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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E175F it is the complementary color #A1E8A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E175F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E175F shade: #63175A, #74296D, #853B80, #964D93 and #A75FA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E175F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E175F shade: #5E175F, #4D054C, #3C0039, #2B0026 and #1A0013

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E175F shade: #5D175E, #5E174C, #5E1739, #5E1726 and #5E1717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E175F shade: #5D175E, #4A175E, #37175E, #24175E and #17175E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E175F shade matches the following richer shades: #5D175E, #670D68 and #700471

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E175F shade: #5D175E, #542055, #4B2A4B, #423342 and #393D38

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E175F shade: #37175E, #4A175E, #5D175E, #5E174D and #5E1739

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E175F shade: #1C071C, #3D0F3D, #5D175E, #7E1F80 and #9F27A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E175F shade: #5E175F, #5E2417 and #175E41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E175F shade: #5E175F, #5E5D17 and #175E5D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E175F shade: #5E175F, #5E2417, #185E17 and #17515E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E175F shade: #5E175F, #5E3917, #185E17 and #173C5E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 76 / 0 / 63

HEX #5E175F

RGB 94 23 95

HSL 299.17, 0.61%, 0.23%

LAB 23.06, 41.09, -26.35

 

Complementary color

CMYK 31 / 0 / 31 / 9

HEX #A1E8A0

RGB 161 232 160

HSL 119.17, 0.61%, 0.77%

LAB 85.92, -35.96, 28.18

 

CMYK 0 / 77 / 9 / 61

HEX #63175A

RGB 99 23 90

HSL 307.11, 0.62%, 0.24%

LAB 23.68, 41.46, -22

 

CMYK 0 / 65 / 6 / 55

HEX #74296D

RGB 116 41 109

HSL 305.6, 0.48%, 0.31%

LAB 30.41, 41.81, -23.59

 

CMYK 0 / 56 / 4 / 48

HEX #853B80

RGB 133 59 128

HSL 304.05, 0.39%, 0.38%

LAB 37.25, 41.48, -24.64

 

CMYK 0 / 49 / 2 / 41

HEX #964D93

RGB 150 77 147

HSL 302.47, 0.32%, 0.45%

LAB 44.09, 40.85, -25.39

 

CMYK 0 / 43 / 1 / 35

HEX #A75FA6

RGB 167 95 166

HSL 300.83, 0.29%, 0.51%

LAB 50.87, 40.11, -25.96

 

CMYK 1 / 76 / 0 / 63

HEX #5E175F

RGB 94 23 95

HSL 299.17, 0.61%, 0.23%

LAB 23.06, 41.09, -26.35

 

CMYK 0 / 94 / 1 / 70

HEX #4D054C

RGB 77 5 76

HSL 300.83, 0.88%, 0.16%

LAB 16.54, 39.52, -24.13

 

CMYK 0 / 100 / 5 / 76

HEX #3C0039

RGB 60 0 57

HSL 303, 1%, 0.12%

LAB 10.96, 34.47, -19.86

 

CMYK 0 / 100 / 12 / 83

HEX #2B0026

RGB 43 0 38

HSL 306.98, 1%, 0.08%

LAB 5.9, 26.56, -14.01

 

CMYK 0 / 100 / 27 / 90

HEX #1A0013

RGB 26 0 19

HSL 316.15, 1%, 0.05%

LAB 2.41, 11.88, -4.99

 

CMYK 1 / 76 / 0 / 63

HEX #5D175E

RGB 93 23 94

HSL 299.15, 0.61%, 0.23%

LAB 22.82, 40.65, -26.08

 

CMYK 0 / 76 / 19 / 63

HEX #5E174C

RGB 94 23 76

HSL 315.21, 0.61%, 0.23%

LAB 22, 37.79, -15.32

 

CMYK 0 / 76 / 39 / 63

HEX #5E1739

RGB 94 23 57

HSL 331.27, 0.61%, 0.23%

LAB 21.16, 35.08, -3.54

 

