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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E2189 it is the complementary color #A1DE76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E2189. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E2189 shade: #632184, #743397, #8545AA, #9657BD and #A769D0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E2189. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E2189 shade: #5E2189, #4D0F76, #3C0063, #2B0050 and #1A003D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E2189 shade: #5D2087, #782087, #87207A, #87205E and #872043

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E2189 shade: #5D2087, #412087, #252087 and #202087

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E2189 shade matches the following richer shades: #5D2087, #5F1395 and #6105A2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E2189 shade: #5D2087, #5A2E79, #583C6C, #55495E and #535751

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E2189 shade: #252087, #412087, #5C2087, #782087 and #87207B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E2189 shade: #2F1045, #461866, #5D2087, #7328A8 and #8A30C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E2189 shade: #5E2189, #872037 and #208733

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E2189 shade: #5E2189, #875C20 and #20875C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E2189 shade: #5E2189, #872037, #4B8720 and #208771

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E2189 shade: #5E2189, #872920, #4B8720 and #207E87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 76 / 0 / 46

HEX #5E2189

RGB 94 33 137

HSL 275.19, 0.61%, 0.33%

LAB 27.5, 45.96, -46.11

 

Complementary color

CMYK 27 / 0 / 47 / 13

HEX #A1DE76

RGB 161 222 118

HSL 95.19, 0.61%, 0.67%

LAB 82.45, -37.29, 44.69

 

CMYK 25 / 75 / 0 / 48

HEX #632184

RGB 99 33 132

HSL 280, 0.6%, 0.32%

LAB 27.86, 45.83, -42.36

 

CMYK 23 / 66 / 0 / 41

HEX #743397

RGB 116 51 151

HSL 279, 0.5%, 0.4%

LAB 34.63, 45.65, -43.06

 

CMYK 22 / 59 / 0 / 33

HEX #8545AA

RGB 133 69 170

HSL 278.02, 0.42%, 0.47%

LAB 41.45, 45.03, -43.44

 

CMYK 21 / 54 / 0 / 26

HEX #9657BD

RGB 150 87 189

HSL 277.06, 0.44%, 0.54%

LAB 48.23, 44.24, -43.66

 

CMYK 20 / 50 / 0 / 18

HEX #A769D0

RGB 167 105 208

HSL 276.12, 0.52%, 0.61%

LAB 54.94, 43.4, -43.8

 

CMYK 31 / 76 / 0 / 46

HEX #5E2189

RGB 94 33 137

HSL 275.19, 0.61%, 0.33%

LAB 27.5, 45.96, -46.11

 

CMYK 35 / 87 / 0 / 54

HEX #4D0F76

RGB 77 15 118

HSL 276.12, 0.77%, 0.26%

LAB 20.93, 45.29, -44.9

 

CMYK 39 / 100 / 0 / 61

HEX #3C0063

RGB 60 0 99

HSL 276.36, 1%, 0.19%

LAB 14.74, 43.06, -42.74

 

CMYK 46 / 100 / 0 / 69

HEX #2B0050

RGB 43 0 80

HSL 272.25, 1%, 0.16%

LAB 9.74, 36.63, -38.22

 

CMYK 57 / 100 / 0 / 76

HEX #1A003D

RGB 26 0 61

HSL 265.57, 1%, 0.12%

LAB 5.03, 27.96, -32.67

 

CMYK 31 / 76 / 0 / 47

HEX #5D2087

RGB 93 32 135

HSL 275.53, 0.62%, 0.33%

LAB 27.04, 45.72, -45.6

 

CMYK 11 / 76 / 0 / 47

HEX #782087

RGB 120 32 135

HSL 291.26, 0.62%, 0.33%

LAB 31.29, 51.35, -38.54

 

CMYK 0 / 76 / 10 / 47

HEX #87207A

RGB 135 32 122

HSL 307.57, 0.62%, 0.33%

LAB 33.11, 52.5, -27.36

 

CMYK 0 / 76 / 30 / 47

HEX #87205E

RGB 135 32 94

HSL 323.88, 0.62%, 0.33%

LAB 31.79, 48.48, -11.53

 

CMYK 0 / 76 / 50 / 47

HEX #872043

RGB 135 32 67

HSL 339.61, 0.62%, 0.33%

LAB 30.85, 45.5, 4.78

 

CMYK 31 / 76 / 0 / 47

HEX #5D2087

RGB 93 32 135

HSL 275.53, 0.62%, 0.33%

LAB 27.04, 45.72, -45.6

 

CMYK 52 / 76 / 0 / 47

HEX #412087

RGB 65 32 135

HSL 259.22, 0.62%, 0.33%

LAB 23.36, 40.63, -51.77

 

CMYK 73 / 76 / 0 / 47

HEX #252087

RGB 37 32 135

HSL 242.91, 0.62%, 0.33%

LAB 20.73, 36.83, -56.18

 

CMYK 76 / 76 / 0 / 47

HEX #202087

RGB 32 32 135

HSL 240, 0.62%, 0.33%

LAB 20.4, 36.33, -56.75

 

CMYK 31 / 76 / 0 / 47

HEX #5D2087

RGB 93 32 135

HSL 275.53, 0.62%, 0.33%

LAB 27.04, 45.72, -45.6

 

CMYK 36 / 87 / 0 / 42

HEX #5F1395

RGB 95 19 149

HSL 275.08, 0.77%, 0.33%

LAB 26.93, 53.93, -54.46

 

CMYK 40 / 97 / 0 / 36

HEX #6105A2

RGB 97 5 162

HSL 275.16, 0.94%, 0.33%

LAB 27.46, 60.02, -61.54

 

