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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E2ECB it is the complementary color #A1D134. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E2ECB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E2ECB shade: #632EC6, #7440D9, #8552EC, #9664FF and #A776FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E2ECB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E2ECB shade: #5E2ECB, #4D1CB8, #3C0AA5, #2B0092 and #1A007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E2ECB shade: #5E2ECB, #882ECB, #B32ECB, #CB2EB9 and #CB2E8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E2ECB shade: #5E2ECB, #332ECB and #2E2ECB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E2ECB shade matches the following richer shades: #5E2ECB, #561ADF and #4E05F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E2ECB shade: #5E2ECB, #6642B7, #6E56A3, #756A8F and #7D7F7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E2ECB shade: #2E52CB, #332ECB, #5D2ECB, #872ECB and #B12ECB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E2ECB shade: #3F1E88, #4E26AA, #5E2ECB, #764CD6 and #906EDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E2ECB shade: #5E2ECB, #CB2E7C and #3DCB2E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E2ECB shade: #5E2ECB, #CB5D2E and #2ECB5D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E2ECB shade: #5E2ECB, #CB2E7C, #9CCB2E and #2ECB7C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E2ECB shade: #5E2ECB, #CB2E4D, #9CCB2E and #2ECBAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 77 / 0 / 20

HEX #5E2ECB

RGB 94 46 203

HSL 258.34, 0.63%, 0.49%

LAB 35.29, 57.12, -73.04

 

Complementary color

CMYK 23 / 0 / 75 / 18

HEX #A1D134

RGB 161 209 52

HSL 78.34, 0.63%, 0.51%

LAB 78.13, -36.99, 67.6

 

CMYK 50 / 77 / 0 / 22

HEX #632EC6

RGB 99 46 198

HSL 260.92, 0.62%, 0.48%

LAB 35.37, 56.47, -69.98

 

CMYK 47 / 71 / 0 / 15

HEX #7440D9

RGB 116 64 217

HSL 260.39, 0.67%, 0.55%

LAB 41.83, 55.67, -70.32

 

CMYK 44 / 65 / 0 / 7

HEX #8552EC

RGB 133 82 236

HSL 259.87, 0.8%, 0.62%

LAB 48.36, 54.62, -70.4

 

CMYK 41 / 61 / 0 / 0

HEX #9664FF

RGB 150 100 255

HSL 259.35, 1%, 0.7%

LAB 54.88, 53.47, -70.33

 

CMYK 35 / 54 / 0 / 0

HEX #A776FF

RGB 167 118 255

HSL 261.46, 1%, 0.73%

LAB 60.24, 47.51, -61.62

 

CMYK 54 / 77 / 0 / 20

HEX #5E2ECB

RGB 94 46 203

HSL 258.34, 0.63%, 0.49%

LAB 35.29, 57.12, -73.04

 

CMYK 58 / 85 / 0 / 28

HEX #4D1CB8

RGB 77 28 184

HSL 258.85, 0.74%, 0.42%

LAB 29.08, 57.41, -72.17

 

CMYK 64 / 94 / 0 / 35

HEX #3C0AA5

RGB 60 10 165

HSL 259.35, 0.89%, 0.34%

LAB 23.32, 56.4, -70.36

 

CMYK 71 / 100 / 0 / 43

HEX #2B0092

RGB 43 0 146

HSL 257.67, 1%, 0.29%

LAB 18.32, 53.19, -67.05

 

CMYK 80 / 100 / 0 / 50

HEX #1A007F

RGB 26 0 127

HSL 252.28, 1%, 0.25%

LAB 14.13, 47.7, -62.11

 

CMYK 54 / 77 / 0 / 20

HEX #5E2ECB

RGB 94 46 203

HSL 258.34, 0.63%, 0.49%

LAB 35.29, 57.12, -73.04

 

CMYK 33 / 77 / 0 / 20

HEX #882ECB

RGB 136 46 203

HSL 274.39, 0.63%, 0.49%

LAB 40.41, 63.43, -64.46

 

