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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E279B it is the complementary color #A1D864. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E279B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E279B shade: #632796, #7439A9, #854BBC, #965DCF and #A76FE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E279B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E279B shade: #5E279B, #4D1588, #3C0375, #2B0062 and #1A004F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E279B shade: #5E279B, #7D279B, #9B2799, #9B277A and #9B275B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E279B shade: #5E279B, #3F279B and #27279B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E279B shade matches the following richer shades: #5E279B, #5D17AB and #5C07BA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E279B shade: #5E279B, #5F368B, #60467C, #60566C and #61655C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E279B shade: #272F9B, #3E279B, #5D279B, #7C279B and #9B279B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E279B shade: #361659, #4A1F7A, #5E279B, #722FBC and #8744D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E279B shade: #5E279B, #9B274E and #279B2F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E279B shade: #5E279B, #9B5D27 and #279B5D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E279B shade: #5E279B, #9B274E, #659B27 and #279B74

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E279B shade: #5E279B, #9B272B, #659B27 and #279B97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 75 / 0 / 39

HEX #5E279B

RGB 94 39 155

HSL 268.45, 0.6%, 0.38%

LAB 29.9, 47.69, -53.29

 

Complementary color

CMYK 25 / 0 / 54 / 15

HEX #A1D864

RGB 161 216 100

HSL 88.45, 0.6%, 0.62%

LAB 80.52, -36.55, 50.89

 

CMYK 34 / 74 / 0 / 41

HEX #632796

RGB 99 39 150

HSL 272.43, 0.59%, 0.37%

LAB 30.17, 47.4, -49.77

 

CMYK 31 / 66 / 0 / 34

HEX #7439A9

RGB 116 57 169

HSL 271.61, 0.5%, 0.44%

LAB 36.94, 46.9, -50.2

 

CMYK 29 / 60 / 0 / 26

HEX #854BBC

RGB 133 75 188

HSL 270.8, 0.46%, 0.52%

LAB 43.73, 46.1, -50.38

 

CMYK 28 / 55 / 0 / 19

HEX #965DCF

RGB 150 93 207

HSL 270, 0.54%, 0.59%

LAB 50.47, 45.19, -50.45

 

CMYK 26 / 51 / 0 / 11

HEX #A76FE2

RGB 167 111 226

HSL 269.22, 0.66%, 0.66%

LAB 57.15, 44.27, -50.45

 

CMYK 39 / 75 / 0 / 39

HEX #5E279B

RGB 94 39 155

HSL 268.45, 0.6%, 0.38%

LAB 29.9, 47.69, -53.29

 

CMYK 43 / 85 / 0 / 47

HEX #4D1588

RGB 77 21 136

HSL 269.22, 0.73%, 0.31%

LAB 23.31, 47.59, -52.42

 

CMYK 49 / 97 / 0 / 54

HEX #3C0375

RGB 60 3 117

HSL 270, 0.95%, 0.24%

LAB 17.04, 46.27, -50.75

 

CMYK 56 / 100 / 0 / 62

HEX #2B0062

RGB 43 0 98

HSL 266.33, 1%, 0.19%

LAB 11.93, 41.09, -46.81

 

CMYK 67 / 100 / 0 / 69

HEX #1A004F

RGB 26 0 79

HSL 259.75, 1%, 0.15%

LAB 7.08, 34.69, -42.01

 

CMYK 39 / 75 / 0 / 39

HEX #5E279B

RGB 94 39 155

HSL 268.45, 0.6%, 0.38%

LAB 29.9, 47.69, -53.29

 

CMYK 19 / 75 / 0 / 39

HEX #7D279B

RGB 125 39 155

HSL 284.48, 0.6%, 0.38%

LAB 34.35, 53.77, -45.87

 

CMYK 0 / 75 / 1 / 39

HEX #9B2799

RGB 155 39 153

HSL 301.03, 0.6%, 0.38%

LAB 39.1, 59.84, -36.78

 

CMYK 0 / 75 / 21 / 39

HEX #9B277A

RGB 155 39 122

HSL 317.07, 0.6%, 0.38%

LAB 37.53, 55.11, -20.2

 

CMYK 0 / 75 / 41 / 39

HEX #9B275B

RGB 155 39 91

HSL 333.1, 0.6%, 0.38%

LAB 36.32, 51.32, -2.43

 

CMYK 39 / 75 / 0 / 39

HEX #5E279B

RGB 94 39 155

HSL 268.45, 0.6%, 0.38%

LAB 29.9, 47.69, -53.29

 

CMYK 59 / 75 / 0 / 39

HEX #3F279B

RGB 63 39 155

HSL 252.41, 0.6%, 0.38%

LAB 26.37, 42.62, -59.21

 

CMYK 75 / 75 / 0 / 39

HEX #27279B

RGB 39 39 155

HSL 240, 0.6%, 0.38%

LAB 24.48, 39.78, -62.4

 

CMYK 39 / 75 / 0 / 39

HEX #5E279B

RGB 94 39 155

HSL 268.45, 0.6%, 0.38%

LAB 29.9, 47.69, -53.29

 

CMYK 46 / 87 / 0 / 33

HEX #5D17AB

RGB 93 23 171

HSL 268.38, 0.76%, 0.38%

LAB 29.11, 57.59, -64.29

 

CMYK 51 / 96 / 0 / 27

HEX #5C07BA

RGB 92 7 186

HSL 268.49, 0.93%, 0.38%

LAB 29.34, 64.48, -72.87

 

CMYK 39 / 75 / 0 / 39

HEX #5E279B

RGB 94 39 155

HSL 268.45, 0.6%, 0.38%

LAB 29.9, 47.69, -53.29

 

