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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E35F3 it is the complementary color #A1CA0C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E35F3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E35F3 shade: #6335EE, #7447FF, #8559FF, #966BFF and #A77DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E35F3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E35F3 shade: #5E35F3, #4D23E0, #3C11CD, #2B00BA and #1A00A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E35F3 shade: #5E35F3, #9135F3, #C535F3, #F335EE and #F335BB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E35F3 shade: #5E35F3 and #3535F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E35F3 shade matches the following richer shades: #5E35F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E35F3 shade: #5E35F3, #6846E2, #7157D1, #7B69BF and #857AAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E35F3 shade: #3574F3, #3541F3, #5B35F3, #8E35F3 and #C035F3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E35F3 shade: #350CCA, #3F0EF1, #5E35F3, #7D5CF5 and #9C83F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E35F3 shade: #5E35F3, #F335A7 and #5BF335

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E35F3 shade: #5E35F3, #F35B35 and #35F35B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E35F3 shade: #5E35F3, #F335A7, #CDF335 and #35F381

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E35F3 shade: #5E35F3, #F3356E, #CDF335 and #35F3BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 78 / 0 / 5

HEX #5E35F3

RGB 94 53 243

HSL 252.95, 0.89%, 0.58%

LAB 40.24, 64.89, -87.79

 

Complementary color

CMYK 20 / 0 / 94 / 21

HEX #A1CA0C

RGB 161 202 12

HSL 72.95, 0.89%, 0.42%

LAB 75.97, -35.06, 74.54

 

CMYK 58 / 78 / 0 / 7

HEX #6335EE

RGB 99 53 238

HSL 254.92, 0.84%, 0.57%

LAB 40.2, 64.06, -85.02

 

CMYK 55 / 72 / 0 / 0

HEX #7447FF

RGB 116 71 255

HSL 254.67, 1%, 0.64%

LAB 46.23, 62.49, -84.58

 

CMYK 48 / 65 / 0 / 0

HEX #8559FF

RGB 133 89 255

HSL 255.9, 1%, 0.67%

LAB 51.1, 56.06, -76.56

 

CMYK 41 / 58 / 0 / 0

HEX #966BFF

RGB 150 107 255

HSL 257.43, 1%, 0.71%

LAB 56.31, 49.71, -68.03

 

CMYK 35 / 51 / 0 / 0

HEX #A77DFF

RGB 167 125 255

HSL 259.38, 1%, 0.75%

LAB 61.74, 43.67, -59.22

 

CMYK 61 / 78 / 0 / 5

HEX #5E35F3

RGB 94 53 243

HSL 252.95, 0.89%, 0.58%

LAB 40.24, 64.89, -87.79

 

CMYK 66 / 84 / 0 / 12

HEX #4D23E0

RGB 77 35 224

HSL 253.33, 0.75%, 0.51%

LAB 34.32, 65.47, -86.84

 

CMYK 71 / 92 / 0 / 20

HEX #3C11CD

RGB 60 17 205

HSL 253.72, 0.85%, 0.44%

LAB 28.82, 64.96, -85.01

 

CMYK 77 / 100 / 0 / 27

HEX #2B00BA

RGB 43 0 186

HSL 253.87, 1%, 0.36%

LAB 23.86, 63.1, -82.12

 

CMYK 84 / 100 / 0 / 35

HEX #1A00A7

RGB 26 0 167

HSL 249.34, 1%, 0.33%

LAB 20.08, 57.98, -77.04

 

CMYK 61 / 78 / 0 / 5

HEX #5E35F3

RGB 94 53 243

HSL 252.95, 0.89%, 0.58%

LAB 40.24, 64.89, -87.79

 

CMYK 40 / 78 / 0 / 5

HEX #9135F3

RGB 145 53 243

HSL 269.05, 0.89%, 0.58%

LAB 45.68, 71.22, -78.64

 

CMYK 19 / 78 / 0 / 5

HEX #C535F3

RGB 197 53 243

HSL 285.47, 0.89%, 0.58%

LAB 52.83, 79.51, -66.7

 

CMYK 0 / 78 / 2 / 5

HEX #F335EE

RGB 243 53 238

HSL 301.58, 0.89%, 0.58%

LAB 59.68, 87.04, -52.52

 

CMYK 0 / 78 / 23 / 5

HEX #F335BB

RGB 243 53 187

HSL 317.68, 0.89%, 0.58%

LAB 57.26, 80.19, -27.36

 

CMYK 61 / 78 / 0 / 5

HEX #5E35F3

RGB 94 53 243

HSL 252.95, 0.89%, 0.58%

LAB 40.24, 64.89, -87.79

 

CMYK 78 / 78 / 0 / 5

HEX #3535F3

RGB 53 53 243

HSL 240, 0.89%, 0.58%

LAB 37.43, 61.62, -92.52

 

CMYK 61 / 78 / 0 / 5

HEX #5E35F3

RGB 94 53 243

HSL 252.95, 0.89%, 0.58%

LAB 40.24, 64.89, -87.79

 

CMYK 61 / 78 / 0 / 5

HEX #5E35F3

RGB 94 53 243

HSL 252.95, 0.89%, 0.58%

LAB 40.24, 64.89, -87.79

 

CMYK 54 / 69 / 0 / 11

HEX #6846E2

RGB 104 70 226

HSL 253.08, 0.73%, 0.58%

LAB 42.48, 53.17, -74.44

 