CMYK 12 / 77 / 0 / 20

HEX #B32ECB

RGB 179 46 203

HSL 290.83, 0.63%, 0.49%

LAB 46.78, 71.15, -53.85

 

CMYK 0 / 77 / 9 / 20

HEX #CB2EB9

RGB 203 46 185

HSL 306.88, 0.63%, 0.49%

LAB 49.68, 73.08, -38.54

 

CMYK 0 / 77 / 30 / 20

HEX #CB2E8F

RGB 203 46 143

HSL 322.93, 0.63%, 0.49%

LAB 47.8, 67.57, -16.56

 

CMYK 54 / 77 / 0 / 20

HEX #5E2ECB

RGB 94 46 203

HSL 258.34, 0.63%, 0.49%

LAB 35.29, 57.12, -73.04

 

CMYK 75 / 77 / 0 / 20

HEX #332ECB

RGB 51 46 203

HSL 241.91, 0.63%, 0.49%

LAB 31.74, 52.65, -79.03

 

CMYK 77 / 77 / 0 / 20

HEX #2E2ECB

RGB 46 46 203

HSL 240, 0.63%, 0.49%

LAB 31.46, 52.29, -79.5

 

CMYK 54 / 77 / 0 / 20

HEX #5E2ECB

RGB 94 46 203

HSL 258.34, 0.63%, 0.49%

LAB 35.29, 57.12, -73.04

 

CMYK 61 / 88 / 0 / 13

HEX #561ADF

RGB 86 26 223

HSL 258.27, 0.79%, 0.49%

LAB 34.08, 68.75, -86.64

 

CMYK 68 / 98 / 0 / 4

HEX #4E05F4

RGB 78 5 244

HSL 258.33, 0.96%, 0.49%

LAB 34.52, 77.27, -97.88

 

CMYK 54 / 77 / 0 / 20

HEX #5E2ECB

RGB 94 46 203

HSL 258.34, 0.63%, 0.49%

LAB 35.29, 57.12, -73.04

 

CMYK 44 / 64 / 0 / 28

HEX #6642B7

RGB 102 66 183

HSL 258.46, 0.47%, 0.49%

LAB 38.09, 42.77, -56.71

 

CMYK 33 / 47 / 0 / 36

HEX #6E56A3

RGB 110 86 163

HSL 258.7, 0.31%, 0.49%

LAB 42.18, 27.42, -38.28

 

CMYK 18 / 26 / 0 / 44

HEX #756A8F

RGB 117 106 143

HSL 257.84, 0.15%, 0.49%

LAB 47.07, 12.31, -18.7

 

CMYK 2 / 0 / 4 / 50

HEX #7D7F7A

RGB 125 127 122

HSL 84, 0.02%, 0.49%

LAB 52.89, -1.73, 2.45

 

CMYK 77 / 60 / 0 / 20

HEX #2E52CB

RGB 46 82 203

HSL 226.24, 0.63%, 0.49%

LAB 39.46, 30.7, -66.34

 

CMYK 75 / 77 / 0 / 20

HEX #332ECB

RGB 51 46 203

HSL 241.91, 0.63%, 0.49%

LAB 31.74, 52.65, -79.03

 

CMYK 54 / 77 / 0 / 20

HEX #5D2ECB

RGB 93 46 203

HSL 257.96, 0.63%, 0.49%

LAB 35.19, 56.99, -73.22

 

CMYK 33 / 77 / 0 / 20

HEX #872ECB

RGB 135 46 203

HSL 274.01, 0.63%, 0.49%

LAB 40.27, 63.26, -64.69

 

CMYK 13 / 77 / 0 / 20

HEX #B12ECB

RGB 177 46 203

HSL 290.06, 0.63%, 0.49%

LAB 46.46, 70.77, -54.37

 

