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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E23F0 it is the complementary color #A1DC0F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E23F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E23F0 shade: #6323EB, #7435FE, #8547FF, #9659FF and #A76BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E23F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E23F0 shade: #5E23F0, #4D11DD, #3C00CA, #2B00B7 and #1A00A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E23F0 shade: #5E24F0, #9524F0, #CC24F0, #F024DC and #F024A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E23F0 shade: #5E24F0, #2724F0 and #2424F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E23F0 shade matches the following richer shades: #5E24F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E23F0 shade: #5E24F0, #6637DD, #6F4ACA, #775DB7 and #7F70A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E23F0 shade: #2457F0, #2724F0, #5D24F0, #9424F0 and #CA24F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E23F0 shade: #3D0DB4, #4A0FDB, #5E24F0, #7B4AF2 and #9771F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E23F0 shade: #5E23F0, #F0248D and #3BF024

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E23F0 shade: #5E23F0, #F05D24 and #24F05D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E23F0 shade: #5E23F0, #F0248D, #B6F024 and #24F086

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E23F0 shade: #5E23F0, #F02450, #B6F024 and #24F0C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 85 / 0 / 6

HEX #5E23F0

RGB 94 35 240

HSL 257.27, 0.87%, 0.54%

LAB 37.61, 70.92, -90.44

 

Complementary color

CMYK 27 / 0 / 93 / 14

HEX #A1DC0F

RGB 161 220 15

HSL 77.27, 0.87%, 0.46%

LAB 81.18, -43.01, 78.31

 

CMYK 58 / 85 / 0 / 8

HEX #6323EB

RGB 99 35 235

HSL 259.2, 0.83%, 0.53%

LAB 37.58, 70.09, -87.65

 

CMYK 54 / 79 / 0 / 0

HEX #7435FE

RGB 116 53 254

HSL 258.81, 0.99%, 0.6%

LAB 43.38, 70.13, -88.7

 

CMYK 48 / 72 / 0 / 0

HEX #8547FF

RGB 133 71 255

HSL 260.22, 1%, 0.64%

LAB 47.9, 64.93, -81.78

 

CMYK 41 / 65 / 0 / 0

HEX #9659FF

RGB 150 89 255

HSL 262.05, 1%, 0.67%

LAB 52.78, 59.15, -73.74

 

CMYK 35 / 58 / 0 / 0

HEX #A76BFF

RGB 167 107 255

HSL 264.32, 1%, 0.71%

LAB 57.99, 53.39, -65.23

 

CMYK 61 / 85 / 0 / 6

HEX #5E23F0

RGB 94 35 240

HSL 257.27, 0.87%, 0.54%

LAB 37.61, 70.92, -90.44

 

CMYK 65 / 92 / 0 / 13

HEX #4D11DD

RGB 77 17 221

HSL 257.65, 0.86%, 0.47%

LAB 32.26, 69.86, -88.54

 

CMYK 70 / 100 / 0 / 21

HEX #3C00CA

RGB 60 0 202

HSL 257.82, 1%, 0.4%

LAB 27.37, 67.51, -85.69

 

CMYK 77 / 100 / 0 / 28

HEX #2B00B7

RGB 43 0 183

HSL 254.1, 1%, 0.36%

LAB 23.45, 62.36, -81.02

 

CMYK 84 / 100 / 0 / 36

HEX #1A00A4

RGB 26 0 164

HSL 249.51, 1%, 0.32%

LAB 19.64, 57.23, -75.96

 

CMYK 61 / 85 / 0 / 6

HEX #5E24F0

RGB 94 36 240

HSL 257.06, 0.87%, 0.54%

LAB 37.72, 70.59, -90.26

 

CMYK 38 / 85 / 0 / 6

HEX #9524F0

RGB 149 36 240

HSL 273.24, 0.87%, 0.54%

LAB 44.15, 76.38, -79.44

 

CMYK 15 / 85 / 0 / 6

HEX #CC24F0

RGB 204 36 240

HSL 289.41, 0.87%, 0.54%

LAB 52.28, 84.3, -65.86

 

CMYK 0 / 85 / 8 / 6

HEX #F024DC

RGB 240 36 220

HSL 305.88, 0.87%, 0.54%

LAB 57.03, 87.45, -46.63

 

CMYK 0 / 85 / 31 / 6

HEX #F024A5

RGB 240 36 165

HSL 322.06, 0.87%, 0.54%

LAB 54.56, 80.77, -18.73

 

CMYK 61 / 85 / 0 / 6

HEX #5E24F0

RGB 94 36 240

HSL 257.06, 0.87%, 0.54%

LAB 37.72, 70.59, -90.26

 

CMYK 84 / 85 / 0 / 6

HEX #2724F0

RGB 39 36 240

HSL 240.88, 0.87%, 0.54%

LAB 33.95, 67.49, -96.63

 

CMYK 85 / 85 / 0 / 6

HEX #2424F0

RGB 36 36 240

HSL 240, 0.87%, 0.54%

LAB 33.83, 67.39, -96.83

 

CMYK 61 / 85 / 0 / 6

HEX #5E24F0

RGB 94 36 240

HSL 257.06, 0.87%, 0.54%

LAB 37.72, 70.59, -90.26

 

CMYK 61 / 85 / 0 / 6

HEX #5E24F0

RGB 94 36 240

HSL 257.06, 0.87%, 0.54%

LAB 37.72, 70.59, -90.26

 

CMYK 54 / 75 / 0 / 13

HEX #6637DD

RGB 102 55 221

HSL 256.99, 0.71%, 0.54%

LAB 39.2, 58.94, -76.97

 

