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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E258A it is the complementary color #A1DA75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E258A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E258A shade: #632585, #743798, #8549AB, #965BBE and #A76DD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E258A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E258A shade: #5E258A, #4D1377, #3C0164, #2B0051 and #1A003E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E258A shade: #5D2489, #782489, #89247F, #892463 and #892448

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E258A shade: #5D2489, #422489, #272489 and #242489

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E258A shade matches the following richer shades: #5D2489, #5F1697 and #6108A5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E258A shade: #5D2489, #5B327B, #5A406D, #584E5F and #565D51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E258A shade: #262489, #412489, #5C2489, #772489 and #892481

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E258A shade: #311348, #471C68, #5D2489, #732DAA and #8936CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E258A shade: #5E258A, #89243E and #248933

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E258A shade: #5E258A, #895C24 and #24895C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E258A shade: #5E258A, #89243E, #528924 and #248970

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E258A shade: #5E258A, #892924, #528924 and #248489

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 73 / 0 / 46

HEX #5E258A

RGB 94 37 138

HSL 273.86, 0.58%, 0.34%

LAB 28.22, 44.39, -45.57

 

Complementary color

CMYK 26 / 0 / 46 / 15

HEX #A1DA75

RGB 161 218 117

HSL 93.86, 0.58%, 0.66%

LAB 81.29, -35.59, 43.74

 

CMYK 26 / 72 / 0 / 48

HEX #632585

RGB 99 37 133

HSL 278.75, 0.56%, 0.33%

LAB 28.56, 44.28, -41.86

 

CMYK 24 / 64 / 0 / 40

HEX #743798

RGB 116 55 152

HSL 277.73, 0.47%, 0.41%

LAB 35.42, 43.88, -42.39

 

CMYK 22 / 57 / 0 / 33

HEX #8549AB

RGB 133 73 171

HSL 276.73, 0.4%, 0.48%

LAB 42.3, 43.15, -42.68

 

CMYK 21 / 52 / 0 / 25

HEX #965BBE

RGB 150 91 190

HSL 275.76, 0.43%, 0.55%

LAB 49.11, 42.31, -42.84

 

CMYK 20 / 48 / 0 / 18

HEX #A76DD1

RGB 167 109 209

HSL 274.8, 0.52%, 0.62%

LAB 55.84, 41.45, -42.94

 

CMYK 32 / 73 / 0 / 46

HEX #5E258A

RGB 94 37 138

HSL 273.86, 0.58%, 0.34%

LAB 28.22, 44.39, -45.57

 

CMYK 35 / 84 / 0 / 53

HEX #4D1377

RGB 77 19 119

HSL 274.8, 0.72%, 0.27%

LAB 21.49, 44.16, -44.63

 

CMYK 40 / 99 / 0 / 61

HEX #3C0164

RGB 60 1 100

HSL 275.76, 0.98%, 0.2%

LAB 14.97, 42.93, -43.04

 

CMYK 47 / 100 / 0 / 68

HEX #2B0051

RGB 43 0 81

HSL 271.85, 1%, 0.16%

LAB 9.86, 36.87, -38.72

 

CMYK 58 / 100 / 0 / 76

HEX #1A003E

RGB 26 0 62

HSL 265.16, 1%, 0.12%

LAB 5.13, 28.38, -33.23

 

CMYK 32 / 74 / 0 / 46

HEX #5D2489

RGB 93 36 137

HSL 273.86, 0.58%, 0.34%

LAB 27.83, 44.41, -45.57

 

CMYK 12 / 74 / 0 / 46

HEX #782489

RGB 120 36 137

HSL 289.9, 0.58%, 0.34%

LAB 31.95, 50.24, -38.73

 

CMYK 0 / 74 / 7 / 46

HEX #89247F

RGB 137 36 127

HSL 305.94, 0.58%, 0.34%

LAB 34.22, 52.41, -28.73

 

CMYK 0 / 74 / 28 / 46

HEX #892463

RGB 137 36 99

HSL 322.57, 0.58%, 0.34%

LAB 32.88, 48.25, -13.07

 

CMYK 0 / 74 / 47 / 46

HEX #892448

RGB 137 36 72

HSL 338.61, 0.58%, 0.34%

LAB 31.92, 45.11, 3.06

 

CMYK 32 / 74 / 0 / 46

HEX #5D2489

RGB 93 36 137

HSL 273.86, 0.58%, 0.34%

LAB 27.83, 44.41, -45.57

 

CMYK 52 / 74 / 0 / 46

HEX #422489

RGB 66 36 137

HSL 257.82, 0.58%, 0.34%

LAB 24.41, 39.27, -51.3

 

CMYK 72 / 74 / 0 / 46

HEX #272489

RGB 39 36 137

HSL 241.78, 0.58%, 0.34%

LAB 21.94, 35.36, -55.44

 

CMYK 74 / 74 / 0 / 46

HEX #242489

RGB 36 36 137

HSL 240, 0.58%, 0.34%

LAB 21.74, 35.02, -55.79

 

CMYK 32 / 74 / 0 / 46

HEX #5D2489

RGB 93 36 137

HSL 273.86, 0.58%, 0.34%

LAB 27.83, 44.41, -45.57

 

CMYK 37 / 85 / 0 / 41

HEX #5F1697

RGB 95 22 151

HSL 273.95, 0.75%, 0.34%

LAB 27.41, 53.5, -54.91

 

CMYK 41 / 95 / 0 / 35

HEX #6108A5

RGB 97 8 165

HSL 274.01, 0.91%, 0.34%

LAB 27.93, 60.13, -62.58

 

