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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E2EEF it is the complementary color #A1D110. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E2EEF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E2EEF shade: #632EEA, #7440FD, #8552FF, #9664FF and #A776FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E2EEF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E2EEF shade: #5E2EEF, #4D1CDC, #3C0AC9, #2B00B6 and #1A00A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E2EEF shade: #5E2EEF, #922EEF, #C62EEF, #EF2EE4 and #EF2EB0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E2EEF shade: #5E2EEF and #2E2EEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E2EEF shade matches the following richer shades: #5E2EEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E2EEF shade: #5E2EEF, #6740DD, #7052CA, #7964B8 and #8276A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E2EEF shade: #2E68EF, #2E34EF, #5B2EEF, #8E2EEF and #C22EEF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E2EEF shade: #390EBC, #4511E3, #5E2EEF, #7B54F2 and #997BF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E2EEF shade: #5E2EEF, #EF2E9B and #4EEF2E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E2EEF shade: #5E2EEF, #EF5B2E and #2EEF5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E2EEF shade: #5E2EEF, #EF2E9B, #C2EF2E and #2EEF81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E2EEF shade: #5E2EEF, #EF2E61, #C2EF2E and #2EEFBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 81 / 0 / 6

HEX #5E2EEF

RGB 94 46 239

HSL 254.92, 0.86%, 0.56%

LAB 38.84, 66.72, -87.84

 

Complementary color

CMYK 23 / 0 / 92 / 18

HEX #A1D110

RGB 161 209 16

HSL 74.92, 0.86%, 0.44%

LAB 78, -38.16, 75.67

 

CMYK 58 / 80 / 0 / 8

HEX #632EEA

RGB 99 46 234

HSL 256.91, 0.82%, 0.55%

LAB 38.81, 65.91, -85.05

 

CMYK 54 / 75 / 0 / 1

HEX #7440FD

RGB 116 64 253

HSL 256.51, 0.98%, 0.62%

LAB 44.9, 65.22, -85.64

 

CMYK 48 / 68 / 0 / 0

HEX #8552FF

RGB 133 82 255

HSL 257.69, 1%, 0.66%

LAB 49.79, 59.64, -78.69

 

CMYK 41 / 61 / 0 / 0

HEX #9664FF

RGB 150 100 255

HSL 259.35, 1%, 0.7%

LAB 54.88, 53.47, -70.33

 

CMYK 35 / 54 / 0 / 0

HEX #A776FF

RGB 167 118 255

HSL 261.46, 1%, 0.73%

LAB 60.24, 47.51, -61.62

 

CMYK 61 / 81 / 0 / 6

HEX #5E2EEF

RGB 94 46 239

HSL 254.92, 0.86%, 0.56%

LAB 38.84, 66.72, -87.84

 

CMYK 65 / 87 / 0 / 14

HEX #4D1CDC

RGB 77 28 220

HSL 255.31, 0.77%, 0.49%

LAB 33.08, 66.76, -86.59

 

CMYK 70 / 95 / 0 / 21

HEX #3C0AC9

RGB 60 10 201

HSL 255.71, 0.91%, 0.41%

LAB 27.83, 65.44, -84.33

 

CMYK 76 / 100 / 0 / 29

HEX #2B00B6

RGB 43 0 182

HSL 254.18, 1%, 0.36%

LAB 23.31, 62.12, -80.66

 

CMYK 84 / 100 / 0 / 36

HEX #1A00A3

RGB 26 0 163

HSL 249.57, 1%, 0.32%

LAB 19.49, 56.97, -75.59

 

CMYK 61 / 81 / 0 / 6

HEX #5E2EEF

RGB 94 46 239

HSL 254.92, 0.86%, 0.56%

LAB 38.84, 66.72, -87.84

 

CMYK 39 / 81 / 0 / 6

HEX #922EEF

RGB 146 46 239

HSL 271.09, 0.86%, 0.56%

LAB 44.66, 72.87, -78.06

 

CMYK 17 / 81 / 0 / 6

HEX #C62EEF

RGB 198 46 239

HSL 287.25, 0.86%, 0.56%

LAB 52.05, 80.88, -65.7

 

CMYK 0 / 81 / 5 / 6

HEX #EF2EE4

RGB 239 46 228

HSL 303.42, 0.86%, 0.56%

LAB 57.95, 86.43, -49.71

 

CMYK 0 / 81 / 26 / 6

HEX #EF2EB0

RGB 239 46 176

HSL 319.59, 0.86%, 0.56%

LAB 55.52, 79.7, -23.71

 

CMYK 61 / 81 / 0 / 6

HEX #5E2EEF

RGB 94 46 239

HSL 254.92, 0.86%, 0.56%

LAB 38.84, 66.72, -87.84

 

CMYK 81 / 81 / 0 / 6

HEX #2E2EEF

RGB 46 46 239

HSL 240, 0.86%, 0.56%

LAB 35.53, 63.32, -93.43

 

CMYK 61 / 81 / 0 / 6

HEX #5E2EEF

RGB 94 46 239

HSL 254.92, 0.86%, 0.56%

LAB 38.84, 66.72, -87.84

 

CMYK 61 / 81 / 0 / 6

HEX #5E2EEF

RGB 94 46 239

HSL 254.92, 0.86%, 0.56%

LAB 38.84, 66.72, -87.84

 

CMYK 53 / 71 / 0 / 13

HEX #6740DD

RGB 103 64 221

HSL 254.9, 0.7%, 0.56%

LAB 40.85, 54.71, -74.27

 

