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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E3275 it is the complementary color #A1CD8A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E3275. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E3275 shade: #633270, #744483, #855696, #9668A9 and #A77ABC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E3275. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E3275 shade: #5E3275, #4D2062, #3C0E4F, #2B003C and #1A0029

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E3275 shade: #5F3276, #713276, #763269, #763256 and #763244

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E3275 shade: #5F3276, #4D3276, #3A3276 and #323276

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E3275 shade matches the following richer shades: #5F3276, #632583, #671791 and #6B0A9F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E3275 shade: #5F3276, #5A4068, #564E5B, #525B4D and #4E693F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E3275 shade: #3A3276, #4C3276, #5E3276, #703276 and #763269

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E3275 shade: #301A3C, #472659, #5F3276, #763F93 and #8D4BB0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E3275 shade: #5E3275, #76323D and #327643

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E3275 shade: #5E3275, #765E32 and #32765E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E3275 shade: #5E3275, #76323D, #4A7632 and #32766C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E3275 shade: #5E3275, #763D32, #4A7632 and #326C76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 57 / 0 / 54

HEX #5E3275

RGB 94 50 117

HSL 279.4, 0.4%, 0.33%

LAB 29.27, 32.48, -30.69

 

Complementary color

CMYK 21 / 0 / 33 / 20

HEX #A1CD8A

RGB 161 205 138

HSL 99.4, 0.4%, 0.67%

LAB 77.92, -26.67, 28.79

 

CMYK 12 / 55 / 0 / 56

HEX #633270

RGB 99 50 112

HSL 287.42, 0.38%, 0.32%

LAB 29.67, 32.8, -26.84

 

CMYK 11 / 48 / 0 / 49

HEX #744483

RGB 116 68 131

HSL 285.71, 0.32%, 0.39%

LAB 36.9, 31.98, -27.2

 

CMYK 11 / 43 / 0 / 41

HEX #855696

RGB 133 86 150

HSL 284.06, 0.27%, 0.46%

LAB 44.01, 31.14, -27.47

 

CMYK 11 / 38 / 0 / 34

HEX #9668A9

RGB 150 104 169

HSL 282.46, 0.27%, 0.54%

LAB 50.98, 30.33, -27.7

 

CMYK 11 / 35 / 0 / 26

HEX #A77ABC

RGB 167 122 188

HSL 280.91, 0.33%, 0.61%

LAB 57.81, 29.58, -27.92

 

CMYK 20 / 57 / 0 / 54

HEX #5E3275

RGB 94 50 117

HSL 279.4, 0.4%, 0.33%

LAB 29.27, 32.48, -30.69

 

CMYK 21 / 67 / 0 / 62

HEX #4D2062

RGB 77 32 98

HSL 280.91, 0.51%, 0.25%

LAB 21.92, 33.2, -30.31

 

CMYK 24 / 82 / 0 / 69

HEX #3C0E4F

RGB 60 14 79

HSL 282.46, 0.7%, 0.18%

LAB 14.62, 33.28, -29.45

 

CMYK 28 / 100 / 0 / 76

HEX #2B003C

RGB 43 0 60

HSL 283, 1%, 0.12%

LAB 7.59, 31.9, -27.66

 

CMYK 37 / 100 / 0 / 84

HEX #1A0029

RGB 26 0 41

HSL 278.05, 1%, 0.08%

LAB 3.43, 19.06, -20.37

 

CMYK 19 / 58 / 0 / 54

HEX #5F3276

RGB 95 50 118

HSL 279.71, 0.4%, 0.33%

LAB 29.47, 33, -31.01

 

CMYK 4 / 58 / 0 / 54

HEX #713276

RGB 113 50 118

HSL 295.59, 0.4%, 0.33%

LAB 32.03, 38.24, -26.78

 

CMYK 0 / 58 / 11 / 54

HEX #763269

RGB 118 50 105

HSL 311.47, 0.4%, 0.33%

LAB 32.15, 37.3, -18.3

 

