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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E2DC9 it is the complementary color #A1D236. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E2DC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E2DC9 shade: #632DC4, #743FD7, #8551EA, #9663FD and #A775FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E2DC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E2DC9 shade: #5E2DC9, #4D1BB6, #3C09A3, #2B0090 and #1A007D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E2DC9 shade: #5D2DC7, #872DC7, #B02DC7, #C72DB4 and #C72D8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E2DC9 shade: #5D2DC7, #342DC7 and #2D2DC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E2DC9 shade matches the following richer shades: #5D2DC7, #5619DB and #4F05EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E2DC9 shade: #5D2DC7, #6541B3, #6C549F, #73688C and #7B7C78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E2DC9 shade: #2D51C7, #322DC7, #5B2DC7, #842DC7 and #AD2DC7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E2DC9 shade: #3E1E84, #4D25A5, #5D2DC7, #7448D5 and #8E6ADD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E2DC9 shade: #5E2DC9, #C72D7A and #3CC72D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E2DC9 shade: #5E2DC9, #C75B2D and #2DC75B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E2DC9 shade: #5E2DC9, #C72D7A, #99C72D and #2DC77A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E2DC9 shade: #5E2DC9, #C72D4C, #99C72D and #2DC7A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 78 / 0 / 21

HEX #5E2DC9

RGB 94 45 201

HSL 258.85, 0.63%, 0.48%

LAB 34.95, 57.02, -72.44

 

Complementary color

CMYK 23 / 0 / 74 / 18

HEX #A1D236

RGB 161 210 54

HSL 78.85, 0.63%, 0.52%

LAB 78.42, -37.34, 67.24

 

CMYK 49 / 77 / 0 / 23

HEX #632DC4

RGB 99 45 196

HSL 261.46, 0.63%, 0.47%

LAB 35.03, 56.38, -69.36

 

CMYK 46 / 71 / 0 / 16

HEX #743FD7

RGB 116 63 215

HSL 260.92, 0.66%, 0.55%

LAB 41.49, 55.64, -69.73

 

CMYK 43 / 65 / 0 / 8

HEX #8551EA

RGB 133 81 234

HSL 260.39, 0.78%, 0.62%

LAB 48.02, 54.61, -69.82

 

CMYK 41 / 61 / 0 / 1

HEX #9663FD

RGB 150 99 253

HSL 259.87, 0.97%, 0.69%

LAB 54.55, 53.48, -69.76

 

CMYK 35 / 54 / 0 / 0

HEX #A775FF

RGB 167 117 255

HSL 261.74, 1%, 0.73%

LAB 60.03, 48.06, -61.96

 

CMYK 53 / 78 / 0 / 21

HEX #5E2DC9

RGB 94 45 201

HSL 258.85, 0.63%, 0.48%

LAB 34.95, 57.02, -72.44

 

CMYK 58 / 85 / 0 / 29

HEX #4D1BB6

RGB 77 27 182

HSL 259.35, 0.74%, 0.41%

LAB 28.74, 57.24, -71.54

 

CMYK 63 / 94 / 0 / 36

HEX #3C09A3

RGB 60 9 163

HSL 259.87, 0.9%, 0.34%

LAB 23, 56.12, -69.67

 

CMYK 70 / 100 / 0 / 44

HEX #2B0090

RGB 43 0 144

HSL 257.92, 1%, 0.28%

LAB 18.04, 52.69, -66.27

 

CMYK 79 / 100 / 0 / 51

HEX #1A007D

RGB 26 0 125

HSL 252.48, 1%, 0.25%

LAB 13.83, 47.18, -61.33

 

CMYK 53 / 77 / 0 / 22

HEX #5D2DC7

RGB 93 45 199

HSL 258.7, 0.63%, 0.48%

LAB 34.66, 56.35, -71.76

 

