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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E18A6 it is the complementary color #A1E759. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E18A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E18A6 shade: #6318A1, #742AB4, #853CC7, #964EDA and #A760ED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E18A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E18A6 shade: #5E18A6, #4D0693, #3C0080, #2B006D and #1A005A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E18A6 shade: #5D17A5, #8317A5, #A517A0, #A5177A and #A51754

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E18A6 shade: #5D17A5, #3717A5 and #1717A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E18A6 shade matches the following richer shades: #5D17A5 and #5D08B4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E18A6 shade: #5D17A5, #5D2695, #5D3686, #5E4577 and #5E5468

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E18A6 shade: #171EA5, #3617A5, #5B17A5, #8117A5 and #A517A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E18A6 shade: #340D5C, #481281, #5D17A5, #711CC9 and #862EE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E18A6 shade: #5E18A6, #A51744 and #17A523

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E18A6 shade: #5E18A6, #A55B17 and #17A55B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E18A6 shade: #5E18A6, #A51744, #60A517 and #17A578

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E18A6 shade: #5E18A6, #A51719, #60A517 and #17A5A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 86 / 0 / 35

HEX #5E18A6

RGB 94 24 166

HSL 269.58, 0.75%, 0.37%

LAB 28.87, 56.22, -61.67

 

Complementary color

CMYK 30 / 0 / 61 / 9

HEX #A1E759

RGB 161 231 89

HSL 89.58, 0.75%, 0.63%

LAB 84.72, -44.2, 60.51

 

CMYK 39 / 85 / 0 / 37

HEX #6318A1

RGB 99 24 161

HSL 272.85, 0.74%, 0.36%

LAB 29.11, 55.75, -58.22

 

CMYK 36 / 77 / 0 / 29

HEX #742AB4

RGB 116 42 180

HSL 272.17, 0.62%, 0.44%

LAB 35.33, 56.37, -59.36

 

CMYK 33 / 70 / 0 / 22

HEX #853CC7

RGB 133 60 199

HSL 271.51, 0.55%, 0.51%

LAB 41.75, 56.17, -59.97

 

CMYK 31 / 64 / 0 / 15

HEX #964EDA

RGB 150 78 218

HSL 270.86, 0.65%, 0.58%

LAB 48.25, 55.57, -60.29

 

CMYK 30 / 59 / 0 / 7

HEX #A760ED

RGB 167 96 237

HSL 270.21, 0.8%, 0.65%

LAB 54.76, 54.77, -60.44

 

CMYK 43 / 86 / 0 / 35

HEX #5E18A6

RGB 94 24 166

HSL 269.58, 0.75%, 0.37%

LAB 28.87, 56.22, -61.67

 

CMYK 48 / 96 / 0 / 42

HEX #4D0693

RGB 77 6 147

HSL 270.21, 0.92%, 0.3%

LAB 23.05, 54.33, -59.7

 

CMYK 53 / 100 / 0 / 50

HEX #3C0080

RGB 60 0 128

HSL 268.13, 1%, 0.25%

LAB 18.01, 49.82, -56.19

 

CMYK 61 / 100 / 0 / 57

HEX #2B006D

RGB 43 0 109

HSL 263.67, 1%, 0.21%

LAB 13.34, 43.86, -51.74

 

CMYK 71 / 100 / 0 / 65

HEX #1A005A

RGB 26 0 90

HSL 257.33, 1%, 0.18%

LAB 8.63, 37.84, -46.97

 

CMYK 44 / 86 / 0 / 35

HEX #5D17A5

RGB 93 23 165

HSL 269.58, 0.76%, 0.37%

LAB 28.53, 56.17, -61.62

 

CMYK 21 / 86 / 0 / 35

HEX #8317A5

RGB 131 23 165

HSL 285.63, 0.76%, 0.37%

LAB 34.3, 61.86, -51.96

 

CMYK 0 / 86 / 3 / 35

HEX #A517A0

RGB 165 23 160

HSL 302.11, 0.76%, 0.37%

LAB 39.83, 67.12, -39.74

 

CMYK 0 / 86 / 26 / 35

HEX #A5177A

RGB 165 23 122

HSL 318.17, 0.76%, 0.37%

LAB 37.87, 61.86, -19.51

 

CMYK 0 / 86 / 49 / 35

HEX #A51754

RGB 165 23 84

HSL 334.23, 0.76%, 0.37%

LAB 36.47, 57.89, 2.52

 

CMYK 44 / 86 / 0 / 35

HEX #5D17A5

RGB 93 23 165

HSL 269.58, 0.76%, 0.37%

LAB 28.53, 56.17, -61.62

 

CMYK 67 / 86 / 0 / 35

HEX #3717A5

RGB 55 23 165

HSL 253.52, 0.76%, 0.37%

LAB 24.13, 52.11, -69.02

 

CMYK 86 / 86 / 0 / 35

HEX #1717A5

RGB 23 23 165

HSL 240, 0.76%, 0.37%

LAB 21.99, 50.26, -72.65

 

CMYK 44 / 86 / 0 / 35

HEX #5D17A5

RGB 93 23 165

HSL 269.58, 0.76%, 0.37%

LAB 28.53, 56.17, -61.62

 

CMYK 48 / 96 / 0 / 29

HEX #5D08B4

RGB 93 8 180

HSL 269.65, 0.91%, 0.37%

LAB 28.89, 63.05, -70.04

 

CMYK 44 / 86 / 0 / 35

HEX #5D17A5

RGB 93 23 165

HSL 269.58, 0.76%, 0.37%

LAB 28.53, 56.17, -61.62

 

