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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E1866 it is the complementary color #A1E799. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E1866. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E1866 shade: #631861, #742A74, #853C87, #964E9A and #A760AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E1866. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E1866 shade: #5E1866, #4D0653, #3C0040, #2B002D and #1A001A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E1866 shade: #5F1867, #67185A, #671844, #67182F and #67181A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E1866 shade: #5F1867, #491867, #341867, #1F1867 and #181867

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E1866 shade matches the following richer shades: #5F1867, #670D71 and #6F037B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E1866 shade: #5F1867, #56225C, #4E2C52, #463748 and #3E413E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E1866 shade: #331867, #481867, #5E1867, #67185B and #671846

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E1866 shade: #210824, #401045, #5F1867, #7D2088 and #9C27AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E1866 shade: #5E1866, #671E18 and #18673E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E1866 shade: #5E1866, #675E18 and #18675E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E1866 shade: #5E1866, #671E18, #216718 and #186067

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E1866 shade: #5E1866, #673618, #216718 and #184867

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 76 / 0 / 60

HEX #5E1866

RGB 94 24 102

HSL 293.85, 0.62%, 0.25%

LAB 23.65, 42.05, -30.01

 

Complementary color

CMYK 30 / 0 / 34 / 9

HEX #A1E799

RGB 161 231 153

HSL 113.85, 0.62%, 0.75%

LAB 85.52, -36.6, 31.21

 

CMYK 0 / 76 / 2 / 61

HEX #631861

RGB 99 24 97

HSL 301.6, 0.61%, 0.24%

LAB 24.22, 42.32, -25.77

 

CMYK 0 / 64 / 0 / 55

HEX #742A74

RGB 116 42 116

HSL 300, 0.47%, 0.31%

LAB 30.95, 42.64, -27.2

 

CMYK 1 / 56 / 0 / 47

HEX #853C87

RGB 133 60 135

HSL 298.4, 0.38%, 0.38%

LAB 37.78, 42.29, -28.12

 

CMYK 3 / 49 / 0 / 40

HEX #964E9A

RGB 150 78 154

HSL 296.84, 0.33%, 0.45%

LAB 44.61, 41.66, -28.76

 

CMYK 3 / 45 / 0 / 32

HEX #A760AD

RGB 167 96 173

HSL 295.32, 0.32%, 0.53%

LAB 51.38, 40.92, -29.25

 

CMYK 8 / 76 / 0 / 60

HEX #5E1866

RGB 94 24 102

HSL 293.85, 0.62%, 0.25%

LAB 23.65, 42.05, -30.01

 

CMYK 7 / 93 / 0 / 67

HEX #4D0653

RGB 77 6 83

HSL 295.32, 0.87%, 0.17%

LAB 17.14, 40.49, -27.95

 

CMYK 6 / 100 / 0 / 75

HEX #3C0040

RGB 60 0 64

HSL 296.25, 1%, 0.13%

LAB 11.49, 35.73, -24.03

 

CMYK 4 / 100 / 0 / 82

HEX #2B002D

RGB 43 0 45

HSL 297.33, 1%, 0.09%

LAB 6.35, 28.23, -18.62

 

CMYK 0 / 100 / 0 / 90

HEX #1A001A

RGB 26 0 26

HSL 300, 1%, 0.05%

LAB 2.66, 13.63, -9.74

 

CMYK 8 / 77 / 0 / 60

HEX #5F1867

RGB 95 24 103

HSL 293.92, 0.62%, 0.25%

LAB 23.89, 42.48, -30.27

 

CMYK 0 / 77 / 13 / 60

HEX #67185A

RGB 103 24 90

HSL 309.87, 0.62%, 0.25%

LAB 24.56, 42.13, -20.57

 

CMYK 0 / 77 / 34 / 60

HEX #671844

RGB 103 24 68

HSL 326.58, 0.62%, 0.25%

LAB 23.52, 38.88, -7.4

 

CMYK 0 / 77 / 54 / 60

HEX #67182F

RGB 103 24 47

HSL 342.53, 0.62%, 0.25%

LAB 22.8, 36.53, 6.01

 

CMYK 0 / 77 / 75 / 60

HEX #67181A

RGB 103 24 26

HSL 358.48, 0.62%, 0.25%

LAB 22.34, 34.99, 19.79

 

CMYK 8 / 77 / 0 / 60

HEX #5F1867

RGB 95 24 103

HSL 293.92, 0.62%, 0.25%

LAB 23.89, 42.48, -30.27

 

CMYK 29 / 77 / 0 / 60

HEX #491867

RGB 73 24 103

HSL 277.22, 0.62%, 0.25%

LAB 20.24, 37.45, -36.33

 

CMYK 50 / 77 / 0 / 60

HEX #341867

RGB 52 24 103

HSL 261.27, 0.62%, 0.25%

LAB 17.29, 33.17, -41.26

 

CMYK 70 / 77 / 0 / 60

HEX #1F1867

RGB 31 24 103

HSL 245.32, 0.62%, 0.25%

LAB 15.08, 29.79, -44.96

 

CMYK 77 / 77 / 0 / 60

HEX #181867

RGB 24 24 103

HSL 240, 0.62%, 0.25%

LAB 14.55, 28.95, -45.86

 

CMYK 8 / 77 / 0 / 60

HEX #5F1867

RGB 95 24 103

HSL 293.92, 0.62%, 0.25%

LAB 23.89, 42.48, -30.27

 

CMYK 9 / 88 / 0 / 56

HEX #670D71

RGB 103 13 113

HSL 294, 0.79%, 0.25%

LAB 24.84, 49.46, -35.14

 

CMYK 10 / 98 / 0 / 52

HEX #6F037B

RGB 111 3 123

HSL 294, 0.95%, 0.25%

LAB 26.37, 54.67, -38.98

 

