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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E207C it is the complementary color #A1DF83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E207C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E207C shade: #632077, #74328A, #85449D, #9656B0 and #A768C3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E207C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E207C shade: #5E207C, #4D0E69, #3C0056, #2B0043 and #1A0030

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E207C shade: #5F207E, #78207E, #7E206A, #7E2051 and #7E2037

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E207C shade: #5F207E, #46207E, #2D207E and #20207E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E207C shade matches the following richer shades: #5F207E, #64148A and #680797

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E207C shade: #5F207E, #5B2D71, #563A64, #524757 and #4D544B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E207C shade: #2D207E, #46207E, #5F207E, #77207E and #7E206B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E207C shade: #2E0F3C, #46185D, #5F207E, #78299E and #9131BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E207C shade: #5E207C, #7E202D and #207E39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E207C shade: #5E207C, #7E5F20 and #207E5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E207C shade: #5E207C, #7E202D, #407E20 and #207E71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E207C shade: #5E207C, #7E3020, #407E20 and #206E7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 74 / 0 / 51

HEX #5E207C

RGB 94 32 124

HSL 280.43, 0.59%, 0.31%

LAB 26.36, 43.38, -39.8

 

Complementary color

CMYK 28 / 0 / 41 / 13

HEX #A1DF83

RGB 161 223 131

HSL 100.43, 0.59%, 0.69%

LAB 82.91, -36.11, 38.88

 

CMYK 17 / 73 / 0 / 53

HEX #632077

RGB 99 32 119

HSL 286.21, 0.58%, 0.3%

LAB 26.78, 43.41, -35.89

 

CMYK 16 / 64 / 0 / 46

HEX #74328A

RGB 116 50 138

HSL 285, 0.47%, 0.37%

LAB 33.62, 43.26, -36.7

 

CMYK 15 / 57 / 0 / 38

HEX #85449D

RGB 133 68 157

HSL 283.82, 0.4%, 0.44%

LAB 40.5, 42.67, -37.19

 

CMYK 15 / 51 / 0 / 31

HEX #9656B0

RGB 150 86 176

HSL 282.67, 0.36%, 0.51%

LAB 47.33, 41.91, -37.5

 

CMYK 14 / 47 / 0 / 24

HEX #A768C3

RGB 167 104 195

HSL 281.54, 0.43%, 0.59%

LAB 54.09, 41.1, -37.73

 

CMYK 24 / 74 / 0 / 51

HEX #5E207C

RGB 94 32 124

HSL 280.43, 0.59%, 0.31%

LAB 26.36, 43.38, -39.8

 

CMYK 27 / 87 / 0 / 59

HEX #4D0E69

RGB 77 14 105

HSL 281.54, 0.76%, 0.23%

LAB 19.69, 42.66, -38.5

 

CMYK 30 / 100 / 0 / 66

HEX #3C0056

RGB 60 0 86

HSL 281.86, 1%, 0.17%

LAB 13.43, 40.19, -36.17

 

CMYK 36 / 100 / 0 / 74

HEX #2B0043

RGB 43 0 67

HSL 278.51, 1%, 0.13%

LAB 8.3, 33.53, -31.51

 

CMYK 46 / 100 / 0 / 81

HEX #1A0030

RGB 26 0 48

HSL 272.5, 1%, 0.09%

LAB 3.91, 22.24, -24.91

 

CMYK 25 / 75 / 0 / 51

HEX #5F207E

RGB 95 32 126

HSL 280.21, 0.59%, 0.31%

LAB 26.66, 44.05, -40.57

 

CMYK 5 / 75 / 0 / 51

HEX #78207E

RGB 120 32 126

HSL 296.17, 0.59%, 0.31%

LAB 30.72, 49.66, -33.83

 

CMYK 0 / 75 / 16 / 51

HEX #7E206A

RGB 126 32 106

HSL 312.77, 0.59%, 0.31%

LAB 30.66, 47.75, -21.15

 

CMYK 0 / 75 / 36 / 51

HEX #7E2051

RGB 126 32 81

HSL 328.72, 0.59%, 0.31%

LAB 29.57, 44.29, -6.56

 

CMYK 0 / 75 / 56 / 51

HEX #7E2037

RGB 126 32 55

HSL 345.32, 0.59%, 0.31%

LAB 28.76, 41.62, 9.56

 

CMYK 25 / 75 / 0 / 51

HEX #5F207E

RGB 95 32 126

HSL 280.21, 0.59%, 0.31%

LAB 26.66, 44.05, -40.57

 

CMYK 44 / 75 / 0 / 51

HEX #46207E

RGB 70 32 126

HSL 264.26, 0.59%, 0.31%

LAB 23.14, 38.94, -46.44

 

CMYK 64 / 75 / 0 / 51

HEX #2D207E

RGB 45 32 126

HSL 248.3, 0.59%, 0.31%

LAB 20.43, 34.77, -50.98

 

CMYK 75 / 75 / 0 / 51

HEX #20207E

RGB 32 32 126

HSL 240, 0.59%, 0.31%

LAB 19.42, 33.15, -52.68

 

CMYK 25 / 75 / 0 / 51

HEX #5F207E

RGB 95 32 126

HSL 280.21, 0.59%, 0.31%

LAB 26.66, 44.05, -40.57

 

CMYK 28 / 86 / 0 / 46

HEX #64148A

RGB 100 20 138

HSL 280.68, 0.75%, 0.31%

LAB 26.86, 52.03, -47.72

 

CMYK 31 / 95 / 0 / 41

HEX #680797

RGB 104 7 151

HSL 280.42, 0.91%, 0.31%

LAB 27.65, 58.21, -54.45

 

