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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E18A8 it is the complementary color #A1E757. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E18A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E18A8 shade: #6318A3, #742AB6, #853CC9, #964EDC and #A760EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E18A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E18A8 shade: #5E18A8, #4D0695, #3C0082, #2B006F and #1A005C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E18A8 shade: #5F18AA, #8618AA, #AA18A6, #AA187F and #AA1857

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E18A8 shade: #5F18AA, #3818AA and #1818AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E18A8 shade matches the following richer shades: #5F18AA and #5E09B9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E18A8 shade: #5F18AA, #5F289A, #60388A, #60477B and #61576B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E18A8 shade: #181FAA, #3818AA, #5E18AA, #8518AA and #AA18A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E18A8 shade: #360E61, #4B1385, #5F18AA, #731DCE and #8833E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E18A8 shade: #5E18A8, #AA1846 and #18AA24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E18A8 shade: #5E18A8, #AA5E18 and #18AA5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E18A8 shade: #5E18A8, #AA1846, #63AA18 and #18AA7C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E18A8 shade: #5E18A8, #AA181B, #63AA18 and #18AAA7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 86 / 0 / 34

HEX #5E18A8

RGB 94 24 168

HSL 269.17, 0.75%, 0.38%

LAB 29.06, 56.7, -62.56

 

Complementary color

CMYK 30 / 0 / 62 / 9

HEX #A1E757

RGB 161 231 87

HSL 89.17, 0.75%, 0.62%

LAB 84.7, -44.36, 61.32

 

CMYK 39 / 85 / 0 / 36

HEX #6318A3

RGB 99 24 163

HSL 272.37, 0.74%, 0.37%

LAB 29.29, 56.21, -59.13

 

CMYK 36 / 77 / 0 / 29

HEX #742AB6

RGB 116 42 182

HSL 271.71, 0.63%, 0.44%

LAB 35.49, 56.83, -60.28

 

CMYK 34 / 70 / 0 / 21

HEX #853CC9

RGB 133 60 201

HSL 271.06, 0.57%, 0.51%

LAB 41.9, 56.64, -60.9

 

CMYK 32 / 65 / 0 / 14

HEX #964EDC

RGB 150 78 220

HSL 270.42, 0.67%, 0.58%

LAB 48.39, 56.04, -61.21

 

CMYK 30 / 60 / 0 / 6

HEX #A760EF

RGB 167 96 239

HSL 269.79, 0.82%, 0.66%

LAB 54.88, 55.24, -61.36

 

CMYK 44 / 86 / 0 / 34

HEX #5E18A8

RGB 94 24 168

HSL 269.17, 0.75%, 0.38%

LAB 29.06, 56.7, -62.56

 

CMYK 48 / 96 / 0 / 42

HEX #4D0695

RGB 77 6 149

HSL 269.79, 0.92%, 0.3%

LAB 23.26, 54.8, -60.59

 

CMYK 54 / 100 / 0 / 49

HEX #3C0082

RGB 60 0 130

HSL 267.69, 1%, 0.25%

LAB 18.24, 50.29, -57.07

 

CMYK 61 / 100 / 0 / 56

HEX #2B006F

RGB 43 0 111

HSL 263.24, 1%, 0.22%

LAB 13.6, 44.37, -52.62

 

CMYK 72 / 100 / 0 / 64

HEX #1A005C

RGB 26 0 92

HSL 256.96, 1%, 0.18%

LAB 8.93, 38.38, -47.83

 

CMYK 44 / 86 / 0 / 33

HEX #5F18AA

RGB 95 24 170

HSL 269.18, 0.75%, 0.38%

LAB 29.38, 57.3, -63.23

 

CMYK 21 / 86 / 0 / 33

HEX #8618AA

RGB 134 24 170

HSL 285.21, 0.75%, 0.38%

LAB 35.25, 63.08, -53.4

 

CMYK 0 / 86 / 2 / 33

HEX #AA18A6

RGB 170 24 166

HSL 301.64, 0.75%, 0.38%

LAB 41.14, 68.8, -41.21

 

CMYK 0 / 86 / 25 / 33

HEX #AA187F

RGB 170 24 127

HSL 317.67, 0.75%, 0.38%

LAB 39.12, 63.39, -20.62

 

CMYK 0 / 86 / 49 / 33

HEX #AA1857

RGB 170 24 87

HSL 334.11, 0.75%, 0.38%

LAB 37.64, 59.21, 2.42

 

CMYK 44 / 86 / 0 / 33

HEX #5F18AA

RGB 95 24 170

HSL 269.18, 0.75%, 0.38%

LAB 29.38, 57.3, -63.23

 

CMYK 67 / 86 / 0 / 33

HEX #3818AA

RGB 56 24 170

HSL 253.15, 0.75%, 0.38%

LAB 24.94, 53.21, -70.71

 

CMYK 86 / 86 / 0 / 33

HEX #1818AA

RGB 24 24 170

HSL 240, 0.75%, 0.38%

LAB 22.83, 51.39, -74.28

 

CMYK 44 / 86 / 0 / 33

HEX #5F18AA

RGB 95 24 170

HSL 269.18, 0.75%, 0.38%

LAB 29.38, 57.3, -63.23

 

CMYK 49 / 95 / 0 / 27

HEX #5E09B9

RGB 94 9 185

HSL 268.98, 0.91%, 0.38%

LAB 29.61, 64.1, -71.83

 

CMYK 44 / 86 / 0 / 33

HEX #5F18AA

RGB 95 24 170

HSL 269.18, 0.75%, 0.38%

LAB 29.38, 57.3, -63.23

 