CMYK 0 / 58 / 27 / 54

HEX #763256

RGB 118 50 86

HSL 328.24, 0.4%, 0.33%

LAB 31.36, 34.19, -7.29

 

CMYK 0 / 58 / 42 / 54

HEX #763244

RGB 118 50 68

HSL 344.12, 0.4%, 0.33%

LAB 30.76, 31.75, 3.58

 

CMYK 19 / 58 / 0 / 54

HEX #5F3276

RGB 95 50 118

HSL 279.71, 0.4%, 0.33%

LAB 29.47, 33, -31.01

 

CMYK 35 / 58 / 0 / 54

HEX #4D3276

RGB 77 50 118

HSL 263.82, 0.4%, 0.33%

LAB 27.21, 27.95, -34.75

 

CMYK 51 / 58 / 0 / 54

HEX #3A3276

RGB 58 50 118

HSL 247.06, 0.4%, 0.33%

LAB 25.23, 23.1, -38.04

 

CMYK 58 / 58 / 0 / 54

HEX #323276

RGB 50 50 118

HSL 240, 0.4%, 0.33%

LAB 24.54, 21.28, -39.18

 

CMYK 19 / 58 / 0 / 54

HEX #5F3276

RGB 95 50 118

HSL 279.71, 0.4%, 0.33%

LAB 29.47, 33, -31.01

 

CMYK 24 / 72 / 0 / 49

HEX #632583

RGB 99 37 131

HSL 279.57, 0.56%, 0.33%

LAB 28.42, 43.83, -40.84

 

CMYK 29 / 84 / 0 / 43

HEX #671791

RGB 103 23 145

HSL 279.34, 0.73%, 0.33%

LAB 28.22, 53.13, -49.83

 

CMYK 33 / 94 / 0 / 38

HEX #6B0A9F

RGB 107 10 159

HSL 279.06, 0.88%, 0.33%

LAB 29.02, 59.74, -57.09

 

CMYK 19 / 58 / 0 / 54

HEX #5F3276

RGB 95 50 118

HSL 279.71, 0.4%, 0.33%

LAB 29.47, 33, -31.01

 

CMYK 13 / 38 / 0 / 59

HEX #5A4068

RGB 90 64 104

HSL 279, 0.24%, 0.33%

LAB 31.44, 19.54, -19.07

 

CMYK 5 / 14 / 0 / 64

HEX #564E5B

RGB 86 78 91

HSL 276.92, 0.08%, 0.33%

LAB 34.36, 6.09, -6.41

 

CMYK 10 / 0 / 15 / 64

HEX #525B4D

RGB 82 91 77

HSL 98.57, 0.08%, 0.33%

LAB 37.5, -6.49, 6.89

 

CMYK 26 / 0 / 40 / 59

HEX #4E693F

RGB 78 105 63

HSL 98.57, 0.25%, 0.33%

LAB 41.35, -18.52, 20.48

 

CMYK 51 / 58 / 0 / 54

HEX #3A3276

RGB 58 50 118

HSL 247.06, 0.4%, 0.33%

LAB 25.23, 23.1, -38.04

 

CMYK 36 / 58 / 0 / 54

HEX #4C3276

RGB 76 50 118

HSL 262.94, 0.4%, 0.33%

LAB 27.09, 27.68, -34.94

 

CMYK 20 / 58 / 0 / 54

HEX #5E3276

RGB 94 50 118

HSL 278.82, 0.4%, 0.33%

LAB 29.33, 32.72, -31.23

 

CMYK 5 / 58 / 0 / 54

HEX #703276

RGB 112 50 118

HSL 294.71, 0.4%, 0.33%

LAB 31.88, 37.95, -27.03

 

CMYK 0 / 58 / 11 / 54

HEX #763269

RGB 118 50 105

HSL 311.47, 0.4%, 0.33%

LAB 32.15, 37.3, -18.3

 

