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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E32B9 it is the complementary color #A1CD46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E32B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E32B9 shade: #6332B4, #7444C7, #8556DA, #9668ED and #A77AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E32B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E32B9 shade: #5E32B9, #4D20A6, #3C0E93, #2B0080 and #1A006D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E32B9 shade: #5E32B8, #8232B8, #A632B8, #B832A6 and #B83282

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E32B9 shade: #5E32B8, #3932B8 and #3232B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E32B9 shade matches the following richer shades: #5E32B8, #571FCB and #500CDE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E32B9 shade: #5E32B8, #6445A5, #6B5892, #716B7F and #787E6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E32B9 shade: #324FB8, #3932B8, #5C32B8, #8032B8 and #A432B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E32B9 shade: #3C2077, #4D2997, #5E32B8, #7247CC and #8B67D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E32B9 shade: #5E32B9, #B83273 and #3DB832

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E32B9 shade: #5E32B9, #B85C32 and #32B85C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E32B9 shade: #5E32B9, #B83273, #8DB832 and #32B877

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E32B9 shade: #5E32B9, #B8324A, #8DB832 and #32B89F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 73 / 0 / 27

HEX #5E32B9

RGB 94 50 185

HSL 259.56, 0.57%, 0.46%

LAB 34.32, 50.35, -64.08

 

Complementary color

CMYK 21 / 0 / 66 / 20

HEX #A1CD46

RGB 161 205 70

HSL 79.56, 0.57%, 0.54%

LAB 77.09, -34.09, 60.07

 

CMYK 45 / 72 / 0 / 29

HEX #6332B4

RGB 99 50 180

HSL 262.62, 0.57%, 0.45%

LAB 34.46, 49.83, -60.87

 

CMYK 42 / 66 / 0 / 22

HEX #7444C7

RGB 116 68 199

HSL 261.98, 0.54%, 0.52%

LAB 41.17, 48.87, -61.01

 

CMYK 39 / 61 / 0 / 15

HEX #8556DA

RGB 133 86 218

HSL 261.36, 0.64%, 0.6%

LAB 47.88, 47.77, -60.98

 

CMYK 37 / 56 / 0 / 7

HEX #9668ED

RGB 150 104 237

HSL 260.75, 0.79%, 0.67%

LAB 54.55, 46.65, -60.86

 

CMYK 35 / 52 / 0 / 0

HEX #A77AFF

RGB 167 122 255

HSL 260.3, 1%, 0.74%

LAB 61.09, 45.33, -60.26

 

CMYK 49 / 73 / 0 / 27

HEX #5E32B9

RGB 94 50 185

HSL 259.56, 0.57%, 0.46%

LAB 34.32, 50.35, -64.08

 

CMYK 54 / 81 / 0 / 35

HEX #4D20A6

RGB 77 32 166

HSL 260.15, 0.68%, 0.39%

LAB 27.75, 51.04, -63.58

 

CMYK 59 / 90 / 0 / 42

HEX #3C0E93

RGB 60 14 147

HSL 260.75, 0.83%, 0.32%

LAB 21.51, 50.73, -62.32

 

CMYK 66 / 100 / 0 / 50

HEX #2B0080

RGB 43 0 128

HSL 260.16, 1%, 0.25%

LAB 15.86, 48.66, -59.82

 

CMYK 76 / 100 / 0 / 57

HEX #1A006D

RGB 26 0 109

HSL 254.31, 1%, 0.21%

LAB 11.44, 42.94, -54.95

 

CMYK 49 / 73 / 0 / 28

HEX #5E32B8

RGB 94 50 184

HSL 259.7, 0.57%, 0.46%

LAB 34.23, 50.07, -63.63

 

CMYK 29 / 73 / 0 / 28

HEX #8232B8

RGB 130 50 184

HSL 275.82, 0.57%, 0.46%

LAB 38.7, 56.55, -56.16

 

CMYK 10 / 73 / 0 / 28

HEX #A632B8

RGB 166 50 184

HSL 291.94, 0.57%, 0.46%

LAB 44.02, 63.87, -47.33

 

CMYK 0 / 73 / 10 / 28

HEX #B832A6

RGB 184 50 166

HSL 308.06, 0.57%, 0.46%

LAB 45.94, 64.88, -33.46

 

CMYK 0 / 73 / 29 / 28

HEX #B83282

RGB 184 50 130

HSL 324.18, 0.57%, 0.46%

LAB 44.35, 59.95, -14.23

 

CMYK 49 / 73 / 0 / 28

HEX #5E32B8

RGB 94 50 184

HSL 259.7, 0.57%, 0.46%

LAB 34.23, 50.07, -63.63

 

CMYK 69 / 73 / 0 / 28

HEX #3932B8

RGB 57 50 184

HSL 243.13, 0.57%, 0.46%

LAB 30.91, 44.97, -69.22

 

CMYK 73 / 73 / 0 / 28

HEX #3232B8

RGB 50 50 184

HSL 240, 0.57%, 0.46%

LAB 30.45, 44.25, -69.99

 

CMYK 49 / 73 / 0 / 28

HEX #5E32B8

RGB 94 50 184

HSL 259.7, 0.57%, 0.46%

LAB 34.23, 50.07, -63.63

 

CMYK 57 / 85 / 0 / 20

HEX #571FCB

RGB 87 31 203

HSL 259.53, 0.74%, 0.46%

LAB 32.52, 62.26, -77.64

 

CMYK 64 / 95 / 0 / 13

HEX #500CDE

RGB 80 12 222

HSL 259.43, 0.9%, 0.46%

LAB 32.35, 71.21, -88.94

 