CMYK 31 / 76 / 0 / 47

HEX #5D2087

RGB 93 32 135

HSL 275.53, 0.62%, 0.33%

LAB 27.04, 45.72, -45.6

 

CMYK 26 / 62 / 0 / 53

HEX #5A2E79

RGB 90 46 121

HSL 275.2, 0.45%, 0.33%

LAB 28.14, 34.62, -35.07

 

CMYK 19 / 44 / 0 / 58

HEX #583C6C

RGB 88 60 108

HSL 275, 0.29%, 0.33%

LAB 30.37, 22.36, -23.29

 

CMYK 10 / 22 / 0 / 63

HEX #55495E

RGB 85 73 94

HSL 274.29, 0.13%, 0.33%

LAB 32.93, 9.58, -10.48

 

CMYK 5 / 0 / 7 / 66

HEX #535751

RGB 83 87 81

HSL 100, 0.04%, 0.33%

LAB 36.46, -2.87, 2.93

 

CMYK 73 / 76 / 0 / 47

HEX #252087

RGB 37 32 135

HSL 242.91, 0.62%, 0.33%

LAB 20.73, 36.83, -56.18

 

CMYK 52 / 76 / 0 / 47

HEX #412087

RGB 65 32 135

HSL 259.22, 0.62%, 0.33%

LAB 23.36, 40.63, -51.77

 

CMYK 32 / 76 / 0 / 47

HEX #5C2087

RGB 92 32 135

HSL 274.95, 0.62%, 0.33%

LAB 26.9, 45.52, -45.85

 

CMYK 11 / 76 / 0 / 47

HEX #782087

RGB 120 32 135

HSL 291.26, 0.62%, 0.33%

LAB 31.29, 51.35, -38.54

 

CMYK 0 / 76 / 9 / 47

HEX #87207B

RGB 135 32 123

HSL 306.99, 0.62%, 0.33%

LAB 33.17, 52.66, -27.9

 

CMYK 32 / 77 / 0 / 73

HEX #2F1045

RGB 47 16 69

HSL 275.09, 0.62%, 0.17%

LAB 11.99, 26.69, -26.88

 

CMYK 31 / 76 / 0 / 60

HEX #461866

RGB 70 24 102

HSL 275.38, 0.62%, 0.25%

LAB 19.7, 36.55, -36.57

 

CMYK 31 / 76 / 0 / 47

HEX #5D2087

RGB 93 32 135

HSL 275.53, 0.62%, 0.33%

LAB 27.04, 45.72, -45.6

 

CMYK 32 / 76 / 0 / 34

HEX #7328A8

RGB 115 40 168

HSL 275.16, 0.62%, 0.41%

LAB 33.96, 54.23, -54.43

 

CMYK 31 / 76 / 0 / 21

HEX #8A30C9

RGB 138 48 201

HSL 275.29, 0.61%, 0.49%

LAB 40.79, 62.58, -62.67

 

CMYK 31 / 76 / 0 / 46

HEX #5E2189

RGB 94 33 137

HSL 275.19, 0.61%, 0.33%

LAB 27.5, 45.96, -46.11

 

CMYK 0 / 76 / 59 / 47

HEX #872037

RGB 135 32 55

HSL 346.6, 0.62%, 0.33%

LAB 30.54, 44.49, 12.29

 

CMYK 76 / 0 / 62 / 47

HEX #208733

RGB 32 135 51

HSL 131.07, 0.62%, 0.33%

LAB 49.34, -46.74, 36.29

 

CMYK 31 / 76 / 0 / 46

HEX #5E2189

RGB 94 33 137

HSL 275.19, 0.61%, 0.33%

LAB 27.5, 45.96, -46.11

 

CMYK 0 / 32 / 76 / 47

HEX #875C20

RGB 135 92 32

HSL 34.95, 0.62%, 0.33%

LAB 42.63, 11.86, 39.9

 

CMYK 76 / 0 / 32 / 47

HEX #20875C

RGB 32 135 92

HSL 154.95, 0.62%, 0.33%

LAB 49.99, -39.36, 15.07

 

CMYK 31 / 76 / 0 / 46

HEX #5E2189

RGB 94 33 137

HSL 275.19, 0.61%, 0.33%

LAB 27.5, 45.96, -46.11

 

CMYK 0 / 76 / 59 / 47

HEX #872037

RGB 135 32 55

HSL 346.6, 0.62%, 0.33%

LAB 30.54, 44.49, 12.29

 

CMYK 44 / 0 / 76 / 47

HEX #4B8720

RGB 75 135 32

HSL 94.95, 0.62%, 0.33%

LAB 50.6, -37.46, 46.22

 

CMYK 76 / 0 / 16 / 47

HEX #208771

RGB 32 135 113

HSL 167.18, 0.62%, 0.33%

LAB 50.48, -34.08, 3.63

 

CMYK 31 / 76 / 0 / 46

HEX #5E2189

RGB 94 33 137

HSL 275.19, 0.61%, 0.33%

LAB 27.5, 45.96, -46.11

 

CMYK 0 / 70 / 76 / 47

HEX #872920

RGB 135 41 32

HSL 5.24, 0.62%, 0.33%

LAB 31.44, 39.5, 28.12

 

CMYK 44 / 0 / 76 / 47

HEX #4B8720

RGB 75 135 32

HSL 94.95, 0.62%, 0.33%

LAB 50.6, -37.46, 46.22

 

CMYK 76 / 7 / 0 / 47

HEX #207E87

RGB 32 126 135

HSL 185.24, 0.62%, 0.33%

LAB 48.23, -23.07, -12.6

 

Description

Color code: HEX #5E2189 | qconv.com Color code: HEX #5E2189 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 33 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 33 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 76 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 76% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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