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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E1F2B it is the complementary color #A1E0D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E1F2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E1F2B shade: #631F26, #743139, #85434C, #96555F and #A76772

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E1F2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E1F2B shade: #5E1F2B, #4D0D18, #3C0005, #2B0000 and #1A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E1F2B shade: #60202C and #602020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E1F2B shade: #60202C, #60203D, #60204E, #602060 and #4E2060

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E1F2B shade matches the following richer shades: #60202C, #6A1626, #740B1F and #7F0119

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E1F2B shade: #60202C, #552A32, #4B3539, #413F3F and #364946

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E1F2B shade: #60204F, #60203E, #60202D, #602420 and #603520

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E1F2B shade: #220B10, #41161E, #60202C, #7F2A3A and #9E3549

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E1F2B shade: #5E1F2B, #606020 and #204660

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E1F2B shade: #5E1F2B, #2D6020 and #202D60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E1F2B shade: #5E1F2B, #606020, #206053 and #202060

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E1F2B shade: #5E1F2B, #4D6020, #206053 and #332060

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 54 / 63

HEX #5E1F2B

RGB 94 31 43

HSL 348.57, 0.5%, 0.25%

LAB 22.07, 29.8, 7.49

 

Complementary color

CMYK 28 / 0 / 5 / 12

HEX #A1E0D4

RGB 161 224 212

HSL 168.57, 0.5%, 0.75%

LAB 84.81, -22.38, -0.55

 

CMYK 0 / 69 / 62 / 61

HEX #631F26

RGB 99 31 38

HSL 353.82, 0.52%, 0.25%

LAB 22.9, 31.23, 12.22

 

CMYK 0 / 58 / 51 / 55

HEX #743139

RGB 116 49 57

HSL 352.84, 0.41%, 0.32%

LAB 29.92, 30.28, 9.56

 

CMYK 0 / 50 / 43 / 48

HEX #85434C

RGB 133 67 76

HSL 351.82, 0.33%, 0.39%

LAB 36.97, 29.19, 7.59

 

CMYK 0 / 43 / 37 / 41

HEX #96555F

RGB 150 85 95

HSL 350.77, 0.28%, 0.46%

LAB 43.96, 28.13, 6.04

 

CMYK 0 / 38 / 32 / 35

HEX #A76772

RGB 167 103 114

HSL 349.69, 0.27%, 0.53%

LAB 50.84, 27.15, 4.76

 

CMYK 0 / 67 / 54 / 63

HEX #5E1F2B

RGB 94 31 43

HSL 348.57, 0.5%, 0.25%

LAB 22.07, 29.8, 7.49

 

CMYK 0 / 83 / 69 / 70

HEX #4D0D18

RGB 77 13 24

HSL 349.69, 0.71%, 0.18%

LAB 15.12, 30.1, 10.97

 

CMYK 0 / 100 / 92 / 76

HEX #3C0005

RGB 60 0 5

HSL 355, 1%, 0.12%

LAB 8.75, 28.79, 11.78

 

CMYK 0 / 100 / 100 / 83

HEX #2B0000

RGB 43 0 0

HSL 0, 1%, 0.08%

LAB 4.64, 20.46, 7.33

 

CMYK 0 / 100 / 100 / 90

HEX #1A0000

RGB 26 0 0

HSL 0, 1%, 0.05%

LAB 1.98, 8.9, 3.14

 

CMYK 0 / 67 / 54 / 62

HEX #60202C

RGB 96 32 44

HSL 348.75, 0.5%, 0.25%

LAB 22.66, 30.16, 7.68

 

CMYK 0 / 67 / 67 / 62

HEX #602020

RGB 96 32 32

HSL 0, 0.5%, 0.25%

LAB 22.39, 29.11, 15.51

 

CMYK 0 / 67 / 54 / 62

HEX #60202C

RGB 96 32 44

HSL 348.75, 0.5%, 0.25%

LAB 22.66, 30.16, 7.68

 

CMYK 0 / 67 / 36 / 62

HEX #60203D

RGB 96 32 61

HSL 332.81, 0.5%, 0.25%

LAB 23.19, 32.16, -3.24

 

CMYK 0 / 67 / 19 / 62

HEX #60204E

RGB 96 32 78

HSL 316.88, 0.5%, 0.25%

LAB 23.9, 34.72, -13.69

 

CMYK 0 / 67 / 0 / 62

HEX #602060

RGB 96 32 96

HSL 300, 0.5%, 0.25%

LAB 24.84, 37.96, -24.17

 

CMYK 19 / 67 / 0 / 62

HEX #4E2060

RGB 78 32 96

HSL 283.13, 0.5%, 0.25%

LAB 21.93, 33, -28.96

 

CMYK 0 / 67 / 54 / 62

HEX #60202C

RGB 96 32 44

HSL 348.75, 0.5%, 0.25%

LAB 22.66, 30.16, 7.68

 

CMYK 0 / 79 / 64 / 58

HEX #6A1626

RGB 106 22 38

HSL 348.57, 0.66%, 0.25%

LAB 22.92, 37.54, 12.5

 

CMYK 0 / 91 / 73 / 55

HEX #740B1F

RGB 116 11 31

HSL 348.57, 0.83%, 0.25%

LAB 23.84, 43.39, 18.91

 

CMYK 0 / 99 / 80 / 50

HEX #7F0119

RGB 127 1 25

HSL 348.57, 0.98%, 0.25%

LAB 25.58, 48.17, 25.54

 

CMYK 0 / 67 / 54 / 62

HEX #60202C

RGB 96 32 44

HSL 348.75, 0.5%, 0.25%

LAB 22.66, 30.16, 7.68

 

