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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E2F54 it is the complementary color #A1D0AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E2F54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E2F54 shade: #632F4F, #744162, #855375, #966588 and #A7779B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E2F54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E2F54 shade: #5E2F54, #4D1D41, #3C0B2E, #2B001B and #1A0008

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E2F54 shade: #5E2F54, #5E2F48, #5E2F3B and #5E2F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E2F54 shade: #5E2F54, #5C2F5E, #4F2F5E, #422F5E and #362F5E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E2F54 shade matches the following richer shades: #5E2F54, #6A245B, #761862, #810D68 and #8D016F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E2F54 shade: #5E2F54, #533B4E, #474647, #3C5241 and #305E3A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E2F54 shade: #4F2F5E, #5B2F5E, #5E2F55, #5E2F48 and #5E2F3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E2F54 shade: #281423, #43223C, #5E2F54, #7A3D6D and #954B86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E2F54 shade: #5E2F54, #5E422F and #2F5E55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E2F54 shade: #5E2F54, #555E2F and #2F555E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E2F54 shade: #5E2F54, #5E422F, #2F5E39 and #2F4C5E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E2F54 shade: #5E2F54, #5E502F, #2F5E39 and #2F3D5E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 11 / 63

HEX #5E2F54

RGB 94 47 84

HSL 312.77, 0.33%, 0.28%

LAB 26.88, 27.03, -13.12

 

Complementary color

CMYK 23 / 0 / 18 / 18

HEX #A1D0AB

RGB 161 208 171

HSL 132.77, 0.33%, 0.72%

LAB 79.4, -22.66, 13.43

 

CMYK 0 / 53 / 20 / 61

HEX #632F4F

RGB 99 47 79

HSL 323.08, 0.36%, 0.29%

LAB 27.44, 27.93, -8.92

 

CMYK 0 / 44 / 16 / 55

HEX #744162

RGB 116 65 98

HSL 321.18, 0.28%, 0.35%

LAB 34.75, 27.08, -9.9

 

CMYK 0 / 38 / 12 / 48

HEX #855375

RGB 133 83 117

HSL 319.2, 0.23%, 0.42%

LAB 41.93, 26.23, -10.67

 

CMYK 0 / 33 / 9 / 41

HEX #966588

RGB 150 101 136

HSL 317.14, 0.2%, 0.49%

LAB 48.97, 25.44, -11.33

 

CMYK 0 / 29 / 7 / 35

HEX #A7779B

RGB 167 119 155

HSL 315, 0.21%, 0.56%

LAB 55.86, 24.71, -11.92

 

CMYK 0 / 50 / 11 / 63

HEX #5E2F54

RGB 94 47 84

HSL 312.77, 0.33%, 0.28%

LAB 26.88, 27.03, -13.12

 

CMYK 0 / 62 / 16 / 70

HEX #4D1D41

RGB 77 29 65

HSL 315, 0.45%, 0.21%

LAB 19.38, 27.75, -12.08

 

CMYK 0 / 82 / 23 / 76

HEX #3C0B2E

RGB 60 11 46

HSL 317.14, 0.69%, 0.14%

LAB 11.94, 27.8, -10.32

 

CMYK 0 / 100 / 37 / 83

HEX #2B001B

RGB 43 0 27

HSL 322.33, 1%, 0.08%

LAB 5.35, 24.19, -6.27

 

CMYK 0 / 100 / 69 / 90

HEX #1A0008

RGB 26 0 8

HSL 341.54, 1%, 0.05%

LAB 2.14, 10.01, 0.11

 

CMYK 0 / 50 / 11 / 63

HEX #5E2F54

RGB 94 47 84

HSL 312.77, 0.33%, 0.28%

LAB 26.88, 27.03, -13.12

 

CMYK 0 / 50 / 23 / 63

HEX #5E2F48

RGB 94 47 72

HSL 328.09, 0.33%, 0.28%

LAB 26.39, 24.87, -5.93

 

CMYK 0 / 50 / 37 / 63

HEX #5E2F3B

RGB 94 47 59

HSL 344.68, 0.33%, 0.28%

LAB 25.95, 22.84, 2.11

 

