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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E2F97 it is the complementary color #A1D068. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E2F97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E2F97 shade: #632F92, #7441A5, #8553B8, #9665CB and #A777DE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E2F97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E2F97 shade: #5E2F97, #4D1D84, #3C0B71, #2B005E and #1A004B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E2F97 shade: #5E2E98, #7A2E98, #972E98, #982E7C and #982E60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E2F97 shade: #5E2E98, #412E98 and #2E2E98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E2F97 shade matches the following richer shades: #5E2E98, #5C1EA8 and #5B0EB8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E2F97 shade: #5E2E98, #5F3E88, #614E77, #635F67 and #646F57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E2F97 shade: #2E3798, #422E98, #5E2E98, #7A2E98 and #962E98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E2F97 shade: #371B59, #4A2578, #5E2E98, #7138B7 and #8650C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E2F97 shade: #5E2F97, #982E53 and #2E9834

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E2F97 shade: #5E2F97, #985E2E and #2E985E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E2F97 shade: #5E2F97, #982E53, #68982E and #2E9873

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E2F97 shade: #5E2F97, #982E34, #68982E and #2E9892

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 69 / 0 / 41

HEX #5E2F97

RGB 94 47 151

HSL 267.12, 0.53%, 0.39%

LAB 30.99, 42.72, -49.08

 

Complementary color

CMYK 23 / 0 / 50 / 18

HEX #A1D068

RGB 161 208 104

HSL 87.12, 0.53%, 0.61%

LAB 78.28, -32.46, 46.33

 

CMYK 32 / 68 / 0 / 43

HEX #632F92

RGB 99 47 146

HSL 271.52, 0.51%, 0.38%

LAB 31.26, 42.53, -45.56

 

CMYK 30 / 61 / 0 / 35

HEX #7441A5

RGB 116 65 165

HSL 270.6, 0.43%, 0.45%

LAB 38.22, 41.72, -45.75

 

CMYK 28 / 55 / 0 / 28

HEX #8553B8

RGB 133 83 184

HSL 269.7, 0.42%, 0.52%

LAB 45.13, 40.78, -45.8

 

CMYK 26 / 50 / 0 / 20

HEX #9665CB

RGB 150 101 203

HSL 268.82, 0.5%, 0.6%

LAB 51.95, 39.83, -45.8

 

CMYK 25 / 46 / 0 / 13

HEX #A777DE

RGB 167 119 222

HSL 267.96, 0.61%, 0.67%

LAB 58.68, 38.92, -45.79

 

CMYK 38 / 69 / 0 / 41

HEX #5E2F97

RGB 94 47 151

HSL 267.12, 0.53%, 0.39%

LAB 30.99, 42.72, -49.08

 

CMYK 42 / 78 / 0 / 48

HEX #4D1D84

RGB 77 29 132

HSL 267.96, 0.64%, 0.32%

LAB 24.07, 43.29, -48.66

 

CMYK 47 / 90 / 0 / 56

HEX #3C0B71

RGB 60 11 113

HSL 268.82, 0.82%, 0.24%

LAB 17.42, 42.82, -47.52

 

CMYK 54 / 100 / 0 / 63

HEX #2B005E

RGB 43 0 94

HSL 267.45, 1%, 0.18%

LAB 11.43, 40.09, -44.97

 

CMYK 65 / 100 / 0 / 71

HEX #1A004B

RGB 26 0 75

HSL 260.8, 1%, 0.15%

LAB 6.57, 33.36, -40.07

 

CMYK 38 / 70 / 0 / 40

HEX #5E2E98

RGB 94 46 152

HSL 267.17, 0.54%, 0.39%

LAB 30.88, 43.5, -49.87

 

CMYK 20 / 70 / 0 / 40

HEX #7A2E98

RGB 122 46 152

HSL 283.02, 0.54%, 0.39%

LAB 34.72, 49.59, -43.48

 

CMYK 1 / 70 / 0 / 40

HEX #972E98

RGB 151 46 152

HSL 299.43, 0.54%, 0.39%

LAB 39.24, 56.31, -36

 

CMYK 0 / 70 / 18 / 40

HEX #982E7C

RGB 152 46 124

HSL 315.85, 0.54%, 0.39%

LAB 37.99, 52.06, -20.77

 

CMYK 0 / 70 / 37 / 40

HEX #982E60

RGB 152 46 96

HSL 331.7, 0.54%, 0.39%

LAB 36.88, 48.35, -4.85

 

CMYK 38 / 70 / 0 / 40

HEX #5E2E98

RGB 94 46 152

HSL 267.17, 0.54%, 0.39%

LAB 30.88, 43.5, -49.87

 

CMYK 57 / 70 / 0 / 40

HEX #412E98

RGB 65 46 152

HSL 250.75, 0.54%, 0.39%

LAB 27.7, 38.06, -55.2

 

CMYK 70 / 70 / 0 / 40

HEX #2E2E98

RGB 46 46 152

HSL 240, 0.54%, 0.39%

LAB 26.16, 35.28, -57.77

 

CMYK 38 / 70 / 0 / 40

HEX #5E2E98

RGB 94 46 152

HSL 267.17, 0.54%, 0.39%

LAB 30.88, 43.5, -49.87

 

CMYK 45 / 82 / 0 / 34

HEX #5C1EA8

RGB 92 30 168

HSL 266.96, 0.7%, 0.39%

LAB 29.49, 54.37, -61.86

 

CMYK 51 / 92 / 0 / 28

HEX #5B0EB8

RGB 91 14 184

HSL 267.18, 0.86%, 0.39%

LAB 29.41, 62.69, -71.58

 