CMYK 32 / 77 / 0 / 22

HEX #872DC7

RGB 135 45 199

HSL 275.06, 0.63%, 0.48%

LAB 39.83, 62.75, -63.08

 

CMYK 12 / 77 / 0 / 22

HEX #B02DC7

RGB 176 45 199

HSL 291.04, 0.63%, 0.48%

LAB 45.95, 70.17, -52.89

 

CMYK 0 / 77 / 10 / 22

HEX #C72DB4

RGB 199 45 180

HSL 307.4, 0.63%, 0.48%

LAB 48.65, 71.78, -37.28

 

CMYK 0 / 77 / 31 / 22

HEX #C72D8A

RGB 199 45 138

HSL 323.77, 0.63%, 0.48%

LAB 46.78, 66.3, -15.15

 

CMYK 53 / 77 / 0 / 22

HEX #5D2DC7

RGB 93 45 199

HSL 258.7, 0.63%, 0.48%

LAB 34.66, 56.35, -71.76

 

CMYK 74 / 77 / 0 / 22

HEX #342DC7

RGB 52 45 199

HSL 242.73, 0.63%, 0.48%

LAB 31.19, 51.99, -77.6

 

CMYK 77 / 77 / 0 / 22

HEX #2D2DC7

RGB 45 45 199

HSL 240, 0.63%, 0.48%

LAB 30.78, 51.47, -78.29

 

CMYK 53 / 77 / 0 / 22

HEX #5D2DC7

RGB 93 45 199

HSL 258.7, 0.63%, 0.48%

LAB 34.66, 56.35, -71.76

 

CMYK 61 / 89 / 0 / 14

HEX #5619DB

RGB 86 25 219

HSL 258.87, 0.8%, 0.48%

LAB 33.54, 68.03, -85.23

 

CMYK 67 / 98 / 0 / 6

HEX #4F05EF

RGB 79 5 239

HSL 258.97, 0.96%, 0.48%

LAB 33.99, 76.16, -95.93

 

CMYK 53 / 77 / 0 / 22

HEX #5D2DC7

RGB 93 45 199

HSL 258.7, 0.63%, 0.48%

LAB 34.66, 56.35, -71.76

 

CMYK 44 / 64 / 0 / 30

HEX #6541B3

RGB 101 65 179

HSL 258.95, 0.47%, 0.48%

LAB 37.48, 42.01, -55.34

 

CMYK 32 / 47 / 0 / 38

HEX #6C549F

RGB 108 84 159

HSL 259.2, 0.31%, 0.48%

LAB 41.27, 26.99, -37.35

 

CMYK 18 / 26 / 0 / 45

HEX #73688C

RGB 115 104 140

HSL 258.33, 0.15%, 0.48%

LAB 46.23, 12.12, -18.22

 

CMYK 1 / 0 / 3 / 51

HEX #7B7C78

RGB 123 124 120

HSL 75, 0.02%, 0.48%

LAB 51.82, -1.17, 2.04

 

CMYK 77 / 59 / 0 / 22

HEX #2D51C7

RGB 45 81 199

HSL 225.97, 0.63%, 0.48%

LAB 38.84, 29.76, -65.03

 

CMYK 75 / 77 / 0 / 22

HEX #322DC7

RGB 50 45 199

HSL 241.95, 0.63%, 0.48%

LAB 31.06, 51.83, -77.81

 

CMYK 54 / 77 / 0 / 22

HEX #5B2DC7

RGB 91 45 199

HSL 257.92, 0.63%, 0.48%

LAB 34.45, 56.09, -72.11

 

CMYK 34 / 77 / 0 / 22

HEX #842DC7

RGB 132 45 199

HSL 273.9, 0.63%, 0.48%

LAB 39.42, 62.24, -63.77

 

CMYK 13 / 77 / 0 / 22

HEX #AD2DC7

RGB 173 45 199

HSL 289.87, 0.63%, 0.48%

LAB 45.48, 69.6, -53.68

 

