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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E225D it is the complementary color #A1DDA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E225D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E225D shade: #632258, #74346B, #85467E, #965891 and #A76AA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E225D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E225D shade: #5E225D, #4D104A, #3C0037, #2B0024 and #1A0011

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E225D shade: #5E225D, #5E224D, #5E223C, #5E222C and #5E2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E225D shade: #5E225D, #4F225E, #3E225E, #2E225E and #22225E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E225D shade matches the following richer shades: #5E225D, #681767, #720D71 and #7D037B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E225D shade: #5E225D, #532C53, #493649, #3F413F and #344B35

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E225D shade: #3F225E, #4F225E, #5E225D, #5E224D and #5E223D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E225D shade: #210C21, #3F173F, #5E225D, #7C2D7B and #9A3899

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E225D shade: #5E225D, #5E2F22 and #225E47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E225D shade: #5E225D, #5D5E22 and #225D5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E225D shade: #5E225D, #5E2F22, #225E23 and #22515E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E225D shade: #5E225D, #5E4122, #225E23 and #223F5E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 1 / 63

HEX #5E225D

RGB 94 34 93

HSL 301, 0.47%, 0.25%

LAB 24.68, 35.85, -22.47

 

Complementary color

CMYK 27 / 0 / 27 / 13

HEX #A1DDA2

RGB 161 221 162

HSL 121, 0.47%, 0.75%

LAB 82.86, -30.52, 22.98

 

CMYK 0 / 66 / 11 / 61

HEX #632258

RGB 99 34 88

HSL 310.15, 0.49%, 0.26%

LAB 25.26, 36.4, -18.2

 

CMYK 0 / 55 / 8 / 55

HEX #74346B

RGB 116 52 107

HSL 308.44, 0.38%, 0.33%

LAB 32.33, 35.98, -19.33

 

CMYK 0 / 47 / 5 / 48

HEX #85467E

RGB 133 70 126

HSL 306.67, 0.31%, 0.4%

LAB 39.37, 35.28, -20.12

 

CMYK 0 / 41 / 3 / 41

HEX #965891

RGB 150 88 145

HSL 304.84, 0.26%, 0.47%

LAB 46.32, 34.49, -20.73

 

CMYK 0 / 37 / 2 / 35

HEX #A76AA4

RGB 167 106 164

HSL 302.95, 0.26%, 0.54%

LAB 53.17, 33.71, -21.24

 

CMYK 0 / 64 / 1 / 63

HEX #5E225D

RGB 94 34 93

HSL 301, 0.47%, 0.25%

LAB 24.68, 35.85, -22.47

 

CMYK 0 / 79 / 4 / 70

HEX #4D104A

RGB 77 16 74

HSL 302.95, 0.66%, 0.18%

LAB 17.66, 35.56, -20.98

 

CMYK 0 / 100 / 8 / 76

HEX #3C0037

RGB 60 0 55

HSL 305, 1%, 0.12%

LAB 10.82, 34.12, -18.64

 

CMYK 0 / 100 / 16 / 83

HEX #2B0024

RGB 43 0 36

HSL 309.77, 1%, 0.08%

LAB 5.79, 26.1, -12.65

 

CMYK 0 / 100 / 35 / 90

HEX #1A0011

RGB 26 0 17

HSL 320.77, 1%, 0.05%

LAB 2.35, 11.47, -3.86

 

CMYK 0 / 64 / 1 / 63

HEX #5E225D

RGB 94 34 93

HSL 301, 0.47%, 0.25%

LAB 24.68, 35.85, -22.47

 

CMYK 0 / 64 / 18 / 63

HEX #5E224D

RGB 94 34 77

HSL 317, 0.47%, 0.25%

LAB 23.87, 32.92, -13.1

 

CMYK 0 / 64 / 36 / 63

HEX #5E223C

RGB 94 34 60

HSL 334, 0.47%, 0.25%

LAB 23.17, 30.29, -2.63

 