CMYK 0 / 76 / 60 / 63

HEX #5E1726

RGB 94 23 38

HSL 347.32, 0.61%, 0.23%

LAB 20.57, 33.07, 8.9

 

CMYK 0 / 76 / 76 / 63

HEX #5E1717

RGB 94 23 23

HSL 0, 0.61%, 0.23%

LAB 20.26, 32.01, 18.86

 

CMYK 1 / 76 / 0 / 63

HEX #5D175E

RGB 93 23 94

HSL 299.15, 0.61%, 0.23%

LAB 22.82, 40.65, -26.08

 

CMYK 21 / 76 / 0 / 63

HEX #4A175E

RGB 74 23 94

HSL 283.1, 0.61%, 0.23%

LAB 19.54, 36.01, -31.51

 

CMYK 41 / 76 / 0 / 63

HEX #37175E

RGB 55 23 94

HSL 267.04, 0.61%, 0.23%

LAB 16.67, 31.69, -36.3

 

CMYK 62 / 76 / 0 / 63

HEX #24175E

RGB 36 23 94

HSL 250.99, 0.61%, 0.23%

LAB 14.38, 28.02, -40.13

 

CMYK 76 / 76 / 0 / 63

HEX #17175E

RGB 23 23 94

HSL 240, 0.61%, 0.23%

LAB 13.25, 26.11, -42.03

 

CMYK 1 / 76 / 0 / 63

HEX #5D175E

RGB 93 23 94

HSL 299.15, 0.61%, 0.23%

LAB 22.82, 40.65, -26.08

 

CMYK 1 / 88 / 0 / 59

HEX #670D68

RGB 103 13 104

HSL 299.34, 0.78%, 0.23%

LAB 24.23, 47.86, -30.29

 

CMYK 1 / 96 / 0 / 56

HEX #700471

RGB 112 4 113

HSL 299.45, 0.93%, 0.23%

LAB 25.93, 52.96, -33.29

 

CMYK 1 / 76 / 0 / 63

HEX #5D175E

RGB 93 23 94

HSL 299.15, 0.61%, 0.23%

LAB 22.82, 40.65, -26.08

 

CMYK 1 / 62 / 0 / 67

HEX #542055

RGB 84 32 85

HSL 298.87, 0.45%, 0.23%

LAB 22.21, 32.3, -21.17

 

CMYK 0 / 44 / 0 / 71

HEX #4B2A4B

RGB 75 42 75

HSL 300, 0.28%, 0.23%

LAB 22.51, 21.34, -14.1

 

CMYK 0 / 23 / 0 / 74

HEX #423342

RGB 66 51 66

HSL 300, 0.13%, 0.23%

LAB 23.4, 9.88, -6.79

 

CMYK 7 / 0 / 8 / 76

HEX #393D38

RGB 57 61 56

HSL 108, 0.04%, 0.23%

LAB 25.24, -2.83, 2.5

 

CMYK 41 / 76 / 0 / 63

HEX #37175E

RGB 55 23 94

HSL 267.04, 0.61%, 0.23%

LAB 16.67, 31.69, -36.3

 

CMYK 21 / 76 / 0 / 63

HEX #4A175E

RGB 74 23 94

HSL 283.1, 0.61%, 0.23%

LAB 19.54, 36.01, -31.51

 

CMYK 1 / 76 / 0 / 63

HEX #5D175E

RGB 93 23 94

HSL 299.15, 0.61%, 0.23%

LAB 22.82, 40.65, -26.08

 

CMYK 0 / 76 / 18 / 63

HEX #5E174D

RGB 94 23 77

HSL 314.37, 0.61%, 0.23%

LAB 22.05, 37.95, -15.92

 

CMYK 0 / 76 / 39 / 63

HEX #5E1739

RGB 94 23 57

HSL 331.27, 0.61%, 0.23%

LAB 21.16, 35.08, -3.54

 