CMYK 53 / 77 / 0 / 48

HEX #3E1E84

RGB 62 30 132

HSL 258.82, 0.63%, 0.32%

LAB 22.37, 40.3, -51.53

 

CMYK 53 / 78 / 0 / 35

HEX #4D25A5

RGB 77 37 165

HSL 258.75, 0.63%, 0.4%

LAB 28.43, 48.52, -61.86

 

CMYK 53 / 77 / 0 / 22

HEX #5D2DC7

RGB 93 45 199

HSL 258.7, 0.63%, 0.48%

LAB 34.66, 56.35, -71.76

 

CMYK 46 / 66 / 0 / 16

HEX #7448D5

RGB 116 72 213

HSL 258.72, 0.63%, 0.56%

LAB 42.99, 50.52, -66.13

 

CMYK 36 / 52 / 0 / 13

HEX #8E6ADD

RGB 142 106 221

HSL 258.78, 0.63%, 0.64%

LAB 53.25, 39.49, -54

 

CMYK 53 / 78 / 0 / 21

HEX #5E2DC9

RGB 94 45 201

HSL 258.85, 0.63%, 0.48%

LAB 34.95, 57.02, -72.44

 

CMYK 0 / 77 / 39 / 22

HEX #C72D7A

RGB 199 45 122

HSL 330, 0.63%, 0.48%

LAB 46.21, 64.57, -6.27

 

CMYK 70 / 0 / 77 / 22

HEX #3CC72D

RGB 60 199 45

HSL 114.16, 0.63%, 0.48%

LAB 70.87, -63.94, 61.41

 

CMYK 53 / 78 / 0 / 21

HEX #5E2DC9

RGB 94 45 201

HSL 258.85, 0.63%, 0.48%

LAB 34.95, 57.02, -72.44

 

CMYK 0 / 54 / 77 / 22

HEX #C75B2D

RGB 199 91 45

HSL 17.92, 0.63%, 0.48%

LAB 51.63, 40.28, 45.73

 

CMYK 77 / 0 / 54 / 22

HEX #2DC75B

RGB 45 199 91

HSL 137.92, 0.63%, 0.48%

LAB 70.98, -61.57, 42.69

 

CMYK 53 / 78 / 0 / 21

HEX #5E2DC9

RGB 94 45 201

HSL 258.85, 0.63%, 0.48%

LAB 34.95, 57.02, -72.44

 

CMYK 0 / 77 / 39 / 22

HEX #C72D7A

RGB 199 45 122

HSL 330, 0.63%, 0.48%

LAB 46.21, 64.57, -6.27

 

CMYK 23 / 0 / 77 / 22

HEX #99C72D

RGB 153 199 45

HSL 77.92, 0.63%, 0.48%

LAB 74.7, -35.91, 66.4

 

CMYK 77 / 0 / 39 / 22

HEX #2DC77A

RGB 45 199 122

HSL 150, 0.63%, 0.48%

LAB 71.43, -56.4, 27.69

 

CMYK 53 / 78 / 0 / 21

HEX #5E2DC9

RGB 94 45 201

HSL 258.85, 0.63%, 0.48%

LAB 34.95, 57.02, -72.44

 

CMYK 0 / 77 / 62 / 22

HEX #C72D4C

RGB 199 45 76

HSL 347.92, 0.63%, 0.48%

LAB 45, 60.8, 20.42

 

CMYK 23 / 0 / 77 / 22

HEX #99C72D

RGB 153 199 45

HSL 77.92, 0.63%, 0.48%

LAB 74.7, -35.91, 66.4

 

CMYK 77 / 0 / 16 / 22

HEX #2DC7A8

RGB 45 199 168

HSL 167.92, 0.63%, 0.48%

LAB 72.38, -46.01, 4.43

 

Description

Color code: HEX #5E2DC9 | qconv.com Color code: HEX #5E2DC9 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 45 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 45 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 78 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 78% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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