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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E2394 it is the complementary color #A1DC6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E2394. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E2394 shade: #63238F, #7435A2, #8547B5, #9659C8 and #A76BDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E2394. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E2394 shade: #5E2394, #4D1181, #3C006E, #2B005B and #1A0048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E2394 shade: #5E2294, #7D2294, #94228D, #94226F and #942250

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E2394 shade: #5E2294, #3F2294 and #222294

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E2394 shade matches the following richer shades: #5E2294, #5E14A3 and #5F05B2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E2394 shade: #5E2294, #5D3185, #5D4077, #5C4F68 and #5B5E59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E2394 shade: #222494, #3F2294, #5D2294, #7C2294 and #94228F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E2394 shade: #331351, #491B73, #5E2294, #732AB6 and #8839D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E2394 shade: #5E2394, #942243 and #229430

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E2394 shade: #5E2394, #945D22 and #22945D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E2394 shade: #5E2394, #942243, #599422 and #229474

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E2394 shade: #5E2394, #942422, #599422 and #229294

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 76 / 0 / 42

HEX #5E2394

RGB 94 35 148

HSL 271.33, 0.62%, 0.36%

LAB 28.69, 47.74, -50.97

 

Complementary color

CMYK 27 / 0 / 51 / 14

HEX #A1DC6B

RGB 161 220 107

HSL 91.33, 0.62%, 0.64%

LAB 81.74, -37.63, 49.08

 

CMYK 31 / 76 / 0 / 44

HEX #63238F

RGB 99 35 143

HSL 275.56, 0.61%, 0.35%

LAB 29, 47.5, -47.36

 

CMYK 28 / 67 / 0 / 36

HEX #7435A2

RGB 116 53 162

HSL 274.68, 0.51%, 0.42%

LAB 35.73, 47.22, -47.95

 

CMYK 27 / 61 / 0 / 29

HEX #8547B5

RGB 133 71 181

HSL 273.82, 0.44%, 0.49%

LAB 42.5, 46.53, -48.24

 

CMYK 25 / 56 / 0 / 22

HEX #9659C8

RGB 150 89 200

HSL 272.97, 0.5%, 0.57%

LAB 49.25, 45.7, -48.38

 

CMYK 24 / 51 / 0 / 14

HEX #A76BDB

RGB 167 107 219

HSL 272.14, 0.61%, 0.64%

LAB 55.93, 44.81, -48.45

 

CMYK 36 / 76 / 0 / 42

HEX #5E2394

RGB 94 35 148

HSL 271.33, 0.62%, 0.36%

LAB 28.69, 47.74, -50.97

 

CMYK 40 / 87 / 0 / 49

HEX #4D1181

RGB 77 17 129

HSL 272.14, 0.77%, 0.29%

LAB 22.17, 47.25, -49.88

 

CMYK 45 / 100 / 0 / 57

HEX #3C006E

RGB 60 0 110

HSL 272.73, 1%, 0.22%

LAB 15.93, 45.59, -48.02

 

CMYK 53 / 100 / 0 / 64

HEX #2B005B

RGB 43 0 91

HSL 268.35, 1%, 0.18%

LAB 11.06, 39.34, -43.56

 

CMYK 64 / 100 / 0 / 72

HEX #1A0048

RGB 26 0 72

HSL 261.67, 1%, 0.14%

LAB 6.21, 32.3, -38.57

 

CMYK 36 / 77 / 0 / 42

HEX #5E2294

RGB 94 34 148

HSL 271.58, 0.63%, 0.36%

LAB 28.54, 48.17, -51.22

 

CMYK 16 / 77 / 0 / 42

HEX #7D2294

RGB 125 34 148

HSL 287.89, 0.63%, 0.36%

LAB 33.23, 54.21, -43.41

 

CMYK 0 / 77 / 5 / 42

HEX #94228D

RGB 148 34 141

HSL 303.68, 0.63%, 0.36%

LAB 36.67, 57.9, -33.39

 

CMYK 0 / 77 / 25 / 42

HEX #94226F

RGB 148 34 111

HSL 319.47, 0.63%, 0.36%

LAB 35.18, 53.48, -17.02

 

CMYK 0 / 77 / 46 / 42

HEX #942250

RGB 148 34 80

HSL 335.79, 0.63%, 0.36%

LAB 34.02, 49.9, 1.15

 

CMYK 36 / 77 / 0 / 42

HEX #5E2294

RGB 94 34 148

HSL 271.58, 0.63%, 0.36%

LAB 28.54, 48.17, -51.22

 

CMYK 57 / 77 / 0 / 42

HEX #3F2294

RGB 63 34 148

HSL 255.26, 0.63%, 0.36%

LAB 24.76, 43.13, -57.56

 

CMYK 77 / 77 / 0 / 42

HEX #222294

RGB 34 34 148

HSL 240, 0.63%, 0.36%

LAB 22.38, 39.84, -61.57

 

CMYK 36 / 77 / 0 / 42

HEX #5E2294

RGB 94 34 148

HSL 271.58, 0.63%, 0.36%

LAB 28.54, 48.17, -51.22

 

CMYK 42 / 88 / 0 / 36

HEX #5E14A3

RGB 94 20 163

HSL 271.05, 0.78%, 0.36%

LAB 28.18, 56.71, -60.98

 

CMYK 47 / 97 / 0 / 30

HEX #5F05B2

RGB 95 5 178

HSL 271.21, 0.95%, 0.36%

LAB 28.79, 63.3, -69.01

 

CMYK 36 / 77 / 0 / 42

HEX #5E2294

RGB 94 34 148

HSL 271.58, 0.63%, 0.36%

LAB 28.54, 48.17, -51.22

 

