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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E24BD it is the complementary color #A1DB42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E24BD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E24BD shade: #6324B8, #7436CB, #8548DE, #965AF1 and #A76CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E24BD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E24BD shade: #5E24BD, #4D12AA, #3C0097, #2B0084 and #1A0071

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E24BD shade: #5E24BC, #8724BC, #B024BC, #BC24A0 and #BC2477

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E24BD shade: #5E24BC, #3524BC and #2424BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E24BD shade matches the following richer shades: #5E24BC and #5912CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E24BD shade: #5E24BC, #6236AA, #674898, #6B5A86 and #6F6D74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E24BD shade: #243DBC, #3324BC, #5C24BC, #8524BC and #AD24BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E24BD shade: #3B1777, #4D1D9A, #5E24BC, #7132D8 and #8954DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E24BD shade: #5E24BD, #BC2466 and #29BC24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E24BD shade: #5E24BD, #BC5C24 and #24BC5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E24BD shade: #5E24BD, #BC2466, #85BC24 and #24BC7A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E24BD shade: #5E24BD, #BC2438, #85BC24 and #24BCA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 81 / 0 / 26

HEX #5E24BD

RGB 94 36 189

HSL 262.75, 0.68%, 0.44%

LAB 32.51, 57.63, -69.41

 

Complementary color

CMYK 26 / 0 / 70 / 14

HEX #A1DB42

RGB 161 219 66

HSL 82.75, 0.68%, 0.56%

LAB 81.09, -40.66, 65.71

 

CMYK 46 / 80 / 0 / 28

HEX #6324B8

RGB 99 36 184

HSL 265.54, 0.67%, 0.43%

LAB 32.65, 57.04, -66.21

 

CMYK 43 / 73 / 0 / 20

HEX #7436CB

RGB 116 54 203

HSL 264.97, 0.59%, 0.5%

LAB 39.01, 56.79, -66.86

 

CMYK 40 / 68 / 0 / 13

HEX #8548DE

RGB 133 72 222

HSL 264.4, 0.69%, 0.58%

LAB 45.49, 56.06, -67.13

 

CMYK 38 / 63 / 0 / 5

HEX #965AF1

RGB 150 90 241

HSL 263.84, 0.84%, 0.65%

LAB 52, 55.12, -67.21

 

CMYK 35 / 58 / 0 / 0

HEX #A76CFF

RGB 167 108 255

HSL 264.08, 1%, 0.71%

LAB 58.19, 52.87, -64.91

 

CMYK 50 / 81 / 0 / 26

HEX #5E24BD

RGB 94 36 189

HSL 262.75, 0.68%, 0.44%

LAB 32.51, 57.63, -69.41

 

CMYK 55 / 89 / 0 / 33

HEX #4D12AA

RGB 77 18 170

HSL 263.29, 0.81%, 0.37%

LAB 26.48, 57.04, -68.08

 

CMYK 60 / 100 / 0 / 41

HEX #3C0097

RGB 60 0 151

HSL 263.84, 1%, 0.3%

LAB 20.81, 55.32, -65.95

 

CMYK 67 / 100 / 0 / 48

HEX #2B0084

RGB 43 0 132

HSL 259.55, 1%, 0.26%

LAB 16.4, 49.67, -61.45

 

CMYK 77 / 100 / 0 / 56

HEX #1A0071

RGB 26 0 113

HSL 253.81, 1%, 0.22%

LAB 12.04, 44.01, -56.57

 

CMYK 50 / 81 / 0 / 26

HEX #5E24BC

RGB 94 36 188

HSL 262.89, 0.68%, 0.44%

LAB 32.42, 57.38, -68.97

 

CMYK 28 / 81 / 0 / 26

HEX #8724BC

RGB 135 36 188

HSL 279.08, 0.68%, 0.44%

LAB 37.92, 63.48, -59.75

 

CMYK 6 / 81 / 0 / 26

HEX #B024BC

RGB 176 36 188

HSL 295.26, 0.68%, 0.44%

LAB 44.41, 70.77, -48.95

 

CMYK 0 / 81 / 15 / 26

HEX #BC24A0

RGB 188 36 160

HSL 311.05, 0.68%, 0.44%

LAB 44.93, 68.93, -31.42

 

CMYK 0 / 81 / 37 / 26

HEX #BC2477

RGB 188 36 119

HSL 327.24, 0.68%, 0.44%

LAB 43.19, 63.94, -9.15

 

CMYK 50 / 81 / 0 / 26

HEX #5E24BC

RGB 94 36 188

HSL 262.89, 0.68%, 0.44%

LAB 32.42, 57.38, -68.97

 

CMYK 72 / 81 / 0 / 26

HEX #3524BC

RGB 53 36 188

HSL 246.71, 0.68%, 0.44%

LAB 28.51, 53.1, -75.56

 

CMYK 81 / 81 / 0 / 26

HEX #2424BC

RGB 36 36 188

HSL 240, 0.68%, 0.44%

LAB 27.48, 51.99, -77.29

 

CMYK 50 / 81 / 0 / 26

HEX #5E24BC

RGB 94 36 188

HSL 262.89, 0.68%, 0.44%

LAB 32.42, 57.38, -68.97

 

CMYK 57 / 91 / 0 / 19

HEX #5912CF

RGB 89 18 207

HSL 262.54, 0.84%, 0.44%

LAB 31.95, 67.08, -80.91

 

CMYK 50 / 81 / 0 / 26

HEX #5E24BC

RGB 94 36 188

HSL 262.89, 0.68%, 0.44%

LAB 32.42, 57.38, -68.97

 