CMYK 0 / 64 / 53 / 63

HEX #5E222C

RGB 94 34 44

HSL 350, 0.47%, 0.25%

LAB 22.67, 28.36, 7.64

 

CMYK 0 / 64 / 64 / 63

HEX #5E2222

RGB 94 34 34

HSL 0, 0.47%, 0.25%

LAB 22.44, 27.43, 14.16

 

CMYK 0 / 64 / 1 / 63

HEX #5E225D

RGB 94 34 93

HSL 301, 0.47%, 0.25%

LAB 24.68, 35.85, -22.47

 

CMYK 16 / 64 / 0 / 63

HEX #4F225E

RGB 79 34 94

HSL 285, 0.47%, 0.25%

LAB 22.35, 31.72, -26.97

 

CMYK 34 / 64 / 0 / 63

HEX #3E225E

RGB 62 34 94

HSL 268, 0.47%, 0.25%

LAB 19.95, 26.98, -30.95

 

CMYK 51 / 64 / 0 / 63

HEX #2E225E

RGB 46 34 94

HSL 252, 0.47%, 0.25%

LAB 18.07, 22.91, -34.08

 

CMYK 64 / 64 / 0 / 63

HEX #22225E

RGB 34 34 94

HSL 240, 0.47%, 0.25%

LAB 16.95, 20.29, -35.94

 

CMYK 0 / 64 / 1 / 63

HEX #5E225D

RGB 94 34 93

HSL 301, 0.47%, 0.25%

LAB 24.68, 35.85, -22.47

 

CMYK 0 / 78 / 1 / 59

HEX #681767

RGB 104 23 103

HSL 300.74, 0.64%, 0.25%

LAB 25.37, 44.97, -27.82

 

CMYK 0 / 89 / 1 / 55

HEX #720D71

RGB 114 13 113

HSL 300.59, 0.8%, 0.25%

LAB 26.9, 51.64, -31.73

 

CMYK 0 / 98 / 2 / 51

HEX #7D037B

RGB 125 3 123

HSL 300.98, 0.95%, 0.25%

LAB 29.04, 57.13, -34.56

 

CMYK 0 / 64 / 1 / 63

HEX #5E225D

RGB 94 34 93

HSL 301, 0.47%, 0.25%

LAB 24.68, 35.85, -22.47

 

CMYK 0 / 47 / 0 / 67

HEX #532C53

RGB 83 44 83

HSL 300, 0.31%, 0.25%

LAB 24.53, 24.72, -16.23

 

CMYK 0 / 26 / 0 / 71

HEX #493649

RGB 73 54 73

HSL 300, 0.15%, 0.25%

LAB 25.37, 12.34, -8.41

 

CMYK 3 / 0 / 3 / 75

HEX #3F413F

RGB 63 65 63

HSL 120, 0.02%, 0.25%

LAB 27.29, -1.29, 0.92

 

CMYK 31 / 0 / 29 / 71

HEX #344B35

RGB 52 75 53

HSL 122.61, 0.18%, 0.25%

LAB 29.46, -14.07, 10.33

 

CMYK 33 / 64 / 0 / 63

HEX #3F225E

RGB 63 34 94

HSL 269, 0.47%, 0.25%

LAB 20.08, 27.25, -30.73

 

CMYK 16 / 64 / 0 / 63

HEX #4F225E

RGB 79 34 94

HSL 285, 0.47%, 0.25%

LAB 22.35, 31.72, -26.97

 

CMYK 0 / 64 / 1 / 63

HEX #5E225D

RGB 94 34 93

HSL 301, 0.47%, 0.25%

LAB 24.68, 35.85, -22.47

 

CMYK 0 / 64 / 18 / 63

HEX #5E224D

RGB 94 34 77

HSL 317, 0.47%, 0.25%

LAB 23.87, 32.92, -13.1

 