CMYK 30 / 63 / 0 / 48

HEX #5D3185

RGB 93 49 133

HSL 271.43, 0.46%, 0.36%

LAB 29.95, 36.75, -39.66

 

CMYK 22 / 46 / 0 / 53

HEX #5D4077

RGB 93 64 119

HSL 271.64, 0.3%, 0.36%

LAB 32.54, 24.26, -26.8

 

CMYK 12 / 24 / 0 / 59

HEX #5C4F68

RGB 92 79 104

HSL 271.2, 0.14%, 0.36%

LAB 35.73, 10.77, -12.47

 

CMYK 3 / 0 / 5 / 63

HEX #5B5E59

RGB 91 94 89

HSL 96, 0.03%, 0.36%

LAB 39.5, -2.23, 2.45

 

CMYK 77 / 76 / 0 / 42

HEX #222494

RGB 34 36 148

HSL 238.95, 0.63%, 0.36%

LAB 22.79, 38.68, -60.89

 

CMYK 57 / 77 / 0 / 42

HEX #3F2294

RGB 63 34 148

HSL 255.26, 0.63%, 0.36%

LAB 24.76, 43.13, -57.56

 

CMYK 37 / 77 / 0 / 42

HEX #5D2294

RGB 93 34 148

HSL 271.05, 0.63%, 0.36%

LAB 28.4, 47.99, -51.45

 

CMYK 16 / 77 / 0 / 42

HEX #7C2294

RGB 124 34 148

HSL 287.37, 0.63%, 0.36%

LAB 33.06, 54.01, -43.68

 

CMYK 0 / 77 / 3 / 42

HEX #94228F

RGB 148 34 143

HSL 302.63, 0.63%, 0.36%

LAB 36.79, 58.23, -34.44

 

CMYK 37 / 77 / 0 / 68

HEX #331351

RGB 51 19 81

HSL 270.97, 0.62%, 0.2%

LAB 14.19, 29.32, -31.58

 

CMYK 37 / 77 / 0 / 55

HEX #491B73

RGB 73 27 115

HSL 271.36, 0.62%, 0.28%

LAB 21.72, 39.06, -41.71

 

CMYK 36 / 77 / 0 / 42

HEX #5E2294

RGB 94 34 148

HSL 271.58, 0.63%, 0.36%

LAB 28.54, 48.17, -51.22

 

CMYK 37 / 77 / 0 / 29

HEX #732AB6

RGB 115 42 182

HSL 271.29, 0.63%, 0.44%

LAB 35.36, 56.66, -60.51

 

CMYK 35 / 73 / 0 / 18

HEX #8839D0

RGB 136 57 208

HSL 271.39, 0.62%, 0.52%

LAB 42.33, 60.16, -64.23

 

CMYK 36 / 76 / 0 / 42

HEX #5E2394

RGB 94 35 148

HSL 271.33, 0.62%, 0.36%

LAB 28.69, 47.74, -50.97

 

CMYK 0 / 77 / 55 / 42

HEX #942243

RGB 148 34 67

HSL 342.63, 0.63%, 0.36%

LAB 33.66, 48.74, 9.1

 

CMYK 77 / 0 / 68 / 42

HEX #229430

RGB 34 148 48

HSL 127.37, 0.63%, 0.36%

LAB 53.74, -51.3, 42.6

 

CMYK 36 / 76 / 0 / 42

HEX #5E2394

RGB 94 35 148

HSL 271.33, 0.62%, 0.36%

LAB 28.69, 47.74, -50.97

 

CMYK 0 / 37 / 77 / 42

HEX #945D22

RGB 148 93 34

HSL 31.05, 0.63%, 0.36%

LAB 44.58, 17.35, 41.48

 

CMYK 77 / 0 / 37 / 42

HEX #22945D

RGB 34 148 93

HSL 151.05, 0.63%, 0.36%

LAB 54.35, -44.16, 20.44

 

CMYK 36 / 76 / 0 / 42

HEX #5E2394

RGB 94 35 148

HSL 271.33, 0.62%, 0.36%

LAB 28.69, 47.74, -50.97

 

CMYK 0 / 77 / 55 / 42

HEX #942243

RGB 148 34 67

HSL 342.63, 0.63%, 0.36%

LAB 33.66, 48.74, 9.1

 

CMYK 40 / 0 / 77 / 42

HEX #599422

RGB 89 148 34

HSL 91.05, 0.63%, 0.36%

LAB 55.5, -38, 50.52

 

CMYK 77 / 0 / 22 / 42

HEX #229474

RGB 34 148 116

HSL 163.16, 0.63%, 0.36%

LAB 54.85, -38.81, 8.15

 

CMYK 36 / 76 / 0 / 42

HEX #5E2394

RGB 94 35 148

HSL 271.33, 0.62%, 0.36%

LAB 28.69, 47.74, -50.97

 

CMYK 0 / 76 / 77 / 42

HEX #942422

RGB 148 36 34

HSL 1.05, 0.63%, 0.36%

LAB 33.29, 46.02, 29.68

 

CMYK 40 / 0 / 77 / 42

HEX #599422

RGB 89 148 34

HSL 91.05, 0.63%, 0.36%

LAB 55.5, -38, 50.52

 

CMYK 77 / 1 / 0 / 42

HEX #229294

RGB 34 146 148

HSL 181.05, 0.63%, 0.36%

LAB 55.11, -28.81, -9.82

 

Description

Color code: HEX #5E2394 | qconv.com Color code: HEX #5E2394 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 35 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 35 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 76 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 76% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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