CMYK 45 / 63 / 0 / 21

HEX #6F4ACA

RGB 111 74 202

HSL 257.34, 0.55%, 0.54%

LAB 42.06, 45.45, -61.32

 

CMYK 35 / 49 / 0 / 28

HEX #775DB7

RGB 119 93 183

HSL 257.33, 0.38%, 0.54%

LAB 45.87, 31.08, -44.13

 

CMYK 23 / 32 / 0 / 36

HEX #7F70A4

RGB 127 112 164

HSL 257.31, 0.22%, 0.54%

LAB 50.43, 17.12, -25.82

 

CMYK 85 / 64 / 0 / 6

HEX #2457F0

RGB 36 87 240

HSL 225, 0.87%, 0.54%

LAB 43.48, 40.33, -80.87

 

CMYK 84 / 85 / 0 / 6

HEX #2724F0

RGB 39 36 240

HSL 240.88, 0.87%, 0.54%

LAB 33.95, 67.49, -96.63

 

CMYK 61 / 85 / 0 / 6

HEX #5D24F0

RGB 93 36 240

HSL 256.76, 0.87%, 0.54%

LAB 37.63, 70.51, -90.42

 

CMYK 38 / 85 / 0 / 6

HEX #9424F0

RGB 148 36 240

HSL 272.94, 0.87%, 0.54%

LAB 44.02, 76.25, -79.67

 

CMYK 16 / 85 / 0 / 6

HEX #CA24F0

RGB 202 36 240

HSL 288.82, 0.87%, 0.54%

LAB 51.96, 83.98, -66.38

 

CMYK 66 / 93 / 0 / 29

HEX #3D0DB4

RGB 61 13 180

HSL 257.25, 0.87%, 0.38%

LAB 25.49, 59.6, -75.79

 

CMYK 66 / 93 / 0 / 14

HEX #4A0FDB

RGB 74 15 219

HSL 257.35, 0.87%, 0.46%

LAB 31.61, 69.62, -88.47

 

CMYK 61 / 85 / 0 / 6

HEX #5E24F0

RGB 94 36 240

HSL 257.06, 0.87%, 0.54%

LAB 37.72, 70.59, -90.26

 

CMYK 49 / 69 / 0 / 5

HEX #7B4AF2

RGB 123 74 242

HSL 257.5, 0.87%, 0.62%

LAB 46.34, 58.54, -77.11

 

CMYK 38 / 54 / 0 / 4

HEX #9771F5

RGB 151 113 245

HSL 257.27, 0.87%, 0.7%

LAB 57.06, 43.99, -61.29

 

CMYK 61 / 85 / 0 / 6

HEX #5E23F0

RGB 94 35 240

HSL 257.27, 0.87%, 0.54%

LAB 37.61, 70.92, -90.44

 

CMYK 0 / 85 / 41 / 6

HEX #F0248D

RGB 240 36 141

HSL 329.12, 0.87%, 0.54%

LAB 53.72, 78.43, -5.77

 

CMYK 75 / 0 / 85 / 6

HEX #3BF024

RGB 59 240 36

HSL 113.24, 0.87%, 0.54%

LAB 83.64, -77.06, 75.51

 

CMYK 61 / 85 / 0 / 6

HEX #5E23F0

RGB 94 35 240

HSL 257.27, 0.87%, 0.54%

LAB 37.61, 70.92, -90.44

 

CMYK 0 / 61 / 85 / 6

HEX #F05D24

RGB 240 93 36

HSL 16.76, 0.87%, 0.54%

LAB 58.49, 54.14, 58.46

 

CMYK 85 / 0 / 61 / 6

HEX #24F05D

RGB 36 240 93

HSL 136.76, 0.87%, 0.54%

LAB 83.7, -75.27, 56.66

 

CMYK 61 / 85 / 0 / 6

HEX #5E23F0

RGB 94 35 240

HSL 257.27, 0.87%, 0.54%

LAB 37.61, 70.92, -90.44

 

CMYK 0 / 85 / 41 / 6

HEX #F0248D

RGB 240 36 141

HSL 329.12, 0.87%, 0.54%

LAB 53.72, 78.43, -5.77

 

CMYK 24 / 0 / 85 / 6

HEX #B6F024

RGB 182 240 36

HSL 77.06, 0.87%, 0.54%

LAB 88.16, -43.27, 81.18

 

CMYK 85 / 0 / 44 / 6

HEX #24F086

RGB 36 240 134

HSL 148.82, 0.87%, 0.54%

LAB 84.18, -69.42, 38.28

 

CMYK 61 / 85 / 0 / 6

HEX #5E23F0

RGB 94 35 240

HSL 257.27, 0.87%, 0.54%

LAB 37.61, 70.92, -90.44

 

CMYK 0 / 85 / 67 / 6

HEX #F02450

RGB 240 36 80

HSL 347.06, 0.87%, 0.54%

LAB 52.25, 74.21, 28.91

 

CMYK 24 / 0 / 85 / 6

HEX #B6F024

RGB 182 240 36

HSL 77.06, 0.87%, 0.54%

LAB 88.16, -43.27, 81.18

 

CMYK 85 / 0 / 18 / 6

HEX #24F0C4

RGB 36 240 196

HSL 167.06, 0.87%, 0.54%

LAB 85.34, -56.43, 8.17

 

Description

Color code: HEX #5E23F0 | qconv.com Color code: HEX #5E23F0 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 35 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 35 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 85 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 85% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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