CMYK 0 / 75 / 0 / 89

HEX #1C071C

RGB 28 7 28

HSL 300, 0.6%, 0.07%

LAB 4.36, 12.52, -8.8

 

CMYK 0 / 75 / 0 / 76

HEX #3D0F3D

RGB 61 15 61

HSL 300, 0.61%, 0.15%

LAB 13.65, 29.09, -18.44

 

CMYK 1 / 76 / 0 / 63

HEX #5D175E

RGB 93 23 94

HSL 299.15, 0.61%, 0.23%

LAB 22.82, 40.65, -26.08

 

CMYK 2 / 76 / 0 / 50

HEX #7E1F80

RGB 126 31 128

HSL 298.76, 0.61%, 0.31%

LAB 31.75, 51.74, -33.38

 

CMYK 1 / 76 / 0 / 37

HEX #9F27A1

RGB 159 39 161

HSL 299.02, 0.61%, 0.39%

LAB 40.24, 62.04, -39.76

 

CMYK 1 / 76 / 0 / 63

HEX #5E175F

RGB 94 23 95

HSL 299.17, 0.61%, 0.23%

LAB 23.06, 41.09, -26.35

 

CMYK 0 / 62 / 76 / 63

HEX #5E2417

RGB 94 36 23

HSL 10.99, 0.61%, 0.23%

LAB 22.67, 25.57, 21.66

 

CMYK 76 / 0 / 31 / 63

HEX #175E41

RGB 23 94 65

HSL 155.49, 0.61%, 0.23%

LAB 35.14, -29.29, 10.51

 

CMYK 1 / 76 / 0 / 63

HEX #5E175F

RGB 94 23 95

HSL 299.17, 0.61%, 0.23%

LAB 23.06, 41.09, -26.35

 

CMYK 0 / 1 / 76 / 63

HEX #5E5D17

RGB 94 93 23

HSL 59.15, 0.61%, 0.23%

LAB 38.32, -8.94, 38.09

 

CMYK 76 / 0 / 1 / 63

HEX #175E5D

RGB 23 94 93

HSL 179.15, 0.61%, 0.23%

LAB 35.94, -21.2, -5.68

 

CMYK 1 / 76 / 0 / 63

HEX #5E175F

RGB 94 23 95

HSL 299.17, 0.61%, 0.23%

LAB 23.06, 41.09, -26.35

 

CMYK 0 / 62 / 76 / 63

HEX #5E2417

RGB 94 36 23

HSL 10.99, 0.61%, 0.23%

LAB 22.67, 25.57, 21.66

 

CMYK 74 / 0 / 76 / 63

HEX #185E17

RGB 24 94 23

HSL 119.15, 0.61%, 0.23%

LAB 34.52, -36.43, 32.91

 

CMYK 76 / 14 / 0 / 63

HEX #17515E

RGB 23 81 94

HSL 190.99, 0.61%, 0.23%

LAB 31.52, -13.62, -12.98

 

CMYK 1 / 76 / 0 / 63

HEX #5E175F

RGB 94 23 95

HSL 299.17, 0.61%, 0.23%

LAB 23.06, 41.09, -26.35

 

CMYK 0 / 39 / 76 / 63

HEX #5E3917

RGB 94 57 23

HSL 28.73, 0.61%, 0.23%

LAB 27.76, 13.03, 27.31

 

CMYK 74 / 0 / 76 / 63

HEX #185E17

RGB 24 94 23

HSL 119.15, 0.61%, 0.23%

LAB 34.52, -36.43, 32.91

 

CMYK 76 / 36 / 0 / 63

HEX #173C5E

RGB 23 60 94

HSL 208.73, 0.61%, 0.23%

LAB 24.39, -0.34, -24.05

 

Description

Color code: HEX #5E175F | qconv.com Color code: HEX #5E175F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 23 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 23 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 76 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 76% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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