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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E1961 it is the complementary color #A1E69E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E1961. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E1961 shade: #63195C, #742B6F, #853D82, #964F95 and #A761A8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E1961. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E1961 shade: #5E1961, #4D074E, #3C003B, #2B0028 and #1A0015

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E1961 shade: #5E1961, #611950, #61193D, #611929 and #611919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E1961 shade: #5E1961, #4A1961, #371961, #231961 and #191961

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E1961 shade matches the following richer shades: #5E1961, #670F6B and #700575

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E1961 shade: #5E1961, #552257, #4C2C4D, #433643 and #394039

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E1961 shade: #371961, #4A1961, #5D1961, #611951 and #61193E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E1961 shade: #1E081F, #3E1040, #5E1961, #7E2182 and #9D2AA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E1961 shade: #5E1961, #612319 and #196140

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E1961 shade: #5E1961, #615D19 and #19615D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E1961 shade: #5E1961, #612319, #1C6119 and #195661

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E1961 shade: #5E1961, #613919, #1C6119 and #194061

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 74 / 0 / 62

HEX #5E1961

RGB 94 25 97

HSL 297.5, 0.59%, 0.24%

LAB 23.47, 40.68, -27.02

 

Complementary color

CMYK 30 / 0 / 31 / 10

HEX #A1E69E

RGB 161 230 158

HSL 117.5, 0.59%, 0.76%

LAB 85.32, -35.36, 28.39

 

CMYK 0 / 75 / 7 / 61

HEX #63195C

RGB 99 25 92

HSL 305.68, 0.6%, 0.24%

LAB 24.07, 41.04, -22.72

 

CMYK 0 / 63 / 4 / 55

HEX #742B6F

RGB 116 43 111

HSL 304.11, 0.46%, 0.31%

LAB 30.85, 41.24, -24.17

 

CMYK 0 / 54 / 2 / 48

HEX #853D82

RGB 133 61 130

HSL 302.5, 0.37%, 0.38%

LAB 37.73, 40.83, -25.13

 

CMYK 0 / 47 / 1 / 41

HEX #964F95

RGB 150 79 149

HSL 300.85, 0.31%, 0.45%

LAB 44.58, 40.17, -25.81

 

CMYK 1 / 42 / 0 / 34

HEX #A761A8

RGB 167 97 168

HSL 299.15, 0.29%, 0.52%

LAB 51.37, 39.41, -26.35

 

CMYK 3 / 74 / 0 / 62

HEX #5E1961

RGB 94 25 97

HSL 297.5, 0.59%, 0.24%

LAB 23.47, 40.68, -27.02

 

CMYK 1 / 91 / 0 / 69

HEX #4D074E

RGB 77 7 78

HSL 299.15, 0.84%, 0.17%

LAB 16.89, 39.26, -24.94

 

CMYK 0 / 100 / 2 / 76

HEX #3C003B

RGB 60 0 59

HSL 301, 1%, 0.12%

LAB 11.11, 34.82, -21.07

 

CMYK 0 / 100 / 7 / 83

HEX #2B0028

RGB 43 0 40

HSL 304.19, 1%, 0.08%

LAB 6.02, 27.03, -15.35

 

CMYK 0 / 100 / 19 / 90

HEX #1A0015

RGB 26 0 21

HSL 311.54, 1%, 0.05%

LAB 2.47, 12.34, -6.22

 

CMYK 3 / 74 / 0 / 62

HEX #5E1961

RGB 94 25 97

HSL 297.5, 0.59%, 0.24%

LAB 23.47, 40.68, -27.02

 

CMYK 0 / 74 / 18 / 62

HEX #611950

RGB 97 25 80

HSL 314.17, 0.59%, 0.24%

LAB 23.05, 38.47, -16.33

 

CMYK 0 / 74 / 37 / 62

HEX #61193D

RGB 97 25 61

HSL 330, 0.59%, 0.24%

LAB 22.21, 35.71, -4.69

 

