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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E20B6 it is the complementary color #A1DF49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E20B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E20B6 shade: #6320B1, #7432C4, #8544D7, #9656EA and #A768FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E20B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E20B6 shade: #5E20B6, #4D0EA3, #3C0090, #2B007D and #1A006A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E20B6 shade: #5E20B6, #8620B6, #AE20B6, #B62094 and #B6206C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E20B6 shade: #5E20B6, #3520B6 and #2020B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E20B6 shade matches the following richer shades: #5E20B6 and #5B0EC7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E20B6 shade: #5E20B6, #6131A4, #644293, #675482 and #6A6570

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E20B6 shade: #2034B6, #3420B6, #5C20B6, #8420B6 and #AC20B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E20B6 shade: #39136F, #4B1992, #5E20B6, #7026D8 and #8749DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E20B6 shade: #5E20B6, #B6205C and #20B620

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E20B6 shade: #5E20B6, #B65C20 and #20B65C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E20B6 shade: #5E20B6, #B6205C, #7AB620 and #20B67A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E20B6 shade: #5E20B6, #B6202F, #7AB620 and #20B6A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 82 / 0 / 29

HEX #5E20B6

RGB 94 32 182

HSL 264.8, 0.7%, 0.42%

LAB 31.32, 57.38, -67.22

 

Complementary color

CMYK 28 / 0 / 67 / 13

HEX #A1DF49

RGB 161 223 73

HSL 84.8, 0.7%, 0.58%

LAB 82.29, -41.95, 64.33

 

CMYK 44 / 82 / 0 / 31

HEX #6320B1

RGB 99 32 177

HSL 267.72, 0.69%, 0.41%

LAB 31.49, 56.82, -63.95

 

CMYK 41 / 74 / 0 / 23

HEX #7432C4

RGB 116 50 196

HSL 267.12, 0.59%, 0.48%

LAB 37.81, 56.83, -64.74

 

CMYK 38 / 68 / 0 / 16

HEX #8544D7

RGB 133 68 215

HSL 266.53, 0.65%, 0.55%

LAB 44.27, 56.26, -65.12

 

CMYK 36 / 63 / 0 / 8

HEX #9656EA

RGB 150 86 234

HSL 265.95, 0.78%, 0.63%

LAB 50.78, 55.42, -65.26

 

CMYK 34 / 59 / 0 / 1

HEX #A768FD

RGB 167 104 253

HSL 265.37, 0.97%, 0.7%

LAB 57.28, 54.47, -65.28

 

CMYK 48 / 82 / 0 / 29

HEX #5E20B6

RGB 94 32 182

HSL 264.8, 0.7%, 0.42%

LAB 31.32, 57.38, -67.22

 

CMYK 53 / 91 / 0 / 36

HEX #4D0EA3

RGB 77 14 163

HSL 265.37, 0.84%, 0.35%

LAB 25.37, 56.36, -65.69

 

CMYK 58 / 100 / 0 / 44

HEX #3C0090

RGB 60 0 144

HSL 265, 1%, 0.28%

LAB 19.94, 53.64, -63.05

 

CMYK 66 / 100 / 0 / 51

HEX #2B007D

RGB 43 0 125

HSL 260.64, 1%, 0.25%

LAB 15.46, 47.9, -58.57

 

CMYK 75 / 100 / 0 / 58

HEX #1A006A

RGB 26 0 106

HSL 254.72, 1%, 0.21%

LAB 10.99, 42.14, -53.72

 

CMYK 48 / 82 / 0 / 29

HEX #5E20B6

RGB 94 32 182

HSL 264.8, 0.7%, 0.42%

LAB 31.32, 57.38, -67.22

 

CMYK 26 / 82 / 0 / 29

HEX #8620B6

RGB 134 32 182

HSL 280.8, 0.7%, 0.42%

LAB 36.89, 63.31, -57.89

 

CMYK 4 / 82 / 0 / 29

HEX #AE20B6

RGB 174 32 182

HSL 296.8, 0.7%, 0.42%

LAB 43.37, 70.38, -47.1

 

CMYK 0 / 82 / 19 / 29

HEX #B62094

RGB 182 32 148

HSL 313.6, 0.7%, 0.42%

LAB 42.94, 66.97, -27.39

 

CMYK 0 / 82 / 41 / 29

HEX #B6206C

RGB 182 32 108

HSL 329.6, 0.7%, 0.42%

LAB 41.31, 62.33, -5.23

 

CMYK 48 / 82 / 0 / 29

HEX #5E20B6

RGB 94 32 182

HSL 264.8, 0.7%, 0.42%

LAB 31.32, 57.38, -67.22

 

CMYK 71 / 82 / 0 / 29

HEX #3520B6

RGB 53 32 182

HSL 248.4, 0.7%, 0.42%

LAB 27.21, 53.13, -74.15

 

CMYK 82 / 82 / 0 / 29

HEX #2020B6

RGB 32 32 182

HSL 240, 0.7%, 0.42%

LAB 25.91, 51.83, -76.34

 

CMYK 48 / 82 / 0 / 29

HEX #5E20B6

RGB 94 32 182

HSL 264.8, 0.7%, 0.42%

LAB 31.32, 57.38, -67.22

 

CMYK 54 / 93 / 0 / 22

HEX #5B0EC7

RGB 91 14 199

HSL 264.97, 0.87%, 0.42%

LAB 31.02, 66.19, -77.76

 

CMYK 48 / 82 / 0 / 29

HEX #5E20B6

RGB 94 32 182

HSL 264.8, 0.7%, 0.42%

LAB 31.32, 57.38, -67.22

 