CMYK 0 / 51 / 41 / 67

HEX #552A32

RGB 85 42 50

HSL 348.84, 0.34%, 0.25%

LAB 23.06, 20.85, 3.85

 

CMYK 0 / 29 / 24 / 71

HEX #4B3539

RGB 75 53 57

HSL 349.09, 0.17%, 0.25%

LAB 24.76, 10.58, 1.38

 

CMYK 0 / 3 / 3 / 75

HEX #413F3F

RGB 65 63 63

HSL 0, 0.02%, 0.25%

LAB 26.84, 0.85, 0.3

 

CMYK 26 / 0 / 4 / 71

HEX #364946

RGB 54 73 70

HSL 170.53, 0.15%, 0.25%

LAB 29.39, -8.19, -0.65

 

CMYK 0 / 67 / 18 / 62

HEX #60204F

RGB 96 32 79

HSL 315.94, 0.5%, 0.25%

LAB 23.95, 34.88, -14.29

 

CMYK 0 / 67 / 35 / 62

HEX #60203E

RGB 96 32 62

HSL 331.88, 0.5%, 0.25%

LAB 23.23, 32.29, -3.87

 

CMYK 0 / 67 / 53 / 62

HEX #60202D

RGB 96 32 45

HSL 347.81, 0.5%, 0.25%

LAB 22.69, 30.26, 7.03

 

CMYK 0 / 63 / 67 / 62

HEX #602420

RGB 96 36 32

HSL 3.75, 0.5%, 0.25%

LAB 23.18, 27.01, 16.52

 

CMYK 0 / 45 / 67 / 62

HEX #603520

RGB 96 53 32

HSL 19.69, 0.5%, 0.25%

LAB 27.12, 17.09, 21.38

 

CMYK 0 / 68 / 53 / 87

HEX #220B10

RGB 34 11 16

HSL 346.96, 0.51%, 0.09%

LAB 5.57, 11.73, 1.55

 

CMYK 0 / 66 / 54 / 75

HEX #41161E

RGB 65 22 30

HSL 348.84, 0.49%, 0.17%

LAB 14.35, 21.76, 5.13

 

CMYK 0 / 67 / 54 / 62

HEX #60202C

RGB 96 32 44

HSL 348.75, 0.5%, 0.25%

LAB 22.66, 30.16, 7.68

 

CMYK 0 / 67 / 54 / 50

HEX #7F2A3A

RGB 127 42 58

HSL 348.71, 0.5%, 0.33%

LAB 30.58, 37.96, 10.11

 

CMYK 0 / 66 / 54 / 38

HEX #9E3549

RGB 158 53 73

HSL 348.57, 0.5%, 0.41%

LAB 38.37, 45, 12.06

 

CMYK 0 / 67 / 54 / 63

HEX #5E1F2B

RGB 94 31 43

HSL 348.57, 0.5%, 0.25%

LAB 22.07, 29.8, 7.49

 

CMYK 0 / 0 / 67 / 62

HEX #606020

RGB 96 96 32

HSL 60, 0.5%, 0.25%

LAB 39.51, -9.12, 35.34

 

CMYK 67 / 27 / 0 / 62

HEX #204660

RGB 32 70 96

HSL 204.38, 0.5%, 0.25%

LAB 28.2, -4.46, -19.35

 

CMYK 0 / 67 / 54 / 63

HEX #5E1F2B

RGB 94 31 43

HSL 348.57, 0.5%, 0.25%

LAB 22.07, 29.8, 7.49

 

CMYK 53 / 0 / 67 / 62

HEX #2D6020

RGB 45 96 32

HSL 107.81, 0.5%, 0.25%

LAB 36.04, -30.61, 30.56

 

CMYK 67 / 53 / 0 / 62

HEX #202D60

RGB 32 45 96

HSL 227.81, 0.5%, 0.25%

LAB 20.16, 12.77, -32.09

 

CMYK 0 / 67 / 54 / 63

HEX #5E1F2B

RGB 94 31 43

HSL 348.57, 0.5%, 0.25%

LAB 22.07, 29.8, 7.49

 

CMYK 0 / 0 / 67 / 62

HEX #606020

RGB 96 96 32

HSL 60, 0.5%, 0.25%

LAB 39.51, -9.12, 35.34

 

CMYK 67 / 0 / 14 / 62

HEX #206053

RGB 32 96 83

HSL 167.81, 0.5%, 0.25%

LAB 36.55, -23.73, 1.45

 

CMYK 67 / 67 / 0 / 62

HEX #202060

RGB 32 32 96

HSL 240, 0.5%, 0.25%

LAB 16.43, 22.07, -38.13

 

CMYK 0 / 67 / 54 / 63

HEX #5E1F2B

RGB 94 31 43

HSL 348.57, 0.5%, 0.25%

LAB 22.07, 29.8, 7.49

 

CMYK 20 / 0 / 67 / 62

HEX #4D6020

RGB 77 96 32

HSL 77.81, 0.5%, 0.25%

LAB 37.93, -17.95, 33.18

 

CMYK 67 / 0 / 14 / 62

HEX #206053

RGB 32 96 83

HSL 167.81, 0.5%, 0.25%

LAB 36.55, -23.73, 1.45

 

CMYK 47 / 67 / 0 / 62

HEX #332060

RGB 51 32 96

HSL 257.81, 0.5%, 0.25%

LAB 18.28, 26.05, -35.03

 

Description

Color code: HEX #5E1F2B | qconv.com Color code: HEX #5E1F2B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 31 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 31 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 54 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 54% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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