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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E326D it is the complementary color #A1CD92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E326D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E326D shade: #633268, #74447B, #85568E, #9668A1 and #A77AB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E326D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E326D shade: #5E326D, #4D205A, #3C0E47, #2B0034 and #1A0021

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E326D shade: #5D316C, #6C316B, #6C315B, #6C314B and #6C313C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E326D shade: #5D316C, #4D316C, #3D316C and #31316C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E326D shade matches the following richer shades: #5D316C, #632579, #6A1885 and #700B92

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E326D shade: #5D316C, #573E5F, #504B52, #4A5845 and #446439

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E326D shade: #3D316C, #4D316C, #5C316C, #6C316C and #6C315C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E326D shade: #2C1733, #452450, #5D316C, #753E88 and #8E4BA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E326D shade: #5E326D, #6C3135 and #316C45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E326D shade: #5E326D, #6C5C31 and #316C5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E326D shade: #5E326D, #6C3135, #416C31 and #316C68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E326D shade: #5E326D, #6C3F31, #416C31 and #315E6C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 54 / 0 / 57

HEX #5E326D

RGB 94 50 109

HSL 284.75, 0.37%, 0.31%

LAB 28.81, 30.59, -26.33

 

Complementary color

CMYK 21 / 0 / 29 / 20

HEX #A1CD92

RGB 161 205 146

HSL 104.75, 0.37%, 0.69%

LAB 78.06, -25.45, 24.8

 

CMYK 5 / 52 / 0 / 59

HEX #633268

RGB 99 50 104

HSL 294.44, 0.35%, 0.3%

LAB 29.24, 31.05, -22.4

 

CMYK 6 / 45 / 0 / 52

HEX #74447B

RGB 116 68 123

HSL 292.36, 0.29%, 0.37%

LAB 36.51, 30.24, -22.87

 

CMYK 6 / 39 / 0 / 44

HEX #85568E

RGB 133 86 142

HSL 290.36, 0.25%, 0.45%

LAB 43.65, 29.41, -23.23

 

CMYK 7 / 35 / 0 / 37

HEX #9668A1

RGB 150 104 161

HSL 288.42, 0.23%, 0.52%

LAB 50.64, 28.63, -23.55

 

CMYK 7 / 32 / 0 / 29

HEX #A77AB4

RGB 167 122 180

HSL 286.55, 0.28%, 0.59%

LAB 57.49, 27.89, -23.85

 

CMYK 14 / 54 / 0 / 57

HEX #5E326D

RGB 94 50 109

HSL 284.75, 0.37%, 0.31%

LAB 28.81, 30.59, -26.33

 

CMYK 14 / 64 / 0 / 65

HEX #4D205A

RGB 77 32 90

HSL 286.55, 0.48%, 0.24%

LAB 21.39, 31.32, -25.87

 

CMYK 15 / 80 / 0 / 72

HEX #3C0E47

RGB 60 14 71

HSL 288.42, 0.67%, 0.17%

LAB 14, 31.43, -24.92

 

CMYK 17 / 100 / 0 / 80

HEX #2B0034

RGB 43 0 52

HSL 289.62, 1%, 0.1%

LAB 6.88, 29.96, -22.98

 

CMYK 21 / 100 / 0 / 87

HEX #1A0021

RGB 26 0 33

HSL 287.27, 1%, 0.06%

LAB 2.98, 15.87, -14.86

 

CMYK 14 / 55 / 0 / 58

HEX #5D316C

RGB 93 49 108

HSL 284.75, 0.38%, 0.31%

LAB 28.4, 30.63, -26.36

 

CMYK 0 / 55 / 1 / 58

HEX #6C316B

RGB 108 49 107

HSL 301.02, 0.38%, 0.31%

LAB 30.51, 35.06, -22.25

 

CMYK 0 / 55 / 16 / 58

HEX #6C315B

RGB 108 49 91

HSL 317.29, 0.38%, 0.31%

LAB 29.76, 32.08, -13.1

 

