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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E1851 it is the complementary color #A1E7AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E1851. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E1851 shade: #63184C, #742A5F, #853C72, #964E85 and #A76098

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E1851. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E1851 shade: #5E1851, #4D063E, #3C002B, #2B0018 and #1A0005

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E1851 shade: #5D1850, #5D183E, #5D182B and #5D1818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E1851 shade: #5D1850, #57185D, #45185D, #32185D and #1F185D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E1851 shade matches the following richer shades: #5D1850, #670F56 and #70055C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E1851 shade: #5D1850, #54224A, #4A2B44, #41353F and #373E39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E1851 shade: #45185D, #57185D, #5D1851, #5D183E and #5D182C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E1851 shade: #1C0718, #3C1034, #5D1850, #7E216D and #9F2989

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E1851 shade: #5E1851, #5D3318 and #185D4E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E1851 shade: #5E1851, #515D18 and #18515D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E1851 shade: #5E1851, #5D3318, #185D25 and #18435D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E1851 shade: #5E1851, #5D4718, #185D25 and #182E5D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 14 / 63

HEX #5E1851

RGB 94 24 81

HSL 311.14, 0.59%, 0.23%

LAB 22.4, 38.2, -18.07

 

Complementary color

CMYK 30 / 0 / 25 / 9

HEX #A1E7AE

RGB 161 231 174

HSL 131.14, 0.59%, 0.77%

LAB 85.9, -33.15, 20.93

 

CMYK 0 / 76 / 23 / 61

HEX #63184C

RGB 99 24 76

HSL 318.4, 0.61%, 0.24%

LAB 23.09, 38.82, -13.55

 

CMYK 0 / 64 / 18 / 55

HEX #742A5F

RGB 116 42 95

HSL 317.03, 0.47%, 0.31%

LAB 29.9, 38.95, -15.37

 

CMYK 0 / 55 / 14 / 48

HEX #853C72

RGB 133 60 114

HSL 315.62, 0.38%, 0.38%

LAB 36.81, 38.48, -16.62

 

CMYK 0 / 48 / 11 / 41

HEX #964E85

RGB 150 78 133

HSL 314.17, 0.32%, 0.45%

LAB 43.69, 37.78, -17.54

 

CMYK 0 / 43 / 9 / 35

HEX #A76098

RGB 167 96 152

HSL 312.68, 0.29%, 0.52%

LAB 50.51, 37.01, -18.28

 

CMYK 0 / 74 / 14 / 63

HEX #5E1851

RGB 94 24 81

HSL 311.14, 0.59%, 0.23%

LAB 22.4, 38.2, -18.07

 

CMYK 0 / 92 / 19 / 70

HEX #4D063E

RGB 77 6 62

HSL 312.68, 0.86%, 0.16%

LAB 15.78, 36.88, -15.59

 

CMYK 0 / 100 / 28 / 76

HEX #3C002B

RGB 60 0 43

HSL 317, 1%, 0.12%

LAB 10.07, 32.24, -11

 

CMYK 0 / 100 / 44 / 83

HEX #2B0018

RGB 43 0 24

HSL 326.51, 1%, 0.08%

LAB 5.23, 23.63, -4.06

 

CMYK 0 / 100 / 81 / 90

HEX #1A0005

RGB 26 0 5

HSL 348.46, 1%, 0.05%

LAB 2.08, 9.6, 1.24

 

CMYK 0 / 74 / 14 / 64

HEX #5D1850

RGB 93 24 80

HSL 311.3, 0.59%, 0.23%

LAB 22.16, 37.75, -17.78

 

CMYK 0 / 74 / 33 / 64

HEX #5D183E

RGB 93 24 62

HSL 326.96, 0.59%, 0.23%

LAB 21.31, 35, -6.8

 

CMYK 0 / 74 / 54 / 64

HEX #5D182B

RGB 93 24 43

HSL 343.48, 0.59%, 0.23%

LAB 20.65, 32.75, 5.48

 

CMYK 0 / 74 / 74 / 64

HEX #5D1818

RGB 93 24 24

HSL 0, 0.59%, 0.23%

LAB 20.23, 31.26, 18.1

 

CMYK 0 / 74 / 14 / 64

HEX #5D1850

RGB 93 24 80

HSL 311.3, 0.59%, 0.23%

LAB 22.16, 37.75, -17.78

 

CMYK 6 / 74 / 0 / 64

HEX #57185D

RGB 87 24 93

HSL 294.78, 0.59%, 0.23%

LAB 21.83, 38.55, -27.05

 

CMYK 26 / 74 / 0 / 64

HEX #45185D

RGB 69 24 93

HSL 279.13, 0.59%, 0.23%

LAB 18.84, 34.09, -32.02

 

CMYK 46 / 74 / 0 / 64

HEX #32185D

RGB 50 24 93

HSL 262.61, 0.59%, 0.23%

LAB 16.11, 29.77, -36.56

 

CMYK 67 / 74 / 0 / 64

HEX #1F185D

RGB 31 24 93

HSL 246.09, 0.59%, 0.23%

LAB 14.03, 26.22, -40.06

 

CMYK 0 / 74 / 14 / 64

HEX #5D1850

RGB 93 24 80

HSL 311.3, 0.59%, 0.23%

LAB 22.16, 37.75, -17.78

 

CMYK 0 / 85 / 17 / 60

HEX #670F56

RGB 103 15 86

HSL 311.59, 0.75%, 0.23%

LAB 23.33, 44.41, -19.84

 

CMYK 0 / 96 / 18 / 56

HEX #70055C

RGB 112 5 92

HSL 311.21, 0.91%, 0.23%

LAB 24.72, 49.54, -21.52

 