CMYK 0 / 74 / 58 / 62

HEX #611929

RGB 97 25 41

HSL 346.67, 0.59%, 0.24%

LAB 21.57, 33.53, 8.28

 

CMYK 0 / 74 / 74 / 62

HEX #611919

RGB 97 25 25

HSL 0, 0.59%, 0.24%

LAB 21.23, 32.35, 18.83

 

CMYK 3 / 74 / 0 / 62

HEX #5E1961

RGB 94 25 97

HSL 297.5, 0.59%, 0.24%

LAB 23.47, 40.68, -27.02

 

CMYK 24 / 74 / 0 / 62

HEX #4A1961

RGB 74 25 97

HSL 280.83, 0.59%, 0.24%

LAB 20.1, 35.77, -32.6

 

CMYK 43 / 74 / 0 / 62

HEX #371961

RGB 55 25 97

HSL 265, 0.59%, 0.24%

LAB 17.32, 31.45, -37.23

 

CMYK 64 / 74 / 0 / 62

HEX #231961

RGB 35 25 97

HSL 248.33, 0.59%, 0.24%

LAB 15.04, 27.64, -41.05

 

CMYK 74 / 74 / 0 / 62

HEX #191961

RGB 25 25 97

HSL 240, 0.59%, 0.24%

LAB 14.2, 26.17, -42.46

 

CMYK 3 / 74 / 0 / 62

HEX #5E1961

RGB 94 25 97

HSL 297.5, 0.59%, 0.24%

LAB 23.47, 40.68, -27.02

 

CMYK 4 / 86 / 0 / 58

HEX #670F6B

RGB 103 15 107

HSL 297.39, 0.75%, 0.24%

LAB 24.6, 47.89, -31.65

 

CMYK 4 / 96 / 0 / 54

HEX #700575

RGB 112 5 117

HSL 297.32, 0.92%, 0.24%

LAB 26.27, 53.44, -35.32

 

CMYK 3 / 74 / 0 / 62

HEX #5E1961

RGB 94 25 97

HSL 297.5, 0.59%, 0.24%

LAB 23.47, 40.68, -27.02

 

CMYK 2 / 61 / 0 / 66

HEX #552257

RGB 85 34 87

HSL 297.74, 0.44%, 0.24%

LAB 22.87, 31.95, -21.45

 

CMYK 1 / 43 / 0 / 70

HEX #4C2C4D

RGB 76 44 77

HSL 298.18, 0.27%, 0.24%

LAB 23.25, 20.89, -14.29

 

CMYK 0 / 19 / 0 / 74

HEX #433643

RGB 67 54 67

HSL 300, 0.11%, 0.24%

LAB 24.44, 8.52, -5.89

 

CMYK 11 / 0 / 11 / 75

HEX #394039

RGB 57 64 57

HSL 120, 0.06%, 0.24%

LAB 26.25, -4.52, 3.3

 

CMYK 43 / 74 / 0 / 62

HEX #371961

RGB 55 25 97

HSL 265, 0.59%, 0.24%

LAB 17.32, 31.45, -37.23

 

CMYK 24 / 74 / 0 / 62

HEX #4A1961

RGB 74 25 97

HSL 280.83, 0.59%, 0.24%

LAB 20.1, 35.77, -32.6

 

CMYK 4 / 74 / 0 / 62

HEX #5D1961

RGB 93 25 97

HSL 296.67, 0.59%, 0.24%

LAB 23.29, 40.43, -27.31

 

CMYK 0 / 74 / 16 / 62

HEX #611951

RGB 97 25 81

HSL 313.33, 0.59%, 0.24%

LAB 23.1, 38.64, -16.93

 

CMYK 0 / 74 / 36 / 62

HEX #61193E

RGB 97 25 62

HSL 329.17, 0.59%, 0.24%

LAB 22.25, 35.84, -5.32

 