CMYK 45 / 59 / 0 / 21

HEX #7052CA

RGB 112 82 202

HSL 255, 0.53%, 0.56%

LAB 43.86, 41.14, -58.41

 

CMYK 34 / 46 / 0 / 28

HEX #7964B8

RGB 121 100 184

HSL 255, 0.37%, 0.56%

LAB 47.8, 27.71, -41.62

 

CMYK 22 / 29 / 0 / 35

HEX #8276A6

RGB 130 118 166

HSL 255, 0.21%, 0.56%

LAB 52.35, 15, -23.99

 

CMYK 81 / 56 / 0 / 6

HEX #2E68EF

RGB 46 104 239

HSL 221.97, 0.86%, 0.56%

LAB 47.9, 29.97, -73.08

 

CMYK 81 / 78 / 0 / 6

HEX #2E34EF

RGB 46 52 239

HSL 238.13, 0.86%, 0.56%

LAB 36.5, 60.5, -91.82

 

CMYK 62 / 81 / 0 / 6

HEX #5B2EEF

RGB 91 46 239

HSL 253.99, 0.86%, 0.56%

LAB 38.57, 66.44, -88.3

 

CMYK 41 / 81 / 0 / 6

HEX #8E2EEF

RGB 142 46 239

HSL 269.84, 0.86%, 0.56%

LAB 44.14, 72.32, -78.93

 

CMYK 19 / 81 / 0 / 6

HEX #C22EEF

RGB 194 46 239

HSL 286.01, 0.86%, 0.56%

LAB 51.45, 80.21, -66.71

 

CMYK 70 / 93 / 0 / 26

HEX #390EBC

RGB 57 14 188

HSL 254.83, 0.86%, 0.4%

LAB 26.2, 61.18, -79.38

 

CMYK 70 / 93 / 0 / 11

HEX #4511E3

RGB 69 17 227

HSL 254.86, 0.86%, 0.48%

LAB 32.29, 70.91, -91.95

 

CMYK 61 / 81 / 0 / 6

HEX #5E2EEF

RGB 94 46 239

HSL 254.92, 0.86%, 0.56%

LAB 38.84, 66.72, -87.84

 

CMYK 49 / 65 / 0 / 5

HEX #7B54F2

RGB 123 84 242

HSL 254.81, 0.86%, 0.64%

LAB 48.21, 53.38, -74.05

 

CMYK 38 / 50 / 0 / 4

HEX #997BF5

RGB 153 123 245

HSL 254.75, 0.86%, 0.72%

LAB 59.46, 38.83, -57.43

 

CMYK 61 / 81 / 0 / 6

HEX #5E2EEF

RGB 94 46 239

HSL 254.92, 0.86%, 0.56%

LAB 38.84, 66.72, -87.84

 

CMYK 0 / 81 / 35 / 6

HEX #EF2E9B

RGB 239 46 155

HSL 326.11, 0.86%, 0.56%

LAB 54.73, 77.43, -12.59

 

CMYK 67 / 0 / 81 / 6

HEX #4EEF2E

RGB 78 239 46

HSL 110.05, 0.86%, 0.56%

LAB 83.73, -73.2, 73.39

 

CMYK 61 / 81 / 0 / 6

HEX #5E2EEF

RGB 94 46 239

HSL 254.92, 0.86%, 0.56%

LAB 38.84, 66.72, -87.84

 

CMYK 0 / 62 / 81 / 6

HEX #EF5B2E

RGB 239 91 46

HSL 13.99, 0.86%, 0.56%

LAB 58.07, 54.92, 53.72

 

CMYK 81 / 0 / 62 / 6

HEX #2EEF5B

RGB 46 239 91

HSL 133.99, 0.86%, 0.56%

LAB 83.48, -74.26, 57.29

 

CMYK 61 / 81 / 0 / 6

HEX #5E2EEF

RGB 94 46 239

HSL 254.92, 0.86%, 0.56%

LAB 38.84, 66.72, -87.84

 

CMYK 0 / 81 / 35 / 6

HEX #EF2E9B

RGB 239 46 155

HSL 326.11, 0.86%, 0.56%

LAB 54.73, 77.43, -12.59

 

CMYK 19 / 0 / 81 / 6

HEX #C2EF2E

RGB 194 239 46

HSL 73.99, 0.86%, 0.56%

LAB 88.64, -37.91, 79.64

 

CMYK 81 / 0 / 46 / 6

HEX #2EEF81

RGB 46 239 129

HSL 145.8, 0.86%, 0.56%

LAB 83.91, -69.04, 40.4

 

CMYK 61 / 81 / 0 / 6

HEX #5E2EEF

RGB 94 46 239

HSL 254.92, 0.86%, 0.56%

LAB 38.84, 66.72, -87.84

 

CMYK 0 / 81 / 59 / 6

HEX #EF2E61

RGB 239 46 97

HSL 344.15, 0.86%, 0.56%

LAB 53.13, 72.7, 19.83

 

CMYK 19 / 0 / 81 / 6

HEX #C2EF2E

RGB 194 239 46

HSL 73.99, 0.86%, 0.56%

LAB 88.64, -37.91, 79.64

 

CMYK 81 / 0 / 22 / 6

HEX #2EEFBB

RGB 46 239 187

HSL 163.83, 0.86%, 0.56%

LAB 84.95, -57.44, 12.32

 

Description

Color code: HEX #5E2EEF | qconv.com Color code: HEX #5E2EEF | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 46 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 46 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 81 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 81% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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