CMYK 0 / 50 / 50 / 63

HEX #5E2F2F

RGB 94 47 47

HSL 0, 0.33%, 0.28%

LAB 25.62, 21.3, 9.67

 

CMYK 0 / 50 / 11 / 63

HEX #5E2F54

RGB 94 47 84

HSL 312.77, 0.33%, 0.28%

LAB 26.88, 27.03, -13.12

 

CMYK 2 / 50 / 0 / 63

HEX #5C2F5E

RGB 92 47 94

HSL 297.45, 0.33%, 0.28%

LAB 27.06, 28.37, -19.42

 

CMYK 16 / 50 / 0 / 63

HEX #4F2F5E

RGB 79 47 94

HSL 280.85, 0.33%, 0.28%

LAB 25.27, 24.05, -22.35

 

CMYK 30 / 50 / 0 / 63

HEX #422F5E

RGB 66 47 94

HSL 264.26, 0.33%, 0.28%

LAB 23.67, 19.84, -24.99

 

CMYK 43 / 50 / 0 / 63

HEX #362F5E

RGB 54 47 94

HSL 248.94, 0.33%, 0.28%

LAB 22.39, 16.17, -27.09

 

CMYK 0 / 50 / 11 / 63

HEX #5E2F54

RGB 94 47 84

HSL 312.77, 0.33%, 0.28%

LAB 26.88, 27.03, -13.12

 

CMYK 0 / 66 / 14 / 58

HEX #6A245B

RGB 106 36 91

HSL 312.86, 0.49%, 0.28%

LAB 26.97, 38.08, -17.44

 

CMYK 0 / 80 / 17 / 54

HEX #761862

RGB 118 24 98

HSL 312.77, 0.66%, 0.28%

LAB 27.81, 47.23, -20.54

 

CMYK 0 / 90 / 19 / 49

HEX #810D68

RGB 129 13 104

HSL 312.93, 0.82%, 0.28%

LAB 29.3, 53.45, -21.95

 

CMYK 0 / 99 / 21 / 45

HEX #8D016F

RGB 141 1 111

HSL 312.86, 0.99%, 0.28%

LAB 31.42, 58.8, -22.95

 

CMYK 0 / 50 / 11 / 63

HEX #5E2F54

RGB 94 47 84

HSL 312.77, 0.33%, 0.28%

LAB 26.88, 27.03, -13.12

 

CMYK 0 / 29 / 6 / 67

HEX #533B4E

RGB 83 59 78

HSL 312.5, 0.17%, 0.28%

LAB 28.16, 14.19, -7.38

 

CMYK 0 / 1 / 0 / 72

HEX #474647

RGB 71 70 71

HSL 300, 0.01%, 0.28%

LAB 29.85, 0.64, -0.46

 

CMYK 27 / 0 / 21 / 68

HEX #3C5241

RGB 60 82 65

HSL 133.64, 0.15%, 0.28%

LAB 32.65, -12.46, 7.28

 

CMYK 49 / 0 / 38 / 63

HEX #305E3A

RGB 48 94 58

HSL 133.04, 0.32%, 0.28%

LAB 35.87, -24.64, 15.89

 

CMYK 16 / 50 / 0 / 63

HEX #4F2F5E

RGB 79 47 94

HSL 280.85, 0.33%, 0.28%

LAB 25.27, 24.05, -22.35

 

CMYK 3 / 50 / 0 / 63

HEX #5B2F5E

RGB 91 47 94

HSL 296.17, 0.33%, 0.28%

LAB 26.92, 28.03, -19.65

 

CMYK 0 / 50 / 10 / 63

HEX #5E2F55

RGB 94 47 85

HSL 311.49, 0.33%, 0.28%

LAB 26.93, 27.23, -13.71

 

CMYK 0 / 50 / 23 / 63

HEX #5E2F48

RGB 94 47 72

HSL 328.09, 0.33%, 0.28%

LAB 26.39, 24.87, -5.93

 