CMYK 54 / 78 / 0 / 47

HEX #3F1E88

RGB 63 30 136

HSL 258.68, 0.64%, 0.33%

LAB 22.87, 41.61, -53.21

 

CMYK 54 / 78 / 0 / 33

HEX #4E26AA

RGB 78 38 170

HSL 258.18, 0.63%, 0.41%

LAB 29.18, 49.59, -63.64

 

CMYK 54 / 77 / 0 / 20

HEX #5E2ECB

RGB 94 46 203

HSL 258.34, 0.63%, 0.49%

LAB 35.29, 57.12, -73.04

 

CMYK 45 / 64 / 0 / 16

HEX #764CD6

RGB 118 76 214

HSL 258.26, 0.63%, 0.57%

LAB 44.05, 49.04, -64.97

 

CMYK 35 / 50 / 0 / 13

HEX #906EDE

RGB 144 110 222

HSL 258.21, 0.63%, 0.65%

LAB 54.4, 37.97, -52.72

 

CMYK 54 / 77 / 0 / 20

HEX #5E2ECB

RGB 94 46 203

HSL 258.34, 0.63%, 0.49%

LAB 35.29, 57.12, -73.04

 

CMYK 0 / 77 / 39 / 20

HEX #CB2E7C

RGB 203 46 124

HSL 330.19, 0.63%, 0.49%

LAB 47.11, 65.51, -6.07

 

CMYK 70 / 0 / 77 / 20

HEX #3DCB2E

RGB 61 203 46

HSL 114.27, 0.63%, 0.49%

LAB 72.16, -64.98, 62.36

 

CMYK 54 / 77 / 0 / 20

HEX #5E2ECB

RGB 94 46 203

HSL 258.34, 0.63%, 0.49%

LAB 35.29, 57.12, -73.04

 

CMYK 0 / 54 / 77 / 20

HEX #CB5D2E

RGB 203 93 46

HSL 17.96, 0.63%, 0.49%

LAB 52.64, 40.87, 46.47

 

CMYK 77 / 0 / 54 / 20

HEX #2ECB5D

RGB 46 203 93

HSL 137.96, 0.63%, 0.49%

LAB 72.28, -62.51, 43.32

 

CMYK 54 / 77 / 0 / 20

HEX #5E2ECB

RGB 94 46 203

HSL 258.34, 0.63%, 0.49%

LAB 35.29, 57.12, -73.04

 

CMYK 0 / 77 / 39 / 20

HEX #CB2E7C

RGB 203 46 124

HSL 330.19, 0.63%, 0.49%

LAB 47.11, 65.51, -6.07

 

CMYK 23 / 0 / 77 / 20

HEX #9CCB2E

RGB 156 203 46

HSL 77.96, 0.63%, 0.49%

LAB 76.06, -36.51, 67.42

 

CMYK 77 / 0 / 39 / 20

HEX #2ECB7C

RGB 46 203 124

HSL 149.81, 0.63%, 0.49%

LAB 72.73, -57.36, 28.37

 

CMYK 54 / 77 / 0 / 20

HEX #5E2ECB

RGB 94 46 203

HSL 258.34, 0.63%, 0.49%

LAB 35.29, 57.12, -73.04

 

CMYK 0 / 77 / 62 / 20

HEX #CB2E4D

RGB 203 46 77

HSL 348.15, 0.63%, 0.49%

LAB 45.89, 61.7, 21.12

 

CMYK 23 / 0 / 77 / 20

HEX #9CCB2E

RGB 156 203 46

HSL 77.96, 0.63%, 0.49%

LAB 76.06, -36.51, 67.42

 

CMYK 77 / 0 / 15 / 20

HEX #2ECBAC

RGB 46 203 172

HSL 168.15, 0.63%, 0.49%

LAB 73.72, -46.57, 4.21

 

Description

Color code: HEX #5E2ECB | qconv.com Color code: HEX #5E2ECB | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 46 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 46 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 77 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 77% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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