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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E1DC9 it is the complementary color #A1E236. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E1DC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E1DC9 shade: #631DC4, #742FD7, #8541EA, #9653FD and #A765FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E1DC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E1DC9 shade: #5E1DC9, #4D0BB6, #3C00A3, #2B0090 and #1A007D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E1DC9 shade: #5E1DC9, #8C1DC9, #BB1DC9, #C91DA9 and #C91D7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E1DC9 shade: #5E1DC9, #2F1DC9 and #1D1DC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E1DC9 shade matches the following richer shades: #5E1DC9 and #590ADB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E1DC9 shade: #5E1DC9, #622FB6, #6742A4, #6B5491 and #70677F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E1DC9 shade: #1D39C9, #2E1DC9, #5C1DC9, #8A1DC9 and #B81DC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E1DC9 shade: #3C1281, #4D18A5, #5E1DC9, #712EE1 and #8A52E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E1DC9 shade: #5E1DC9, #C91D67 and #22C91D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E1DC9 shade: #5E1DC9, #C95C1D and #1DC95C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E1DC9 shade: #5E1DC9, #C91D67, #8AC91D and #1DC97E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E1DC9 shade: #5E1DC9, #C91D34, #8AC91D and #1DC9B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 86 / 0 / 21

HEX #5E1DC9

RGB 94 29 201

HSL 262.67, 0.75%, 0.45%

LAB 32.87, 63.12, -75.87

 

Complementary color

CMYK 29 / 0 / 76 / 11

HEX #A1E236

RGB 161 226 54

HSL 82.67, 0.75%, 0.55%

LAB 83.04, -44.37, 71.62

 

CMYK 49 / 85 / 0 / 23

HEX #631DC4

RGB 99 29 196

HSL 265.15, 0.74%, 0.44%

LAB 32.96, 62.44, -72.78

 

CMYK 46 / 78 / 0 / 16

HEX #742FD7

RGB 116 47 215

HSL 264.64, 0.68%, 0.51%

LAB 38.99, 62.76, -73.82

 

CMYK 43 / 72 / 0 / 8

HEX #8541EA

RGB 133 65 234

HSL 264.14, 0.8%, 0.59%

LAB 45.23, 62.36, -74.36

 

CMYK 41 / 67 / 0 / 1

HEX #9653FD

RGB 150 83 253

HSL 263.65, 0.98%, 0.66%

LAB 51.57, 61.6, -74.6

 

CMYK 35 / 60 / 0 / 0

HEX #A765FF

RGB 167 101 255

HSL 265.71, 1%, 0.7%

LAB 56.82, 56.5, -67.11

 

CMYK 53 / 86 / 0 / 21

HEX #5E1DC9

RGB 94 29 201

HSL 262.67, 0.75%, 0.45%

LAB 32.87, 63.12, -75.87

 

CMYK 58 / 94 / 0 / 29

HEX #4D0BB6

RGB 77 11 182

HSL 263.16, 0.89%, 0.38%

LAB 27.28, 61.62, -73.96

 

CMYK 63 / 100 / 0 / 36

HEX #3C00A3

RGB 60 0 163

HSL 262.09, 1%, 0.32%

LAB 22.32, 58.2, -70.8

 

CMYK 70 / 100 / 0 / 44

HEX #2B0090

RGB 43 0 144

HSL 257.92, 1%, 0.28%

LAB 18.04, 52.69, -66.27

 

CMYK 79 / 100 / 0 / 51

HEX #1A007D

RGB 26 0 125

HSL 252.48, 1%, 0.25%

LAB 13.83, 47.18, -61.33

 

CMYK 53 / 86 / 0 / 21

HEX #5E1DC9

RGB 94 29 201

HSL 262.67, 0.75%, 0.45%

LAB 32.87, 63.12, -75.87

 

CMYK 30 / 86 / 0 / 21

HEX #8C1DC9

RGB 140 29 201

HSL 278.72, 0.75%, 0.45%

LAB 39.02, 68.89, -65.54

 

CMYK 7 / 86 / 0 / 21

HEX #BB1DC9

RGB 187 29 201

HSL 295.12, 0.75%, 0.45%

LAB 46.53, 76.42, -53.03

 

CMYK 0 / 86 / 16 / 21

HEX #C91DA9

RGB 201 29 169

HSL 311.16, 0.75%, 0.45%

LAB 47.18, 74.35, -33.08

 

CMYK 0 / 86 / 39 / 21

HEX #C91D7A

RGB 201 29 122

HSL 327.56, 0.75%, 0.45%

LAB 45.22, 68.96, -7.7

 

CMYK 53 / 86 / 0 / 21

HEX #5E1DC9

RGB 94 29 201

HSL 262.67, 0.75%, 0.45%

LAB 32.87, 63.12, -75.87

 

CMYK 77 / 86 / 0 / 21

HEX #2F1DC9

RGB 47 29 201

HSL 246.28, 0.75%, 0.45%

LAB 28.64, 59.48, -83

 

CMYK 86 / 86 / 0 / 21

HEX #1D1DC9

RGB 29 29 201

HSL 240, 0.75%, 0.45%

LAB 27.73, 58.73, -84.55

 

CMYK 53 / 86 / 0 / 21

HEX #5E1DC9

RGB 94 29 201

HSL 262.67, 0.75%, 0.45%

LAB 32.87, 63.12, -75.87

 

CMYK 59 / 95 / 0 / 14

HEX #590ADB

RGB 89 10 219

HSL 262.68, 0.91%, 0.45%

LAB 32.82, 71.35, -86.41

 

CMYK 53 / 86 / 0 / 21

HEX #5E1DC9

RGB 94 29 201

HSL 262.67, 0.75%, 0.45%

LAB 32.87, 63.12, -75.87

 