CMYK 0 / 50 / 36 / 63

HEX #5E2F3C

RGB 94 47 60

HSL 343.4, 0.33%, 0.28%

LAB 25.98, 22.99, 1.48

 

CMYK 0 / 50 / 13 / 84

HEX #281423

RGB 40 20 35

HSL 315, 0.33%, 0.12%

LAB 9.58, 13.12, -6.09

 

CMYK 0 / 49 / 10 / 74

HEX #43223C

RGB 67 34 60

HSL 312.73, 0.33%, 0.2%

LAB 18.64, 20.17, -9.9

 

CMYK 0 / 50 / 11 / 63

HEX #5E2F54

RGB 94 47 84

HSL 312.77, 0.33%, 0.28%

LAB 26.88, 27.03, -13.12

 

CMYK 0 / 50 / 11 / 52

HEX #7A3D6D

RGB 122 61 109

HSL 312.79, 0.33%, 0.36%

LAB 35.16, 33.44, -16.15

 

CMYK 0 / 50 / 10 / 42

HEX #954B86

RGB 149 75 134

HSL 312.16, 0.33%, 0.44%

LAB 42.98, 39.23, -19.26

 

CMYK 0 / 50 / 11 / 63

HEX #5E2F54

RGB 94 47 84

HSL 312.77, 0.33%, 0.28%

LAB 26.88, 27.03, -13.12

 

CMYK 0 / 30 / 50 / 63

HEX #5E422F

RGB 94 66 47

HSL 24.26, 0.33%, 0.28%

LAB 30.6, 9.51, 16.34

 

CMYK 50 / 0 / 10 / 63

HEX #2F5E55

RGB 47 94 85

HSL 168.51, 0.33%, 0.28%

LAB 36.49, -18.54, 0.2

 

CMYK 0 / 50 / 11 / 63

HEX #5E2F54

RGB 94 47 84

HSL 312.77, 0.33%, 0.28%

LAB 26.88, 27.03, -13.12

 

CMYK 10 / 0 / 50 / 63

HEX #555E2F

RGB 85 94 47

HSL 71.49, 0.33%, 0.28%

LAB 38.1, -11.68, 25.63

 

CMYK 50 / 10 / 0 / 63

HEX #2F555E

RGB 47 85 94

HSL 191.49, 0.33%, 0.28%

LAB 33.79, -10.78, -9.44

 

CMYK 0 / 50 / 11 / 63

HEX #5E2F54

RGB 94 47 84

HSL 312.77, 0.33%, 0.28%

LAB 26.88, 27.03, -13.12

 

CMYK 0 / 30 / 50 / 63

HEX #5E422F

RGB 94 66 47

HSL 24.26, 0.33%, 0.28%

LAB 30.6, 9.51, 16.34

 

CMYK 50 / 0 / 39 / 63

HEX #2F5E39

RGB 47 94 57

HSL 132.77, 0.33%, 0.28%

LAB 35.8, -25.16, 16.39

 

CMYK 50 / 19 / 0 / 63

HEX #2F4C5E

RGB 47 76 94

HSL 202.98, 0.33%, 0.28%

LAB 30.83, -5.28, -13.94

 

CMYK 0 / 50 / 11 / 63

HEX #5E2F54

RGB 94 47 84

HSL 312.77, 0.33%, 0.28%

LAB 26.88, 27.03, -13.12

 

CMYK 0 / 15 / 50 / 63

HEX #5E502F

RGB 94 80 47

HSL 42.13, 0.33%, 0.28%

LAB 34.65, 0.8, 21.54

 

CMYK 50 / 0 / 39 / 63

HEX #2F5E39

RGB 47 94 57

HSL 132.77, 0.33%, 0.28%

LAB 35.8, -25.16, 16.39

 

CMYK 50 / 35 / 0 / 63

HEX #2F3D5E

RGB 47 61 94

HSL 222.13, 0.33%, 0.28%

LAB 26.01, 4.52, -21.42

 

Description

Color code: HEX #5E2F54 | qconv.com Color code: HEX #5E2F54 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 47 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 47 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 11 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 11% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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