CMYK 42 / 68 / 0 / 33

HEX #6236AA

RGB 98 54 170

HSL 262.76, 0.52%, 0.44%

LAB 34.27, 44.93, -55.23

 

CMYK 32 / 53 / 0 / 40

HEX #674898

RGB 103 72 152

HSL 263.25, 0.36%, 0.44%

LAB 37.45, 30.97, -39.24

 

CMYK 20 / 33 / 0 / 47

HEX #6B5A86

RGB 107 90 134

HSL 263.18, 0.2%, 0.44%

LAB 41.47, 16.49, -22

 

CMYK 4 / 6 / 0 / 55

HEX #6F6D74

RGB 111 109 116

HSL 257.14, 0.03%, 0.44%

LAB 46.42, 2.22, -3.62

 

CMYK 81 / 68 / 0 / 26

HEX #243DBC

RGB 36 61 188

HSL 230.13, 0.68%, 0.44%

LAB 32.58, 37.73, -68.87

 

CMYK 73 / 81 / 0 / 26

HEX #3324BC

RGB 51 36 188

HSL 245.92, 0.68%, 0.44%

LAB 28.37, 52.95, -75.79

 

CMYK 51 / 81 / 0 / 26

HEX #5C24BC

RGB 92 36 188

HSL 262.11, 0.68%, 0.44%

LAB 32.19, 57.12, -69.36

 

CMYK 29 / 81 / 0 / 26

HEX #8524BC

RGB 133 36 188

HSL 278.29, 0.68%, 0.44%

LAB 37.62, 63.15, -60.25

 

CMYK 8 / 81 / 0 / 26

HEX #AD24BC

RGB 173 36 188

HSL 294.08, 0.68%, 0.44%

LAB 43.91, 70.21, -49.78

 

CMYK 50 / 81 / 0 / 53

HEX #3B1777

RGB 59 23 119

HSL 262.5, 0.68%, 0.28%

LAB 19.53, 39.52, -47.93

 

CMYK 50 / 81 / 0 / 40

HEX #4D1D9A

RGB 77 29 154

HSL 263.04, 0.68%, 0.36%

LAB 26.13, 49.09, -58.95

 

CMYK 50 / 81 / 0 / 26

HEX #5E24BC

RGB 94 36 188

HSL 262.89, 0.68%, 0.44%

LAB 32.42, 57.38, -68.97

 

CMYK 48 / 77 / 0 / 15

HEX #7132D8

RGB 113 50 216

HSL 262.77, 0.68%, 0.52%

LAB 39.16, 61.36, -74.14

 

CMYK 39 / 62 / 0 / 13

HEX #8954DF

RGB 137 84 223

HSL 262.88, 0.68%, 0.6%

LAB 48.24, 50.98, -63.22

 

CMYK 50 / 81 / 0 / 26

HEX #5E24BD

RGB 94 36 189

HSL 262.75, 0.68%, 0.44%

LAB 32.51, 57.63, -69.41

 

CMYK 0 / 81 / 46 / 26

HEX #BC2466

RGB 188 36 102

HSL 333.95, 0.68%, 0.44%

LAB 42.63, 62.29, 0.6

 

CMYK 78 / 0 / 81 / 26

HEX #29BC24

RGB 41 188 36

HSL 118.03, 0.68%, 0.44%

LAB 66.95, -64.08, 60.26

 

CMYK 50 / 81 / 0 / 26

HEX #5E24BD

RGB 94 36 189

HSL 262.75, 0.68%, 0.44%

LAB 32.51, 57.63, -69.41

 

CMYK 0 / 51 / 81 / 26

HEX #BC5C24

RGB 188 92 36

HSL 22.11, 0.68%, 0.44%

LAB 50.06, 35.1, 47.85

 

CMYK 81 / 0 / 51 / 26

HEX #24BC5C

RGB 36 188 92

HSL 142.11, 0.68%, 0.44%

LAB 67.36, -58.78, 37.75

 

CMYK 50 / 81 / 0 / 26

HEX #5E24BD

RGB 94 36 189

HSL 262.75, 0.68%, 0.44%

LAB 32.51, 57.63, -69.41

 

CMYK 0 / 81 / 46 / 26

HEX #BC2466

RGB 188 36 102

HSL 333.95, 0.68%, 0.44%

LAB 42.63, 62.29, 0.6

 

CMYK 29 / 0 / 81 / 26

HEX #85BC24

RGB 133 188 36

HSL 81.71, 0.68%, 0.44%

LAB 70.23, -39.1, 64.48

 

CMYK 81 / 0 / 35 / 26

HEX #24BC7A

RGB 36 188 122

HSL 153.95, 0.68%, 0.44%

LAB 67.83, -53.32, 22.85

 

CMYK 50 / 81 / 0 / 26

HEX #5E24BD

RGB 94 36 189

HSL 262.75, 0.68%, 0.44%

LAB 32.51, 57.63, -69.41

 

CMYK 0 / 81 / 70 / 26

HEX #BC2438

RGB 188 36 56

HSL 352.11, 0.68%, 0.44%

LAB 41.59, 59.14, 27.97

 

CMYK 29 / 0 / 81 / 26

HEX #85BC24

RGB 133 188 36

HSL 81.71, 0.68%, 0.44%

LAB 70.23, -39.1, 64.48

 

CMYK 81 / 0 / 11 / 26

HEX #24BCA8

RGB 36 188 168

HSL 172.11, 0.68%, 0.44%

LAB 68.87, -42.18, -0.68

 

Description

Color code: HEX #5E24BD | qconv.com Color code: HEX #5E24BD | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 36 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 36 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 81 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 81% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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