CMYK 41 / 70 / 0 / 36

HEX #6131A4

RGB 97 49 164

HSL 265.04, 0.54%, 0.42%

LAB 32.74, 45.72, -54.11

 

CMYK 32 / 55 / 0 / 42

HEX #644293

RGB 100 66 147

HSL 265.19, 0.38%, 0.42%

LAB 35.42, 32.41, -39.46

 

CMYK 21 / 35 / 0 / 49

HEX #675482

RGB 103 84 130

HSL 264.78, 0.21%, 0.42%

LAB 39.3, 17.87, -22.96

 

CMYK 5 / 10 / 0 / 56

HEX #6A6570

RGB 106 101 112

HSL 267.27, 0.05%, 0.42%

LAB 43.57, 4.26, -5.48

 

CMYK 82 / 71 / 0 / 29

HEX #2034B6

RGB 32 52 182

HSL 232, 0.7%, 0.42%

LAB 29.76, 40.87, -69.96

 

CMYK 71 / 82 / 0 / 29

HEX #3420B6

RGB 52 32 182

HSL 248, 0.7%, 0.42%

LAB 27.13, 53.06, -74.28

 

CMYK 49 / 82 / 0 / 29

HEX #5C20B6

RGB 92 32 182

HSL 264, 0.7%, 0.42%

LAB 31.08, 57.13, -67.63

 

CMYK 27 / 82 / 0 / 29

HEX #8420B6

RGB 132 32 182

HSL 280, 0.7%, 0.42%

LAB 36.59, 62.98, -58.4

 

CMYK 5 / 82 / 0 / 29

HEX #AC20B6

RGB 172 32 182

HSL 296, 0.7%, 0.42%

LAB 43.03, 70, -47.67

 

CMYK 49 / 83 / 0 / 56

HEX #39136F

RGB 57 19 111

HSL 264.78, 0.71%, 0.25%

LAB 17.84, 38.81, -45.55

 

CMYK 49 / 83 / 0 / 43

HEX #4B1992

RGB 75 25 146

HSL 264.79, 0.71%, 0.34%

LAB 24.53, 48.33, -56.65

 

CMYK 48 / 82 / 0 / 29

HEX #5E20B6

RGB 94 32 182

HSL 264.8, 0.7%, 0.42%

LAB 31.32, 57.38, -67.22

 

CMYK 48 / 82 / 0 / 15

HEX #7026D8

RGB 112 38 216

HSL 264.94, 0.7%, 0.5%

LAB 37.46, 65.82, -76.93

 

CMYK 39 / 67 / 0 / 13

HEX #8749DF

RGB 135 73 223

HSL 264.8, 0.7%, 0.58%

LAB 45.97, 56.2, -66.92

 

CMYK 48 / 82 / 0 / 29

HEX #5E20B6

RGB 94 32 182

HSL 264.8, 0.7%, 0.42%

LAB 31.32, 57.38, -67.22

 

CMYK 0 / 82 / 49 / 29

HEX #B6205C

RGB 182 32 92

HSL 336, 0.7%, 0.42%

LAB 40.82, 60.88, 4.12

 

CMYK 82 / 0 / 82 / 29

HEX #20B620

RGB 32 182 32

HSL 120, 0.7%, 0.42%

LAB 64.86, -63.62, 59.38

 

CMYK 48 / 82 / 0 / 29

HEX #5E20B6

RGB 94 32 182

HSL 264.8, 0.7%, 0.42%

LAB 31.32, 57.38, -67.22

 

CMYK 0 / 49 / 82 / 29

HEX #B65C20

RGB 182 92 32

HSL 24, 0.7%, 0.42%

LAB 49.13, 32.53, 48.4

 

CMYK 82 / 0 / 49 / 29

HEX #20B65C

RGB 32 182 92

HSL 144, 0.7%, 0.42%

LAB 65.39, -57.14, 35.27

 

CMYK 48 / 82 / 0 / 29

HEX #5E20B6

RGB 94 32 182

HSL 264.8, 0.7%, 0.42%

LAB 31.32, 57.38, -67.22

 

CMYK 0 / 82 / 49 / 29

HEX #B6205C

RGB 182 32 92

HSL 336, 0.7%, 0.42%

LAB 40.82, 60.88, 4.12

 

CMYK 33 / 0 / 82 / 29

HEX #7AB620

RGB 122 182 32

HSL 84, 0.7%, 0.42%

LAB 67.8, -40.77, 63.14

 

CMYK 82 / 0 / 33 / 29

HEX #20B67A

RGB 32 182 122

HSL 156, 0.7%, 0.42%

LAB 65.88, -51.44, 20.19

 

CMYK 48 / 82 / 0 / 29

HEX #5E20B6

RGB 94 32 182

HSL 264.8, 0.7%, 0.42%

LAB 31.32, 57.38, -67.22

 

CMYK 0 / 82 / 74 / 29

HEX #B6202F

RGB 182 32 47

HSL 354, 0.7%, 0.42%

LAB 39.89, 58.08, 31.13

 

CMYK 33 / 0 / 82 / 29

HEX #7AB620

RGB 122 182 32

HSL 84, 0.7%, 0.42%

LAB 67.8, -40.77, 63.14

 

CMYK 82 / 0 / 8 / 29

HEX #20B6A7

RGB 32 182 167

HSL 174, 0.7%, 0.42%

LAB 66.94, -40.17, -2.97

 

Description

Color code: HEX #5E20B6 | qconv.com Color code: HEX #5E20B6 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 32 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 32 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 82 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 82% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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