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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E16CE it is the complementary color #A1E931. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E16CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E16CE shade: #6316C9, #7428DC, #853AEF, #964CFF and #A75EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E16CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E16CE shade: #5E16CE, #4D04BB, #3C00A8, #2B0095 and #1A0082

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E16CE shade: #5E15CF, #9015CF, #C215CF, #CF15AA and #CF1578

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E16CE shade: #5E15CF, #2C15CF and #1515CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E16CE shade matches the following richer shades: #5E15CF and #5A03E2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E16CE shade: #5E15CF, #6228BD, #663AAA, #6A4D97 and #6E6085

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E16CE shade: #1531CF, #2B15CF, #5D15CF, #8E15CF and #C015CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E16CE shade: #3C0D85, #4D11AA, #5E15CF, #7226E8 and #8A4BEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E16CE shade: #5E16CE, #CF1563 and #18CF15

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E16CE shade: #5E16CE, #CF5D15 and #15CF5D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E16CE shade: #5E16CE, #CF1563, #88CF15 and #15CF82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E16CE shade: #5E16CE, #CF152B, #88CF15 and #15CFBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 89 / 0 / 19

HEX #5E16CE

RGB 94 22 206

HSL 263.48, 0.81%, 0.45%

LAB 32.72, 66.32, -79.03

 

Complementary color

CMYK 31 / 0 / 79 / 9

HEX #A1E931

RGB 161 233 49

HSL 83.48, 0.81%, 0.55%

LAB 85.04, -47.57, 74.92

 

CMYK 51 / 89 / 0 / 21

HEX #6316C9

RGB 99 22 201

HSL 265.81, 0.8%, 0.44%

LAB 32.8, 65.61, -75.97

 

CMYK 47 / 82 / 0 / 14

HEX #7428DC

RGB 116 40 220

HSL 265.33, 0.72%, 0.51%

LAB 38.55, 66.57, -77.42

 

CMYK 44 / 76 / 0 / 6

HEX #853AEF

RGB 133 58 239

HSL 264.86, 0.85%, 0.58%

LAB 44.58, 66.6, -78.25

 

CMYK 41 / 70 / 0 / 0

HEX #964CFF

RGB 150 76 255

HSL 264.8, 1%, 0.65%

LAB 50.54, 65.37, -77.39

 

CMYK 35 / 63 / 0 / 0

HEX #A75EFF

RGB 167 94 255

HSL 267.2, 1%, 0.68%

LAB 55.52, 60.02, -69.21

 

CMYK 54 / 89 / 0 / 19

HEX #5E16CE

RGB 94 22 206

HSL 263.48, 0.81%, 0.45%

LAB 32.72, 66.32, -79.03

 

CMYK 59 / 98 / 0 / 27

HEX #4D04BB

RGB 77 4 187

HSL 263.93, 0.96%, 0.37%

LAB 27.44, 64.09, -76.67

 

CMYK 64 / 100 / 0 / 34

HEX #3C00A8

RGB 60 0 168

HSL 261.43, 1%, 0.33%

LAB 22.96, 59.4, -72.78

 

CMYK 71 / 100 / 0 / 42

HEX #2B0095

RGB 43 0 149

HSL 257.32, 1%, 0.29%

LAB 18.73, 53.94, -68.23

 

CMYK 80 / 100 / 0 / 49

HEX #1A0082

RGB 26 0 130

HSL 252, 1%, 0.25%

LAB 14.58, 48.49, -63.27

 

CMYK 55 / 90 / 0 / 19

HEX #5E15CF

RGB 94 21 207

HSL 263.55, 0.82%, 0.45%

LAB 32.75, 66.8, -79.57

 

CMYK 30 / 90 / 0 / 19

HEX #9015CF

RGB 144 21 207

HSL 279.68, 0.82%, 0.45%

LAB 39.53, 72.37, -68.17

 

CMYK 6 / 90 / 0 / 19

HEX #C215CF

RGB 194 21 207

HSL 295.81, 0.82%, 0.45%

LAB 47.64, 79.87, -54.65

 

CMYK 0 / 90 / 18 / 19

HEX #CF15AA

RGB 207 21 170

HSL 311.94, 0.82%, 0.45%

LAB 47.88, 76.96, -32.5

 

CMYK 0 / 90 / 42 / 19

HEX #CF1578

RGB 207 21 120

HSL 328.06, 0.82%, 0.45%

LAB 45.85, 71.52, -5.41

 

CMYK 55 / 90 / 0 / 19

HEX #5E15CF

RGB 94 21 207

HSL 263.55, 0.82%, 0.45%

LAB 32.75, 66.8, -79.57

 

CMYK 79 / 90 / 0 / 19

HEX #2C15CF

RGB 44 21 207

HSL 247.42, 0.82%, 0.45%

LAB 28.32, 63.71, -87.05

 

CMYK 90 / 90 / 0 / 19

HEX #1515CF

RGB 21 21 207

HSL 240, 0.82%, 0.45%

LAB 27.3, 63.08, -88.78

 

CMYK 55 / 90 / 0 / 19

HEX #5E15CF

RGB 94 21 207

HSL 263.55, 0.82%, 0.45%

LAB 32.75, 66.8, -79.57

 

CMYK 60 / 99 / 0 / 11

HEX #5A03E2

RGB 90 3 226

HSL 263.41, 0.97%, 0.45%

LAB 33.41, 74.02, -89.45

 

CMYK 55 / 90 / 0 / 19

HEX #5E15CF

RGB 94 21 207

HSL 263.55, 0.82%, 0.45%

LAB 32.75, 66.8, -79.57

 