CMYK 25 / 75 / 0 / 51

HEX #5F207E

RGB 95 32 126

HSL 280.21, 0.59%, 0.31%

LAB 26.66, 44.05, -40.57

 

CMYK 19 / 60 / 0 / 56

HEX #5B2D71

RGB 91 45 113

HSL 280.59, 0.43%, 0.31%

LAB 27.55, 33.5, -30.91

 

CMYK 14 / 42 / 0 / 61

HEX #563A64

RGB 86 58 100

HSL 280, 0.27%, 0.31%

LAB 29.22, 20.97, -20

 

CMYK 6 / 18 / 0 / 66

HEX #524757

RGB 82 71 87

HSL 281.25, 0.1%, 0.31%

LAB 31.78, 8.06, -7.77

 

CMYK 8 / 0 / 11 / 67

HEX #4D544B

RGB 77 84 75

HSL 106.67, 0.06%, 0.31%

LAB 34.86, -4.74, 4.31

 

CMYK 64 / 75 / 0 / 51

HEX #2D207E

RGB 45 32 126

HSL 248.3, 0.59%, 0.31%

LAB 20.43, 34.77, -50.98

 

CMYK 44 / 75 / 0 / 51

HEX #46207E

RGB 70 32 126

HSL 264.26, 0.59%, 0.31%

LAB 23.14, 38.94, -46.44

 

CMYK 25 / 75 / 0 / 51

HEX #5F207E

RGB 95 32 126

HSL 280.21, 0.59%, 0.31%

LAB 26.66, 44.05, -40.57

 

CMYK 6 / 75 / 0 / 51

HEX #77207E

RGB 119 32 126

HSL 295.53, 0.59%, 0.31%

LAB 30.55, 49.43, -34.11

 

CMYK 0 / 75 / 15 / 51

HEX #7E206B

RGB 126 32 107

HSL 312.13, 0.59%, 0.31%

LAB 30.71, 47.9, -21.71

 

CMYK 23 / 75 / 0 / 76

HEX #2E0F3C

RGB 46 15 60

HSL 281.33, 0.6%, 0.15%

LAB 10.91, 24.59, -22.26

 

CMYK 25 / 74 / 0 / 64

HEX #46185D

RGB 70 24 93

HSL 280, 0.59%, 0.23%

LAB 19, 34.34, -31.76

 

CMYK 25 / 75 / 0 / 51

HEX #5F207E

RGB 95 32 126

HSL 280.21, 0.59%, 0.31%

LAB 26.66, 44.05, -40.57

 

CMYK 24 / 74 / 0 / 38

HEX #78299E

RGB 120 41 158

HSL 280.51, 0.59%, 0.39%

LAB 34.08, 52.58, -48.17

 

CMYK 24 / 74 / 0 / 25

HEX #9131BF

RGB 145 49 191

HSL 280.56, 0.59%, 0.47%

LAB 41.18, 61.36, -56.16

 

CMYK 24 / 74 / 0 / 51

HEX #5E207C

RGB 94 32 124

HSL 280.43, 0.59%, 0.31%

LAB 26.36, 43.38, -39.8

 

CMYK 0 / 75 / 64 / 51

HEX #7E202D

RGB 126 32 45

HSL 351.7, 0.59%, 0.31%

LAB 28.53, 40.85, 15.91

 

CMYK 75 / 0 / 55 / 51

HEX #207E39

RGB 32 126 57

HSL 135.96, 0.59%, 0.31%

LAB 46.34, -42.57, 29.71

 

CMYK 24 / 74 / 0 / 51

HEX #5E207C

RGB 94 32 124

HSL 280.43, 0.59%, 0.31%

LAB 26.36, 43.38, -39.8

 

CMYK 0 / 25 / 75 / 51

HEX #7E5F20

RGB 126 95 32

HSL 40.21, 0.59%, 0.31%

LAB 42.34, 5.85, 39.27

 

CMYK 75 / 0 / 25 / 51

HEX #207E5F

RGB 32 126 95

HSL 160.21, 0.59%, 0.31%

LAB 47.05, -34.75, 9.24

 

CMYK 24 / 74 / 0 / 51

HEX #5E207C

RGB 94 32 124

HSL 280.43, 0.59%, 0.31%

LAB 26.36, 43.38, -39.8

 

CMYK 0 / 75 / 64 / 51

HEX #7E202D

RGB 126 32 45

HSL 351.7, 0.59%, 0.31%

LAB 28.53, 40.85, 15.91

 

CMYK 49 / 0 / 75 / 51

HEX #407E20

RGB 64 126 32

HSL 99.57, 0.59%, 0.31%

LAB 47.13, -37.35, 42.58

 

CMYK 75 / 0 / 10 / 51

HEX #207E71

RGB 32 126 113

HSL 171.7, 0.59%, 0.31%

LAB 47.52, -29.87, -0.67

 

CMYK 24 / 74 / 0 / 51

HEX #5E207C

RGB 94 32 124

HSL 280.43, 0.59%, 0.31%

LAB 26.36, 43.38, -39.8

 

CMYK 0 / 62 / 75 / 51

HEX #7E3020

RGB 126 48 32

HSL 10.21, 0.59%, 0.31%

LAB 31.01, 32.82, 27.17

 

CMYK 49 / 0 / 75 / 51

HEX #407E20

RGB 64 126 32

HSL 99.57, 0.59%, 0.31%

LAB 47.13, -37.35, 42.58

 

CMYK 75 / 13 / 0 / 51

HEX #206E7E

RGB 32 110 126

HSL 190.21, 0.59%, 0.31%

LAB 42.71, -17.51, -15.63

 

Description

Color code: HEX #5E207C | qconv.com Color code: HEX #5E207C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 32 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 32 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 74 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 74% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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