CMYK 46 / 74 / 0 / 29

HEX #622FB6

RGB 98 47 182

HSL 262.67, 0.59%, 0.45%

LAB 34, 51.64, -62.81

 

CMYK 37 / 60 / 0 / 36

HEX #6742A4

RGB 103 66 164

HSL 262.65, 0.43%, 0.45%

LAB 36.86, 37.75, -47.42

 

CMYK 26 / 42 / 0 / 43

HEX #6B5491

RGB 107 84 145

HSL 262.62, 0.27%, 0.45%

LAB 40.43, 22.98, -30.28

 

CMYK 12 / 19 / 0 / 50

HEX #70677F

RGB 112 103 127

HSL 262.5, 0.1%, 0.45%

LAB 45.19, 8.62, -12.04

 

CMYK 86 / 72 / 0 / 21

HEX #1D39C9

RGB 29 57 201

HSL 230.23, 0.75%, 0.45%

LAB 32.71, 44.39, -76.28

 

CMYK 77 / 86 / 0 / 21

HEX #2E1DC9

RGB 46 29 201

HSL 245.93, 0.75%, 0.45%

LAB 28.58, 59.43, -83.1

 

CMYK 54 / 86 / 0 / 21

HEX #5C1DC9

RGB 92 29 201

HSL 261.98, 0.75%, 0.45%

LAB 32.64, 62.91, -76.26

 

CMYK 31 / 86 / 0 / 21

HEX #8A1DC9

RGB 138 29 201

HSL 278.02, 0.75%, 0.45%

LAB 38.72, 68.6, -66.04

 

CMYK 8 / 86 / 0 / 21

HEX #B81DC9

RGB 184 29 201

HSL 294.07, 0.75%, 0.45%

LAB 46.02, 75.9, -53.86

 

CMYK 53 / 86 / 0 / 49

HEX #3C1281

RGB 60 18 129

HSL 262.7, 0.76%, 0.29%

LAB 19.96, 44.57, -53.61

 

CMYK 53 / 85 / 0 / 35

HEX #4D18A5

RGB 77 24 165

HSL 262.55, 0.75%, 0.37%

LAB 26.59, 53.88, -64.89

 

CMYK 53 / 86 / 0 / 21

HEX #5E1DC9

RGB 94 29 201

HSL 262.67, 0.75%, 0.45%

LAB 32.87, 63.12, -75.87

 

CMYK 50 / 80 / 0 / 12

HEX #712EE1

RGB 113 46 225

HSL 262.46, 0.75%, 0.53%

LAB 39.41, 65.22, -78.87

 

CMYK 40 / 64 / 0 / 10

HEX #8A52E6

RGB 138 82 230

HSL 262.7, 0.75%, 0.61%

LAB 48.45, 54.02, -66.84

 

CMYK 53 / 86 / 0 / 21

HEX #5E1DC9

RGB 94 29 201

HSL 262.67, 0.75%, 0.45%

LAB 32.87, 63.12, -75.87

 

CMYK 0 / 86 / 49 / 21

HEX #C91D67

RGB 201 29 103

HSL 334.19, 0.75%, 0.45%

LAB 44.63, 67.27, 3.18

 

CMYK 83 / 0 / 86 / 21

HEX #22C91D

RGB 34 201 29

HSL 118.26, 0.75%, 0.45%

LAB 71.01, -69.13, 65.69

 

CMYK 53 / 86 / 0 / 21

HEX #5E1DC9

RGB 94 29 201

HSL 262.67, 0.75%, 0.45%

LAB 32.87, 63.12, -75.87

 

CMYK 0 / 54 / 86 / 21

HEX #C95C1D

RGB 201 92 29

HSL 21.98, 0.75%, 0.45%

LAB 52.02, 40.05, 53.26

 

CMYK 86 / 0 / 54 / 21

HEX #1DC95C

RGB 29 201 92

HSL 141.98, 0.75%, 0.45%

LAB 71.42, -63.79, 42.7

 

CMYK 53 / 86 / 0 / 21

HEX #5E1DC9

RGB 94 29 201

HSL 262.67, 0.75%, 0.45%

LAB 32.87, 63.12, -75.87

 

CMYK 0 / 86 / 49 / 21

HEX #C91D67

RGB 201 29 103

HSL 334.19, 0.75%, 0.45%

LAB 44.63, 67.27, 3.18

 

CMYK 31 / 0 / 86 / 21

HEX #8AC91D

RGB 138 201 29

HSL 81.98, 0.75%, 0.45%

LAB 74.36, -43.14, 69.91

 

CMYK 86 / 0 / 37 / 21

HEX #1DC97E

RGB 29 201 126

HSL 153.84, 0.75%, 0.45%

LAB 71.92, -57.93, 26.22

 

CMYK 53 / 86 / 0 / 21

HEX #5E1DC9

RGB 94 29 201

HSL 262.67, 0.75%, 0.45%

LAB 32.87, 63.12, -75.87

 

CMYK 0 / 86 / 74 / 21

HEX #C91D34

RGB 201 29 52

HSL 351.98, 0.75%, 0.45%

LAB 43.57, 64.21, 33.37

 

CMYK 31 / 0 / 86 / 21

HEX #8AC91D

RGB 138 201 29

HSL 81.98, 0.75%, 0.45%

LAB 74.36, -43.14, 69.91

 

CMYK 86 / 0 / 11 / 21

HEX #1DC9B2

RGB 29 201 178

HSL 171.98, 0.75%, 0.45%

LAB 73.06, -45.6, -0.04

 

Description

Color code: HEX #5E1DC9 | qconv.com Color code: HEX #5E1DC9 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 29 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 29 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 86 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 86% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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