CMYK 32 / 74 / 0 / 46

HEX #5D2489

RGB 93 36 137

HSL 273.86, 0.58%, 0.34%

LAB 27.83, 44.41, -45.57

 

CMYK 26 / 59 / 0 / 52

HEX #5B327B

RGB 91 50 123

HSL 273.7, 0.42%, 0.34%

LAB 29.25, 33.11, -34.54

 

CMYK 17 / 41 / 0 / 57

HEX #5A406D

RGB 90 64 109

HSL 274.67, 0.26%, 0.34%

LAB 31.68, 20.76, -21.87

 

CMYK 7 / 18 / 0 / 63

HEX #584E5F

RGB 88 78 95

HSL 275.29, 0.1%, 0.34%

LAB 34.7, 7.78, -8.4

 

CMYK 8 / 0 / 13 / 64

HEX #565D51

RGB 86 93 81

HSL 95, 0.07%, 0.34%

LAB 38.55, -5.26, 5.96

 

CMYK 72 / 74 / 0 / 46

HEX #262489

RGB 38 36 137

HSL 241.19, 0.58%, 0.34%

LAB 21.87, 35.24, -55.56

 

CMYK 53 / 74 / 0 / 46

HEX #412489

RGB 65 36 137

HSL 257.23, 0.58%, 0.34%

LAB 24.3, 39.1, -51.49

 

CMYK 33 / 74 / 0 / 46

HEX #5C2489

RGB 92 36 137

HSL 273.27, 0.58%, 0.34%

LAB 27.69, 44.2, -45.81

 

CMYK 13 / 74 / 0 / 46

HEX #772489

RGB 119 36 137

HSL 289.31, 0.58%, 0.34%

LAB 31.78, 50.02, -39

 

CMYK 0 / 74 / 6 / 46

HEX #892481

RGB 137 36 129

HSL 304.75, 0.58%, 0.34%

LAB 34.32, 52.74, -29.8

 

CMYK 32 / 74 / 0 / 72

HEX #311348

RGB 49 19 72

HSL 273.96, 0.58%, 0.18%

LAB 13.15, 26.34, -27.09

 

CMYK 32 / 73 / 0 / 59

HEX #471C68

RGB 71 28 104

HSL 273.95, 0.58%, 0.26%

LAB 20.71, 35.31, -36.23

 

CMYK 32 / 74 / 0 / 46

HEX #5D2489

RGB 93 36 137

HSL 273.86, 0.58%, 0.34%

LAB 27.83, 44.41, -45.57

 

CMYK 32 / 74 / 0 / 33

HEX #732DAA

RGB 115 45 170

HSL 273.6, 0.58%, 0.42%

LAB 34.85, 52.6, -54.18

 

CMYK 32 / 73 / 0 / 21

HEX #8936CA

RGB 137 54 202

HSL 273.65, 0.58%, 0.5%

LAB 41.57, 60.24, -62

 

CMYK 32 / 73 / 0 / 46

HEX #5E258A

RGB 94 37 138

HSL 273.86, 0.58%, 0.34%

LAB 28.22, 44.39, -45.57

 

CMYK 0 / 74 / 55 / 46

HEX #89243E

RGB 137 36 62

HSL 344.55, 0.58%, 0.34%

LAB 31.64, 44.2, 9.25

 

CMYK 74 / 0 / 63 / 46

HEX #248933

RGB 36 137 51

HSL 128.91, 0.58%, 0.34%

LAB 50.1, -46.77, 37.18

 

CMYK 32 / 73 / 0 / 46

HEX #5E258A

RGB 94 37 138

HSL 273.86, 0.58%, 0.34%

LAB 28.22, 44.39, -45.57

 

CMYK 0 / 33 / 74 / 46

HEX #895C24

RGB 137 92 36

HSL 33.27, 0.58%, 0.34%

LAB 42.91, 12.99, 38.38

 

CMYK 74 / 0 / 33 / 46

HEX #24895C

RGB 36 137 92

HSL 153.27, 0.58%, 0.34%

LAB 50.73, -39.59, 16.1

 

CMYK 32 / 73 / 0 / 46

HEX #5E258A

RGB 94 37 138

HSL 273.86, 0.58%, 0.34%

LAB 28.22, 44.39, -45.57

 

CMYK 0 / 74 / 55 / 46

HEX #89243E

RGB 137 36 62

HSL 344.55, 0.58%, 0.34%

LAB 31.64, 44.2, 9.25

 

CMYK 40 / 0 / 74 / 46

HEX #528924

RGB 82 137 36

HSL 92.67, 0.58%, 0.34%

LAB 51.62, -35.57, 45.84

 

CMYK 74 / 0 / 18 / 46

HEX #248970

RGB 36 137 112

HSL 165.15, 0.58%, 0.34%

LAB 51.19, -34.7, 5.24

 

CMYK 32 / 73 / 0 / 46

HEX #5E258A

RGB 94 37 138

HSL 273.86, 0.58%, 0.34%

LAB 28.22, 44.39, -45.57

 

CMYK 0 / 70 / 74 / 46

HEX #892924

RGB 137 41 36

HSL 2.97, 0.58%, 0.34%

LAB 31.88, 40.41, 26.29

 

CMYK 40 / 0 / 74 / 46

HEX #528924

RGB 82 137 36

HSL 92.67, 0.58%, 0.34%

LAB 51.62, -35.57, 45.84

 

CMYK 74 / 4 / 0 / 46

HEX #248489

RGB 36 132 137

HSL 182.97, 0.58%, 0.34%

LAB 50.32, -25, -10.63

 

Description

Color code: HEX #5E258A | qconv.com Color code: HEX #5E258A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 37 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 37 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 73 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 73% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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