CMYK 48 / 79 / 0 / 26

HEX #6228BD

RGB 98 40 189

HSL 263.36, 0.65%, 0.45%

LAB 33.54, 56.56, -67.71

 

CMYK 40 / 66 / 0 / 33

HEX #663AAA

RGB 102 58 170

HSL 263.57, 0.49%, 0.45%

LAB 35.5, 43.61, -53.2

 

CMYK 30 / 49 / 0 / 41

HEX #6A4D97

RGB 106 77 151

HSL 263.51, 0.32%, 0.45%

LAB 38.91, 28.53, -36.3

 

CMYK 17 / 28 / 0 / 48

HEX #6E6085

RGB 110 96 133

HSL 262.7, 0.16%, 0.45%

LAB 43.32, 13.58, -18.52

 

CMYK 90 / 76 / 0 / 19

HEX #1531CF

RGB 21 49 207

HSL 230.97, 0.82%, 0.45%

LAB 31.49, 50.73, -81.81

 

CMYK 79 / 90 / 0 / 19

HEX #2B15CF

RGB 43 21 207

HSL 247.1, 0.82%, 0.45%

LAB 28.26, 63.67, -87.15

 

CMYK 55 / 90 / 0 / 19

HEX #5D15CF

RGB 93 21 207

HSL 263.23, 0.82%, 0.45%

LAB 32.63, 66.72, -79.76

 

CMYK 31 / 90 / 0 / 19

HEX #8E15CF

RGB 142 21 207

HSL 279.03, 0.82%, 0.45%

LAB 39.23, 72.1, -68.67

 

CMYK 7 / 90 / 0 / 19

HEX #C015CF

RGB 192 21 207

HSL 295.16, 0.82%, 0.45%

LAB 47.3, 79.54, -55.21

 

CMYK 55 / 90 / 0 / 48

HEX #3C0D85

RGB 60 13 133

HSL 263.5, 0.82%, 0.29%

LAB 19.81, 47.36, -56.38

 

CMYK 55 / 90 / 0 / 33

HEX #4D11AA

RGB 77 17 170

HSL 263.53, 0.82%, 0.37%

LAB 26.39, 57.31, -68.23

 

CMYK 55 / 90 / 0 / 19

HEX #5E15CF

RGB 94 21 207

HSL 263.55, 0.82%, 0.45%

LAB 32.75, 66.8, -79.57

 

CMYK 51 / 84 / 0 / 9

HEX #7226E8

RGB 114 38 232

HSL 263.51, 0.81%, 0.53%

LAB 39.22, 69.88, -83.17

 

CMYK 42 / 68 / 0 / 7

HEX #8A4BEC

RGB 138 75 236

HSL 263.48, 0.81%, 0.61%

LAB 47.61, 59.04, -71.58

 

CMYK 54 / 89 / 0 / 19

HEX #5E16CE

RGB 94 22 206

HSL 263.48, 0.81%, 0.45%

LAB 32.72, 66.32, -79.03

 

CMYK 0 / 90 / 52 / 19

HEX #CF1563

RGB 207 21 99

HSL 334.84, 0.82%, 0.45%

LAB 45.22, 69.79, 6.69

 

CMYK 88 / 0 / 90 / 19

HEX #18CF15

RGB 24 207 21

HSL 119.03, 0.82%, 0.45%

LAB 72.81, -72.01, 68.77

 

CMYK 54 / 89 / 0 / 19

HEX #5E16CE

RGB 94 22 206

HSL 263.48, 0.81%, 0.45%

LAB 32.72, 66.32, -79.03

 

CMYK 0 / 55 / 90 / 19

HEX #CF5D15

RGB 207 93 21

HSL 23.23, 0.82%, 0.45%

LAB 53.11, 41.71, 57.3

 

CMYK 90 / 0 / 55 / 19

HEX #15CF5D

RGB 21 207 93

HSL 143.23, 0.82%, 0.45%

LAB 73.27, -66.15, 44.44

 

CMYK 54 / 89 / 0 / 19

HEX #5E16CE

RGB 94 22 206

HSL 263.48, 0.81%, 0.45%

LAB 32.72, 66.32, -79.03

 

CMYK 0 / 90 / 52 / 19

HEX #CF1563

RGB 207 21 99

HSL 334.84, 0.82%, 0.45%

LAB 45.22, 69.79, 6.69

 

CMYK 34 / 0 / 90 / 19

HEX #88CF15

RGB 136 207 21

HSL 82.9, 0.82%, 0.45%

LAB 76.02, -46.62, 72.75

 

CMYK 90 / 0 / 37 / 19

HEX #15CF82

RGB 21 207 130

HSL 155.16, 0.82%, 0.45%

LAB 73.8, -59.82, 26.64

 

CMYK 54 / 89 / 0 / 19

HEX #5E16CE

RGB 94 22 206

HSL 263.48, 0.81%, 0.45%

LAB 32.72, 66.32, -79.03

 

CMYK 0 / 90 / 79 / 19

HEX #CF152B

RGB 207 21 43

HSL 352.9, 0.82%, 0.45%

LAB 44.2, 66.9, 39.66

 

CMYK 34 / 0 / 90 / 19

HEX #88CF15

RGB 136 207 21

HSL 82.9, 0.82%, 0.45%

LAB 76.02, -46.62, 72.75

 

CMYK 90 / 0 / 10 / 19

HEX #15CFBA

RGB 21 207 186

HSL 173.23, 0.82%, 0.45%

LAB 75.03, -46.42, -1.48

 

Description

Color code: HEX #5E16CE | qconv.com Color code: HEX #5E16CE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 22 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 22 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 89 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 89% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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