CMYK 49 / 73 / 0 / 28

HEX #5E32B8

RGB 94 50 184

HSL 259.7, 0.57%, 0.46%

LAB 34.23, 50.07, -63.63

 

CMYK 39 / 58 / 0 / 35

HEX #6445A5

RGB 100 69 165

HSL 259.38, 0.41%, 0.46%

LAB 37.27, 35.56, -47.37

 

CMYK 27 / 40 / 0 / 43

HEX #6B5892

RGB 107 88 146

HSL 259.66, 0.25%, 0.46%

LAB 41.5, 20.79, -29.19

 

CMYK 11 / 16 / 0 / 50

HEX #716B7F

RGB 113 107 127

HSL 258, 0.09%, 0.46%

LAB 46.39, 6.57, -10.22

 

CMYK 5 / 0 / 14 / 51

HEX #787E6C

RGB 120 126 108

HSL 80, 0.08%, 0.46%

LAB 51.83, -5.72, 9.04

 

CMYK 73 / 57 / 0 / 28

HEX #324FB8

RGB 50 79 184

HSL 227.01, 0.57%, 0.46%

LAB 37.35, 26.06, -58.68

 

CMYK 69 / 73 / 0 / 28

HEX #3932B8

RGB 57 50 184

HSL 243.13, 0.57%, 0.46%

LAB 30.91, 44.97, -69.22

 

CMYK 50 / 73 / 0 / 28

HEX #5C32B8

RGB 92 50 184

HSL 258.81, 0.57%, 0.46%

LAB 34.02, 49.75, -63.99

 

CMYK 30 / 73 / 0 / 28

HEX #8032B8

RGB 128 50 184

HSL 274.93, 0.57%, 0.46%

LAB 38.43, 56.16, -56.61

 

CMYK 11 / 73 / 0 / 28

HEX #A432B8

RGB 164 50 184

HSL 291.04, 0.57%, 0.46%

LAB 43.7, 63.45, -47.84

 

CMYK 50 / 73 / 0 / 53

HEX #3C2077

RGB 60 32 119

HSL 259.31, 0.58%, 0.3%

LAB 21.3, 35.03, -45.03

 

CMYK 49 / 73 / 0 / 41

HEX #4D2997

RGB 77 41 151

HSL 259.64, 0.57%, 0.38%

LAB 27.84, 42.58, -54.3

 

CMYK 49 / 73 / 0 / 28

HEX #5E32B8

RGB 94 50 184

HSL 259.7, 0.57%, 0.46%

LAB 34.23, 50.07, -63.63

 

CMYK 44 / 65 / 0 / 20

HEX #7247CC

RGB 114 71 204

HSL 259.4, 0.57%, 0.54%

LAB 41.91, 48.23, -62.71

 

CMYK 35 / 52 / 0 / 16

HEX #8B67D5

RGB 139 103 213

HSL 259.64, 0.57%, 0.62%

LAB 51.83, 38.36, -51.76

 

CMYK 49 / 73 / 0 / 27

HEX #5E32B9

RGB 94 50 185

HSL 259.56, 0.57%, 0.46%

LAB 34.32, 50.35, -64.08

 

CMYK 0 / 73 / 38 / 28

HEX #B83273

RGB 184 50 115

HSL 330.9, 0.57%, 0.46%

LAB 43.81, 58.22, -5.82

 

CMYK 67 / 0 / 73 / 28

HEX #3DB832

RGB 61 184 50

HSL 115.07, 0.57%, 0.46%

LAB 66.14, -58.44, 55.03

 

CMYK 49 / 73 / 0 / 27

HEX #5E32B9

RGB 94 50 185

HSL 259.56, 0.57%, 0.46%

LAB 34.32, 50.35, -64.08

 

CMYK 0 / 50 / 73 / 28

HEX #B85C32

RGB 184 92 50

HSL 18.81, 0.57%, 0.46%

LAB 49.59, 34.07, 40.37

 

CMYK 73 / 0 / 50 / 28

HEX #32B85C

RGB 50 184 92

HSL 138.81, 0.57%, 0.46%

LAB 66.31, -55.5, 36.5

 

CMYK 49 / 73 / 0 / 27

HEX #5E32B9

RGB 94 50 185

HSL 259.56, 0.57%, 0.46%

LAB 34.32, 50.35, -64.08

 

CMYK 0 / 73 / 38 / 28

HEX #B83273

RGB 184 50 115

HSL 330.9, 0.57%, 0.46%

LAB 43.81, 58.22, -5.82

 

CMYK 23 / 0 / 73 / 28

HEX #8DB832

RGB 141 184 50

HSL 79.25, 0.57%, 0.46%

LAB 69.59, -33.49, 59.62

 

CMYK 73 / 0 / 35 / 28

HEX #32B877

RGB 50 184 119

HSL 150.9, 0.57%, 0.46%

LAB 66.74, -50.65, 23.02

 

CMYK 49 / 73 / 0 / 27

HEX #5E32B9

RGB 94 50 185

HSL 259.56, 0.57%, 0.46%

LAB 34.32, 50.35, -64.08

 

CMYK 0 / 73 / 60 / 28

HEX #B8324A

RGB 184 50 74

HSL 349.25, 0.57%, 0.46%

LAB 42.71, 54.59, 18.11

 

CMYK 23 / 0 / 73 / 28

HEX #8DB832

RGB 141 184 50

HSL 79.25, 0.57%, 0.46%

LAB 69.59, -33.49, 59.62

 

CMYK 73 / 0 / 14 / 28

HEX #32B89F

RGB 50 184 159

HSL 168.81, 0.57%, 0.46%

LAB 67.62, -41.31, 2.47

 

Description

Color code: HEX #5E32B9 | qconv.com Color code: HEX #5E32B9 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 50 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 50 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 73 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 73% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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