CMYK 0 / 55 / 31 / 58

HEX #6C314B

RGB 108 49 75

HSL 333.56, 0.38%, 0.31%

LAB 29.14, 29.49, -3.58

 

CMYK 0 / 55 / 44 / 58

HEX #6C313C

RGB 108 49 60

HSL 348.81, 0.38%, 0.31%

LAB 28.67, 27.47, 5.64

 

CMYK 14 / 55 / 0 / 58

HEX #5D316C

RGB 93 49 108

HSL 284.75, 0.38%, 0.31%

LAB 28.4, 30.63, -26.36

 

CMYK 29 / 55 / 0 / 58

HEX #4D316C

RGB 77 49 108

HSL 268.47, 0.38%, 0.31%

LAB 26.32, 25.8, -29.77

 

CMYK 44 / 55 / 0 / 58

HEX #3D316C

RGB 61 49 108

HSL 252.2, 0.38%, 0.31%

LAB 24.55, 21.27, -32.71

 

CMYK 55 / 55 / 0 / 58

HEX #31316C

RGB 49 49 108

HSL 240, 0.38%, 0.31%

LAB 23.45, 18.21, -34.54

 

CMYK 14 / 55 / 0 / 58

HEX #5D316C

RGB 93 49 108

HSL 284.75, 0.38%, 0.31%

LAB 28.4, 30.63, -26.36

 

CMYK 18 / 69 / 0 / 53

HEX #632579

RGB 99 37 121

HSL 284.29, 0.53%, 0.31%

LAB 27.73, 41.58, -35.65

 

CMYK 20 / 82 / 0 / 48

HEX #6A1885

RGB 106 24 133

HSL 285.14, 0.69%, 0.31%

LAB 27.87, 50.83, -42.91

 

CMYK 23 / 92 / 0 / 43

HEX #700B92

RGB 112 11 146

HSL 284.89, 0.86%, 0.31%

LAB 28.8, 57.67, -49.45

 

CMYK 14 / 55 / 0 / 58

HEX #5D316C

RGB 93 49 108

HSL 284.75, 0.38%, 0.31%

LAB 28.4, 30.63, -26.36

 

CMYK 8 / 35 / 0 / 63

HEX #573E5F

RGB 87 62 95

HSL 285.45, 0.21%, 0.31%

LAB 30.15, 17.59, -15.34

 

CMYK 2 / 9 / 0 / 68

HEX #504B52

RGB 80 75 82

HSL 282.86, 0.04%, 0.31%

LAB 32.58, 3.58, -3.4

 

CMYK 16 / 0 / 22 / 65

HEX #4A5845

RGB 74 88 69

HSL 104.21, 0.12%, 0.31%

LAB 35.72, -9.56, 9.24

 

CMYK 32 / 0 / 43 / 61

HEX #446439

RGB 68 100 57

HSL 104.65, 0.27%, 0.31%

LAB 38.97, -20.76, 20.75

 

CMYK 44 / 55 / 0 / 58

HEX #3D316C

RGB 61 49 108

HSL 252.2, 0.38%, 0.31%

LAB 24.55, 21.27, -32.71

 

CMYK 29 / 55 / 0 / 58

HEX #4D316C

RGB 77 49 108

HSL 268.47, 0.38%, 0.31%

LAB 26.32, 25.8, -29.77

 

CMYK 15 / 55 / 0 / 58

HEX #5C316C

RGB 92 49 108

HSL 283.73, 0.38%, 0.31%

LAB 28.26, 30.33, -26.58

 

CMYK 0 / 55 / 0 / 58

HEX #6C316C

RGB 108 49 108

HSL 300, 0.38%, 0.31%

LAB 30.56, 35.26, -22.8

 

CMYK 0 / 55 / 15 / 58

HEX #6C315C

RGB 108 49 92

HSL 316.27, 0.38%, 0.31%

LAB 29.81, 32.25, -13.68

 

