / 22

HEX #A1C728

RGB 161 199 40

HSL 74.34, 0.67%, 0.47%

LAB 75.19, -32.95, 68.48

 

CMYK 53 / 73 / 0 / 18

HEX #6338D2

RGB 99 56 210

HSL 256.75, 0.63%, 0.52%

LAB 38.08, 55.04, -72.5

 

CMYK 49 / 68 / 0 / 10

HEX #744AE5

RGB 116 74 229

HSL 256.26, 0.75%, 0.59%

LAB 44.61, 53.85, -72.61

 

CMYK 46 / 63 / 0 / 3

HEX #855CF8

RGB 133 92 248

HSL 255.77, 0.92%, 0.67%

LAB 51.17, 52.56, -72.54

 

CMYK 41 / 57 / 0 / 0

HEX #966EFF

RGB 150 110 255

HSL 256.55, 1%, 0.72%

LAB 56.93, 48.07, -67.02

 

CMYK 35 / 50 / 0 / 0

HEX #A780FF

RGB 167 128 255

HSL 258.43, 1%, 0.75%

LAB 62.4, 42.01, -58.17

 

CMYK 56 / 74 / 0 / 16

HEX #5E38D7

RGB 94 56 215

HSL 254.34, 0.67%, 0.53%

LAB 38.05, 55.74, -75.46

 

CMYK 61 / 81 / 0 / 23

HEX #4D26C4

RGB 77 38 196

HSL 254.81, 0.68%, 0.46%

LAB 31.69, 56.7, -74.94

 

CMYK 66 / 89 / 0 / 31

HEX #3C14B1

RGB 60 20 177

HSL 255.29, 0.8%, 0.39%

LAB 25.67, 56.82, -73.7

 

CMYK 73 / 99 / 0 / 38

HEX #2B029E

RGB 43 2 158

HSL 255.77, 0.98%, 0.31%

LAB 20.15, 55.66, -71.41

 

CMYK 81 / 100 / 0 / 45

HEX #1A008B

RGB 26 0 139

HSL 251.22, 1%, 0.27%

LAB 15.92, 50.83, -66.71

 

CMYK 57 / 74 / 0 / 16

HEX #5D37D7

RGB 93 55 215

HSL 254.25, 0.67%, 0.53%

LAB 37.78, 56.09, -75.9

 

CMYK 36 / 74 / 0 / 16

HEX #8937D7

RGB 137 55 215

HSL 270.75, 0.67%, 0.53%

LAB 42.7, 62.79, -67.65

 

CMYK 16 / 74 / 0 / 16

HEX #B437D7

RGB 180 55 215

HSL 286.88, 0.67%, 0.53%

LAB 48.69, 70.65, -57.67

 

CMYK 0 / 74 / 3 / 16

HEX #D737D0

RGB 215 55 208

HSL 302.63, 0.67%, 0.53%

LAB 53.74, 76.48, -45.27

 

CMYK 0 / 74 / 24 / 16

HEX #D737A4

RGB 215 55 164

HSL 319.13, 0.67%, 0.53%

LAB 51.68, 70.35, -22.95

 

CMYK 57 / 74 / 0 / 16

HEX #5D37D7

RGB 93 55 215

HSL 254.25, 0.67%, 0.53%

LAB 37.78, 56.09, -75.9

 

CMYK 74 / 74 / 0 / 16

HEX #3737D7

RGB 55 55 215

HSL 240, 0.67%, 0.53%

LAB 34.9, 52.02, -80.74

 

CMYK 57 / 74 / 0 / 16

HEX #5D37D7

RGB 93 55 215

HSL 254.25, 0.67%, 0.53%

LAB 37.78, 56.09, -75.9

 

CMYK 65 / 85 / 0 / 8

HEX #5323EB

RGB 83 35 235

HSL 254.4, 0.83%, 0.53%

LAB 36.06, 68.8, -90.21

 

CMYK 71 / 94 / 0 / 0

HEX #4910FE

RGB 73 16 254

HSL 254.37, 0.99%, 0.53%

LAB 35.87, 77.82, -101.27

 

CMYK 57 / 74 / 0 / 16

HEX #5D37D7

RGB 93 55 215

HSL 254.25, 0.67%, 0.53%

LAB 37.78, 56.09, -75.9

 

CMYK 47 / 62 / 0 / 23

HEX #674AC4

RGB 103 74 196

HSL 254.26, 0.51%, 0.53%

LAB 40.84, 42.15, -59.86

 

CMYK 36 / 47 / 0 / 31

HEX #715EB1

RGB 113 94 177

HSL 253.73, 0.35%, 0.53%

LAB 45.21, 27.23, -41.71

 

CMYK 21 / 28 / 0 / 38

HEX #7C719D

RGB 124 113 157

HSL 255, 0.18%, 0.53%

LAB 50.13, 13.84, -22.2

 