CMYK 8 / 77 / 0 / 60

HEX #5F1867

RGB 95 24 103

HSL 293.92, 0.62%, 0.25%

LAB 23.89, 42.48, -30.27

 

CMYK 7 / 63 / 0 / 64

HEX #56225C

RGB 86 34 92

HSL 293.79, 0.46%, 0.25%

LAB 23.32, 33.3, -24.04

 

CMYK 5 / 46 / 0 / 68

HEX #4E2C52

RGB 78 44 82

HSL 293.68, 0.3%, 0.25%

LAB 23.77, 22.73, -16.8

 

CMYK 3 / 24 / 0 / 72

HEX #463748

RGB 70 55 72

HSL 292.94, 0.13%, 0.25%

LAB 25.27, 10.24, -7.94

 

CMYK 5 / 0 / 5 / 75

HEX #3E413E

RGB 62 65 62

HSL 120, 0.02%, 0.25%

LAB 27.16, -1.93, 1.39

 

CMYK 50 / 77 / 0 / 60

HEX #331867

RGB 51 24 103

HSL 260.51, 0.62%, 0.25%

LAB 17.16, 32.99, -41.47

 

CMYK 30 / 77 / 0 / 60

HEX #481867

RGB 72 24 103

HSL 276.46, 0.62%, 0.25%

LAB 20.08, 37.24, -36.58

 

CMYK 9 / 77 / 0 / 60

HEX #5E1867

RGB 94 24 103

HSL 293.16, 0.62%, 0.25%

LAB 23.71, 42.24, -30.56

 

CMYK 0 / 77 / 12 / 60

HEX #67185B

RGB 103 24 91

HSL 309.11, 0.62%, 0.25%

LAB 24.61, 42.3, -21.15

 

CMYK 0 / 77 / 32 / 60

HEX #671846

RGB 103 24 70

HSL 325.06, 0.62%, 0.25%

LAB 23.6, 39.14, -8.63

 

CMYK 8 / 78 / 0 / 86

HEX #210824

RGB 33 8 36

HSL 293.57, 0.64%, 0.09%

LAB 5.64, 17.46, -13.02

 

CMYK 7 / 77 / 0 / 73

HEX #401045

RGB 64 16 69

HSL 294.34, 0.62%, 0.17%

LAB 14.9, 31.13, -22.05

 

CMYK 8 / 77 / 0 / 60

HEX #5F1867

RGB 95 24 103

HSL 293.92, 0.62%, 0.25%

LAB 23.89, 42.48, -30.27

 

CMYK 8 / 76 / 0 / 47

HEX #7D2088

RGB 125 32 136

HSL 293.65, 0.62%, 0.33%

LAB 32.19, 52.62, -37.67

 

CMYK 8 / 77 / 0 / 33

HEX #9C27AA

RGB 156 39 170

HSL 293.59, 0.63%, 0.41%

LAB 40.28, 62.96, -45.11

 

CMYK 8 / 76 / 0 / 60

HEX #5E1866

RGB 94 24 102

HSL 293.85, 0.62%, 0.25%

LAB 23.65, 42.05, -30.01

 

CMYK 0 / 71 / 77 / 60

HEX #671E18

RGB 103 30 24

HSL 4.56, 0.62%, 0.25%

LAB 23.26, 32.28, 22.17

 

CMYK 77 / 0 / 40 / 60

HEX #18673E

RGB 24 103 62

HSL 148.86, 0.62%, 0.25%

LAB 38.27, -33.79, 16.58

 

CMYK 8 / 76 / 0 / 60

HEX #5E1866

RGB 94 24 102

HSL 293.85, 0.62%, 0.25%

LAB 23.65, 42.05, -30.01

 

CMYK 0 / 9 / 77 / 60

HEX #675E18

RGB 103 94 24

HSL 53.16, 0.62%, 0.25%

LAB 39.5, -5.1, 39.13

 

CMYK 77 / 0 / 9 / 60

HEX #18675E

RGB 24 103 94

HSL 173.16, 0.62%, 0.25%

LAB 39.08, -25.37, -1.65

 

CMYK 8 / 76 / 0 / 60

HEX #5E1866

RGB 94 24 102

HSL 293.85, 0.62%, 0.25%

LAB 23.65, 42.05, -30.01

 

CMYK 0 / 71 / 77 / 60

HEX #671E18

RGB 103 30 24

HSL 4.56, 0.62%, 0.25%

LAB 23.26, 32.28, 22.17

 

CMYK 68 / 0 / 77 / 60

HEX #216718

RGB 33 103 24

HSL 113.16, 0.62%, 0.25%

LAB 38, -37.72, 36.16

 

CMYK 77 / 7 / 0 / 60

HEX #186067

RGB 24 96 103

HSL 185.32, 0.62%, 0.25%

LAB 37, -18.8, -10.29

 

CMYK 8 / 76 / 0 / 60

HEX #5E1866

RGB 94 24 102

HSL 293.85, 0.62%, 0.25%

LAB 23.65, 42.05, -30.01

 

CMYK 0 / 48 / 77 / 60

HEX #673618

RGB 103 54 24

HSL 22.78, 0.62%, 0.25%

LAB 28.35, 19.2, 27.79

 

CMYK 68 / 0 / 77 / 60

HEX #216718

RGB 33 103 24

HSL 113.16, 0.62%, 0.25%

LAB 38, -37.72, 36.16

 

CMYK 77 / 30 / 0 / 60

HEX #184867

RGB 24 72 103

HSL 203.54, 0.62%, 0.25%

LAB 28.92, -4.53, -22.72

 

Description

Color code: HEX #5E1866 | qconv.com Color code: HEX #5E1866 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 24 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 24 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 76 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 76% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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