CMYK 3 / 74 / 0 / 88

HEX #1E081F

RGB 30 8 31

HSL 297.39, 0.59%, 0.08%

LAB 4.96, 14.25, -10.23

 

CMYK 3 / 75 / 0 / 75

HEX #3E1040

RGB 62 16 64

HSL 297.5, 0.6%, 0.16%

LAB 14.2, 29.53, -19.68

 

CMYK 3 / 74 / 0 / 62

HEX #5E1961

RGB 94 25 97

HSL 297.5, 0.59%, 0.24%

LAB 23.47, 40.68, -27.02

 

CMYK 3 / 75 / 0 / 49

HEX #7E2182

RGB 126 33 130

HSL 297.53, 0.6%, 0.32%

LAB 32.11, 51.4, -34.05

 

CMYK 3 / 74 / 0 / 36

HEX #9D2AA2

RGB 157 42 162

HSL 297.5, 0.59%, 0.4%

LAB 40.3, 60.81, -40.29

 

CMYK 3 / 74 / 0 / 62

HEX #5E1961

RGB 94 25 97

HSL 297.5, 0.59%, 0.24%

LAB 23.47, 40.68, -27.02

 

CMYK 0 / 64 / 74 / 62

HEX #612319

RGB 97 35 25

HSL 8.33, 0.59%, 0.24%

LAB 23.05, 27.48, 20.97

 

CMYK 74 / 0 / 34 / 62

HEX #196140

RGB 25 97 64

HSL 152.5, 0.59%, 0.24%

LAB 36.23, -30.54, 12.62

 

CMYK 3 / 74 / 0 / 62

HEX #5E1961

RGB 94 25 97

HSL 297.5, 0.59%, 0.24%

LAB 23.47, 40.68, -27.02

 

CMYK 0 / 4 / 74 / 62

HEX #615D19

RGB 97 93 25

HSL 56.67, 0.59%, 0.24%

LAB 38.62, -7.37, 37.64

 

CMYK 74 / 0 / 4 / 62

HEX #19615D

RGB 25 97 93

HSL 176.67, 0.59%, 0.24%

LAB 37.02, -22.47, -4.08

 

CMYK 3 / 74 / 0 / 62

HEX #5E1961

RGB 94 25 97

HSL 297.5, 0.59%, 0.24%

LAB 23.47, 40.68, -27.02

 

CMYK 0 / 64 / 74 / 62

HEX #612319

RGB 97 35 25

HSL 8.33, 0.59%, 0.24%

LAB 23.05, 27.48, 20.97

 

CMYK 71 / 0 / 74 / 62

HEX #1C6119

RGB 28 97 25

HSL 117.5, 0.59%, 0.24%

LAB 35.73, -36.5, 33.33

 

CMYK 74 / 11 / 0 / 62

HEX #195661

RGB 25 86 97

HSL 189.17, 0.59%, 0.24%

LAB 33.4, -15.13, -12

 

CMYK 3 / 74 / 0 / 62

HEX #5E1961

RGB 94 25 97

HSL 297.5, 0.59%, 0.24%

LAB 23.47, 40.68, -27.02

 

CMYK 0 / 41 / 74 / 62

HEX #613919

RGB 97 57 25

HSL 26.67, 0.59%, 0.24%

LAB 28.22, 14.6, 26.82

 

CMYK 71 / 0 / 74 / 62

HEX #1C6119

RGB 28 97 25

HSL 117.5, 0.59%, 0.24%

LAB 35.73, -36.5, 33.33

 

CMYK 74 / 34 / 0 / 62

HEX #194061

RGB 25 64 97

HSL 207.5, 0.59%, 0.24%

LAB 25.97, -1.49, -23.51

 

Description

Color code: HEX #5E1961 | qconv.com Color code: HEX #5E1961 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 25 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 25 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 74 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 74% 0% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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