CMYK 0 / 64 / 35 / 63

HEX #5E223D

RGB 94 34 61

HSL 333, 0.47%, 0.25%

LAB 23.21, 30.43, -3.26

 

CMYK 0 / 64 / 0 / 87

HEX #210C21

RGB 33 12 33

HSL 300, 0.47%, 0.09%

LAB 6.29, 14.69, -9.72

 

CMYK 0 / 63 / 0 / 75

HEX #3F173F

RGB 63 23 63

HSL 300, 0.47%, 0.17%

LAB 15.64, 25.98, -16.7

 

CMYK 0 / 64 / 1 / 63

HEX #5E225D

RGB 94 34 93

HSL 301, 0.47%, 0.25%

LAB 24.68, 35.85, -22.47

 

CMYK 0 / 64 / 1 / 51

HEX #7C2D7B

RGB 124 45 123

HSL 300.76, 0.47%, 0.33%

LAB 33.12, 44.74, -28.1

 

CMYK 0 / 64 / 1 / 40

HEX #9A3899

RGB 154 56 153

HSL 300.61, 0.47%, 0.41%

LAB 41.21, 53.2, -33.45

 

CMYK 0 / 64 / 1 / 63

HEX #5E225D

RGB 94 34 93

HSL 301, 0.47%, 0.25%

LAB 24.68, 35.85, -22.47

 

CMYK 0 / 50 / 64 / 63

HEX #5E2F22

RGB 94 47 34

HSL 13, 0.47%, 0.25%

LAB 25.35, 20, 17.86

 

CMYK 64 / 0 / 24 / 63

HEX #225E47

RGB 34 94 71

HSL 157, 0.47%, 0.25%

LAB 35.6, -25.56, 7.51

 

CMYK 0 / 64 / 1 / 63

HEX #5E225D

RGB 94 34 93

HSL 301, 0.47%, 0.25%

LAB 24.68, 35.85, -22.47

 

CMYK 1 / 0 / 64 / 63

HEX #5D5E22

RGB 93 94 34

HSL 61, 0.47%, 0.25%

LAB 38.63, -9.25, 33.35

 

CMYK 64 / 1 / 0 / 63

HEX #225D5E

RGB 34 93 94

HSL 181, 0.47%, 0.25%

LAB 35.94, -18.42, -6.27

 

CMYK 0 / 64 / 1 / 63

HEX #5E225D

RGB 94 34 93

HSL 301, 0.47%, 0.25%

LAB 24.68, 35.85, -22.47

 

CMYK 0 / 50 / 64 / 63

HEX #5E2F22

RGB 94 47 34

HSL 13, 0.47%, 0.25%

LAB 25.35, 20, 17.86

 

CMYK 64 / 0 / 63 / 63

HEX #225E23

RGB 34 94 35

HSL 121, 0.47%, 0.25%

LAB 34.94, -32.64, 27.67

 

CMYK 64 / 14 / 0 / 63

HEX #22515E

RGB 34 81 94

HSL 193, 0.47%, 0.25%

LAB 31.88, -11.57, -12.39

 

CMYK 0 / 64 / 1 / 63

HEX #5E225D

RGB 94 34 93

HSL 301, 0.47%, 0.25%

LAB 24.68, 35.85, -22.47

 

CMYK 0 / 31 / 64 / 63

HEX #5E4122

RGB 94 65 34

HSL 31, 0.47%, 0.25%

LAB 30.1, 8.82, 23.66

 

CMYK 64 / 0 / 63 / 63

HEX #225E23

RGB 34 94 35

HSL 121, 0.47%, 0.25%

LAB 34.94, -32.64, 27.67

 

CMYK 64 / 33 / 0 / 63

HEX #223F5E

RGB 34 63 94

HSL 211, 0.47%, 0.25%

LAB 25.87, -0.17, -21.69

 

Description

Color code: HEX #5E225D | qconv.com Color code: HEX #5E225D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 34 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 34 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 1 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 1% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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