CMYK 38 / 74 / 0 / 40

HEX #5F289A

RGB 95 40 154

HSL 268.95, 0.59%, 0.38%

LAB 30.12, 47.16, -52.33

 

CMYK 30 / 59 / 0 / 46

HEX #60388A

RGB 96 56 138

HSL 269.27, 0.42%, 0.38%

LAB 32.15, 34.84, -39.22

 

CMYK 22 / 42 / 0 / 52

HEX #60477B

RGB 96 71 123

HSL 268.85, 0.27%, 0.38%

LAB 34.85, 21.89, -25.64

 

CMYK 9 / 19 / 0 / 58

HEX #61576B

RGB 97 87 107

HSL 270, 0.1%, 0.38%

LAB 38.58, 8.32, -9.96

 

CMYK 86 / 82 / 0 / 33

HEX #181FAA

RGB 24 31 170

HSL 237.12, 0.75%, 0.38%

LAB 23.92, 48.15, -72.46

 

CMYK 67 / 86 / 0 / 33

HEX #3818AA

RGB 56 24 170

HSL 253.15, 0.75%, 0.38%

LAB 24.94, 53.21, -70.71

 

CMYK 45 / 86 / 0 / 33

HEX #5E18AA

RGB 94 24 170

HSL 268.77, 0.75%, 0.38%

LAB 29.25, 57.17, -63.45

 

CMYK 22 / 86 / 0 / 33

HEX #8518AA

RGB 133 24 170

HSL 284.79, 0.75%, 0.38%

LAB 35.09, 62.91, -53.67

 

CMYK 0 / 86 / 2 / 33

HEX #AA18A7

RGB 170 24 167

HSL 301.23, 0.75%, 0.38%

LAB 41.2, 68.95, -41.71

 

CMYK 44 / 86 / 0 / 62

HEX #360E61

RGB 54 14 97

HSL 268.92, 0.75%, 0.22%

LAB 15.28, 36.67, -40.56

 

CMYK 44 / 86 / 0 / 48

HEX #4B1385

RGB 75 19 133

HSL 269.47, 0.75%, 0.3%

LAB 22.5, 47.26, -51.88

 

CMYK 44 / 86 / 0 / 33

HEX #5F18AA

RGB 95 24 170

HSL 269.18, 0.75%, 0.38%

LAB 29.38, 57.3, -63.23

 

CMYK 44 / 86 / 0 / 19

HEX #731DCE

RGB 115 29 206

HSL 269.15, 0.75%, 0.46%

LAB 35.95, 66.65, -73.62

 

CMYK 40 / 77 / 0 / 11

HEX #8833E2

RGB 136 51 226

HSL 269.14, 0.75%, 0.54%

LAB 42.9, 66.74, -73.61

 

CMYK 44 / 86 / 0 / 34

HEX #5E18A8

RGB 94 24 168

HSL 269.17, 0.75%, 0.38%

LAB 29.06, 56.7, -62.56

 

CMYK 0 / 86 / 59 / 33

HEX #AA1846

RGB 170 24 70

HSL 341.1, 0.75%, 0.38%

LAB 37.19, 57.91, 12.73

 

CMYK 86 / 0 / 79 / 33

HEX #18AA24

RGB 24 170 36

HSL 124.93, 0.75%, 0.38%

LAB 60.84, -60.61, 54.38

 

CMYK 44 / 86 / 0 / 34

HEX #5E18A8

RGB 94 24 168

HSL 269.17, 0.75%, 0.38%

LAB 29.06, 56.7, -62.56

 

CMYK 0 / 45 / 86 / 33

HEX #AA5E18

RGB 170 94 24

HSL 28.77, 0.75%, 0.38%

LAB 47.77, 26.15, 49.7

 

CMYK 86 / 0 / 45 / 33

HEX #18AA5E

RGB 24 170 94

HSL 148.77, 0.75%, 0.38%

LAB 61.44, -53.34, 29.2

 

CMYK 44 / 86 / 0 / 34

HEX #5E18A8

RGB 94 24 168

HSL 269.17, 0.75%, 0.38%

LAB 29.06, 56.7, -62.56

 

CMYK 0 / 86 / 59 / 33

HEX #AA1846

RGB 170 24 70

HSL 341.1, 0.75%, 0.38%

LAB 37.19, 57.91, 12.73

 

CMYK 42 / 0 / 86 / 33

HEX #63AA18

RGB 99 170 24

HSL 89.18, 0.75%, 0.38%

LAB 62.9, -44.26, 60.35

 

CMYK 86 / 0 / 27 / 33

HEX #18AA7C

RGB 24 170 124

HSL 161.1, 0.75%, 0.38%

LAB 62, -47.01, 13.72

 

CMYK 44 / 86 / 0 / 34

HEX #5E18A8

RGB 94 24 168

HSL 269.17, 0.75%, 0.38%

LAB 29.06, 56.7, -62.56

 

CMYK 0 / 86 / 84 / 33

HEX #AA181B

RGB 170 24 27

HSL 358.77, 0.75%, 0.38%

LAB 36.51, 55.92, 38.43

 

CMYK 42 / 0 / 86 / 33

HEX #63AA18

RGB 99 170 24

HSL 89.18, 0.75%, 0.38%

LAB 62.9, -44.26, 60.35

 

CMYK 86 / 0 / 2 / 33

HEX #18AAA7

RGB 24 170 167

HSL 178.77, 0.75%, 0.38%

LAB 63.12, -35.33, -8.64

 

Description

Color code: HEX #5E18A8 | qconv.com Color code: HEX #5E18A8 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 24 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 24 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 86 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 86% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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