CMYK 38 / 74 / 0 / 42

HEX #5D2695

RGB 93 38 149

HSL 269.73, 0.59%, 0.37%

LAB 29.12, 46.45, -50.91

 

CMYK 31 / 60 / 0 / 47

HEX #5D3686

RGB 93 54 134

HSL 269.25, 0.43%, 0.37%

LAB 31.08, 34.17, -38.47

 

CMYK 21 / 42 / 0 / 53

HEX #5E4577

RGB 94 69 119

HSL 270, 0.27%, 0.37%

LAB 33.92, 21.47, -24.63

 

CMYK 10 / 19 / 0 / 59

HEX #5E5468

RGB 94 84 104

HSL 270, 0.11%, 0.37%

LAB 37.33, 8.37, -10.01

 

CMYK 86 / 82 / 0 / 35

HEX #171EA5

RGB 23 30 165

HSL 237.04, 0.76%, 0.37%

LAB 23.09, 46.99, -70.81

 

CMYK 67 / 86 / 0 / 35

HEX #3617A5

RGB 54 23 165

HSL 253.1, 0.76%, 0.37%

LAB 24.04, 52.03, -69.17

 

CMYK 45 / 86 / 0 / 35

HEX #5B17A5

RGB 91 23 165

HSL 268.73, 0.76%, 0.37%

LAB 28.26, 55.91, -62.08

 

CMYK 22 / 86 / 0 / 35

HEX #8117A5

RGB 129 23 165

HSL 284.79, 0.76%, 0.37%

LAB 33.98, 61.53, -52.5

 

CMYK 0 / 86 / 2 / 35

HEX #A517A2

RGB 165 23 162

HSL 301.27, 0.76%, 0.37%

LAB 39.95, 67.43, -40.76

 

CMYK 43 / 86 / 0 / 64

HEX #340D5C

RGB 52 13 92

HSL 269.62, 0.75%, 0.21%

LAB 14.35, 35.41, -38.77

 

CMYK 44 / 86 / 0 / 49

HEX #481281

RGB 72 18 129

HSL 269.19, 0.76%, 0.29%

LAB 21.56, 46.18, -50.91

 

CMYK 44 / 86 / 0 / 35

HEX #5D17A5

RGB 93 23 165

HSL 269.58, 0.76%, 0.37%

LAB 28.53, 56.17, -61.62

 

CMYK 44 / 86 / 0 / 21

HEX #711CC9

RGB 113 28 201

HSL 269.48, 0.76%, 0.45%

LAB 35.12, 65.55, -72.08

 

CMYK 40 / 80 / 0 / 12

HEX #862EE1

RGB 134 46 225

HSL 269.5, 0.75%, 0.53%

LAB 41.94, 68.05, -74.64

 

CMYK 43 / 86 / 0 / 35

HEX #5E18A6

RGB 94 24 166

HSL 269.58, 0.75%, 0.37%

LAB 28.87, 56.22, -61.67

 

CMYK 0 / 86 / 59 / 35

HEX #A51744

RGB 165 23 68

HSL 340.99, 0.76%, 0.37%

LAB 36.04, 56.66, 12.28

 

CMYK 86 / 0 / 79 / 35

HEX #17A523

RGB 23 165 35

HSL 125.07, 0.76%, 0.37%

LAB 59.17, -59.26, 53.08

 

CMYK 43 / 86 / 0 / 35

HEX #5E18A6

RGB 94 24 166

HSL 269.58, 0.75%, 0.37%

LAB 28.87, 56.22, -61.67

 

CMYK 0 / 45 / 86 / 35

HEX #A55B17

RGB 165 91 23

HSL 28.73, 0.76%, 0.37%

LAB 46.37, 25.62, 48.59

 

CMYK 86 / 0 / 45 / 35

HEX #17A55B

RGB 23 165 91

HSL 148.73, 0.76%, 0.37%

LAB 59.75, -52.19, 28.6

 

CMYK 43 / 86 / 0 / 35

HEX #5E18A6

RGB 94 24 166

HSL 269.58, 0.75%, 0.37%

LAB 28.87, 56.22, -61.67

 

CMYK 0 / 86 / 59 / 35

HEX #A51744

RGB 165 23 68

HSL 340.99, 0.76%, 0.37%

LAB 36.04, 56.66, 12.28

 

CMYK 42 / 0 / 86 / 35

HEX #60A517

RGB 96 165 23

HSL 89.15, 0.76%, 0.37%

LAB 61.18, -43.27, 59.03

 

CMYK 86 / 0 / 27 / 35

HEX #17A578

RGB 23 165 120

HSL 160.99, 0.76%, 0.37%

LAB 60.29, -46.04, 13.55

 

CMYK 43 / 86 / 0 / 35

HEX #5E18A6

RGB 94 24 166

HSL 269.58, 0.75%, 0.37%

LAB 28.87, 56.22, -61.67

 

CMYK 0 / 86 / 85 / 35

HEX #A51719

RGB 165 23 25

HSL 359.15, 0.76%, 0.37%

LAB 35.37, 54.67, 38.07

 

CMYK 42 / 0 / 86 / 35

HEX #60A517

RGB 96 165 23

HSL 89.15, 0.76%, 0.37%

LAB 61.18, -43.27, 59.03

 

CMYK 86 / 0 / 2 / 35

HEX #17A5A2

RGB 23 165 162

HSL 178.73, 0.76%, 0.37%

LAB 61.4, -34.58, -8.41

 

Description

Color code: HEX #5E18A6 | qconv.com Color code: HEX #5E18A6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 24 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 24 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 86 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 86% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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