CMYK 38 / 70 / 0 / 40

HEX #5E2E98

RGB 94 46 152

HSL 267.17, 0.54%, 0.39%

LAB 30.88, 43.5, -49.87

 

CMYK 30 / 54 / 0 / 47

HEX #5F3E88

RGB 95 62 136

HSL 266.76, 0.37%, 0.39%

LAB 33.26, 30.51, -36.22

 

CMYK 18 / 34 / 0 / 53

HEX #614E77

RGB 97 78 119

HSL 267.8, 0.21%, 0.39%

LAB 36.6, 16.83, -20.43

 

CMYK 4 / 8 / 0 / 60

HEX #635F67

RGB 99 95 103

HSL 270, 0.04%, 0.39%

LAB 40.92, 3.27, -3.98

 

CMYK 10 / 0 / 22 / 56

HEX #646F57

RGB 100 111 87

HSL 87.5, 0.12%, 0.39%

LAB 45.31, -8.93, 12

 

CMYK 70 / 64 / 0 / 40

HEX #2E3798

RGB 46 55 152

HSL 234.91, 0.54%, 0.39%

LAB 28.33, 29.51, -54.22

 

CMYK 57 / 70 / 0 / 40

HEX #422E98

RGB 66 46 152

HSL 251.32, 0.54%, 0.39%

LAB 27.79, 38.23, -55.04

 

CMYK 38 / 70 / 0 / 40

HEX #5E2E98

RGB 94 46 152

HSL 267.17, 0.54%, 0.39%

LAB 30.88, 43.5, -49.87

 

CMYK 20 / 70 / 0 / 40

HEX #7A2E98

RGB 122 46 152

HSL 283.02, 0.54%, 0.39%

LAB 34.72, 49.59, -43.48

 

CMYK 1 / 70 / 0 / 40

HEX #962E98

RGB 150 46 152

HSL 298.87, 0.54%, 0.39%

LAB 39.08, 56.08, -36.27

 

CMYK 38 / 70 / 0 / 65

HEX #371B59

RGB 55 27 89

HSL 267.1, 0.53%, 0.23%

LAB 17.07, 27.98, -32.3

 

CMYK 38 / 69 / 0 / 53

HEX #4A2578

RGB 74 37 120

HSL 266.75, 0.53%, 0.31%

LAB 24.11, 35.44, -41.02

 

CMYK 38 / 70 / 0 / 40

HEX #5E2E98

RGB 94 46 152

HSL 267.17, 0.54%, 0.39%

LAB 30.88, 43.5, -49.87

 

CMYK 38 / 69 / 0 / 28

HEX #7138B7

RGB 113 56 183

HSL 266.93, 0.53%, 0.47%

LAB 37.4, 50.25, -57.78

 

CMYK 33 / 60 / 0 / 21

HEX #8650C9

RGB 134 80 201

HSL 266.78, 0.53%, 0.55%

LAB 45.67, 46.87, -54.81

 

CMYK 38 / 69 / 0 / 41

HEX #5E2F97

RGB 94 47 151

HSL 267.12, 0.53%, 0.39%

LAB 30.99, 42.72, -49.08

 

CMYK 0 / 70 / 45 / 40

HEX #982E53

RGB 152 46 83

HSL 339.06, 0.54%, 0.39%

LAB 36.47, 46.94, 2.85

 

CMYK 70 / 0 / 66 / 40

HEX #2E9834

RGB 46 152 52

HSL 123.4, 0.54%, 0.39%

LAB 55.36, -50.16, 42.7

 

CMYK 38 / 69 / 0 / 41

HEX #5E2F97

RGB 94 47 151

HSL 267.12, 0.53%, 0.39%

LAB 30.99, 42.72, -49.08

 

CMYK 0 / 38 / 70 / 40

HEX #985E2E

RGB 152 94 46

HSL 27.17, 0.54%, 0.39%

LAB 45.47, 19.21, 36.64

 

CMYK 70 / 0 / 38 / 40

HEX #2E985E

RGB 46 152 94

HSL 147.17, 0.54%, 0.39%

LAB 55.93, -43.66, 22.04

 

CMYK 38 / 69 / 0 / 41

HEX #5E2F97

RGB 94 47 151

HSL 267.12, 0.53%, 0.39%

LAB 30.99, 42.72, -49.08

 

CMYK 0 / 70 / 45 / 40

HEX #982E53

RGB 152 46 83

HSL 339.06, 0.54%, 0.39%

LAB 36.47, 46.94, 2.85

 

CMYK 32 / 0 / 70 / 40

HEX #68982E

RGB 104 152 46

HSL 87.17, 0.54%, 0.39%

LAB 57.65, -33.4, 48.4

 

CMYK 70 / 0 / 24 / 40

HEX #2E9873

RGB 46 152 115

HSL 159.06, 0.54%, 0.39%

LAB 56.36, -39.03, 10.9

 

CMYK 38 / 69 / 0 / 41

HEX #5E2F97

RGB 94 47 151

HSL 267.12, 0.53%, 0.39%

LAB 30.99, 42.72, -49.08

 

CMYK 0 / 70 / 66 / 40

HEX #982E34

RGB 152 46 52

HSL 356.6, 0.54%, 0.39%

LAB 35.75, 44.4, 21.67

 

CMYK 32 / 0 / 70 / 40

HEX #68982E

RGB 104 152 46

HSL 87.17, 0.54%, 0.39%

LAB 57.65, -33.4, 48.4

 

CMYK 70 / 0 / 4 / 40

HEX #2E9892

RGB 46 152 146

HSL 176.6, 0.54%, 0.39%

LAB 57.19, -30.77, -5.56

 

Description

Color code: HEX #5E2F97 | qconv.com Color code: HEX #5E2F97 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 47 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 47 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 69 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 69% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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