CMYK 20 / 57 / 0 / 76

HEX #301A3C

RGB 48 26 60

HSL 278.82, 0.4%, 0.17%

LAB 13.79, 18.37, -17.66

 

CMYK 20 / 57 / 0 / 65

HEX #472659

RGB 71 38 89

HSL 278.82, 0.4%, 0.25%

LAB 21.75, 25.8, -24.69

 

CMYK 19 / 58 / 0 / 54

HEX #5F3276

RGB 95 50 118

HSL 279.71, 0.4%, 0.33%

LAB 29.47, 33, -31.01

 

CMYK 20 / 57 / 0 / 42

HEX #763F93

RGB 118 63 147

HSL 279.29, 0.4%, 0.41%

LAB 36.95, 39.01, -36.9

 

CMYK 20 / 57 / 0 / 31

HEX #8D4BB0

RGB 141 75 176

HSL 279.21, 0.4%, 0.49%

LAB 43.99, 45.31, -42.87

 

CMYK 20 / 57 / 0 / 54

HEX #5E3275

RGB 94 50 117

HSL 279.4, 0.4%, 0.33%

LAB 29.27, 32.48, -30.69

 

CMYK 0 / 58 / 48 / 54

HEX #76323D

RGB 118 50 61

HSL 350.29, 0.4%, 0.33%

LAB 30.57, 30.94, 7.89

 

CMYK 58 / 0 / 43 / 54

HEX #327643

RGB 50 118 67

HSL 135, 0.4%, 0.33%

LAB 44.29, -33.62, 21.76

 

CMYK 20 / 57 / 0 / 54

HEX #5E3275

RGB 94 50 117

HSL 279.4, 0.4%, 0.33%

LAB 29.27, 32.48, -30.69

 

CMYK 0 / 20 / 58 / 54

HEX #765E32

RGB 118 94 50

HSL 38.82, 0.4%, 0.33%

LAB 41.35, 3.96, 28.65

 

CMYK 58 / 0 / 20 / 54

HEX #32765E

RGB 50 118 94

HSL 158.82, 0.4%, 0.33%

LAB 44.86, -27.76, 6.81

 

CMYK 20 / 57 / 0 / 54

HEX #5E3275

RGB 94 50 117

HSL 279.4, 0.4%, 0.33%

LAB 29.27, 32.48, -30.69

 

CMYK 0 / 58 / 48 / 54

HEX #76323D

RGB 118 50 61

HSL 350.29, 0.4%, 0.33%

LAB 30.57, 30.94, 7.89

 

CMYK 37 / 0 / 58 / 54

HEX #4A7632

RGB 74 118 50

HSL 98.82, 0.4%, 0.33%

LAB 45.14, -28.46, 32.28

 

CMYK 58 / 0 / 8 / 54

HEX #32766C

RGB 50 118 108

HSL 171.18, 0.4%, 0.33%

LAB 45.25, -24.07, -0.98

 

CMYK 20 / 57 / 0 / 54

HEX #5E3275

RGB 94 50 117

HSL 279.4, 0.4%, 0.33%

LAB 29.27, 32.48, -30.69

 

CMYK 0 / 48 / 58 / 54

HEX #763D32

RGB 118 61 50

HSL 9.71, 0.4%, 0.33%

LAB 32.74, 23.68, 17.9

 

CMYK 37 / 0 / 58 / 54

HEX #4A7632

RGB 74 118 50

HSL 98.82, 0.4%, 0.33%

LAB 45.14, -28.46, 32.28

 

CMYK 58 / 8 / 0 / 54

HEX #326C76

RGB 50 108 118

HSL 188.82, 0.4%, 0.33%

LAB 42.32, -15.77, -11.34

 

Description

Color code: HEX #5E3275 | qconv.com Color code: HEX #5E3275 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 50 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 50 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 57 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 57% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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