CMYK 32 / 61 / 0 / 45

HEX #5F368B

RGB 95 54 139

HSL 268.94, 0.44%, 0.38%

LAB 31.66, 35.99, -40.62

 

CMYK 23 / 44 / 0 / 51

HEX #60467C

RGB 96 70 124

HSL 268.89, 0.28%, 0.38%

LAB 34.65, 22.77, -26.58

 

CMYK 11 / 20 / 0 / 58

HEX #60566C

RGB 96 86 108

HSL 267.27, 0.11%, 0.38%

LAB 38.24, 8.8, -11.1

 

CMYK 4 / 0 / 9 / 60

HEX #61655C

RGB 97 101 92

HSL 86.67, 0.05%, 0.38%

LAB 42.19, -3.4, 4.55

 

CMYK 75 / 70 / 0 / 39

HEX #272F9B

RGB 39 47 155

HSL 235.86, 0.6%, 0.38%

LAB 26.25, 34.9, -59.48

 

CMYK 60 / 75 / 0 / 39

HEX #3E279B

RGB 62 39 155

HSL 251.9, 0.6%, 0.38%

LAB 26.28, 42.48, -59.37

 

CMYK 40 / 75 / 0 / 39

HEX #5D279B

RGB 93 39 155

HSL 267.93, 0.6%, 0.38%

LAB 29.77, 47.5, -53.51

 

CMYK 20 / 75 / 0 / 39

HEX #7C279B

RGB 124 39 155

HSL 283.97, 0.6%, 0.38%

LAB 34.2, 53.56, -46.13

 

CMYK 0 / 75 / 0 / 39

HEX #9B279B

RGB 155 39 155

HSL 300, 0.6%, 0.38%

LAB 39.22, 60.18, -37.81

 

CMYK 39 / 75 / 0 / 65

HEX #361659

RGB 54 22 89

HSL 268.66, 0.6%, 0.22%

LAB 15.9, 30.6, -34.21

 

CMYK 39 / 75 / 0 / 52

HEX #4A1F7A

RGB 74 31 122

HSL 268.35, 0.59%, 0.3%

LAB 23.14, 39.14, -43.88

 

CMYK 39 / 75 / 0 / 39

HEX #5E279B

RGB 94 39 155

HSL 268.45, 0.6%, 0.38%

LAB 29.9, 47.69, -53.29

 

CMYK 39 / 75 / 0 / 26

HEX #722FBC

RGB 114 47 188

HSL 268.51, 0.6%, 0.46%

LAB 36.44, 55.84, -62.28

 

CMYK 35 / 67 / 0 / 18

HEX #8744D0

RGB 135 68 208

HSL 268.71, 0.6%, 0.54%

LAB 44, 54.94, -61.52

 

CMYK 39 / 75 / 0 / 39

HEX #5E279B

RGB 94 39 155

HSL 268.45, 0.6%, 0.38%

LAB 29.9, 47.69, -53.29

 

CMYK 0 / 75 / 50 / 39

HEX #9B274E

RGB 155 39 78

HSL 339.83, 0.6%, 0.38%

LAB 35.93, 50.05, 5.36

 

CMYK 75 / 0 / 70 / 39

HEX #279B2F

RGB 39 155 47

HSL 124.14, 0.6%, 0.38%

LAB 56.17, -52.98, 45.67

 

CMYK 39 / 75 / 0 / 39

HEX #5E279B

RGB 94 39 155

HSL 268.45, 0.6%, 0.38%

LAB 29.9, 47.69, -53.29

 

CMYK 0 / 40 / 75 / 39

HEX #9B5D27

RGB 155 93 39

HSL 27.93, 0.6%, 0.38%

LAB 45.56, 20.72, 40.4

 

CMYK 75 / 0 / 40 / 39

HEX #279B5D

RGB 39 155 93

HSL 147.93, 0.6%, 0.38%

LAB 56.75, -46.19, 23.64

 

CMYK 39 / 75 / 0 / 39

HEX #5E279B

RGB 94 39 155

HSL 268.45, 0.6%, 0.38%

LAB 29.9, 47.69, -53.29

 

CMYK 0 / 75 / 50 / 39

HEX #9B274E

RGB 155 39 78

HSL 339.83, 0.6%, 0.38%

LAB 35.93, 50.05, 5.36

 

CMYK 35 / 0 / 75 / 39

HEX #659B27

RGB 101 155 39

HSL 87.93, 0.6%, 0.38%

LAB 58.37, -36.37, 51.76

 

CMYK 75 / 0 / 25 / 39

HEX #279B74

RGB 39 155 116

HSL 159.83, 0.6%, 0.38%

LAB 57.21, -41.14, 11.5

 

CMYK 39 / 75 / 0 / 39

HEX #5E279B

RGB 94 39 155

HSL 268.45, 0.6%, 0.38%

LAB 29.9, 47.69, -53.29

 

CMYK 0 / 75 / 72 / 39

HEX #9B272B

RGB 155 39 43

HSL 357.93, 0.6%, 0.38%

LAB 35.19, 47.61, 26.73

 

CMYK 35 / 0 / 75 / 39

HEX #659B27

RGB 101 155 39

HSL 87.93, 0.6%, 0.38%

LAB 58.37, -36.37, 51.76

 

CMYK 75 / 0 / 3 / 39

HEX #279B97

RGB 39 155 151

HSL 177.93, 0.6%, 0.38%

LAB 58.14, -31.67, -7

 

Description

Color code: HEX #5E279B | qconv.com Color code: HEX #5E279B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 39 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 39 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 75 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 75% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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