CMYK 14 / 55 / 0 / 80

HEX #2C1733

RGB 44 23 51

HSL 285, 0.38%, 0.15%

LAB 11.87, 16.57, -14.28

 

CMYK 14 / 55 / 0 / 69

HEX #452450

RGB 69 36 80

HSL 285, 0.38%, 0.23%

LAB 20.46, 24.15, -20.72

 

CMYK 14 / 55 / 0 / 58

HEX #5D316C

RGB 93 49 108

HSL 284.75, 0.38%, 0.31%

LAB 28.4, 30.63, -26.36

 

CMYK 14 / 54 / 0 / 47

HEX #753E88

RGB 117 62 136

HSL 284.59, 0.37%, 0.39%

LAB 35.99, 36.78, -31.7

 

CMYK 13 / 54 / 0 / 36

HEX #8E4BA4

RGB 142 75 164

HSL 285.17, 0.37%, 0.47%

LAB 43.45, 42.97, -36.61

 

CMYK 14 / 54 / 0 / 57

HEX #5E326D

RGB 94 50 109

HSL 284.75, 0.37%, 0.31%

LAB 28.81, 30.59, -26.33

 

CMYK 0 / 55 / 51 / 58

HEX #6C3135

RGB 108 49 53

HSL 355.93, 0.38%, 0.31%

LAB 28.49, 26.67, 10

 

CMYK 55 / 0 / 36 / 58

HEX #316C45

RGB 49 108 69

HSL 140.34, 0.38%, 0.31%

LAB 40.91, -28.92, 16.12

 

CMYK 14 / 54 / 0 / 57

HEX #5E326D

RGB 94 50 109

HSL 284.75, 0.37%, 0.31%

LAB 28.81, 30.59, -26.33

 

CMYK 0 / 15 / 55 / 58

HEX #6C5C31

RGB 108 92 49

HSL 43.73, 0.38%, 0.31%

LAB 39.69, 0.38, 26.95

 

CMYK 55 / 0 / 15 / 58

HEX #316C5C

RGB 49 108 92

HSL 163.73, 0.38%, 0.31%

LAB 41.45, -23.52, 3.12

 

CMYK 14 / 54 / 0 / 57

HEX #5E326D

RGB 94 50 109

HSL 284.75, 0.37%, 0.31%

LAB 28.81, 30.59, -26.33

 

CMYK 0 / 55 / 51 / 58

HEX #6C3135

RGB 108 49 53

HSL 355.93, 0.38%, 0.31%

LAB 28.49, 26.67, 10

 

CMYK 40 / 0 / 55 / 58

HEX #416C31

RGB 65 108 49

HSL 103.73, 0.38%, 0.31%

LAB 41.33, -27.1, 28.15

 

CMYK 55 / 0 / 4 / 58

HEX #316C68

RGB 49 108 104

HSL 175.93, 0.38%, 0.31%

LAB 41.81, -20.21, -3.63

 

CMYK 14 / 54 / 0 / 57

HEX #5E326D

RGB 94 50 109

HSL 284.75, 0.37%, 0.31%

LAB 28.81, 30.59, -26.33

 

CMYK 0 / 42 / 55 / 58

HEX #6C3F31

RGB 108 63 49

HSL 14.24, 0.38%, 0.31%

LAB 31.73, 18.02, 16.92

 

CMYK 40 / 0 / 55 / 58

HEX #416C31

RGB 65 108 49

HSL 103.73, 0.38%, 0.31%

LAB 41.33, -27.1, 28.15

 

CMYK 55 / 13 / 0 / 58

HEX #315E6C

RGB 49 94 108

HSL 194.24, 0.38%, 0.31%

LAB 37.37, -11.15, -12.73

 

Description

Color code: HEX #5E326D | qconv.com Color code: HEX #5E326D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 50 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 50 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 54 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 54% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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