CMYK 3 / 4 / 0 / 46

HEX #86848A

RGB 134 132 138

HSL 260, 0.02%, 0.53%

LAB 55.49, 1.94, -2.96

 

CMYK 74 / 52 / 0 / 16

HEX #3767D7

RGB 55 103 215

HSL 222, 0.67%, 0.53%

LAB 46.2, 22.65, -62.26

 

CMYK 74 / 72 / 0 / 16

HEX #373CD7

RGB 55 60 215

HSL 238.13, 0.67%, 0.53%

LAB 35.89, 49.26, -79.11

 

CMYK 57 / 74 / 0 / 16

HEX #5C37D7

RGB 92 55 215

HSL 253.88, 0.67%, 0.53%

LAB 37.69, 55.96, -76.06

 

CMYK 37 / 74 / 0 / 16

HEX #8737D7

RGB 135 55 215

HSL 270, 0.67%, 0.53%

LAB 42.44, 62.45, -68.08

 

CMYK 17 / 74 / 0 / 16

HEX #B237D7

RGB 178 55 215

HSL 286.13, 0.67%, 0.53%

LAB 48.39, 70.26, -58.16

 

CMYK 61 / 80 / 0 / 38

HEX #3D1F9D

RGB 61 31 157

HSL 254.29, 0.67%, 0.37%

LAB 24.97, 47, -62.75

 

CMYK 61 / 80 / 0 / 25

HEX #4A26BF

RGB 74 38 191

HSL 254.12, 0.67%, 0.45%

LAB 30.89, 54.99, -73.34

 

CMYK 57 / 74 / 0 / 16

HEX #5D37D7

RGB 93 55 215

HSL 254.25, 0.67%, 0.53%

LAB 37.78, 56.09, -75.9

 

CMYK 45 / 60 / 0 / 13

HEX #7959DE

RGB 121 89 222

HSL 254.44, 0.67%, 0.61%

LAB 47.6, 44.67, -63.76

 

CMYK 35 / 46 / 0 / 10

HEX #957CE5

RGB 149 124 229

HSL 254.29, 0.67%, 0.69%

LAB 58.47, 33.04, -50.14

 

CMYK 56 / 74 / 0 / 16

HEX #5E38D7

RGB 94 56 215

HSL 254.34, 0.67%, 0.53%

LAB 38.05, 55.74, -75.46

 

CMYK 0 / 74 / 32 / 16

HEX #D73792

RGB 215 55 146

HSL 325.88, 0.67%, 0.53%

LAB 50.98, 68.22, -13.32

 

CMYK 62 / 0 / 74 / 16

HEX #52D737

RGB 82 215 55

HSL 109.88, 0.67%, 0.53%

LAB 76.48, -64.07, 63.84

 

CMYK 56 / 74 / 0 / 16

HEX #5E38D7

RGB 94 56 215

HSL 254.34, 0.67%, 0.53%

LAB 38.05, 55.74, -75.46

 

CMYK 0 / 57 / 74 / 16

HEX #D75C37

RGB 215 92 55

HSL 13.88, 0.67%, 0.53%

LAB 54.42, 46.23, 44.4

 

CMYK 74 / 0 / 57 / 16

HEX #37D75C

RGB 55 215 92

HSL 133.88, 0.67%, 0.53%

LAB 76.18, -65.41, 48.47

 

CMYK 56 / 74 / 0 / 16

HEX #5E38D7

RGB 94 56 215

HSL 254.34, 0.67%, 0.53%

LAB 38.05, 55.74, -75.46

 

CMYK 0 / 74 / 32 / 16

HEX #D73792

RGB 215 55 146

HSL 325.88, 0.67%, 0.53%

LAB 50.98, 68.22, -13.32

 

CMYK 17 / 0 / 74 / 16

HEX #B2D737

RGB 178 215 55

HSL 73.88, 0.67%, 0.53%

LAB 80.93, -32.92, 69.68

 

CMYK 74 / 0 / 42 / 16

HEX #37D77C

RGB 55 215 124

HSL 145.88, 0.67%, 0.53%

LAB 76.6, -60.55, 33.49

 

CMYK 56 / 74 / 0 / 16

HEX #5E38D7

RGB 94 56 215

HSL 254.34, 0.67%, 0.53%

LAB 38.05, 55.74, -75.46

 

CMYK 0 / 74 / 54 / 16

HEX #D73762

RGB 215 55 98

HSL 343.88, 0.67%, 0.53%

LAB 49.57, 63.73, 13.63

 

CMYK 17 / 0 / 74 / 16

HEX #B2D737

RGB 178 215 55

HSL 73.88, 0.67%, 0.53%

LAB 80.93, -32.92, 69.68

 

CMYK 74 / 0 / 20 / 16

HEX #37D7AD

RGB 55 215 173

HSL 164.25, 0.67%, 0.53%

LAB 77.54, -50.28, 9.17

 

Description

Color code: HEX #5E38D7 | qconv.com Color code: HEX #5E38D7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 56 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 56 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 74 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 74% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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