CMYK 0 / 74 / 14 / 64

HEX #5D1850

RGB 93 24 80

HSL 311.3, 0.59%, 0.23%

LAB 22.16, 37.75, -17.78

 

CMYK 0 / 60 / 12 / 67

HEX #54224A

RGB 84 34 74

HSL 312, 0.42%, 0.23%

LAB 22.03, 29.06, -14.06

 

CMYK 0 / 42 / 8 / 71

HEX #4A2B44

RGB 74 43 68

HSL 311.61, 0.26%, 0.23%

LAB 22.31, 18.82, -9.7

 

CMYK 0 / 18 / 3 / 75

HEX #41353F

RGB 65 53 63

HSL 310, 0.1%, 0.23%

LAB 23.77, 7.44, -4.24

 

CMYK 11 / 0 / 8 / 76

HEX #373E39

RGB 55 62 57

HSL 137.14, 0.06%, 0.23%

LAB 25.42, -4.09, 2.08

 

CMYK 26 / 74 / 0 / 64

HEX #45185D

RGB 69 24 93

HSL 279.13, 0.59%, 0.23%

LAB 18.84, 34.09, -32.02

 

CMYK 6 / 74 / 0 / 64

HEX #57185D

RGB 87 24 93

HSL 294.78, 0.59%, 0.23%

LAB 21.83, 38.55, -27.05

 

CMYK 0 / 74 / 13 / 64

HEX #5D1851

RGB 93 24 81

HSL 310.43, 0.59%, 0.23%

LAB 22.21, 37.92, -18.37

 

CMYK 0 / 74 / 33 / 64

HEX #5D183E

RGB 93 24 62

HSL 326.96, 0.59%, 0.23%

LAB 21.31, 35, -6.8

 

CMYK 0 / 74 / 53 / 64

HEX #5D182C

RGB 93 24 44

HSL 342.61, 0.59%, 0.23%

LAB 20.68, 32.85, 4.82

 

CMYK 0 / 75 / 14 / 89

HEX #1C0718

RGB 28 7 24

HSL 311.43, 0.6%, 0.07%

LAB 4.2, 11.39, -5.86

 

CMYK 0 / 73 / 13 / 76

HEX #3C1034

RGB 60 16 52

HSL 310.91, 0.58%, 0.15%

LAB 13.1, 26.52, -12.88

 

CMYK 0 / 74 / 14 / 64

HEX #5D1850

RGB 93 24 80

HSL 311.3, 0.59%, 0.23%

LAB 22.16, 37.75, -17.78

 

CMYK 0 / 74 / 13 / 51

HEX #7E216D

RGB 126 33 109

HSL 310.97, 0.58%, 0.31%

LAB 30.94, 47.85, -22.63

 

CMYK 0 / 74 / 14 / 38

HEX #9F2989

RGB 159 41 137

HSL 311.19, 0.59%, 0.39%

LAB 39.18, 57.59, -26.86

 

CMYK 0 / 74 / 14 / 63

HEX #5E1851

RGB 94 24 81

HSL 311.14, 0.59%, 0.23%

LAB 22.4, 38.2, -18.07

 

CMYK 0 / 45 / 74 / 64

HEX #5D3318

RGB 93 51 24

HSL 23.48, 0.59%, 0.23%

LAB 26.04, 16.34, 24.82

 

CMYK 74 / 0 / 16 / 64

HEX #185D4E

RGB 24 93 78

HSL 166.96, 0.59%, 0.23%

LAB 35.15, -25.15, 2.5

 

CMYK 0 / 74 / 14 / 63

HEX #5E1851

RGB 94 24 81

HSL 311.14, 0.59%, 0.23%

LAB 22.4, 38.2, -18.07

 

CMYK 13 / 0 / 74 / 64

HEX #515D18

RGB 81 93 24

HSL 70.43, 0.59%, 0.23%

LAB 37.2, -15.09, 36.18

 

CMYK 74 / 13 / 0 / 64

HEX #18515D

RGB 24 81 93

HSL 190.43, 0.59%, 0.23%

LAB 31.51, -13.81, -12.36

 

CMYK 0 / 74 / 14 / 63

HEX #5E1851

RGB 94 24 81

HSL 311.14, 0.59%, 0.23%

LAB 22.4, 38.2, -18.07

 

CMYK 0 / 45 / 74 / 64

HEX #5D3318

RGB 93 51 24

HSL 23.48, 0.59%, 0.23%

LAB 26.04, 16.34, 24.82

 

CMYK 74 / 0 / 60 / 64

HEX #185D25

RGB 24 93 37

HSL 131.3, 0.59%, 0.23%

LAB 34.31, -34.3, 25.79

 

CMYK 74 / 28 / 0 / 64

HEX #18435D

RGB 24 67 93

HSL 202.61, 0.59%, 0.23%

LAB 26.73, -5.21, -19.73

 

CMYK 0 / 74 / 14 / 63

HEX #5E1851

RGB 94 24 81

HSL 311.14, 0.59%, 0.23%

LAB 22.4, 38.2, -18.07

 

CMYK 0 / 24 / 74 / 64

HEX #5D4718

RGB 93 71 24

HSL 40.87, 0.59%, 0.23%

LAB 31.58, 3.83, 30.79

 

CMYK 74 / 0 / 60 / 64

HEX #185D25

RGB 24 93 37

HSL 131.3, 0.59%, 0.23%

LAB 34.31, -34.3, 25.79

 

CMYK 74 / 51 / 0 / 64

HEX #182E5D

RGB 24 46 93

HSL 220.87, 0.59%, 0.23%

LAB 19.8, 9.31, -30.71

 

Description

Color code: HEX #5E1851 | qconv.com Color code: HEX #5E1851 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 24 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 24 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 14 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 14% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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