CMYK 46 / 58 / 0 / 18

HEX #7157D1

RGB 113 87 209

HSL 252.79, 0.57%, 0.58%

LAB 45.54, 40.47, -59.72

 

CMYK 36 / 45 / 0 / 25

HEX #7B69BF

RGB 123 105 191

HSL 252.56, 0.4%, 0.58%

LAB 49.59, 27.16, -42.83

 

CMYK 24 / 30 / 0 / 32

HEX #857AAE

RGB 133 122 174

HSL 252.69, 0.24%, 0.58%

LAB 53.99, 15.56, -26.07

 

CMYK 78 / 52 / 0 / 5

HEX #3574F3

RGB 53 116 243

HSL 220.11, 0.89%, 0.58%

LAB 51.52, 24.53, -69.42

 

CMYK 78 / 73 / 0 / 5

HEX #3541F3

RGB 53 65 243

HSL 236.21, 0.89%, 0.58%

LAB 39.59, 55.45, -88.94

 

CMYK 63 / 78 / 0 / 5

HEX #5B35F3

RGB 91 53 243

HSL 252, 0.89%, 0.58%

LAB 39.98, 64.59, -88.22

 

CMYK 42 / 78 / 0 / 5

HEX #8E35F3

RGB 142 53 243

HSL 268.11, 0.89%, 0.58%

LAB 45.31, 70.79, -79.26

 

CMYK 21 / 78 / 0 / 5

HEX #C035F3

RGB 192 53 243

HSL 283.89, 0.89%, 0.58%

LAB 52.09, 78.66, -67.93

 

CMYK 74 / 94 / 0 / 21

HEX #350CCA

RGB 53 12 202

HSL 252.95, 0.89%, 0.42%

LAB 27.53, 65.01, -85.43

 

CMYK 74 / 94 / 0 / 5

HEX #3F0EF1

RGB 63 14 241

HSL 252.95, 0.89%, 0.5%

LAB 33.4, 74.66, -98.09

 

CMYK 61 / 78 / 0 / 5

HEX #5E35F3

RGB 94 53 243

HSL 252.95, 0.89%, 0.58%

LAB 40.24, 64.89, -87.79

 

CMYK 49 / 62 / 0 / 4

HEX #7D5CF5

RGB 125 92 245

HSL 252.94, 0.88%, 0.66%

LAB 50.22, 50.25, -72.44

 

CMYK 37 / 47 / 0 / 3

HEX #9C83F8

RGB 156 131 248

HSL 252.82, 0.89%, 0.74%

LAB 61.72, 35.81, -55.46

 

CMYK 61 / 78 / 0 / 5

HEX #5E35F3

RGB 94 53 243

HSL 252.95, 0.89%, 0.58%

LAB 40.24, 64.89, -87.79

 

CMYK 0 / 78 / 31 / 5

HEX #F335A7

RGB 243 53 167

HSL 324, 0.89%, 0.58%

LAB 56.48, 77.9, -16.93

 

CMYK 63 / 0 / 78 / 5

HEX #5BF335

RGB 91 243 53

HSL 108, 0.89%, 0.58%

LAB 85.29, -71.5, 73.05

 

CMYK 61 / 78 / 0 / 5

HEX #5E35F3

RGB 94 53 243

HSL 252.95, 0.89%, 0.58%

LAB 40.24, 64.89, -87.79

 

CMYK 0 / 63 / 78 / 5

HEX #F35B35

RGB 243 91 53

HSL 12, 0.89%, 0.58%

LAB 58.78, 56.51, 51.33

 

CMYK 78 / 0 / 63 / 5

HEX #35F35B

RGB 53 243 91

HSL 132, 0.89%, 0.58%

LAB 84.8, -74.71, 58.8

 

CMYK 61 / 78 / 0 / 5

HEX #5E35F3

RGB 94 53 243

HSL 252.95, 0.89%, 0.58%

LAB 40.24, 64.89, -87.79

 

CMYK 0 / 78 / 31 / 5

HEX #F335A7

RGB 243 53 167

HSL 324, 0.89%, 0.58%

LAB 56.48, 77.9, -16.93

 

CMYK 16 / 0 / 78 / 5

HEX #CDF335

RGB 205 243 53

HSL 72, 0.89%, 0.58%

LAB 90.48, -35.17, 79.73

 

CMYK 78 / 0 / 47 / 5

HEX #35F381

RGB 53 243 129

HSL 144, 0.89%, 0.58%

LAB 85.22, -69.64, 42.08

 

CMYK 61 / 78 / 0 / 5

HEX #5E35F3

RGB 94 53 243

HSL 252.95, 0.89%, 0.58%

LAB 40.24, 64.89, -87.79

 

CMYK 0 / 78 / 55 / 5

HEX #F3356E

RGB 243 53 110

HSL 342, 0.89%, 0.58%

LAB 54.79, 72.82, 14.41

 

CMYK 16 / 0 / 78 / 5

HEX #CDF335

RGB 205 243 53

HSL 72, 0.89%, 0.58%

LAB 90.48, -35.17, 79.73

 

CMYK 78 / 0 / 23 / 5

HEX #35F3BA

RGB 53 243 186

HSL 162, 0.89%, 0.58%

LAB 86.21, -58.56, 14.63

 

Description

Color code: HEX #5E35F3 | qconv.com Color code: HEX #5E35F3 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 53 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 53 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 78 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 78% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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